Election Year Trump Biopic ‘The Apprentice’ Premieres at Cannes 

Director Ali Abbasi poses close to photographers on the red carpet during arrivals for the screening of the film "The Apprentice" in competition at the 77th Cannes Film Festival in Cannes, France, May 20, 2024. (Reuters)
Director Ali Abbasi poses close to photographers on the red carpet during arrivals for the screening of the film "The Apprentice" in competition at the 77th Cannes Film Festival in Cannes, France, May 20, 2024. (Reuters)
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Election Year Trump Biopic ‘The Apprentice’ Premieres at Cannes 

Director Ali Abbasi poses close to photographers on the red carpet during arrivals for the screening of the film "The Apprentice" in competition at the 77th Cannes Film Festival in Cannes, France, May 20, 2024. (Reuters)
Director Ali Abbasi poses close to photographers on the red carpet during arrivals for the screening of the film "The Apprentice" in competition at the 77th Cannes Film Festival in Cannes, France, May 20, 2024. (Reuters)

"The Apprentice", Iran-born director Ali Abbasi's much-anticipated drama of a young Donald Trump's ascendancy as a New York real estate mogul, premiered at the Cannes Film Festival on Monday.

Part of the pull of the film is its timing, as Trump, now 77, looks to win another term as US president in November.

The film shares its title with the reality show that helped turn Trump into a household name.

Sebastian Stan, who made his name in the Captain America trilogy as the Winter Soldier, morphs into Trump, from his early stages as an upstart working for his father's business to a brazen, self-centered tycoon.

The story focuses on Trump's time under the tutelage of Roy Cohn, a political fixer best known for his involvement in Senator Joseph McCarthy's anti-communist scare campaigns of the 1950s and portrayed by "Succession's" Jeremy Strong.

His three rules for success, which Trump later takes credit for while speaking with the writer of his business advice book "The Art of the Deal", are prescient of his traits in office: deny everything, always be on the attack and never admit defeat.

Abbasi is known for his eclectic film repertoire, including 2022's Cannes entry "Holy Spider" about the killings of sex workers in Iran and "Border", a fantasy love story in Sweden.

Critics were mixed, praising for Stan and Strong while seeing the film's basis in actual events as a limitation.

"Sebastian Stan Plays Donald Trump in a Docudrama That Nails Everything About Him but His Mystery," read the headline for entertainment website Variety, while trade publication IndieWire pointed out that the film "can't get around the fact that Trump is too base and pathological to be of much dramatic interest".



How the World’s Press Rated Paris’s Olympics Opening Ceremony

Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)
Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)
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How the World’s Press Rated Paris’s Olympics Opening Ceremony

Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)
Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)

Paris broke with tradition on Friday by turning the Olympic Opening Ceremony into a parade down the River Seine rather than a stadium-based show.

TV viewers around the world were treated to a spectacle performed on bridges, the riverbank and rooftops, culminating with French athletes Marie-Jose Perec and Teddy Riner lighting the Olympic cauldron and a performance from Canada's Celine Dion.

However, the 6,000-odd athletes, 3,000 performers, 300,000 spectators and dozens of world leaders had to endure heavy rain for much of the event.

Here's how the world's media judged Paris's ambitious ceremony:

FRANCE

Newspaper Le Monde wrote in a rave review that director Thomas Jolly "succeeded in his challenge of presenting an immersive show in a capital transformed into a gigantic stage".

Right-leaning Le Figaro said the show was "great but some of it was just too much". It said viewers "could have been spared" images including an apparent recreation of the painting of The Last Supper of Jesus and his apostles in front of a fashion show.

UNITED STATES

"Opening Ceremony Misses the Boat" headlined the New York Times's television review.

It wrote that the river parade "turned the ceremony into something bigger, more various and more intermittently entertaining. But it also turned it into something more ordinary — just another bloated made-for-TV spectacle".

The Washington Post was more glowing, noting that the organizer's "bold thinking" brought a shine back to an event that has seen its popularity wane in recent years.

CHINA

China's Xinhua state news agency said the ceremony succeeded in showcasing France.

"There were Can-Can girls, a homage to the reconstruction of Notre Dame and of course the French Revolution, with fireworks, heavy metal and singers who appeared to have lost a battle with the guillotine.

"If there was a downside to the ceremony, it is that any event performed over such a long distance has to struggle with continuity, and the big difference between this ceremony and others is that the parade of athletes was mixed in with the performances."

SOUTH KOREA

South Korean media noted the "impressive" imagination of using the whole city as the backdrop but the event was overshadowed by the country's team being misintroduced as North Korea.

South Korea's CBS radio said while the incident was no doubt an honest mistake, it was disappointing the Paris organizers failed at what should have been a very basic part of the event.

GERMANY

"As beautiful as it was mad," wrote Germany's Frankfurter Allgemeine. "France revolutionized the opening ceremony ... by the end even the rain had been defeated."

Tabloid Bild was bowled over by Celine Dion's return to the stage after four years, defying illness to "sing just as in the best of times. She deserves a gold medal for this performance."

BRITAIN

British tabloid The Sun joked "Wet The Games Begin!" on its front page alongside an image of the Eiffel Tower surrounded by laser beams, and described the ceremony as spectacular.

The Daily Mail's headline read "La Farce!", mainly in reference to the train disruption earlier in the day, but the paper also judged Paris's gamble on the weather had "backfired spectacularly".

A writer for the Guardian newspaper described the parade of boats on the Seine as "like watching an endless series of weirdly nationalistic office parties" but concluded Celine Dion had rescued the event with a "jaw dropping" performance.

ITALY

La Gazzetta dello Sport said the ceremony was "something unprecedented, even extraordinary. A great show or a long, tedious work, depending on your point of view and sensibility."

The mainstream Italian newspaper Il Corriere della Sera likened the show to a contemporary art performance, noting that "some (spectators) were bored, others were amused, many found the spectacle disappointing".

The left-leaning Italian daily La Repubblica said the ceremony overshadowed the athletes.

"A lot of France, a lot of Paris, very little Olympics.... a mirror that the immortal Paris turned on herself and discovered that she was so much, too much and soaking wet".