Trump Biopic Hits Cannes Film Festival

Kevin Costner and Sienna Miller premiered their Western "Horizon: An American Saga" at the festival. Sameer Al-Doumy / AFP
Kevin Costner and Sienna Miller premiered their Western "Horizon: An American Saga" at the festival. Sameer Al-Doumy / AFP
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Trump Biopic Hits Cannes Film Festival

Kevin Costner and Sienna Miller premiered their Western "Horizon: An American Saga" at the festival. Sameer Al-Doumy / AFP
Kevin Costner and Sienna Miller premiered their Western "Horizon: An American Saga" at the festival. Sameer Al-Doumy / AFP

A Donald Trump biopic and the latest dark creation by David Cronenberg premiere in Cannes on Monday as the world-famous film festival reaches its midway point.
"Emilia Perez", a musical about a narco boss having a sex change, is the audacious frontrunner so far, after 11 of the 22 entries for the top prize Palme d'Or have been seen, said AFP.
The festival -- considered the film industry's foremost get-together -- concludes with its award ceremony on Saturday, with "Barbie" director Greta Gerwig heading the jury.
But two more buzzy entries arrive on Monday.
"The Apprentice" is a biopic of Trump's formative years from Iranian-born director Ali Abbasi -- bound to stir up controversy in an election year for the United States.
It stars Sebastian Stan, best-known for playing the Winter Soldier in Marvel films, though he also won best actor at this year's Berlin Film Festival and widespread acclaim for his part as rocker Tommy Lee in series "Pam and Tommy".
Later, Cronenberg -- director of many body-horror classics like "The Fly", "Crash" and "Videodrome" -- returns to the Cote d'Azur festival with "The Shrouds".
Billed as his most personal film yet, it tells the story of a widowed businessman (Vincent Cassell) who invents a machine to monitor the dead in their graves.
It was partly inspired by the death in 2017 of Cronenberg's wife of 43 years.
"I don't really think of art as therapy," the Canadian director told Variety. "Grief is forever, as far as I'm concerned. It doesn't go away. You can have some distance from it, but I didn't experience any catharsis making the movie."
Among entries to score well with critics during the first week was "Bird", a gritty but sweet and fantastical tale about a young girl in working-class England from director Andrea Arnold.
"Kinds of Kindness", the latest bizarro team-up between Emma Stone and Yorgos Lanthimos, featured some ultra-dark comedy moments, including a thumb-and-cauliflower dinner.
"Megalopolis", the decades-in-the-making epic from Francis Ford Coppola, has perhaps been the most divisive entry, with some reviewers finding it a profound end-of-life work of philosophy, and others a barely comprehensible mess.
But the one to beat so far is "Emilia Perez", which has won a lot of acclaim for stars Zoe Saldana, Selena Gomez and trans actor Karla Sofia Gascon in the title role, as well as its risk-taking French director, Jacques Audiard, who already has a Palme d'Or under his belt.
Sagas
The festival has also seen glitzy out-of-competition launches for two Hollywood blockbusters that fancy themselves as "sagas".
The action-packed "Furiosa: a Mad Max Saga" received largely strong reviews, while Kevin Costner returned to his favorite Western genre with the three-hour "Horizon: An American Saga", just the first of four mooted chapters.
Like Coppola, Costner put millions of his own fortune into the decades-long passion project.
"At a certain moment I just said OK, I'm going to do this myself. And so I mortgaged property, I raised the money," he told AFP at the festival.
The early reviews were decidedly mixed, with The Hollywood Reporter deriding it as a "clumsy slog".
But Costner says he is unconcerned about losing his money.
"If they take it away from me, I still have my movie. I still have my integrity. I still listened to my heart," he said.



‘How to Train Your Dragon’ Tops the US Box Office

This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)
This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)
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‘How to Train Your Dragon’ Tops the US Box Office

This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)
This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)

Neither Pixar nor zombies were enough to topple “How to Train Your Dragon" from the No. 1 slot at North American box offices over the weekend. The Universal Pictures live-action remake remained the top film, bringing in $37 million in ticket sales in its second weekend, despite the sizeable new releases of “Elio” and “28 Years Later” , according to studio estimates Sunday. “How To Train Your Dragon” has rapidly amassed $358.2 million worldwide, The Associated Press reported.

Six years after its last entry, the Dean DeBlois-directed “How To Train Your Dragon” has proven a potent revival of the DreamWorks Animation franchise. A sequel is already in the works for the $150 million production, which remakes the 2010 animated tale about a Viking boy and his dragon.

Pixar's “Elio” had a particularly tough weekend. The Walt Disney Co. animation studio has often launched some of its biggest titles in June, including “Cars,” “WALL-E” and “Toy Story 4.” But “Elio,” a science fiction adventure about a boy who dreams of meeting aliens, notched a modest $21 million, the lowest opening ever for Pixar.

“This is a weak opening for a new Pixar movie,” said David A. Gross, who runs the movie consulting firm FranchiseRe. “These would be solid numbers for another original animation film, but this is Pixar, and by Pixar’s remarkable standard, the opening is well below average.”

“Elio,” originally set for release in early 2024, had a bumpy road to the screen. Adrian Molina — co-director of “Coco” — was replaced mid-production by Domee Shi (“Turning Red”) and Madeline Sharafian. Back at Disney’s D23 conference in 2022, America Ferrera appeared to announce her role as Elio’s mother, but the character doesn’t even exist in the revamped film.

Disney and Pixar spent at least $150 million making “Elio,” which didn’t fare any better internationally than it did in North America, bringing in just $14 million from 43 territories. Pixar stumbled coming out of the pandemic before stabilizing performance with 2023’s “Elemental” ($496.4 million worldwide) and 2024’s “Inside Out 2” ($1.7 billion), which was the company's biggest box office hit.

“Elemental” was Pixar's previously lowest earning film, launching with $29.6 million. It rallied in later weeks to collect nearly half a billion dollars at the box office. The company's first movie, “Toy Story,” opened with $29.1 million in 1995, or $60 when adjusted for inflation. It remains to be seen whether “Elio's” decent reviews and “A” from CinemaScore audiences can lead it to repeat “Elemental's” trajectory.

With most schools on summer break, the competition for family audiences was stiff. Disney’s own “Lilo & Stitch,” another live-action remake, continued to pull in young moviegoers. It grossed $9.7 million in its fifth weekend, bringing its global tally to $910.3 million.

“28 Years Later” signaled the return of another, far gorier franchise. Director Danny Boyle reunited with screenwriter Alex Garland to resume their pandemic apocalypse thriller 25 years after “28 Days Later” and 18 years after its sequel, “28 Weeks Later.”

The Sony Pictures release opened with $30 million. That was good enough to give Boyle, the filmmaker of “Slumdog Millionaire” and “Trainspotting,” the biggest opening weekend of his career. The film, which cost $60 million to make, jumps ahead nearly three decades from the outbreak of the so-called rage virus for a coming-of-age story about a 12-year-old (Alfie Williams) venturing out of his family’s protected village. Aaron Taylor-Johnson, Jodie Comer and Ralph Fiennes co-star.

Reviews have been good (90% fresh on Rotten Tomatoes) for “28 Years Later,” though audience reaction (a “B” CinemaScore) is mixed. Boyle has more plans for the zombie franchise, which will next see the release of “28 Years Later: The Bone Temple” next year from director Nia DaCosta.

“28 Years Later” added another $30 million in 59 overseas markets.

After its strong start last weekend with $12 million, A24’s “Materialists” held well with $5.8 million in its second weekend. The romantic drama by writer-director Celine Song and starring Dakota Johnson, Pedro Pascal and Chris Evans has collected $24 million so far.

Next weekend should also be a competitive one in movie theaters, with both “F1,” from Apple and Warner Bros., and Universal’s “Megan 2.0” launching in cinemas.