'Godzilla x Kong: The New Empire" Roars to an $80 Million Box Office Opening

This image released by @2023 TOHO CO., LTD. shows Godzilla in a scene from “Godzilla Minus One.” (@2023 TOHO CO., LTD. via AP)
This image released by @2023 TOHO CO., LTD. shows Godzilla in a scene from “Godzilla Minus One.” (@2023 TOHO CO., LTD. via AP)
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'Godzilla x Kong: The New Empire" Roars to an $80 Million Box Office Opening

This image released by @2023 TOHO CO., LTD. shows Godzilla in a scene from “Godzilla Minus One.” (@2023 TOHO CO., LTD. via AP)
This image released by @2023 TOHO CO., LTD. shows Godzilla in a scene from “Godzilla Minus One.” (@2023 TOHO CO., LTD. via AP)

The Godzilla-King Kong combo stomped on expectations as “ Godzilla x Kong: The New Empire ” roared to an $80 million opening on 3,861 North American screens, according to Sunday studio estimates.
The monster merger from Warner Bros. and Legendary Pictures starring Rebecca Hall and Brian Tyree Henry brought the second-highest opening in what has been a robust year, falling just short of the $81.5 million debut of “Dune: Part 2.”
Projections had put the opening weekend of “Godzilla x Kong: The New Empire,” which sees the monsters teaming up instead of squaring up, at closer to $50 million.
“It’s a cinematic event, and we’re seeing these iconic characters doing things we’ve never seen them do before,” said Mary Parent, chairman of worldwide production for Legendary. “There’s big swaths of the film that don’t have any dialogue, where we put you with the characters, it’s a very mythic experience.”
Last week's No. 1 at the box office, “ Ghostbusters: Frozen Empire,” was second with $15.7 million for a two-week total of $73.4 million.
“ Dune: Part Two ” stayed strong in its fifth week, falling in the third spot with an $11.1 million take and a domestic total of $252.4 million.
The last matchup of the two monsters from Warner Bros. and Legendary, 2021's “ Godzilla vs. Kong,” had a much smaller opening weekend of $48.5 million, but for a film slowed by the coronavirus pandemic and released simultaneously on HBO Max, it was a serious success that signaled what was to come for the pairing.
“It was a really big number all things considered,” Parent said.
The newer film had the second biggest opening of the studios' broader MonsterVerse franchise. “Godzilla” brought in $93.2 million in 2014. It was the biggest earner in the nearly 70-year cinematic history of the creature that originated and spent most of its screen life in Japan. It earned more than $200 million in North America and more than $500 million globally.
“Godzilla x Kong” comes just four months after the most recent Japanese rendition, the critical favorite and Oscar winner “Godzilla Minus One.”
But there was clearly no Godzilla glut for audiences, many of whom were willing to pay extra for IMAX and other special formats.
“These are literally two of the biggest movie stars in the world, and you have to see them on the biggest screen possible with the biggest sound possible,” said Paul Dergarabedian, senior media analyst for data firm Comscore.
The combination of “Godzilla x Kong," “Dune Part Two” and “Ghostbusters" has put the year to date 6 percent behind 2023, while it was 20 percent behind on the eve of the March 1 release of “Dune."
“The industry was feeling pretty glum right before ‘Dune Part 2’ opened, but they've made up a lot of ground,” said Dergarabedian.
The summer is full of titles that are not guaranteed megahits but could break big, including Ryan Gosling's “The Fall Guy" and the next installments of “Planet of the Apes,” “Mad Max,” “Inside Out” and “Deadpool.”
That brings cause for optimism as the theatrical movie business seeks to hang on, though it’s highly unlikely it will surpass 2023, which saw “Barbie” surpass $1 billion globally with its release-date mate “Oppenheimer” not far behind.
“'Barbenheimer'” is kind of a once-in-a-lifetime event," Dergarabedian said.
Estimated ticket sales are for Friday through Sunday at US and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.
1. “Godzilla x Kong: The New Empire,” 80 million.
2. “Ghostbusters: Frozen Empire,” $15.7 million.
3. “Dune: Part Two," $11.1 million.
4. “Kung Fu Panda 4,” $10.2. million.
5. “Immaculate,” $3.3 million.
6. “Arthur the King,” $2.4 million.
7. “Late Night With the Devil,” $2.2 million.
8. “Tillu Square,” $1.8 million.
9. “Crew,” $1.5 million.
10. “Imaginary,” $1.4 million.



‘Cute and Murderous’: How Squid Game’s Iconic Killer Doll Came to Life 

Players take part in the Red Light, Green Light game at Gelora Bung Karno Stadium ahead of the release of the Netflix series Squid Game: Season 2 on December 26 in Jakarta, Indonesia, December 22, 2024. (Reuters)
Players take part in the Red Light, Green Light game at Gelora Bung Karno Stadium ahead of the release of the Netflix series Squid Game: Season 2 on December 26 in Jakarta, Indonesia, December 22, 2024. (Reuters)
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‘Cute and Murderous’: How Squid Game’s Iconic Killer Doll Came to Life 

Players take part in the Red Light, Green Light game at Gelora Bung Karno Stadium ahead of the release of the Netflix series Squid Game: Season 2 on December 26 in Jakarta, Indonesia, December 22, 2024. (Reuters)
Players take part in the Red Light, Green Light game at Gelora Bung Karno Stadium ahead of the release of the Netflix series Squid Game: Season 2 on December 26 in Jakarta, Indonesia, December 22, 2024. (Reuters)

While the second season of "Squid Game" has new plot twists, one element of the Netflix mega-hit series where contestants down on their luck risk their lives to play children's games for the chance of winning cash prizes, has remained constant.

That is Young-hee, an innocent-looking robotic doll who in fact has a deadly role in the South Korean-made television series to find contestants to gun down playing the game "Red Light, Green Light" if she spots them moving.

Young-hee, who is clad in a simple orange dress and a hair clip, has become a viral meme on social media and the centerpiece of the streaming giant's promotional campaign.

Chae Kyoung-sun, the production designer for "Squid Game", said the doll's appearance had been partly inspired by her own daughter.

"My daughter had a bowl cut for a long time which was very cute so I decided to draw a very short bang," Chae told Reuters.

"Her eyes are a little crazy. She's a killing machine and the movement of her eyes had to be easy to see, so we made her eyes quite big."

The initial inspiration for Young-hee came from a girl of the same name on the cover of old primary school textbooks in South Korea, though the killer doll was initially conceived as genderless, Chae said.

The first season of "Squid Game" became the most-watched show on the streaming platform and expectations were high for the second season to replicate the success.

The new season of the dystopian thriller, released on Dec. 26, also broke a record as the most-watched show in its premiere week on the streaming platform, with 68 million views, according to Netflix.

The streaming giant said on Tuesday it gained a record 18.9 million subscribers in its fourth quarter thanks in part to the second season of Squid Game.

In 2023, Netflix announced a $2.5 billion investment in South Korea to produce Korean TV series, movies and unscripted shows.

Asked about the success of the show and this particular character, Chae put it down to their unorthodox nature.

"How does this cute kid suddenly turn into a killing machine? - I think the creation of the 'Squid Game' world by adopting unpredictable concepts and methods resonated with young people looking for fresh things," she said.

At the end of the second season, viewers also get a glimpse of Chul-su, a male doll set to appear in the next season alongside Young-hee that was originally envisaged for the first series.

"When they said there will be a second season and that Chul-su would appear, I brought back the drawings I had of Chul-su for the first season," Chae said.

"Think of it as a friend, a partner," she said.

The third and final season of Squid Game is set to be released later this year.