David Breashears, Filmmaker who Co-produced Everest Documentary, Dies at 68

Mountaineers check the tents before sending them to Everest base camp as they prepare for the upcoming climbing season, in Kathmandu, Nepal March 7, 2024. REUTERS/Navesh Chitrakar
Mountaineers check the tents before sending them to Everest base camp as they prepare for the upcoming climbing season, in Kathmandu, Nepal March 7, 2024. REUTERS/Navesh Chitrakar
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David Breashears, Filmmaker who Co-produced Everest Documentary, Dies at 68

Mountaineers check the tents before sending them to Everest base camp as they prepare for the upcoming climbing season, in Kathmandu, Nepal March 7, 2024. REUTERS/Navesh Chitrakar
Mountaineers check the tents before sending them to Everest base camp as they prepare for the upcoming climbing season, in Kathmandu, Nepal March 7, 2024. REUTERS/Navesh Chitrakar

David Breashears, a mountaineer, author and filmmaker who co-directed and co-produced a 1998 IMAX documentary about climbing Mount Everest, has died, his business manager confirmed Saturday. He was 68.
Breashears was found unresponsive at his home in Marblehead, Massachusetts, on Thursday, Ellen Golbranson said. She said he died of natural causes but "the exact cause of death remains unknown at this time.”
Breashears summited Mount Everest five times, including with the IMAX camera in 1996, his family said.
"He combined his passion for climbing and photography to become one of the world’s most admired adventure filmmakers,” the family said in a written statement.
In 2007, Breashears founded GlacierWorks, which describes itself on Facebook as a nonprofit organization that “highlights changes to Himalayan glaciers through art, science, and adventure."
“With GlacierWorks, he used his climbing and photography experience to create unique records revealing the dramatic effects of climate change on the historic mountain range,” his family said.
In 1983, Breashears transmitted the first live television pictures from the summit of Everest, according to his website, which also says that in 1985 he became the first US citizen to reach the summit twice.
Breashears and his team were filming the Everest documentary when the May 10, 1996, blizzard struck the mountain, killing eight climbers. He and his team stopped filming to help the climbers.



‘Game of Thrones’ Dragon-Forged Iron Throne Fetches Nearly $1.5 Million at Auction

The replica was made of plastic and molded from the original screen-used version, then finished off with metallic paint and jewel embellishments. (Heritage Auctions)
The replica was made of plastic and molded from the original screen-used version, then finished off with metallic paint and jewel embellishments. (Heritage Auctions)
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‘Game of Thrones’ Dragon-Forged Iron Throne Fetches Nearly $1.5 Million at Auction

The replica was made of plastic and molded from the original screen-used version, then finished off with metallic paint and jewel embellishments. (Heritage Auctions)
The replica was made of plastic and molded from the original screen-used version, then finished off with metallic paint and jewel embellishments. (Heritage Auctions)

"Game of Thrones" fans came out in droves to bid on hundreds of costumes, props and other items from the series in an auction that raked in over $21 million.

From Thursday through Saturday, the Heritage Auctions event in Dallas featured over 900 lots including suits of armor, swords and weapons, jewelry and several other items of significance from the HBO series.

The top-dollar item was the very thing the characters in the series vied for throughout its eight-season run: the Iron Throne. After a six-minute bidding war, the throne sold for $1.49 million.

The replica was made of plastic and molded from the original screen-used version, then finished off with metallic paint and jewel embellishments. In the series, the throne was forged with dragon breath that melted the swords of a thousand vanquished challengers and became a symbol of the struggle for power throughout the show's run.

Heritage Auctions said in a statement Sunday that the event brought in $21.1 million from more than 4,500 bidders. The auction marked Heritage’s second-best entertainment event, just shy of the record set by a Debbie Reynolds sale it held in 2011.

Heritage Executive Vice President Joe Maddalena said in a statement he knew the auction would resonate.

"These are extraordinary treasures made by Emmy-winning costume designers and prop makers, who worked tirelessly to adapt George R.R. Martin’s wonderful novels," Maddalena said. "People wanted a piece of that ‘Game of Thrones’ magic."

Beyond the coveted Iron Throne, over 30 other lots commanded six-figure price tags.

Jon Snow’s signature sword, Longclaw, wielded onscreen by Kit Harington, sold for $400,000 and his night's watch ensemble, featuring a heavy cape, went for $337,500. Both items kicked off prolonged bidding wars.

Starting bids ranged from $500 to $20,000, but several items went for thousands of dollars more. Such was the case for several cloaks and dresses worn by Emilia Clarke as Daenerys Targaryen and Lena Headey as Cersei Lannister.

A gray suede ensemble worn by Daenerys sold for $112,500, exactly $100,000 over its starting bid, and the red velvet dress Cersei wears in her final appearance on the show went for $137,500, which was $122,500 over its starting bid.

Suits of armor also proved popular, especially when they included sought-after weapons. Jaime Lannister’s black-leather armor ensemble fetched $275,000 and his Kingsguard armor — including his iconic Oathkeeper longsword — went for $212,500. Queensguard armor worn by the character Gregor "The Mountain" Clegane sold for $212,500.

In an interview when the auction was announced in September, Jay Roewe, HBO’s senior vice president of global incentives and production planning, said the sale speaks to the series' staying power five years after its finale.

"‘Game of Thrones’ was a zeitgeist moment in our culture. It was a zeitgeist moment in high-end television. It was a zeitgeist moment in terms of HBO," he said. "It’s impacted the culture."