Kate Winslet’s ‘Regime’ Is Not a Dictatorship — Behind the Scenes, at Least

 This image released by HBO shows Kate Winslet in a scene from "The Regime." (HBO via AP)
This image released by HBO shows Kate Winslet in a scene from "The Regime." (HBO via AP)
TT

Kate Winslet’s ‘Regime’ Is Not a Dictatorship — Behind the Scenes, at Least

 This image released by HBO shows Kate Winslet in a scene from "The Regime." (HBO via AP)
This image released by HBO shows Kate Winslet in a scene from "The Regime." (HBO via AP)

Kate Winslet is running things — on and off the set of her new TV show, "The Regime."

In the HBO show premiering Sunday, she plays Elena Vernham — also known as The Chancellor, the ruler of a fictional country in Europe, possibly near Poland. Winslet, who is also an executive producer on the show, says she's never been offered a character like this "in her life."

"I’ve never read a script like this before. I’ve never laughed so much at the material that was in front of me, as we did every single day, and I really just felt this was an exciting, challenging, terrifying opportunity for me to step totally out of my comfort zone," she says.

As the show’s worshipped leader, she came face to face with many huge artworks of herself.

"Initially I thought to myself, oh God, that’s so brilliant. I’ve got to have one. And then I got so sick of looking at them that towards the end I just wanted to burn them all," Winslet laughs.

Sometimes, the production team would neglect to warn her of a large, sequined image of her face on set.

"Funnily enough I don’t like looking at me. It’s not a comfortable place to be. So yes, there was a, there was a lot of being confronted with that, this heightened version of myself," she says. "I just had to kind of roll with it."

That’s one of the many major differences between the star and the dictator — who loves to be loved by her people, addressing them regularly and also, occasionally, serenading them with a song ("Santa Baby").

Among her loyal subjects: Guillaume Gallienne, as her husband Nicholas; Andrea Riseborough, who runs the palace, and Danny Webb as one of her many ministers, subservient to her bizarre pronouncements. Martha Plimpton plays a US senator and Hugh Grant is Elena's political rival.

Things in the country are running smoothly — well, as smoothly as they can while Elena deals with her latest hypochondria, paranoia and abandonment issues. Then she hires a soldier, played by Matthias Schoenaerts, in her fight against tiny deadly spores — and begins a relationship with repercussions that shake the regime, and the country, to its core, moving her battles to a much larger scale.

The dark comedy, from "Succession" writer Will Tracy, is billed as a twisted love story about two people who should never have fallen in love, which is "exactly why everybody should watch it," says Schoenaerts.

"The world is full of people that should have never met," he says.

Luckily, off screen, the results were less damaging with lots of laughter on set, Schoenaerts recalls: "It gives us some relief because, obviously, sometimes we really have to go (to dark) places."

And it was much less of a dictatorship than on screen.

"She leads by example," Schoenaerts says of Winslet. "She’s always on time, always prepared, always kind, generous, open and extremely sharp. And she’s a lot of fun to work with."

"The Regime" directors Stephen Frears and Jessica Hobbs both agree that a Winslet set is more like a welcoming theater company.

"It did feel like that," says Winslet, who has appeared in amateur theatrical productions.

Gallienne remembers that Winslet would take time out to talk to any new cast members so that they felt comfortable and part of the team.

"She’s very direct, very honest, but very simple and very kind," he says. "As she says, you know, learn your lines, focus and deliver."

Winslet says that she takes being number one on the call sheet very seriously and tries to lead by example, to "lift the energy every day and just deliver it and show up and, and really be there for everybody."

"As I’m getting older I feel responsibility and gratitude, you know, both simultaneously," Winslet explains. "It’s a really privileged position to be in. And I really respect it."

The self-centered chancellor is a far cry from any real-life figure, if you were wondering, with Winslet describing her character's theatrics as "so enormous and delicious."

"And her hysteria at times, and how volatile she is, how vulnerable she is. I mean, I just couldn’t compare her to anyone," she says.

"I couldn’t say there were things that I actually liked about her," adds Winslet, "but there were things that really just made me laugh."



‘Avatar: The Last Airbender’ Expands with New Prequel Series ‘Avatar Kuruk: Wave of Chaos’

Michael Dante DiMartino and Bryan Konietzko. (Getty Images)
Michael Dante DiMartino and Bryan Konietzko. (Getty Images)
TT

‘Avatar: The Last Airbender’ Expands with New Prequel Series ‘Avatar Kuruk: Wave of Chaos’

Michael Dante DiMartino and Bryan Konietzko. (Getty Images)
Michael Dante DiMartino and Bryan Konietzko. (Getty Images)

The world of successful TV franchise "Avatar: The Last Airbender" is expanding once again, with a new prequel series that will follow the story of a rebellious teenager Avatar — a being who controls the elements.

Franchise co-creators Michael Dante DiMartino and Bryan Konietzko announced the animated TV series, titled "Avatar Kuruk: Wave of Chaos," on ‌Friday at ‌New York Comic Con, ‌with attendees ⁠getting a first ⁠look at Kuruk and his pet, Nikik.

Kuruk aims to stay "one step ahead of his angry teacher, rowdy pirates, and chaotic spirits, all while helping the world in his own unique ways," ⁠said a statement from Skydance.

The ‌series is set ‌to stream on Paramount+. No release date has ‌been announced.

The Asian-inspired "Avatar: The Last Airbender" ‌franchise follows a world divided into four elemental nations, where the Avatar alone can control water, fire, earth and air to maintain balance.

The ‌original TV series has spawned two sequels, "The Legend of Korra," and "Avatar: ⁠Seven ⁠Havens."

"Seven Havens" has been renewed for two additional seasons, the statement from Skydance said.

DiMartino and Konietzko were involved in developing a live-action adaptation of the original "Avatar" series for Netflix before parting ways with the streamer in 2020, citing "creative differences."

In 2021, they teamed with Nickelodeon to launch Avatar Studios, focused on expanding the universe of the original series through new films and television projects.


US Actor Keegan Allen Says He Was Victim of Armed Robbery

Keegan Allen attends the Los Angeles premiere of Netflix’s “The Umbrella Academy” held at ArcLight Hollywood on February 12, 2019 in Hollywood. (Getty Images)
Keegan Allen attends the Los Angeles premiere of Netflix’s “The Umbrella Academy” held at ArcLight Hollywood on February 12, 2019 in Hollywood. (Getty Images)
TT

US Actor Keegan Allen Says He Was Victim of Armed Robbery

Keegan Allen attends the Los Angeles premiere of Netflix’s “The Umbrella Academy” held at ArcLight Hollywood on February 12, 2019 in Hollywood. (Getty Images)
Keegan Allen attends the Los Angeles premiere of Netflix’s “The Umbrella Academy” held at ArcLight Hollywood on February 12, 2019 in Hollywood. (Getty Images)

American actor Keegan Allen said he was violently robbed outside a Los Angeles grocery store, an attack he recounted in a graphic video on social media posted overnight Thursday.

"Robbed at gunpoint and knifepoint by two young men that threatened to KILL me over my watch and would have! God said no tonight. My life for a watch," posted the actor who appeared in the hit television series "Pretty Little Liars."

His post included a video of himself, visibly shaken, describing the episode, blood streaming down his face.

The Los Angeles County Sheriff's Department said in a statement that they responded to an alleged armed robbery, without naming Allen.

"According to the victim, one suspect pointed a silver handgun at him while the second suspect brandished a knife. The suspects demanded the victim's watch and bracelet," read the statement.

Officers said the victim was struck in the face with a handgun, leaving a laceration on his forehead, before fleeing in a vehicle with the watch.

Allen's video post included grainy video from an apparent security camera, footage that showed two people wearing black who appeared to threaten the 37-year-old actor, who removes his watch before one of the hooded people pistol whips him.


'Mad Dream': New Showcase for African Film Opens in London

Nigerian film director and media mogul Mo Abudu poses ahead of the opening the UK's first cinema dedicated exclusively to African and black films. Justin TALLIS / AFP
Nigerian film director and media mogul Mo Abudu poses ahead of the opening the UK's first cinema dedicated exclusively to African and black films. Justin TALLIS / AFP
TT

'Mad Dream': New Showcase for African Film Opens in London

Nigerian film director and media mogul Mo Abudu poses ahead of the opening the UK's first cinema dedicated exclusively to African and black films. Justin TALLIS / AFP
Nigerian film director and media mogul Mo Abudu poses ahead of the opening the UK's first cinema dedicated exclusively to African and black films. Justin TALLIS / AFP

Nigerian producer and media mogul Mo Abudu has realized a "mad dream" by opening a unique cultural center in London complete with a cinema dedicated to African film and black culture.

Close to the Houses of Parliament and its Big Ben clock, a massive concrete facade conceals the venue, which opens to the public this weekend - the first of its kind in Britain and Europe.

A small sign reads "EbonyLife Place London".

While the name may mean little to many passers-by, film lovers will recognize the reference to EbonyLife, a leading African production company and a major player in Nollywood, Nigeria's film industry.

Mosunmola "Mo" Abudu, 62, heads a media empire that stretches far beyond Nigeria's borders.

In 2025, Forbes ranked her among the world's 100 most influential women.

"It's time to tell our own stories," she told AFP. "I want to showcase the best of who we are, celebrate who we are. Let them see us at our very best."

Abudu, who was born in London, is pursuing that ambition in the British capital through the cultural center, which she describes as both "literally a blank canvas" and "a bit of a mad dream".

"We have to make the journey because the thing is that we have consumed so much of the world. How much of the world has consumed us?" she asked.

She recalled that growing up in England: "I could never go anywhere during my youth and watch a black movie."

So she decided to act.

"I'm not waiting anymore for anyone to take a six-hour trip from London to understand what it is to watch a Nigerian film or to see Nigerian fashion and so on and so forth. It's right here in London."

- 'Open to everyone' -

The two-storey venue includes a bar, a lounge called "Fehinti" -- a Yoruba word meaning to lean back and rest -- a restaurant and a boutique showcasing designers from Africa and its diaspora. Paintings by artists from across the continent line the walls.

Its centerpiece, however, is the new cinema, fitted with red seats, wood paneling and soft lighting. It has been named "Amani", meaning peace and harmony in Swahili.

The project, financed almost entirely by Abudu's media group, mirrors the upscale lifestyle complex she launched in Lagos in 2019.

Abudu, who is widely credited with helping usher in the era of Nollywood blockbusters, said African creatives should stop asking others to make room for them and instead "take responsibility for creating our own spaces".

Describing the center as a "safe space", she said it would be a place where "you can shop our fashion, you can view our art, you can listen to our music, and we can tell our stories".

Access will be through a membership scheme, details of which have yet to be announced. Such systems are common in Britain, particularly among cultural institutions.

There will be no ethnic or nationality restrictions. "Membership is open to everyone," she insisted.

The cinema's program is still being finalized. But here too, the objective is clear.

"We will have films from all parts of Africa. Everything should be on the table. We would show movies that celebrate black actors, black storytelling; that is why we are here," Abudu said.

Will audiences be able to see films by Senegalese director Ousmane Sembene or by Algerian filmmaker Mohammed Lakhdar-Hamina, the only African director ever to win the Cannes Palme d'Or? Her answer was an emphatic "yes".

The center will also showcase its own productions and films with black actors, including the next in the "Black Panther" series. Opening week will feature Nigerian filmmakers including Nwani Orire and Ifeyinwa Arinze.

And after London?

"I would love to do the same thing in Paris, perhaps through a partnership. I'm always open to collaborating with others," Abudu said.