Sony Says Focus is on Creativity, with Games, Movies, Music, Sensors, IP, and not Gadgets

Sony Group CEO Kenichiro Yoshida and President Hiroki Totoki attend the company's annual strategy briefing in Tokyo, Japan, May 23, 2024. REUTERS/Kim Kyung-Hoon
Sony Group CEO Kenichiro Yoshida and President Hiroki Totoki attend the company's annual strategy briefing in Tokyo, Japan, May 23, 2024. REUTERS/Kim Kyung-Hoon
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Sony Says Focus is on Creativity, with Games, Movies, Music, Sensors, IP, and not Gadgets

Sony Group CEO Kenichiro Yoshida and President Hiroki Totoki attend the company's annual strategy briefing in Tokyo, Japan, May 23, 2024. REUTERS/Kim Kyung-Hoon
Sony Group CEO Kenichiro Yoshida and President Hiroki Totoki attend the company's annual strategy briefing in Tokyo, Japan, May 23, 2024. REUTERS/Kim Kyung-Hoon

Japanese electronics and entertainment company Sony says it’s focusing on creativity in movies, animation and video games, rather than old-fashioned gadgetry, The Associated Press reproted.
Its chief executive, Kenichiro Yoshida, outlined the company’s strategy Thursday, saying Sony was helping creative professionals deliver what he called “kando,” or a moving experience.
Yoshida did not speak about reports Tokyo-based Sony and Apollo Global Management are interested in buying Paramount Global.
Yoshida said the company is now emphasizing the creative process itself instead of prized products of the past like the Walkman portable music player and Trinitron color TVs. He said “synergies” are no longer between entertainment and electronics, but determined by intellectual property spanning animation, music, games and films.
“We will continue to support people’s creativity through our technology,” he said in an online briefing.
Sony is adapting to tougher times, with rivals making cheaper but competitive electronics. Critics say venturing into movies, music and other entertainment can be unprofitable.
Starting with its acquisition of EMI Music Publishing in 2018, Sony has invested approximately 1.5 trillion yen ($10 billion) in the last six years to strengthen its content creation.
In 2021 it acquired Crunchyroll, which has more than 13 million paid subscribers and delivers Japanese animation globally. Another was Yoasobi, a Japanese music duo that includes Vocaloid technology, or singing voice synthesizer software, and is attracting global fans.
Sony’s real-time computing technology that records “this moment,” as Yoshida put it, is being used in cameras at sports events because it can capture quickly moving subjects without distortion.
It's also used for news coverage and editing and in 3D video and computer graphics, including hit movies like “Godzilla Minus One,” and games based on human athletes’ movements, according to Yoshida.
Sony recently reported its quarterly profit rose to 189 billion yen ($1.2 billion) from 141 billion yen the year before. Quarterly sales for the maker of the PlayStation game machines rose 14% to 3.48 trillion yen ($22 billion).
But for the fiscal year through March, Sony recorded a 3% decline in profit at 970 billion yen ($6.2 billion) due to a weak performance in its financial services segment, which will be partially spun off next year.



‘Beetlejuice Beetlejuice’ Scares Off 'Transformers' for 3rd Week as Box Office No. 1

Michael DeLuca, from top left, Catherine O'Hara, Monica Bellucci, Tim Burton, Michael Keaton, Jenna Ortega, Winona Ryder, Arthur Conti, Amy Nuttall, Burn Gorman, Alfred Gough, Miles Millar, Tommy Harper, from bottom left, Justin Theroux, Pamela Abdy, and Willem Dafoe arrive at the premiere of "Beetlejuice Beetlejuice" on Thursday, Aug. 29, 2024, in London. (Photo by Scott Garfitt/Invision/AP)
Michael DeLuca, from top left, Catherine O'Hara, Monica Bellucci, Tim Burton, Michael Keaton, Jenna Ortega, Winona Ryder, Arthur Conti, Amy Nuttall, Burn Gorman, Alfred Gough, Miles Millar, Tommy Harper, from bottom left, Justin Theroux, Pamela Abdy, and Willem Dafoe arrive at the premiere of "Beetlejuice Beetlejuice" on Thursday, Aug. 29, 2024, in London. (Photo by Scott Garfitt/Invision/AP)
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‘Beetlejuice Beetlejuice’ Scares Off 'Transformers' for 3rd Week as Box Office No. 1

Michael DeLuca, from top left, Catherine O'Hara, Monica Bellucci, Tim Burton, Michael Keaton, Jenna Ortega, Winona Ryder, Arthur Conti, Amy Nuttall, Burn Gorman, Alfred Gough, Miles Millar, Tommy Harper, from bottom left, Justin Theroux, Pamela Abdy, and Willem Dafoe arrive at the premiere of "Beetlejuice Beetlejuice" on Thursday, Aug. 29, 2024, in London. (Photo by Scott Garfitt/Invision/AP)
Michael DeLuca, from top left, Catherine O'Hara, Monica Bellucci, Tim Burton, Michael Keaton, Jenna Ortega, Winona Ryder, Arthur Conti, Amy Nuttall, Burn Gorman, Alfred Gough, Miles Millar, Tommy Harper, from bottom left, Justin Theroux, Pamela Abdy, and Willem Dafoe arrive at the premiere of "Beetlejuice Beetlejuice" on Thursday, Aug. 29, 2024, in London. (Photo by Scott Garfitt/Invision/AP)

It’s a three-peat for “Beetlejuice Beetlejuice.”
The Tim Burton legacy sequel to his 1988 horror comedy topped the North American box office charts for the third straight weekend with $26 million in ticket sales, according to studio estimates Sunday.
It edged out the animated new release “Transformers: One,” which brought in $25 million. The Optimus Prime origin story from Paramount Pictures features the voices of Chris Hemsworth, Brian Tyree Henry and Scarlett Johansson.
“Beetlejuice Beetlejuice,” a Warner Bros. release with Michael Keaton and Winona Ryder returning as stars, has earned more than $226 million domestically in its three weeks after a monster opening of $110 million — the third best of the year — and a second weekend of $51.6 million, The Associated Press reported.
Third place went to the James McAvoy horror “Speak No Evil,” which came in at $5.9 million in its second week for a total of $21.5 million.
On the whole, the box office was in a quiet phase that is expected to break when “Joker: Folie à Deux” dances its way onto the big screen on Oct. 4.
The year’s second-highest grosser “Deadpool & Wolverine” remained in the top 5 in its ninth weekend with another $3.9 million and a domestic total of $627 million. Only Pixar's “Inside Out 2” has earned more.
The Demi Moore-starring, Coralie Fargeat-directed body horror “The Substance," which made a splash at the Cannes Film Festival, brought in $3.1 million on limited screens in its first weekend for the sixth spot.
The Daily Wire movie “Am I Racist?” — in which conservative columnist Matt Walsh goes undercover as a “DEI trainee” — stayed in the top 10 after a fourth place finish last week, earning $2.9 million for seventh place and a two-week total of $9 million.
Estimated ticket sales for Friday through Sunday at US and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.