Studio Ghibli Takes a Bow at Cannes with an Honorary Palme D’Or 

Goro Miyazaki, left, and Kenichi Yoda pose for photographers with the Studio Ghibli honorary Palme d'Or upon arrival at the premiere of the film "The Apprentice" at the 77th international film festival, Cannes, southern France, Monday, May 20, 2024. (AP)
Goro Miyazaki, left, and Kenichi Yoda pose for photographers with the Studio Ghibli honorary Palme d'Or upon arrival at the premiere of the film "The Apprentice" at the 77th international film festival, Cannes, southern France, Monday, May 20, 2024. (AP)
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Studio Ghibli Takes a Bow at Cannes with an Honorary Palme D’Or 

Goro Miyazaki, left, and Kenichi Yoda pose for photographers with the Studio Ghibli honorary Palme d'Or upon arrival at the premiere of the film "The Apprentice" at the 77th international film festival, Cannes, southern France, Monday, May 20, 2024. (AP)
Goro Miyazaki, left, and Kenichi Yoda pose for photographers with the Studio Ghibli honorary Palme d'Or upon arrival at the premiere of the film "The Apprentice" at the 77th international film festival, Cannes, southern France, Monday, May 20, 2024. (AP)

Studio Ghibli, the Japanese anime factory of surreal ecological wonders that has for 39 years spirited away moviegoers with tales of Totoros, magical jellyfish and floating castles, was celebrated Monday by the Cannes Film Festival with an honorary Palme d'Or.

In the 22 years that Cannes has been handing out honorary Palmes, the award for Ghibli was the first for anything but an individual filmmaker or actor. (This year's other recipients are George Lucas and Meryl Streep.) Hayao Miyazaki, the 83-year-old animation master who founded Studio Ghibli in 1985 with Isao Takahata and Toshio Suzuki, didn't attend the ceremony, but he spoke in a video message taped in Japan.

“I don't understand any of this,” said Miyazaki. “But thank you.”

At Cannes, where standing ovations can stretch on end, the fervor that greeted Ghibli's emissaries — Goro Miyazaki (son of Hayao) and Kenichi Yoda — was nevertheless among the most thunderous receptions at the festival. Thierry Fremaux, Cannes' artistic director, walked across the stage of the Grand Théâtre Lumière filming the long ovation, he said, for a video to send to Miyazaki.

“With this Palme d'Or, we'd like to thank you for all the magic you've brought to cinema,” said Iris Knobloch, the president of the festival, presenting the award.

The occasion wasn't marked by any new Ghibli film but four earlier shorts that hadn't previously been shown outside Japan. “Mei and the Baby Cat Bus,” a brief follow-up to Miyazaki's 1989 “My Neighbor Totoro,” expands the Cat Bus of that classic to a whole fleet of cat conveyances, most notably the mini Baby Cat Bus.

The shorts, all of which were made for the Studio Ghibli Museum outside Tokyo, included “Mr. Dough and the Egg Princess,” a culinary-themed desert for Miyazaki's 2001 film “Spirited Away.” The other two — “House Hunting” and “Boro the Caterpillar” — make musical mini-adventures for forest creatures.

The Studio Ghibli celebration came on the heels of Miyazaki's long-awaited “The Boy and the Heron” winning the Academy Award in March for best animated film. (A documentary on its making, “Hayao Miyazaki and the Heron,” also played in Cannes.)

Miyazaki sat out that ceremony, too. Goro Miyazaki, whose own films include “From Up on Poppy Hill” and “Tales From Earthsea,” said they had to use a hotel towel to wrap the Oscar to bring home to his father. On Monday, he was relieved by the portability of the Cannes prize.

“I'm reassured seeing the Palme d'Or was in a box,” he said, grinning.



Daniel Day-Lewis Ends Acting Retirement for a Movie Directed by His Son

Writer-director Rebecca Miller, right, and husband Daniel Day-Lewis attend a special screening of "She Came to Me" at Metrograph, Oct. 3, 2023, in New York. (AP)
Writer-director Rebecca Miller, right, and husband Daniel Day-Lewis attend a special screening of "She Came to Me" at Metrograph, Oct. 3, 2023, in New York. (AP)
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Daniel Day-Lewis Ends Acting Retirement for a Movie Directed by His Son

Writer-director Rebecca Miller, right, and husband Daniel Day-Lewis attend a special screening of "She Came to Me" at Metrograph, Oct. 3, 2023, in New York. (AP)
Writer-director Rebecca Miller, right, and husband Daniel Day-Lewis attend a special screening of "She Came to Me" at Metrograph, Oct. 3, 2023, in New York. (AP)

Daniel Day-Lewis is coming out of retirement, seven years after his last movie, for a film directed by his son Ronan Day-Lewis.

The project was announced Tuesday by Focus Features and Plan B, who are partnering on “Anemone.” The film, Ronan Day-Lewis’ directorial debut, will star his father along with Sean Bean and Samantha Morton. The film was co-written by the two Day-Lewises.

Earlier Tuesday, Daniel Day-Lewis and Bean were spotted driving a motorbike through Manchester, England, stoking intrigue about his impending return to acting. After making Paul Thomas Anderson’s 2017 film “Phantom Thread,” the 67-year-old had said he was quitting acting.

“All my life, I’ve mouthed off about how I should stop acting, and I don’t know why it was different this time, but the impulse to quit took root in me, and that became a compulsion,” he told W Magazine in 2017. “It was something I had to do.”

Since then, his appearances in public have been infrequent. In January, though, he made a surprise appearance at the National Board of Review Awards to present an award to Martin Scorsese, who directed him in “Gangs of New York” (2002) and “The Age of Innocence” (1993).

“Anemone,” currently in production, is described as exploring “the intricate relationships between fathers, sons and brothers, and the dynamics of familial bonds.”

Ronan Day-Lewis, 26, is a painter who has previously exhibited his works in New York. His first international solo exhibition debuts Tuesday in Hong Kong.

“We could not be more excited to partner with a brilliant visual artist in Ronan Day-Lewis on his first feature film alongside Daniel Day-Lewis as his creative collaborator,” said Peter Kujawski, chair of Focus Features. “They have written a truly exceptional script, and we look forward to bringing their shared vision to audiences alongside the team at Plan B.”