The Real Stars of Cannes May Be the Dogs 

Eddie Peng poses with his dog Xin during an interview for the film "Black Dog" at the 77th international film festival, Cannes, southern France, Tuesday, May 21, 2024. (AP)
Eddie Peng poses with his dog Xin during an interview for the film "Black Dog" at the 77th international film festival, Cannes, southern France, Tuesday, May 21, 2024. (AP)
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The Real Stars of Cannes May Be the Dogs 

Eddie Peng poses with his dog Xin during an interview for the film "Black Dog" at the 77th international film festival, Cannes, southern France, Tuesday, May 21, 2024. (AP)
Eddie Peng poses with his dog Xin during an interview for the film "Black Dog" at the 77th international film festival, Cannes, southern France, Tuesday, May 21, 2024. (AP)

It’s been a dog’s life at this year’s Cannes Film Festival — or should that be the Canine Film Festival?

Since the 77th edition’s opening day, human actors have shared the limelight with their canine co-stars on and off the red carpet, kept secure by the perky sniffer dogs that dart around the press ladder and tripods ahead of every premiere.

It all started with Messi, from last year’s Palme d’Or winner “Anatomy of a Fall” and the reigning Palm Dog champion. He was first out when the festival opened last Tuesday, flouting the carpet’s strict black-tie protocols.

Sans the obligatory bow tie or clothes of any sort, the in-demand border collie performed tricks up the famous steps of the Palais des Festivals. In town this year as a correspondent for French television, he’s been spotted up and down Cannes’ famed Croisette, taking selfies with fans.

Riding on Messi’s purely proverbial coattails was Felicity, a Samoyed ambassador for the London-based charity NoToDogMeat, which rescued her from China’s meat trade. Felicity wore a custom-made gold gown for her red-carpet moment, posing for the cameras like a pro — it was, after all, her second year in a row at the festival.

Meanwhile, Demi Moore jetted into town with her tiny chihuahua Pilaf to promote the body-horror film “The Substance.” The teeny pooch was front and center of the photocall. Even after Moore spent six to eight hours in the makeup chair with only her eyes visible, Pilaf always recognized her during filming: “That’s all that counted. My touchstone of reality,” the actor said at the movie’s press conference.

And while Pilaf only made it to Cannes as a plus-one, there were two leading dogs in town to promote their movies.

Swiss comedy “Dog on Trial” premiered in the Un Certain Regard section, directed by and starring Laetitia Dosch. Based on a real case, the French-language film tells the story of a defense lawyer who takes on Cosmos, an aggressive dog facing legal action, as a client.

The titular dog is played by Kodi, a griffon, who Dosch says is really the star of the movie. It was important to her that Kodi had his name on the credits and the film poster and would be by her side in Cannes. A comedy-drama with a feminist outlook, “Dog on Trial” is about exploitation, Dosch says — and she has an offbeat theory as to what women and dogs have in common.

Also competing in Un Certain Regard — which curates a lineup of original and daring films — is another dog-centered drama, “Gou Zhen” (“Black Dog”) from the Chinese director Guan Hu. In it, Taiwanese superstar Eddie Peng plays Lang, who’s charged with removing stray dogs from his hometown on government orders ahead of the Olympic Games. One particular dog has a profound impact on Lang — and, as it turns out, on the actor himself.

Peng built up such a bond with his canine co-star Xin, a Jack Russell-greyhound cross, that he adopted her after filming ended and credits her for changing his outlook on life.

“They act truthfully,” Peng says of dogs, on a stroll around the Cannes harborfront with Xin, who accompanied him to France. “They don’t, you know, they don’t put on the mask. They don’t care about who you are or whether you’re famous or not, how much money you make.”

When he comes home, she jumps up like it’s the happiest moment of her entire life: “I think that’s something that we all need to learn from.”

She’s also changed the way he approaches acting, abandoning much backstory and preparation.

“Animals are just so present, you know. It will be so obvious somehow, if you are overacting,” he says.

Both Kodi and Xin are surely contenders for this year’s Palm Dog, an unofficial award created by journalists recognizing the best chien in show biz. Contest creator Toby Rose is giving nothing away ahead of Friday’s ceremony, but said this year started auspiciously with Palm Dog 2023 winner Messi and “is without doubt set to be a vintage Palm Dog year.”

In Peng’s view, Xin is already a winner. He might be a household name in Asia, but it’s Xin who is getting the lion’s share of the adoration in Cannes. Since the film screened earlier this week, Peng says she’s been recognized on the streets.

“Maybe in the future I don’t need to work anymore,” he says. “I’ll just be the agent with my dog.”



Mastermind behind ‘CSI’ Turns Franchise to New Direction with Unscripted CBS Series

"CSI" franchise creator Anthony E. Zuiker appears on a panel at the 2016 Winter TCA on Jan. 9, 2016, in Pasadena, Calif. (AP)
"CSI" franchise creator Anthony E. Zuiker appears on a panel at the 2016 Winter TCA on Jan. 9, 2016, in Pasadena, Calif. (AP)
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Mastermind behind ‘CSI’ Turns Franchise to New Direction with Unscripted CBS Series

"CSI" franchise creator Anthony E. Zuiker appears on a panel at the 2016 Winter TCA on Jan. 9, 2016, in Pasadena, Calif. (AP)
"CSI" franchise creator Anthony E. Zuiker appears on a panel at the 2016 Winter TCA on Jan. 9, 2016, in Pasadena, Calif. (AP)

There have been five “CSI” shows with actors playing forensics experts — “CSI: Crime Scene Investigation,” “CSI: Miami,” “CSI: New York,” “CSI: Cyber” and “CSI: Vegas.” Now it's time for the real experts to bask in the spotlight.

“The Real CSI: Miami,” premiering on CBS on Wednesday night, is a documentary-style look at the hunt for real criminals told by the officers and lab-coated pros who actually solved the murders.

“'CSI' has that ability to live in different spectrums,” says writer-producer Anthony E. Zuiker, who created the hit franchise. “It made perfect sense to try the unscripted version of the show because the format could still relatively be the same.”

The series uses real 911 calls, actor portrayals, surveillance video, interrogation and bodycam footage, crime scene images, cool graphics and re-creations. There are also interviews with survivors and family members to underline the pain of loss.

“I know what makes ‘CSI’ work and what does not work. And what does not work is when the episodes are emotionally vacant,” says Zuiker. “It’s very important to have the survivors and emotionality. That was one of my No. 1 mandates to have.”

The technicians and officers explain their thinking on motives and clues and return to key crime scenes. So if a detective went scuba diving for a vital clue, we see him back in the water describing how he found it.

“You have to make sure it still feels like a ‘CSI,’ but you also don’t have the ability to get extra creative in the writing because you have to stick to the bona fide facts of the case,” says Zuiker. “That was the challenge.”

One of the first episodes revisits the 2015 gunshot murders of couple Tara Rosado and Carlos Ortiz in the Florida Keys. Their bodies were found in a bedroom, with signs of a struggle but no gun was recovered. “That tells me there was someone else in the room. And that’s when the hunt for the killer began,” says investigator Mary’s Martinez.

Viewers watch as authorities eye an ex-husband before the discovery of an old gun in a canal leads scuba teams to find a submerged iPhone nearby that reveals the reason for the murders might have been a fight between friends over a bale of cocaine.

Another episode examines the 2018 murder of rapper XXXTentacion, gunned down outside a motorsports store. Authorities investigate whether it was the result of a rap beef or a simple robbery. Smartphone GPS and metadata, surveillance video and the discovery of a live cartridge help finger the suspects.

“A lot of what I had to do with the producers of the show was to give them the confidence that the forensics was not boring and that the forensics drove the narrative,” Zuiker says.

In many ways, “The Real CSI: Miami” is a nod to the forensic sciences that sparked the birth of “CSI.” Zuiker was inspired after watching an episode of “New Detectives” on the Discovery Channel about a cheerleader killed by an obsessed photographer.

Detectives in that case found the dead woman's hair follicles in the suspect's car, determined the body had been redressed and that she was wearing no makeup, undermining the killer's alibi that she was doing a photoshoot.

“I think when those three particular pieces of evidence were explained to me as a novice in forensics, I realized that the body was a perfect specimen to solve crime,” Zuiker says. “That’s how ‘CSI’ was born.”

Zuiker was 28 when he realized he had a potential show on his hands. Now he is 55 with a hit, Emmy Award-winning franchise that rivals the “Law & Order” universe and is broadcast in 171 countries and multiple languages. "Did I think we’d get past 13 episodes? No. Did I believe we had something special? Yes,” he says.

“CSI” has indeed proved a durable property, going from the desert of Las Vegas to the waters of Miami and into the urban jungle of New York and even online.

“This is a particular franchise that can live and be malleable in scripted, unscripted and docu-series, movie formats, gaming formats,” he says. “I think, for me, personally, this ‘Real CSI: Miami’ is a tremendous pivot in the right direction to keep the entire franchise healthy.”

Zuiker is an active producer, always looking for storylines for his shows. He was inspired to write an episode of “CSI: Vegas” after learning about a metal drum washing up with a body inside and another show by discovering that someone made micro-crochet koalas on Etsy. He thought little koalas might be an interesting “cry for help” by a fictional killer to leave at crime scenes.

“I was always hoped that ‘CSI’ would be a crime deterrent. I sit back as the creator of the franchise and have to chuckle to myself every morning when I read crime stories about the colossal mistakes that people are making when they commit a crime, as if the show never existed. If they just took the time to watch my show, they probably would think twice about it.”