US Judge Denies Alec Baldwin Bid to Dismiss 'Rust' Charge

FILE PHOTO: Actor Alec Baldwin departs his home in New York, US, January 31, 2023. REUTERS/David 'Dee' Delgado//File Photo
FILE PHOTO: Actor Alec Baldwin departs his home in New York, US, January 31, 2023. REUTERS/David 'Dee' Delgado//File Photo
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US Judge Denies Alec Baldwin Bid to Dismiss 'Rust' Charge

FILE PHOTO: Actor Alec Baldwin departs his home in New York, US, January 31, 2023. REUTERS/David 'Dee' Delgado//File Photo
FILE PHOTO: Actor Alec Baldwin departs his home in New York, US, January 31, 2023. REUTERS/David 'Dee' Delgado//File Photo

A New Mexico judge on Friday rejected Alec Baldwin's bid to dismiss an involuntary manslaughter charge for the 2021 shooting of cinematographer Halyna Hutchins, opening the way for an unprecedented trial of a Hollywood actor for an on-set death.
Baldwin's lawyers argued at a May 17 hearing that a grand jury indictment of the actor was "a sham" as prosecutors failed to tell jurors they could question defense witnesses and stopped them hearing evidence helpful to the actor's case.
Among her arguments in a court filing, district court Judge Mary Marlowe Sommer said she did not find prosecutorial bad faith in the grand jury, nor error in jury instructions and prosecutors adequately advised jurors regarding a letter from Baldwin's legal team listing defense jurors they could call.
"The court finds no error in the actions taken by the prosecutor vis-a-vi the reading of the evidence letter," Marlowe Sommer, appointed by Democratic New Mexico Governor Bill Richardson in 2010, said in the filing.
The actor now faces a July 10 trial, Reuters reported.
Hutchins was shot with a live round after Baldwin pointed a gun at her as she set up a camera shot on a movie set near Santa Fe, New Mexico. The "30 Rock" actor maintains he did not pull the trigger, an assertion that has become central to the case.
Much of the differences between prosecution and defense positions are factual disputes and that is the type of case juries are meant to decide, said business and entertainment trial litigator Tre Lovell.
He is among attorneys who expect Baldwin to escape conviction, arguing he was an actor and not responsible for firearms safety, a position supported by Hollywood’s SAG-AFTRA performers union.
“The real secret is educating a jury about a film set,” said Lovell.
At trial, Baldwin’s legal team must convince Santa Fe jurors there was a cascading failure in set firearms safety before the weapon was put in Baldwin’s hand.
Special prosecutor Kari Morrissey has argued in court filings that Baldwin broke firearm safety rules by pointing the gun at Hutchins, cocking it and pulling the trigger.
Sommer sentenced "Rust" armorer Hannah Gutierrez to 18 months prison in April after a Santa Fe jury found her guilty of involuntary manslaughter for loading the live round into the reproduction Colt Single Action Army revolver Baldwin was using.
Morrissey accuses Baldwin of contributing to the collapse in firearm safety protocols by being an on-set bully. At Gutierrez’s trial she showed video of him pointing his revolver at people, firing it when not supposed to, swearing at himself and others, and telling Gutierrez what to do.
"Rust" director Joel Souza and first assistant director Dave Halls have defended Baldwin's on-set behavior, characterizing it as related to the adrenaline of an "A-list" actor.
Testing of Baldwin’s revolver by the FBI and an independent firearms specialist hired by the prosecution found it would not fire without the trigger pulled.
The defense argues the hammer and trigger of the revolver were modified to make it easier to fire, allowing an accidental discharge.
Observer and attorney Rachel Fiset sees this as a risky strategy.
“What is unusual in Baldwin’s case is that the alleged malfunction was directly in line with him appearing to “intentionally” act as if he was going to shoot the gun,” adding that if the jury does not believe the modification argument, it may be devastating to Baldwin’s credibility.



NBC's 'Stumble' Is a Mockumentary About a Cheer Team with Plenty of Tumbling Runs and Heart

 This image released by NBC shows Kristin Chenoweth, left, and Monica Aldama in a scene from "Stumble." (Matt Miller/NBC via AP)
This image released by NBC shows Kristin Chenoweth, left, and Monica Aldama in a scene from "Stumble." (Matt Miller/NBC via AP)
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NBC's 'Stumble' Is a Mockumentary About a Cheer Team with Plenty of Tumbling Runs and Heart

 This image released by NBC shows Kristin Chenoweth, left, and Monica Aldama in a scene from "Stumble." (Matt Miller/NBC via AP)
This image released by NBC shows Kristin Chenoweth, left, and Monica Aldama in a scene from "Stumble." (Matt Miller/NBC via AP)

Bodies go flying and tumbling in NBC's latest comedy series, "Stumble," a mocking but loving look at the competitive world of cheer from a brother-and-sister writing team.

Jeff and Liz Astrof have created a mockumentary about a ragtag group of recruits building a cheer team from scratch at a junior college in a tiny Oklahoma town with an unpronounceable name.

"Liz and I both love having heart, and we believe that if you have a really silly comedy like this, it has to be balanced by heart," says Jeff Astrof.

Jenn Lyon stars as a determined coach who needs to win one more trophy to be crowned the winningest coach in college cheer history. She finds herself in a gym with a dead opossum and some gnarly, would-be team candidates.

One has narcolepsy, one is a poached football star, a few are filthy dancers on TikTok, there's a 37-year-old rental car manager who technically never graduated, a felon with an ankle monitor and an 18-year-old with a messy home life. Even so, the creators promise one "cheer wow set piece" per episode.

"What’s so incredible is that these kids have never trusted anyone before or been trusted. Cheer is all about trust: Someone’s going to catch you, someone’s going to throw you in the air," says Liz Astrof. "It’s all about trust and all of them learning how to trust each other and trust themselves and be trusted."

NBC is building on its strong base of comedic mockumentaries — think "The Office,Parks and Recreation" and "The Paper" — with "Stumble," inspired by the 2020-22 Netflix docuseries "Cheer," which followed a Texas team preparing for a national cheerleading competition in Daytona Beach, Florida.

"It’s an underdog story," says Jeff Astrof. "What we loved about the documentary ‘Cheer’ was that these kids had really rough lives. We love that part of it."

The show — which debuts Friday on NBC and is available to stream the next day on Peacock — also features as a recurring guest star Kristin Chenoweth, the 4-foot-11 Broadway star, as assistant coach Tammy Istiny (read that name again), and former "Saturday Night Live" player Taran Killam as a football coach and husband of our cheer coach.

The pilot is all about gathering the team. The following episodes are about how to navigate them to Daytona from out the METH Conference (you read that right). "I'm so excited about this season. We've got a great group of kids and one middle-aged man," coach tells the media. They'll have to overcome ego, injuries and infighting for a chance at the title.

"Stumble" marks the first time Jeff and Liz Astrof have created a show together. Speaking to them is like talking to a comfortable comedy duo, each cracking the other up with another joke.

"We always bring out the best in each other, and it’s always good when we’re together in the room and have each other’s back," says Liz Astrof. "We would talk 17,000 times a day anyway, but it would usually be complaining about our jobs."

"This cuts that out," says her brother.

Jeff Astrof’s credit include "The New Adventures of Old Christine,Grounded for Life,Trial & Error" and "Ground Floor." His sister's credits include "Not Dead Yet,Last Man Standing,2 Broke Girls" and "The Conners."

When asked what are the hallmarks of their familial sense of humor, he immediately deadpans: "Trauma." Liz builds on that: "Trauma plus time, and the more time goes by, the funnier we are."

They both admit to being outgoing A-type personalities — who each married more introverted people — and whose sense of comedy didn't always come from a happy place.

"People are like, ‘Wow, you must have had a really funny household.’ And I was like, ‘That’s not how you make two sitcom writers,’" says Jeff Astrof. Adds his sister, with a laugh: "That’s not how you become funny."


Saudi Film Commission Announces Opening of Virtual Production Platform in Collaboration with Sony and Pixomondo 

JAX Film Studios is a fully integrated, high-end production center, housing two 1,500-square-meter soundstages, a VIP lounge, a modern cinema screening room, and fully equipped production offices and prep spaces. (SPA)
JAX Film Studios is a fully integrated, high-end production center, housing two 1,500-square-meter soundstages, a VIP lounge, a modern cinema screening room, and fully equipped production offices and prep spaces. (SPA)
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Saudi Film Commission Announces Opening of Virtual Production Platform in Collaboration with Sony and Pixomondo 

JAX Film Studios is a fully integrated, high-end production center, housing two 1,500-square-meter soundstages, a VIP lounge, a modern cinema screening room, and fully equipped production offices and prep spaces. (SPA)
JAX Film Studios is a fully integrated, high-end production center, housing two 1,500-square-meter soundstages, a VIP lounge, a modern cinema screening room, and fully equipped production offices and prep spaces. (SPA)

Saudi Arabia’s Film Commission announced on Tuesday the opening of an advanced virtual production platform at JAX Film Studios, the latest cinematic production facility in the capital, Riyadh, marking a pivotal step in developing the Kingdom’s film industry infrastructure.

The platform was designed in collaboration with Pixomondo, a specialist in visual effects and virtual production, and built with Sony’s latest VERONA Crystal LED technology, making the virtual studio ready to host the most ambitious film productions.

The platform comprises 2,720 Sony VERONA Crystal LED panels with a 2.3 mm pixel pitch and stage dimensions of 23 meters wide, 27.5 meters deep and 10 meters high. It features advanced integration of camera tracking, real-time processing, and in-camera VFX, enabling high-fidelity, photoreal simulation that meets the demands of major Hollywood productions.

JAX Film Studios is a fully integrated, high-end production center, housing two 1,500-square-meter soundstages, a VIP lounge, a modern cinema screening room, and fully equipped production offices and prep spaces, providing filmmakers with an end-to-end work environment under one roof.

CEO of the Film Commission Abdullah bin Nasser Al-Qahtani said: “JAX Film Studios is a milestone in the trajectory of Saudi filmmaking. Investing in world-class virtual production infrastructure is a strategic step toward building a globally competitive film industry and reflects the commission’s commitment to empowering filmmakers with the technologies, facilities and partnerships that support their creativity and output at the highest levels.”

General Manager of Sector Development and Investment Attraction at the commission Abduljalil Alnasser emphasized that the project represents a qualitative leap in the regional production landscape, noting that the integration of Sony and Pixomondo expertise and the technologies used at JAX Film Studios provide a production environment to global standards, from pixel precision to the highest levels of technical integration.

With its strategic location in Riyadh, JAX Film Studios offers filmmakers direct access to luxury hotels, the international airport, and a growing ecosystem of production services and talent in the Kingdom, making it a preferred destination for local and international productions.


Irish Pop Group Westlife on 25 Years, New Music and Tour 

Westlife perform during the annual German film and television awards “Golden Camera” (“Die Goldene Kamera”) of German TV magazine “HoerZu” in Berlin, Germany, March 30, 2019. (Reuters) 
Westlife perform during the annual German film and television awards “Golden Camera” (“Die Goldene Kamera”) of German TV magazine “HoerZu” in Berlin, Germany, March 30, 2019. (Reuters) 
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Irish Pop Group Westlife on 25 Years, New Music and Tour 

Westlife perform during the annual German film and television awards “Golden Camera” (“Die Goldene Kamera”) of German TV magazine “HoerZu” in Berlin, Germany, March 30, 2019. (Reuters) 
Westlife perform during the annual German film and television awards “Golden Camera” (“Die Goldene Kamera”) of German TV magazine “HoerZu” in Berlin, Germany, March 30, 2019. (Reuters) 

Westlife celebrate 25 years with a new album and tour they say will take fans down memory lane as well as treat them to "the best show" the Irish pop group have ever done.

The boy band, formed in 1998 when its original five members were teenagers, has sold more than 55 million records and scored 14 UK No. 1 hits with songs such as "Swear It Again", "Flying Without Wings" and "Uptown Girl".

A foursome since 2004, members Shane Filan, Nicky Byrne, Kian Egan and Mark Feehily parted ways in 2012 before reuniting in 2018.

They released single "Chariot" last month, one of four new songs on upcoming album "25 - The Ultimate Collection", out in February. They also expanded their 2026 "Westlife 25: The Anniversary World Tour", which marks 25 years since their first world tour.

Feehily, who in recent years has suffered health-related issues, is not joining them on tour but features on the album.

In an interview with Reuters, Filan, Egan and Byrne spoke about the tour, recording with Feehily and looking back on 25 years.

Below are excerpts edited for length and clarity.

Q: What can fans expect from the tour?

Filan: “We want to put on our best show we've ever done ... probably picking the setlist is always the hardest part because every fan has a different memory for that song. But it'll be full of hits, obviously, but we're going to elevate it from a kind of visual aspect as well."

Q: What was it like working all together on the album?

Filan: “It was great to have Mark on there. Obviously, he can't tour with us at the moment, he's unable to, but it was very important obviously that he was on the songs and he's singing better than ever ... one of the songs coming out is some of his best vocals ... We can't wait to have him back obviously as well when he's ready."

Q: You recently performed at the Royal Albert Hall. What was that like?

Byrne: “It just felt like an event ... the Oscars meets a brilliant wedding and we were on fire ... And now it's like, ‘Wow, did that just happen?’ We're tired today, but by next Saturday we'll be going ‘Right lads, how do we do this again? Where could we go next?’ And the truth is, who knows? Can it be ... Madison Square Garden? Can it be the Sphere? There are no rules."

Q: How does the success you imagined in those early days compare to the reality?

Egan: “I don't think any of us would have ever been able to say to our young selves ‘This is what you're going to be doing when you're 45 ... We like to think we're normal guys ... yes, we're in this big pop act and we travel around the world ... but we go home and we live quite normal lives ... We’ll be back to taking the bins out tomorrow.”