Kate Winslet’s ‘Regime’ Is Not a Dictatorship — Behind the Scenes, at Least

 This image released by HBO shows Kate Winslet in a scene from "The Regime." (HBO via AP)
This image released by HBO shows Kate Winslet in a scene from "The Regime." (HBO via AP)
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Kate Winslet’s ‘Regime’ Is Not a Dictatorship — Behind the Scenes, at Least

 This image released by HBO shows Kate Winslet in a scene from "The Regime." (HBO via AP)
This image released by HBO shows Kate Winslet in a scene from "The Regime." (HBO via AP)

Kate Winslet is running things — on and off the set of her new TV show, "The Regime."

In the HBO show premiering Sunday, she plays Elena Vernham — also known as The Chancellor, the ruler of a fictional country in Europe, possibly near Poland. Winslet, who is also an executive producer on the show, says she's never been offered a character like this "in her life."

"I’ve never read a script like this before. I’ve never laughed so much at the material that was in front of me, as we did every single day, and I really just felt this was an exciting, challenging, terrifying opportunity for me to step totally out of my comfort zone," she says.

As the show’s worshipped leader, she came face to face with many huge artworks of herself.

"Initially I thought to myself, oh God, that’s so brilliant. I’ve got to have one. And then I got so sick of looking at them that towards the end I just wanted to burn them all," Winslet laughs.

Sometimes, the production team would neglect to warn her of a large, sequined image of her face on set.

"Funnily enough I don’t like looking at me. It’s not a comfortable place to be. So yes, there was a, there was a lot of being confronted with that, this heightened version of myself," she says. "I just had to kind of roll with it."

That’s one of the many major differences between the star and the dictator — who loves to be loved by her people, addressing them regularly and also, occasionally, serenading them with a song ("Santa Baby").

Among her loyal subjects: Guillaume Gallienne, as her husband Nicholas; Andrea Riseborough, who runs the palace, and Danny Webb as one of her many ministers, subservient to her bizarre pronouncements. Martha Plimpton plays a US senator and Hugh Grant is Elena's political rival.

Things in the country are running smoothly — well, as smoothly as they can while Elena deals with her latest hypochondria, paranoia and abandonment issues. Then she hires a soldier, played by Matthias Schoenaerts, in her fight against tiny deadly spores — and begins a relationship with repercussions that shake the regime, and the country, to its core, moving her battles to a much larger scale.

The dark comedy, from "Succession" writer Will Tracy, is billed as a twisted love story about two people who should never have fallen in love, which is "exactly why everybody should watch it," says Schoenaerts.

"The world is full of people that should have never met," he says.

Luckily, off screen, the results were less damaging with lots of laughter on set, Schoenaerts recalls: "It gives us some relief because, obviously, sometimes we really have to go (to dark) places."

And it was much less of a dictatorship than on screen.

"She leads by example," Schoenaerts says of Winslet. "She’s always on time, always prepared, always kind, generous, open and extremely sharp. And she’s a lot of fun to work with."

"The Regime" directors Stephen Frears and Jessica Hobbs both agree that a Winslet set is more like a welcoming theater company.

"It did feel like that," says Winslet, who has appeared in amateur theatrical productions.

Gallienne remembers that Winslet would take time out to talk to any new cast members so that they felt comfortable and part of the team.

"She’s very direct, very honest, but very simple and very kind," he says. "As she says, you know, learn your lines, focus and deliver."

Winslet says that she takes being number one on the call sheet very seriously and tries to lead by example, to "lift the energy every day and just deliver it and show up and, and really be there for everybody."

"As I’m getting older I feel responsibility and gratitude, you know, both simultaneously," Winslet explains. "It’s a really privileged position to be in. And I really respect it."

The self-centered chancellor is a far cry from any real-life figure, if you were wondering, with Winslet describing her character's theatrics as "so enormous and delicious."

"And her hysteria at times, and how volatile she is, how vulnerable she is. I mean, I just couldn’t compare her to anyone," she says.

"I couldn’t say there were things that I actually liked about her," adds Winslet, "but there were things that really just made me laugh."



Tom Cruise, Superman and 'Avatar' Hold Keys to 2025 Box Office

FILE PHOTO: Paris 2024 Olympics - Ceremonies - Paris 2024 Closing Ceremony - Stade de France, Saint-Denis, France - August 11, 2024.  Actor Tom Cruise jumps from the roof of the Stade de France during the closing ceremony. REUTERS/Phil Noble/File Photo
FILE PHOTO: Paris 2024 Olympics - Ceremonies - Paris 2024 Closing Ceremony - Stade de France, Saint-Denis, France - August 11, 2024. Actor Tom Cruise jumps from the roof of the Stade de France during the closing ceremony. REUTERS/Phil Noble/File Photo
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Tom Cruise, Superman and 'Avatar' Hold Keys to 2025 Box Office

FILE PHOTO: Paris 2024 Olympics - Ceremonies - Paris 2024 Closing Ceremony - Stade de France, Saint-Denis, France - August 11, 2024.  Actor Tom Cruise jumps from the roof of the Stade de France during the closing ceremony. REUTERS/Phil Noble/File Photo
FILE PHOTO: Paris 2024 Olympics - Ceremonies - Paris 2024 Closing Ceremony - Stade de France, Saint-Denis, France - August 11, 2024. Actor Tom Cruise jumps from the roof of the Stade de France during the closing ceremony. REUTERS/Phil Noble/File Photo

Tom Cruise takes on what may be his final "Mission: Impossible," a new Superman will wear the red cape, and the record-setting "Avatar" sci-fi series will return to movie theaters this year.
Those films and more are giving cinema operators hope that the long recovery from the COVID-19 pandemic will continue in 2025. Five years after the start of the health crisis, moviegoing has not fully rebounded.
Box office receipts totaled $8.6 billion last year in the United States and Canada, 25% below the pre-pandemic heights of $11.4 billion in 2019, Reuters reported.
The film industry was disrupted again in 2023 when Hollywood writers and actors went on strike.
"That complex matrix of filmmaking, where everyone wants the best talent and the best actors and the best sets, it takes a long time to get that running again," said Tim Richards, founder and CEO of Europe's Vue Cinemas. "2025 is going to feel the tail end of that."
Top names in the movie business will gather at the annual CinemaCon convention in Las Vegas early next month to talk about the state of the industry.
The conference draws executives from Hollywood studios and multiplex operators such as AMC Entertainment, Cinemark and Cineworld as well as owners of single theaters in small towns.
At the Academy Awards this month, "Anora" filmmaker and best director winner Sean Baker delivered a "battle cry" for filmmakers, distributors and audiences to support theaters.
"The theater-going experience is under threat," he said, noting that the number of screens shrunk during the pandemic.
"If we don't reverse this trend, we'll be losing a vital part of our culture," Baker added.
Shawn Robbins, Director of Movie Analytics at Fandango and founder and owner of Box Office Theory, said the movie business was adjusting to "a new normal."
"Event movies are increasingly drivers of the business," Robbins said. "There's even more weight on their shoulders in terms of box office dollars."
Moviegoers still turn out for big-budget films, Robbins said, but have shown they are happy to wait to watch others at home.
"It is very common knowledge that a lot of movies will be available to stream within three to eight weeks, whereas it used to be a minimum of three months," he said.
'AVATAR' AS TIPPING POINT?
Among the big hitters coming to theaters this year are "Mission: Impossible - The Final Reckoning," a movie that may be Cruise's last appearance in the long-running action franchise. "One last time," he says in the trailer. The film will debut over the US Memorial Day weekend in May, along with Walt Disney's live-action version of animated classic "Lilo & Stitch."
Brad Pitt plays a Formula 1 driver in the June release "F1," and in July, Warner Bros will release its new "Superman" movie directed by "Guardians of the Galaxy" filmmaker James Gunn and starring David Corenswet.
From Marvel, the anti-hero team "Thunderbolts" will kick off the summer moviegoing season in early May, followed by "The Fantastic Four" in late July.
Around the November and December holidays, offerings include the second part of musical box office phenomenon "Wicked," animated sequel "Zootopia 2" and "Avatar: Fire and Ash," the third film in James Cameron's "Avatar" series. The first "Avatar" is the highest-grossing movie of all time, and the second movie ranks third.
Robbins projected 2025 would end with a slight increase in domestic box office receipts compared with last year, "maybe flirting with $9 billion." He said it is unclear when ticket sales will return to pre-pandemic levels.
Richards said he believed the new "Avatar" would kick off "an extraordinary three to five years" for cinemas.
"We're going to see (Avatar) as the tipping point," Richards said. "2026 has got an extraordinary number of great films."