Roger Daltrey Talks New Tour, Thoughts on Broadway’s ‘Tommy’ and Future of The Who 

Roger Daltrey. (AP)
Roger Daltrey. (AP)
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Roger Daltrey Talks New Tour, Thoughts on Broadway’s ‘Tommy’ and Future of The Who 

Roger Daltrey. (AP)
Roger Daltrey. (AP)

As Roger Daltrey hits the road on a short solo tour this June, he’s unsure if fans will ever see another tour from The Who.

“I don’t see it. I don’t know whether The Who’ll ever will go out again,” he told The Associated Press over Zoom.

The 80-year-old rocker has a “use-it-or-lose it-mentality” when it comes to his singing voice, so he finds it necessary to perform as much as possible, with or without The Who.

Recently, Daltry spoke with The Associated Press on the future of the band, his solo tour and his feelings on the Broadway revival of The Who’s seminal rock opera, “Tommy.”

This interview has been edited for clarity and brevity.

AP: What do you think of the “Tommy” Broadway revival?

DALTREY: I’m glad the album is still out there; it means a lot to me. It’s the best opera ever written. I don’t particularly like it (the musical). It’s been altered and changed. I can’t imagine cutting some of the music in “Madame Butterfly,” or some other great operas.

AP: So, you think of it as a straight-up opera, as opposed to a rock opera?

DALTREY: It’s a fabulous opera. It was tongue and cheek at the time that we called it an opera. We did take a lot of chances with it. But since living with it and playing it on stage, and having seen lots of grand opera, I saw I had one in my hands. So, I’ve come to conclusion that it’s the best opera ever written.

AP: Tell us about the tour.

DALTREY: I’m bringing a band over from the UK of eight people, a very different sounding band with different instrumentation. No synthesizers. It’s just about having a lot of fun playing different songs, and obviously some Who classics. But we do them different. So it’s just something I love to do. And people seem to like it when I take it out there. So, I’m just going to put my toe in the water.

AP: So you’ll play solo material and The Who stuff?

DALTREY: Having a band like this gives me an opportunity to do a lot of things that I’ve done over the years with different artists, like the stuff I did with Wilko Johnson 10 years ago. I will do some solo stuff, plus some covers of other people that I really admire to make a night of entertainment and fun. So many people are retiring. All the good old boys are retiring and it’s very thin out there.

AP: Is getting out there in front of an audience what keeps your voice intact?

DALTREY: That’s always been the impetus for me ever since I had my voice problems out. You’ve got to keep using it. Just like anything else in the body. You stop walking, you lose the muscles in your legs. The voice is a similar thing. If you stop using those muscles in the voice box and the vocal cords, they’ll go soft on you and you’ll lose your voice. Mine is remarkable for my age.

AP: Simon Townsend is performing with you — not his brother, The Who’s Pete Townsend. What is it like supplementing one Townsend for another?

DALTREY: Simon Townsend is always in my solo shows. Simon has always been with me. Well, he’s a totally different guy than Pete, though he’s got very similar timber to his voice that suits my voice in the harmonies. He’s a great musician, fabulous guitarist and a great guy. You know, I’ve known him for 60 years.

AP: What’s the difference being touring with The Who and hitting the road solo?

DALTREY: It’s a lot less weight on my shoulders by myself. The Who feels like, I don’t know, heavier. It’s always much more relaxed and solo shows.

AP: There’s less pressure with a solo gig?

DALTREY: Because it’s the responsibility with The Who — there’s heritage and history to maintain that always need to be in a good light, so it puts a lot of weight on your shoulders. But with this band, I’ve discovered that I can go out there and have a good time and play any kind of music that I want.

AP: Can you give me an example?

DALTREY: I was doing some solo shows on a cruise, and I got this terrible allergy just before the first show. I ended up in hospital and didn’t know whether I’d make the cruise. But I did make the cruise. Anyway, I ended up having to do three shows back-to-back, and I’m thinking I was not able to have a sound check. I’m not going to get a rehearsal. But at least these three shows I can do.

Soundchecks are very important when you’re on the road. And I thought, “I know what I’ll do, I’ll show the audience a rehearsal.” And that’s what I did. I did the show as a rehearsal and talked about what’s going on the stage, what the roadies were doing, and what everyone was doing. And they really enjoyed it. If you can get away with that, you get away with anything.

AP: With a career that began in the mid-1960s, what has been the biggest change you’ve seen over the years?

DALTREY: Age. (Laughs.) I mean, see the elders growing up with us out in the audience, but equally, we have got an enormous number of young fans, which I’m astounded by. So, it changes all the time. But obviously our audience, they’ve grown up with us, so age is the thing you notice most.

AP: Mick Jagger is on the road with the Rolling Stones at 80 years old. Will The Who ever tour again?

DALTREY: I don’t see it. I don’t, I don’t know whether The Who will ever go out again. I don’t know. I don’t think like that. If we’ve got something to do, something which was progressive and interesting and there was a reason to do it, then we would go out. But at the moment I can’t see it.



Taylor Swift Bags Best-selling Artist of 2025 Award

FILE PHOTO: Taylor Swift poses at the red carpet during the 67th Annual Grammy Awards in Los Angeles, California, US, February 2, 2025. REUTERS/Daniel Cole/File Photo
FILE PHOTO: Taylor Swift poses at the red carpet during the 67th Annual Grammy Awards in Los Angeles, California, US, February 2, 2025. REUTERS/Daniel Cole/File Photo
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Taylor Swift Bags Best-selling Artist of 2025 Award

FILE PHOTO: Taylor Swift poses at the red carpet during the 67th Annual Grammy Awards in Los Angeles, California, US, February 2, 2025. REUTERS/Daniel Cole/File Photo
FILE PHOTO: Taylor Swift poses at the red carpet during the 67th Annual Grammy Awards in Los Angeles, California, US, February 2, 2025. REUTERS/Daniel Cole/File Photo

US pop star Taylor Swift was crowned the biggest-selling global artist of 2025, industry body IFPI announced Wednesday, the fourth consecutive year and sixth time she has claimed its annual prize.

The 36-year-old's success was turbo-charged by the October release of her latest album, "The Life of a Showgirl", which set several streaming records, as well as the release of a docuseries about her record-breaking The Eras tour.

"2025 was another landmark year (for Swift), driven by exceptional worldwide engagement across streaming, physical and digital formats with the release of her 12th album ... and the documentary of her tour," IFPI said.

The body, which represents the recorded music industry worldwide, noted Swift had now won its top annual artist prize as many times as all other artists combined over the past 10 years, AFP.

IFPI hands out the Global Artist of the Year Award after calculating an artist's or group's worldwide sales across streaming, downloads and physical music formats during the calendar year and covers their entire body of work.

Swift beat out Korean group Stray Kids, which came in second -- its highest-ever ranking and the third consecutive year in the global top five.

Fresh from his Super Bowl halftime show, Puerto Rican artist Bad Bunny placed fifth in the rankings, his sixth consecutive year in the chart.

American rapper Tyler, The Creator marked his first appearance on the chart, in 12th place, with IFPI noting he had "continued to generate strong vinyl sales across his catalogue".

Meanwhile Japanese rock band Mrs. Green Apple entered the rankings for the first time one place below him, following what IFPI called "the success of their anniversary album '10'".


Berlin Film Festival Rejects Accusation of Censorship on Gaza

Berlinale Festival Director Tricia Tuttle speaks during the Berlinale Camera award ceremony honoring British composer Max Richter during the 76th Berlin International Film Festival, in Berlin, Germany, 18 February 2026. (EPA)
Berlinale Festival Director Tricia Tuttle speaks during the Berlinale Camera award ceremony honoring British composer Max Richter during the 76th Berlin International Film Festival, in Berlin, Germany, 18 February 2026. (EPA)
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Berlin Film Festival Rejects Accusation of Censorship on Gaza

Berlinale Festival Director Tricia Tuttle speaks during the Berlinale Camera award ceremony honoring British composer Max Richter during the 76th Berlin International Film Festival, in Berlin, Germany, 18 February 2026. (EPA)
Berlinale Festival Director Tricia Tuttle speaks during the Berlinale Camera award ceremony honoring British composer Max Richter during the 76th Berlin International Film Festival, in Berlin, Germany, 18 February 2026. (EPA)

The director of the Berlin Film Festival on Wednesday rejected accusations from more than 80 film industry figures that the festival had helped censor artists who oppose Israel's actions in Gaza.

In an open letter published on Tuesday, Oscar-winning actors Javier Bardem and Tilda Swinton were among dozens who criticized the Berlinale's "silence" on the issue and said they were "dismayed" at its "involvement in censoring artists who oppose Israel's ongoing genocide against Palestinians in Gaza".

In an interview with Screen Daily, the Berlinale's director, Tricia Tuttle, said the festival backs "free speech within the bounds of German law".

She said she recognized that the letter came from "the depth of anger and frustration about the suffering of people in Gaza".

However, she rejected accusations of censorship, saying that the letter contained "misinformation" and "inaccurate claims about the Berlinale" made without evidence or anonymously.

The row over Gaza has dogged this year's edition of the festival since jury president Wim Wenders answered a question on the conflict by saying: "We cannot really enter the field of politics."

The comments prompted award-winning novelist Arundhati Roy, who had been due to present a restored version of a film she wrote, to withdraw from the festival.

Tuttle said the festival represents "lots of people who have different views, including lots of people who live in Germany who want a more complex understanding of Israel's positionality than maybe the rest of the world has right now".

German politicians have been largely supportive of Israel as Germany seeks to atone for the legacy of the Holocaust.

However, German public opinion has been more critical of Israeli actions in Gaza.

Commenting on the row to the Welt TV channel, German Culture Minister Wolfram Weimer defended Wenders and Tuttle from criticism, saying they were running the festival "in a very balanced way, very sensitively".

"Artists should not be told what to do when it comes to politics. The Berlinale is not an NGO with a camera and directors," Weimer said.

Gaza has frequently been a topic of controversy at the Berlinale in recent years.

In 2024, the festival's documentary award went to "No Other Land", which follows the dispossession of Palestinian communities in the Israeli-occupied West Bank.

German government officials criticized "one-sided" remarks about Gaza by the directors of that film and others at that year's awards ceremony.


Over 80 Berlin Film Festival Alumni Sign Open Letter Urging Organizers to Take Stance on Gaza 

12 February 2026, Berlin: President of the Berlinale jury Wim Wenders waves to the audience on the opening night of the 76th Berlin International Film Festival, before the premiere of the opening film "No Good Men" at the Berlinale Palast. (dpa)
12 February 2026, Berlin: President of the Berlinale jury Wim Wenders waves to the audience on the opening night of the 76th Berlin International Film Festival, before the premiere of the opening film "No Good Men" at the Berlinale Palast. (dpa)
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Over 80 Berlin Film Festival Alumni Sign Open Letter Urging Organizers to Take Stance on Gaza 

12 February 2026, Berlin: President of the Berlinale jury Wim Wenders waves to the audience on the opening night of the 76th Berlin International Film Festival, before the premiere of the opening film "No Good Men" at the Berlinale Palast. (dpa)
12 February 2026, Berlin: President of the Berlinale jury Wim Wenders waves to the audience on the opening night of the 76th Berlin International Film Festival, before the premiere of the opening film "No Good Men" at the Berlinale Palast. (dpa)

More than 80 actors, directors and other ‌artists who have taken part in the Berlin Film Festival, including Tilda Swinton and Javier Bardem, signed an open letter to the organizers published on Tuesday calling for them to take a clear stance on Israel's war in Gaza.

"We call on the Berlinale to fulfil its moral duty and clearly state its opposition to Israel's genocide, crimes against humanity and war crimes against Palestinians," said the open letter, which was published in full in entertainment industry magazine Variety.

Multiple human rights experts, scholars and a UN inquiry say Israel's assault on Gaza amounts to genocide. Israel calls its actions self-defense after Hamas' October 2023 attack on Israel.

"We are appalled by Berlinale's institutional silence," ‌said the letter, which ‌was also signed by actors Adam McKay, Alia Shawkat and ‌Brian ⁠Cox, and director ⁠Mike Leigh.

It said organizers had not met demands to issue a statement affirming Palestinians' right to life and committing to uphold artists' right to speak out on the issue.

"This is the least it can - and should - do," the letter said.

The festival did not immediately respond to an emailed request for comment.

THE MOST POLITICAL FESTIVAL

The Berlin Film Festival is considered the most political of its peers, Venice and Cannes, and ⁠prides itself on showing cinema from under-represented communities and young ‌talent. However, it has been repeatedly criticized by pro-Palestinian activists ‌for not taking a stand on Gaza, in contrast to the war in Ukraine ‌and the situation in Iran.

Calls have also previously been made for the ‌entertainment industry to take a stance on Gaza.

Last year, over 5,000 actors, entertainers, and producers, including some Hollywood stars, signed a pledge to not work with Israeli film institutions that they saw as being complicit in the abuse of Palestinians by Israel.

Paramount studio later condemned that ‌pledge and said it did not agree with such efforts.

ROY PULLS OUT

Tuesday's letter also condemned statements by this year's ⁠jury president, German director ⁠Wim Wenders, that filmmakers should stay out of politics, writing: "You cannot separate one from the other."

Wenders' comments prompted Indian novelist Arundhati Roy, winner of the Booker Prize in 1997 for her novel "The God of Small Things", to pull out of the festival earlier this week.

Roy, who had been due to present "In Which Annie Gives It Those Ones", a 1989 film which she wrote, in the Berlinale's Classics section, characterized Wenders' comments as "unconscionable."

In response, festival director Tricia Tuttle issued a note on Saturday defending artists' decision not to comment on political issues.

"People have called for free speech at the Berlinale. Free speech is happening at the Berlinale," she said.

"But increasingly, filmmakers are expected to answer any question put to them," she wrote, and are criticized if they do not answer, or answer "and we do not like what they say."