عربي English Türkçe اردو فارسى
Logo
Latest News
Entertainment

Oscars Night: Five Things to Watch

Oscars statue cutouts rest on a table along the red carpet ahead of the 96th Academy Awards Friday, March 8, 2024, in Los Angeles. (AP)
Oscars statue cutouts rest on a table along the red carpet ahead of the 96th Academy Awards Friday, March 8, 2024, in Los Angeles. (AP)
TT
TT

Oscars Night: Five Things to Watch

Oscars statue cutouts rest on a table along the red carpet ahead of the 96th Academy Awards Friday, March 8, 2024, in Los Angeles. (AP)
Oscars statue cutouts rest on a table along the red carpet ahead of the 96th Academy Awards Friday, March 8, 2024, in Los Angeles. (AP)

Will "Oppenheimer" make Oscars history? Who will win the closely contested best actress race? And could Martin Scorsese go home empty-handed again?

Variety awards editor Clayton Davis suggests five things to watch out for this Sunday at the 96th Academy Awards:

'Oppenheimer' record-breaker?

There is no doubt Christopher Nolan's atomic blockbuster "Oppenheimer" will win multiple Oscars. But how many?

Even a "really conservative" eight would be the most for a film since "Slumdog Millionaire" in 2009, explained Davis.

The record of 11 is probably just out of reach. But 10 -- achievable if it wins close races like best actor and best adapted screenplay -- would put it tied with "West Side Story" (1961).

After years of small, indie hits taking best picture, "Oppenheimer" would be the highest-grossing winner since "Lord of the Rings: The Return of the King" in 2004, and the third-highest of all time (also behind "Titanic").

It seems certain to be the top grossing film in history to win Oscars for its actors, in Robert Downey Jr and -- potentially -- Cillian Murphy.

And it would be only the second film to win best picture produced by a married couple -- Nolan and his wife Emma Thomas -- after "Driving Miss Daisy."

'Barbie' avalanche

While not likely to win more than a couple of Oscars, "Barbie" will be omnipresent throughout Sunday's gala.

Both Billie Eilish and Ryan Gosling are set to perform Oscar-nominated songs from the movie, and host Jimmy Kimmel is certain to pepper his opening monologue with jokes about the smash hit comedy.

"I can't imagine an entire evening that doesn't reference 'Barbie' multiple, if not hundreds of times," joked Davis.

Expect quips about the so-called "snubs" for Greta Gerwig and Margot Robbie, who were not nominated for directing and starring in the year's highest-grossing film, and many references to all things pink.

"It's going to be an avalanche of Barbie content. That might annoy a couple people," said Davis.

Best actress nail-biter

No major race is harder to predict than best actress, where Lily Gladstone and Emma Stone are neck-and-neck among the pundits' picks.

Davis is calling it for "Killers of the Flower Moon" star Gladstone, but admits his answer changes "at different moments."

As the first Native American actor to win, Gladstone would provide the gala with a historic moment, though some voters don't see her as the true "lead" of a film in which Leonardo DiCaprio dominates the three-and-a-half hours of screen time.

Stone's performance in Greek auteur Yorgos Lanthimos's "Poor Things" is popular among the Academy's "international vote" -- but could suffer if some of that bloc splinters off for Sandra Hueller, of French courtroom drama "Anatomy of a Fall."

"This is where it comes down to math," said Davis.

Scorsese's losses

Martin Scorsese, one of the greatest living directors, is hardly short of accolades.

But if Gladstone loses, "Killers" will likely become the third of Scorsese's movies to enter an Oscars with a whopping 10 nominations, and yet leave empty-handed.

Scorsese suffered the same with "The Irishman" and "Gangs of New York."

"It's like 'first world problems,' to have 30 Oscar nominations and you didn't win any of them," joked Davis. "But that is a lot."

America, America

As usual, the list of Oscars presenters is a who's who of Hollywood.

At a press conference this week, organizers revealed that five previous winners of each acting category will take to the stage to introduce the five nominees this year.

That could mean Jennifer Lawrence introducing Emma Stone, Matthew McConaughey announcing Paul Giamatti, and Tim Robbins praising Robert Downey Jr.

It is an approach borrowed from the 2009 Oscars, and brings a "lovely connection and that human interaction," said this year's showrunner Raj Kapoor.

The combination Davis is most hoping for?

"Rita Moreno is a presenter. And putting two and two together, there's no reason why she doesn't introduce America Ferrera's nomination for 'Barbie' and say 'America, America!'"

"I'm gonna cry. I'm gonna be in tears. And I can't wait."

Most Viewed

 
 
Entertainment

‘Heretic’ and Hugh Grant Debut with $11 Million, but ‘Venom: The Last Dance’ Tops Box Office Again

This image released by A24 shows, from left, Chloe East, Hugh Grant, and Sophie Thatcher in a scene from "Heretic." (Kimberley French/A24 via AP)
This image released by A24 shows, from left, Chloe East, Hugh Grant, and Sophie Thatcher in a scene from "Heretic." (Kimberley French/A24 via AP)
TT
TT

‘Heretic’ and Hugh Grant Debut with $11 Million, but ‘Venom: The Last Dance’ Tops Box Office Again

This image released by A24 shows, from left, Chloe East, Hugh Grant, and Sophie Thatcher in a scene from "Heretic." (Kimberley French/A24 via AP)
This image released by A24 shows, from left, Chloe East, Hugh Grant, and Sophie Thatcher in a scene from "Heretic." (Kimberley French/A24 via AP)

“Venom: The Last Dance” has been no blockbuster in North American theaters. But in a lethargic fall moviegoing season, even a so-so performing superhero sequel can rule the box office for three straight weeks.

For the third weekend in a row, “Venom: The Last Dance” was the No. 1 movie at the box office, collecting $16.2 million in ticket sales in US and Canadian theaters, according to studio estimates Sunday. It fended off a pair of new challengers in the Hugh Grant horror thriller “Heretic” and the feel-good holiday movie “The Best Christmas Pageant Ever.”

With the election on Tuesday, the major studios opted not to put any new releases into theaters. That allowed Sony Pictures’ “Venom: The Last Dance,” the third entry in the Tom Hardy-led franchise, to hold its position.

While “The Last Dance” hasn’t been a huge hit domestically — opening below expectations in late October — it has thrived overseas, grossing almost triple what it has in North America. The “Venom” sequel has grossed $279.4 million internationally, bringing its global total to $394.2 million.

“Heretic” and “The Best Christmas Pageant Ever” were neck and neck for second place. Counting only Friday-Sunday ticket sales, the edge went to “Heretic,” which debuted with $11 million. “The Best Christmas Pageant Ever,” though, factored in $2.2 million in sneak-peak screenings from last weekend to claim a reported opening gross of $11.1 million.

A24’s “Heretic,” directed by Scott Beck and Bryan Woods, follows two Mormon missionaries (Sophie Thatcher and Chloe East) who knock on the door of a man (Grant) they’ll regret trying to evangelize to. Though “Heretic” has been critically acclaimed for the darkest turn yet by Grant, audiences were less impressed, giving it a “C+” CinemaScore. Regardless, with a budget under $10 million, “Heretic” will easily turn a profit.

“The Best Christmas Pageant Ever,” released by Lionsgate and Kingdom Story Company, which specializes in Christian entertainment, is about six siblings with a bad reputation who take over the local church pageant. The film, an adaptation of Barbara Robinson’s 1972 children’s book directed by Dallas Jenkins, did well with audiences, who gave it a “A” CinemaScore. It, too, was modestly budgeted at about $10 million.

In its seventh week of release, Universal and DreamWorks Animation’s “The Wild Robot” continues to show little rust in theaters. It landed in fourth place with $6.6 million, bringing its domestic haul to $130.2 million and its worldwide gross to $292 million.

Sean Baker’s acclaimed “Anora,” starring Mikey Madison, expanded into wide release. The Neon film, an expected best-picture contender, collected $2.4 million in 1,104 theaters. Its four-week total stands at $7.2 million.

The papal thriller “Conclave,” starring Ralph Fiennes, continues to perform exceptionally well for an adult-oriented drama. The Focus Features release, in its third weekend of release, added 487 theaters and dipped a modest 19% to earn $4.1 million. It has collected $21.5 million. Similarly, A24’s “We Live in Time,” starring Andrew Garfield and Florence Pugh, has stayed strong, grossing $2.2 million in its fifth weekend for a $21.8 million total.

Overall ticket sales, though, remain sluggish. Box office is running about 11% behind last year, according to Comscore. In the last two weeks, overall ticket sales are down about 50% from the pre-pandemic average, according to David A. Gross, a film consultant who publishes a newsletter for Franchise Entertainment.

The good news for theaters: The next few weeks are lined up for several big new releases, including the Amazon MGM Christmas comedy “Red One” (Nov. 15), Paramount Pictures’ “Gladiator II” (Nov. 22), Universal’s “Wicked” (also Nov. 22) and the Walt Disney Co.’s “Moana 2” (Nov. 27).

“Better late than never is the rule of the day and we can expect some positive success stories coming out of the Thanksgiving corridor, which looks the be on par with some of the biggest such frames over the past many years,” said Paul Dergarabedian, senior media analyst for Comscore.

Before opening in US theaters, “Red One,” starring Dwayne Johnson and Chris Evans, kicked off in 75 overseas markets, collecting $26.6 million. The film carries a hefty price tag of about $250 million to make.