‘Shardlake’ Is a Tudor-Era Mystery Series. It’s Also a Win for Disabled Characters, Its Star Says

This image release by Hulu shows Arthur Hughes in a scene from “Shardlake.” (Martin Mlaka/Disney+/Hulu via AP)
This image release by Hulu shows Arthur Hughes in a scene from “Shardlake.” (Martin Mlaka/Disney+/Hulu via AP)
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‘Shardlake’ Is a Tudor-Era Mystery Series. It’s Also a Win for Disabled Characters, Its Star Says

This image release by Hulu shows Arthur Hughes in a scene from “Shardlake.” (Martin Mlaka/Disney+/Hulu via AP)
This image release by Hulu shows Arthur Hughes in a scene from “Shardlake.” (Martin Mlaka/Disney+/Hulu via AP)

Matthew Shardlake steps out of the pages of the late C.J. Sansom's popular historical mystery novels and into a new show, bringing with him disability representation.

“We don’t see a lot of leading disabled characters,” says Arthur Hughes, who plays the title character. “Well, we might, but they might not be played by disabled actors.”

Shardlake is a clever lawyer who solves puzzles and problems during the reign of King Henry VIII. He is also disabled. The character is referred to as a “hunchback” by a rude rival in the books — an example of the attitude of the Tudor period, with no allowance or acceptance of differences.

“I really hope the disabled audience can see that and see maybe some of the parallels with the world we live in today. And also just to show that that a disabled actor can play a leading part,” says Hughes, who was born with radial dysplasia, The AP reported.

Joining him in the show are Anthony Boyle, as codpiece-wearing rogue Jack Barak, and Sean Bean portraying Thomas Cromwell, the notorious and real-life political player who sends Shardlake on a mission to solve a murder at a monastery. The show airs Wednesday on Disney+ in the UK and Hulu in the US.

The cast spoke to The Associated Press about the importance of casting, the comfort of a codpiece and coldness of old castles. The interview was conducted before Sansom's death Saturday at 71. Answers have been edited for brevity and clarity.

AP: So who read the books? BEAN: I read the first three but a long time ago. Forty years or so.

AP: Was the appeal that you already knew this world? BEAN: Yes, when I found out it was based on C.J. Sansom's books, I thought, I’ve read those, you know. It was something I really wanted to be involved with and when I was offered the role of Cromwell, (I was) delighted.

AP: Shardlake himself, he’s a great role. HUGHES: It was a really, really enjoyable role. He’s a complicated guy. Kind of strong but vulnerable and compromised in many ways within himself, within the job he’s got. But I think, ultimately, a really good, just man. And a great story to go through and an interesting world to navigate. It was a lot of fun. We had a ball.

AP: He’s also a very cool character. HUGHES: Yeah, I found reading the books, he’s a very interesting character, but there’s something a little weak and afraid and meek in him and actually, I wanted him to be stronger and stoic. Still vulnerable and lonely and isolated and maybe somewhat awkward, but I wanted him to have a kind of inner strength. This is a disabled man navigating a really difficult world for him and I think he’ll need that kind of inner strength burning inside him.

AP: Codpiece. BOYLE: Yes, let’s talk about it. It’s something.

AP: Was it comfortable? BOYLE: I sort of had to go to myself — this is the leather jacket of the era. It was like getting your codpiece on and going out, like, this looks all right. Once I got over that hurdle, I loved it and I actually felt a bit naked without it. So I did take one from set. It’s in the wardrobe. I’m hoping if the show does well, people will watch it and it will be the new sort of fashion statement this summer. You know, everyone’s knocking about with codpieces.

AP: You’ve been jumping around historical periods quite a lot recently. BOYLE: Someone said to me, I’ve done so many period dramas, it looks like I’ve got a face that just can’t comprehend the internet. And they just keep putting me in these sort of random period dramas because I look like I don’t know how to work Deliveroo.

HUGHES: That’s brilliant.

AP: Thomas Cromwell is a really interesting historical figure — what was your take on him? BEAN: I’m not sure I quite liked him, but I admired his resolute character. He’s very headstrong and very, very sure about himself, about what he was doing. But he obviously takes a lot of pleasure in the dissolution of the monasteries and the robbing and everything that goes on changing the religion completely, to accommodate Henry VIII’s marriage to Anne Boleyn. And he sees Shardlake, he knows he’s a very intelligent, very gifted man and it’s an interesting relationship that we have.

AP: There was talk about doing something with this before, but with an able bodied actor. How important is it for you that Shardlake is represented properly? HUGHES: I think having those leading roles, especially in this Tudor world that Shardlake lives in, which is built in ableism every day, but which is backed up by God and by everything that everyone’s taught. And also to show that that a disabled actor can play a leading part. And he’s written as a disabled man and even some of the smallest things about growing up a bit different, looking different — Shardlake will feel all those things and I’ve felt those things. Maybe I don’t have to kind of manufacture that so much.

AP: What was it like filming the 16th century? It looks really cold. BOYLE: It was very cold. We were up there in freezing Budapest and I was wearing tights and a codpiece. All I can remember from the whole shoot, how cold it was. I remember riding horses, which was a laugh. We had a good fun on those didn’t we?

HUGHES: We did.

BOYLE: It was a good craic. Riding into Scarnsea on the back of these horses. The sets were amazing. It really did make you feel like you were in that time period. Looking round you didn’t really have to act that much because it was 360. We were on set. We were in the muck. We filmed these amazing locations, these castles and monasteries. And you didn’t have to do much thinking, you were just in it.



Taylor Swift Bags Best-selling Artist of 2025 Award

FILE PHOTO: Taylor Swift poses at the red carpet during the 67th Annual Grammy Awards in Los Angeles, California, US, February 2, 2025. REUTERS/Daniel Cole/File Photo
FILE PHOTO: Taylor Swift poses at the red carpet during the 67th Annual Grammy Awards in Los Angeles, California, US, February 2, 2025. REUTERS/Daniel Cole/File Photo
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Taylor Swift Bags Best-selling Artist of 2025 Award

FILE PHOTO: Taylor Swift poses at the red carpet during the 67th Annual Grammy Awards in Los Angeles, California, US, February 2, 2025. REUTERS/Daniel Cole/File Photo
FILE PHOTO: Taylor Swift poses at the red carpet during the 67th Annual Grammy Awards in Los Angeles, California, US, February 2, 2025. REUTERS/Daniel Cole/File Photo

US pop star Taylor Swift was crowned the biggest-selling global artist of 2025, industry body IFPI announced Wednesday, the fourth consecutive year and sixth time she has claimed its annual prize.

The 36-year-old's success was turbo-charged by the October release of her latest album, "The Life of a Showgirl", which set several streaming records, as well as the release of a docuseries about her record-breaking The Eras tour.

"2025 was another landmark year (for Swift), driven by exceptional worldwide engagement across streaming, physical and digital formats with the release of her 12th album ... and the documentary of her tour," IFPI said.

The body, which represents the recorded music industry worldwide, noted Swift had now won its top annual artist prize as many times as all other artists combined over the past 10 years, AFP.

IFPI hands out the Global Artist of the Year Award after calculating an artist's or group's worldwide sales across streaming, downloads and physical music formats during the calendar year and covers their entire body of work.

Swift beat out Korean group Stray Kids, which came in second -- its highest-ever ranking and the third consecutive year in the global top five.

Fresh from his Super Bowl halftime show, Puerto Rican artist Bad Bunny placed fifth in the rankings, his sixth consecutive year in the chart.

American rapper Tyler, The Creator marked his first appearance on the chart, in 12th place, with IFPI noting he had "continued to generate strong vinyl sales across his catalogue".

Meanwhile Japanese rock band Mrs. Green Apple entered the rankings for the first time one place below him, following what IFPI called "the success of their anniversary album '10'".


Berlin Film Festival Rejects Accusation of Censorship on Gaza

Berlinale Festival Director Tricia Tuttle speaks during the Berlinale Camera award ceremony honoring British composer Max Richter during the 76th Berlin International Film Festival, in Berlin, Germany, 18 February 2026. (EPA)
Berlinale Festival Director Tricia Tuttle speaks during the Berlinale Camera award ceremony honoring British composer Max Richter during the 76th Berlin International Film Festival, in Berlin, Germany, 18 February 2026. (EPA)
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Berlin Film Festival Rejects Accusation of Censorship on Gaza

Berlinale Festival Director Tricia Tuttle speaks during the Berlinale Camera award ceremony honoring British composer Max Richter during the 76th Berlin International Film Festival, in Berlin, Germany, 18 February 2026. (EPA)
Berlinale Festival Director Tricia Tuttle speaks during the Berlinale Camera award ceremony honoring British composer Max Richter during the 76th Berlin International Film Festival, in Berlin, Germany, 18 February 2026. (EPA)

The director of the Berlin Film Festival on Wednesday rejected accusations from more than 80 film industry figures that the festival had helped censor artists who oppose Israel's actions in Gaza.

In an open letter published on Tuesday, Oscar-winning actors Javier Bardem and Tilda Swinton were among dozens who criticized the Berlinale's "silence" on the issue and said they were "dismayed" at its "involvement in censoring artists who oppose Israel's ongoing genocide against Palestinians in Gaza".

In an interview with Screen Daily, the Berlinale's director, Tricia Tuttle, said the festival backs "free speech within the bounds of German law".

She said she recognized that the letter came from "the depth of anger and frustration about the suffering of people in Gaza".

However, she rejected accusations of censorship, saying that the letter contained "misinformation" and "inaccurate claims about the Berlinale" made without evidence or anonymously.

The row over Gaza has dogged this year's edition of the festival since jury president Wim Wenders answered a question on the conflict by saying: "We cannot really enter the field of politics."

The comments prompted award-winning novelist Arundhati Roy, who had been due to present a restored version of a film she wrote, to withdraw from the festival.

Tuttle said the festival represents "lots of people who have different views, including lots of people who live in Germany who want a more complex understanding of Israel's positionality than maybe the rest of the world has right now".

German politicians have been largely supportive of Israel as Germany seeks to atone for the legacy of the Holocaust.

However, German public opinion has been more critical of Israeli actions in Gaza.

Commenting on the row to the Welt TV channel, German Culture Minister Wolfram Weimer defended Wenders and Tuttle from criticism, saying they were running the festival "in a very balanced way, very sensitively".

"Artists should not be told what to do when it comes to politics. The Berlinale is not an NGO with a camera and directors," Weimer said.

Gaza has frequently been a topic of controversy at the Berlinale in recent years.

In 2024, the festival's documentary award went to "No Other Land", which follows the dispossession of Palestinian communities in the Israeli-occupied West Bank.

German government officials criticized "one-sided" remarks about Gaza by the directors of that film and others at that year's awards ceremony.


Over 80 Berlin Film Festival Alumni Sign Open Letter Urging Organizers to Take Stance on Gaza 

12 February 2026, Berlin: President of the Berlinale jury Wim Wenders waves to the audience on the opening night of the 76th Berlin International Film Festival, before the premiere of the opening film "No Good Men" at the Berlinale Palast. (dpa)
12 February 2026, Berlin: President of the Berlinale jury Wim Wenders waves to the audience on the opening night of the 76th Berlin International Film Festival, before the premiere of the opening film "No Good Men" at the Berlinale Palast. (dpa)
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Over 80 Berlin Film Festival Alumni Sign Open Letter Urging Organizers to Take Stance on Gaza 

12 February 2026, Berlin: President of the Berlinale jury Wim Wenders waves to the audience on the opening night of the 76th Berlin International Film Festival, before the premiere of the opening film "No Good Men" at the Berlinale Palast. (dpa)
12 February 2026, Berlin: President of the Berlinale jury Wim Wenders waves to the audience on the opening night of the 76th Berlin International Film Festival, before the premiere of the opening film "No Good Men" at the Berlinale Palast. (dpa)

More than 80 actors, directors and other ‌artists who have taken part in the Berlin Film Festival, including Tilda Swinton and Javier Bardem, signed an open letter to the organizers published on Tuesday calling for them to take a clear stance on Israel's war in Gaza.

"We call on the Berlinale to fulfil its moral duty and clearly state its opposition to Israel's genocide, crimes against humanity and war crimes against Palestinians," said the open letter, which was published in full in entertainment industry magazine Variety.

Multiple human rights experts, scholars and a UN inquiry say Israel's assault on Gaza amounts to genocide. Israel calls its actions self-defense after Hamas' October 2023 attack on Israel.

"We are appalled by Berlinale's institutional silence," ‌said the letter, which ‌was also signed by actors Adam McKay, Alia Shawkat and ‌Brian ⁠Cox, and director ⁠Mike Leigh.

It said organizers had not met demands to issue a statement affirming Palestinians' right to life and committing to uphold artists' right to speak out on the issue.

"This is the least it can - and should - do," the letter said.

The festival did not immediately respond to an emailed request for comment.

THE MOST POLITICAL FESTIVAL

The Berlin Film Festival is considered the most political of its peers, Venice and Cannes, and ⁠prides itself on showing cinema from under-represented communities and young ‌talent. However, it has been repeatedly criticized by pro-Palestinian activists ‌for not taking a stand on Gaza, in contrast to the war in Ukraine ‌and the situation in Iran.

Calls have also previously been made for the ‌entertainment industry to take a stance on Gaza.

Last year, over 5,000 actors, entertainers, and producers, including some Hollywood stars, signed a pledge to not work with Israeli film institutions that they saw as being complicit in the abuse of Palestinians by Israel.

Paramount studio later condemned that ‌pledge and said it did not agree with such efforts.

ROY PULLS OUT

Tuesday's letter also condemned statements by this year's ⁠jury president, German director ⁠Wim Wenders, that filmmakers should stay out of politics, writing: "You cannot separate one from the other."

Wenders' comments prompted Indian novelist Arundhati Roy, winner of the Booker Prize in 1997 for her novel "The God of Small Things", to pull out of the festival earlier this week.

Roy, who had been due to present "In Which Annie Gives It Those Ones", a 1989 film which she wrote, in the Berlinale's Classics section, characterized Wenders' comments as "unconscionable."

In response, festival director Tricia Tuttle issued a note on Saturday defending artists' decision not to comment on political issues.

"People have called for free speech at the Berlinale. Free speech is happening at the Berlinale," she said.

"But increasingly, filmmakers are expected to answer any question put to them," she wrote, and are criticized if they do not answer, or answer "and we do not like what they say."