Report: Film Director Mohammad Rasoulof Fled Iran on Foot

Iranian director Mohammad Rasoulof poses on May 19, 2017 during a photocall for the film “Lerd” (A Man of Integrity) at the 70th edition of the Cannes Film Festival in Cannes, southern France. (AFP)
Iranian director Mohammad Rasoulof poses on May 19, 2017 during a photocall for the film “Lerd” (A Man of Integrity) at the 70th edition of the Cannes Film Festival in Cannes, southern France. (AFP)
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Report: Film Director Mohammad Rasoulof Fled Iran on Foot

Iranian director Mohammad Rasoulof poses on May 19, 2017 during a photocall for the film “Lerd” (A Man of Integrity) at the 70th edition of the Cannes Film Festival in Cannes, southern France. (AFP)
Iranian director Mohammad Rasoulof poses on May 19, 2017 during a photocall for the film “Lerd” (A Man of Integrity) at the 70th edition of the Cannes Film Festival in Cannes, southern France. (AFP)

Film director Mohammad Rasoulof made an "exhausting and extremely dangerous" walk across a mountainous borderland in order to avoid being jailed in Iran on national security charges, he told the Guardian newspaper.

Rasoulof said Monday he had fled Iran after a court sentenced him to eight years in jail, of which five were due to be served, over his new film "The Seed of the Sacred Fig".

The leading Iranian film-maker, often a target of the country's authorities, told the Guardian in an interview published Friday that he had found shelter in Germany and was hopeful he could attend the film's Cannes premiere next week.

The film tells the story of a judge's struggles amid political unrest in Tehran.

Rasoulof told the UK newspaper that he had "no choice" but to leave, although he expects to return home "quite soon".

"My mission is to be able to convey the narratives of what is going on in Iran and the situation in which we are stuck as Iranians," said Rasoulof.

"This is something that I cannot do in prison.

"I have in mind the idea that I'll be back quite soon, but I think that's the case of all the Iranians who have left the country," he added.

Rasoulof has already served two terms in Iranian jails over previous films and had his passport withdrawn in 2017.

Having decided to leave, Rasoulof told the newspaper he cut all communications via mobile phones and computers and made his way by foot on a secret route to a border crossing.

"It was a several-hour long, exhausting and extremely dangerous walk that I had to do with a guide," he said.

After staying in a safe house, he contacted German authorities who provided him with papers that enabled him to travel to Europe.



Movie Review: A Gripping Deep-Sea Rescue Mission in ‘Last Breath’ with Woody Harrelson, Simu LIU 

Simu Liu, from left, Finn Cole, Woody Harrelson, and Alex Parkinson attend the premiere of Focus Features' "Last Breath" at AMC Lincoln Square on Tuesday, Feb. 25, 2025, in New York. (AP)
Simu Liu, from left, Finn Cole, Woody Harrelson, and Alex Parkinson attend the premiere of Focus Features' "Last Breath" at AMC Lincoln Square on Tuesday, Feb. 25, 2025, in New York. (AP)
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Movie Review: A Gripping Deep-Sea Rescue Mission in ‘Last Breath’ with Woody Harrelson, Simu LIU 

Simu Liu, from left, Finn Cole, Woody Harrelson, and Alex Parkinson attend the premiere of Focus Features' "Last Breath" at AMC Lincoln Square on Tuesday, Feb. 25, 2025, in New York. (AP)
Simu Liu, from left, Finn Cole, Woody Harrelson, and Alex Parkinson attend the premiere of Focus Features' "Last Breath" at AMC Lincoln Square on Tuesday, Feb. 25, 2025, in New York. (AP)

A routine deep-sea diving mission in the North Sea goes terribly wrong when a young diver is stranded some 300 feet below the surface in the new film "Last Breath." His umbilical cable has severed. The support vessel above is aimlessly drifting away from the site through violent, stormy waters. And the diver has only ten minutes of oxygen in his backup tank.

As if that wasn't enough, it's also a true story.

If merely reading this is giving you heart palpitations already, you can only imagine the white-knuckle experience of watching this all play out on the big screen. It's 40ish minutes of pure suspense and anxiety as the story shuffles between the man at the bottom of the ocean, Chris Lemons (Finn Cole), his fellow saturation divers (Woody Harrelson as Duncan and Simu Liu as Dave) in the diving bell below the waters who are unable to help and the crew in the support vessel above (including Cliff Curtis and Mark Bonnar) scrambling to get their systems back online and operational as the clock rapidly runs out. Ten minutes has never felt so short — and then it just gets worse as the clock starts counting up, showing Chris's time without oxygen.

At one point, Liu's character Dave, a no-nonsense, all-business diver says matter-of-factly that it's a body recovery, not a rescue. Deep-sea saturation diving is a dangerous business, described at the start of the film as the most dangerous job on earth. Chris tells his fiancé, in a short introduction, that it's no more dangerous than going to space. She replies that it's funny that he thinks that is comforting.

The real incident happened in September 2012 — Dave, Duncan and Chris were just one team of divers sent to the ocean floor off the coast of Aberdeen, Scotland, to repair an oil pipeline.

The seas were particularly rough that day, with winds up to 35 knots, common for the North Sea but also not what one might call safe. Chris and Dave were in the middle of their work when they heard the urgent calls to abort: The dynamic positioning system in the support vessel above had failed and they were in drift.

Chris scrambled to maneuver out of the pipeline corridors, but his umbilical got caught. For a brief, awful moment he's the anchor to the ship above, but soon enough the cord snapped, and he was thrown back to the ocean floor in pitch black with no coms, no heat and very little hope for survival. News articles about the incident clock his backup oxygen supply as being closer to five or six minutes – perhaps the movie wanted to give the audience a little buffer.

If this sounds at all familiar, it may be because it was made into a documentary, also called "Last Breath" and released in 2019. While it was well-received, some true stories are just too gripping to exist solely in that form. It's not exactly a surprise that a narrative film was made as well. There's a good track record of recent complimentary adaptations — think Ron Howard's "13 Lives" and "The Rescue" about the Thai boys soccer team stuck in the cave.

This one was made by Alex Parkinson, the same director who co-directed the doc, and it's a well-executed narrative interpretation that doesn't get in its own way with padding. Harrelson gets to be the wise mentor who really doesn't want to lose someone on his last mission. Liu gets to flex his action muscles (literally and figuratively) in a modest but solid role. And they don't go out of their way to shoehorn in a villain — this is just a group of people trying their best to save a life.

The only real problem, if one can even call it that, is that it's so short. The film doesn't take liberties with stretching out the timeline much at all and after 93 minutes, the whole thing is over. It feels strange to want a movie to be longer, but in the case of "Last Breath" I was both desperate for it to end, for anxiety reasons, and also wanting more.