Roger Daltrey Talks New Tour, Thoughts on Broadway’s ‘Tommy’ and Future of The Who 

Roger Daltrey. (AP)
Roger Daltrey. (AP)
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Roger Daltrey Talks New Tour, Thoughts on Broadway’s ‘Tommy’ and Future of The Who 

Roger Daltrey. (AP)
Roger Daltrey. (AP)

As Roger Daltrey hits the road on a short solo tour this June, he’s unsure if fans will ever see another tour from The Who.

“I don’t see it. I don’t know whether The Who’ll ever will go out again,” he told The Associated Press over Zoom.

The 80-year-old rocker has a “use-it-or-lose it-mentality” when it comes to his singing voice, so he finds it necessary to perform as much as possible, with or without The Who.

Recently, Daltry spoke with The Associated Press on the future of the band, his solo tour and his feelings on the Broadway revival of The Who’s seminal rock opera, “Tommy.”

This interview has been edited for clarity and brevity.

AP: What do you think of the “Tommy” Broadway revival?

DALTREY: I’m glad the album is still out there; it means a lot to me. It’s the best opera ever written. I don’t particularly like it (the musical). It’s been altered and changed. I can’t imagine cutting some of the music in “Madame Butterfly,” or some other great operas.

AP: So, you think of it as a straight-up opera, as opposed to a rock opera?

DALTREY: It’s a fabulous opera. It was tongue and cheek at the time that we called it an opera. We did take a lot of chances with it. But since living with it and playing it on stage, and having seen lots of grand opera, I saw I had one in my hands. So, I’ve come to conclusion that it’s the best opera ever written.

AP: Tell us about the tour.

DALTREY: I’m bringing a band over from the UK of eight people, a very different sounding band with different instrumentation. No synthesizers. It’s just about having a lot of fun playing different songs, and obviously some Who classics. But we do them different. So it’s just something I love to do. And people seem to like it when I take it out there. So, I’m just going to put my toe in the water.

AP: So you’ll play solo material and The Who stuff?

DALTREY: Having a band like this gives me an opportunity to do a lot of things that I’ve done over the years with different artists, like the stuff I did with Wilko Johnson 10 years ago. I will do some solo stuff, plus some covers of other people that I really admire to make a night of entertainment and fun. So many people are retiring. All the good old boys are retiring and it’s very thin out there.

AP: Is getting out there in front of an audience what keeps your voice intact?

DALTREY: That’s always been the impetus for me ever since I had my voice problems out. You’ve got to keep using it. Just like anything else in the body. You stop walking, you lose the muscles in your legs. The voice is a similar thing. If you stop using those muscles in the voice box and the vocal cords, they’ll go soft on you and you’ll lose your voice. Mine is remarkable for my age.

AP: Simon Townsend is performing with you — not his brother, The Who’s Pete Townsend. What is it like supplementing one Townsend for another?

DALTREY: Simon Townsend is always in my solo shows. Simon has always been with me. Well, he’s a totally different guy than Pete, though he’s got very similar timber to his voice that suits my voice in the harmonies. He’s a great musician, fabulous guitarist and a great guy. You know, I’ve known him for 60 years.

AP: What’s the difference being touring with The Who and hitting the road solo?

DALTREY: It’s a lot less weight on my shoulders by myself. The Who feels like, I don’t know, heavier. It’s always much more relaxed and solo shows.

AP: There’s less pressure with a solo gig?

DALTREY: Because it’s the responsibility with The Who — there’s heritage and history to maintain that always need to be in a good light, so it puts a lot of weight on your shoulders. But with this band, I’ve discovered that I can go out there and have a good time and play any kind of music that I want.

AP: Can you give me an example?

DALTREY: I was doing some solo shows on a cruise, and I got this terrible allergy just before the first show. I ended up in hospital and didn’t know whether I’d make the cruise. But I did make the cruise. Anyway, I ended up having to do three shows back-to-back, and I’m thinking I was not able to have a sound check. I’m not going to get a rehearsal. But at least these three shows I can do.

Soundchecks are very important when you’re on the road. And I thought, “I know what I’ll do, I’ll show the audience a rehearsal.” And that’s what I did. I did the show as a rehearsal and talked about what’s going on the stage, what the roadies were doing, and what everyone was doing. And they really enjoyed it. If you can get away with that, you get away with anything.

AP: With a career that began in the mid-1960s, what has been the biggest change you’ve seen over the years?

DALTREY: Age. (Laughs.) I mean, see the elders growing up with us out in the audience, but equally, we have got an enormous number of young fans, which I’m astounded by. So, it changes all the time. But obviously our audience, they’ve grown up with us, so age is the thing you notice most.

AP: Mick Jagger is on the road with the Rolling Stones at 80 years old. Will The Who ever tour again?

DALTREY: I don’t see it. I don’t, I don’t know whether The Who will ever go out again. I don’t know. I don’t think like that. If we’ve got something to do, something which was progressive and interesting and there was a reason to do it, then we would go out. But at the moment I can’t see it.



Sydney Sweeney Box-Office Hit ‘The Housemaid’ to Get a Sequel

Sydney Sweeney. (AFP/Getty Images)
Sydney Sweeney. (AFP/Getty Images)
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Sydney Sweeney Box-Office Hit ‘The Housemaid’ to Get a Sequel

Sydney Sweeney. (AFP/Getty Images)
Sydney Sweeney. (AFP/Getty Images)

After just two and half weeks of release, the Sydney Sweeney box-office hit “The Housemaid” is getting a sequel.

Lionsgate announced Tuesday that it will start production on “The Housemaid's Secret” later this year. The film will be based on the second of Freida McFadden's bestselling trilogy of books.

“The Housemaid” has been a hit at the holiday box office, grossing more than $75 million and $133 million worldwide in 17 days of release. The psychological thriller directed by Paul Feig cost a modest $35 million to make.

Lionsgate said “The Housemaid's Secret” is being developed with the aim of Feig and Sweeney returning, including Sweeney as an executive producer. “The Housemaid” screenwriter Rebecca Sonnenshine is writing the sequel.

“It’s clear from both the global box office and from the outpouring on social media that audiences have responded strongly — and audibly — to the totally unique and truly theatrical experience of The Housemaid and want to know what happens next,” said Adam Fogelson, Lionsgate Motion Picture Group chairman, in a statement.

“The Housemaid” has handed Sweeney a major box-office victory after a disappointing result for her awards-hopeful boxing drama “Christy” in November. That film grossed only $2 million worldwide. In “The Housemaid,” Sweeney stars a live-in housemaid hired by a wealthy couple played by Amanda Seyfried and Brandon Sklenar.


Chalamet Boosts Oscar Bid with Critics Choice Awards Win

Timothee Chalamet, with the spotlight actor of the year award for "Marty Supreme," poses in the press room during the 37th Palm Springs International Film Festival Film Awards on Saturday, Jan. 3, 2026 at Palm Springs Convention Center in Palm Springs, Calif. (Photo by Jordan Strauss/Invision/AP)
Timothee Chalamet, with the spotlight actor of the year award for "Marty Supreme," poses in the press room during the 37th Palm Springs International Film Festival Film Awards on Saturday, Jan. 3, 2026 at Palm Springs Convention Center in Palm Springs, Calif. (Photo by Jordan Strauss/Invision/AP)
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Chalamet Boosts Oscar Bid with Critics Choice Awards Win

Timothee Chalamet, with the spotlight actor of the year award for "Marty Supreme," poses in the press room during the 37th Palm Springs International Film Festival Film Awards on Saturday, Jan. 3, 2026 at Palm Springs Convention Center in Palm Springs, Calif. (Photo by Jordan Strauss/Invision/AP)
Timothee Chalamet, with the spotlight actor of the year award for "Marty Supreme," poses in the press room during the 37th Palm Springs International Film Festival Film Awards on Saturday, Jan. 3, 2026 at Palm Springs Convention Center in Palm Springs, Calif. (Photo by Jordan Strauss/Invision/AP)

Timothee Chalamet's Oscars campaign earned a major boost Sunday as he scooped the best actor prize for "Marty Supreme" at the Critics Choice Awards, the first major gala of this year's Hollywood awards season.

He defeated rival Leonardo DiCaprio, whose raucous political thriller "One Battle After Another" took the night's top prize for best picture, as well as best director and best adapted screenplay for Paul Thomas Anderson.

In "Marty Supreme," Chalamet plays a 1950s table tennis champion consumed by grand ambitions.

Loosely based on a true story, and benefiting from the Franco-American actor's unique viral campaign, the film directed by Josh Safdie ("Uncut Gems") has become an unlikely global hit.

"Josh, you made a story about a flawed man with a relatable dream," said Chalamet. "And you didn't preach to the audience about what's right and wrong, and I think we should all be telling stories like that, so thank you for this dream."

The movie is loosely based on the life of table tennis star Marty Reisman, a man driven by the belief that he can achieve fame and fortune through a sport little known in the United States.

Chalamet -- the "Dune" superstar and two-time Oscar nominee who recently portrayed Bob Dylan in "A Complete Unknown" -- rigorously trained in table tennis for the role.

The 30-year-old has in the past made no secret of his ambitions to win multiple Academy Awards, and will now be the frontrunner for the ceremony on March 15.

- Oscars momentum -

The awards bestowed by North America's largest critics' group could give movie campaigns much-needed extra momentum as Oscars voting nears.

This year, it took the coveted first weekend of awards season usually occupied by the Golden Globes, which will take place in Beverly Hills next weekend.

Jessie Buckley won best actress for her tragic role as the wife of William Shakespeare in period drama "Hamnet."

Jacob Elordi won best supporting actor for his portrayal of the Monster in "Frankenstein," which also won three technical awards, while Amy Madigan won supporting actress for a villainous turn in horror flick "Weapons."

Netflix's global mega-hit musical "KPop Demon Hunters" won best animated feature and best song.

"Sinners," a period horror film also seen as a major contender for many of this season's top prizes, had to settle for best original screenplay, young actor, score, and casting and ensemble.

Among the television prizes, hospital saga "The Pitt" won best drama, Hollywood satire "The Studio" won best comedy, and teen murder drama "Adolescence" won best limited series.

Best talk show winner Jimmy Kimmel joked about his spat with US President Donald Trump last year, which saw the late-night host briefly taken off the air.

In the show's opening monologue, host Chelsea Handler paid tribute to the late Rob Reiner, "the nicest guy in Hollywood."

The beloved "When Harry Met Sally" director and his wife Michele were found stabbed to death in their Los Angeles home last month.

"Anyone who ever spent time with Rob Reiner knows that the minute that you met him, he felt like an old friend," she said, to emotional applause from the gathered A-listers and critics.


Third ‘Avatar’ Film Passes the $1 Billion Mark Worldwide

"Fire and Ash" stars Zoe Saldana as Na'vi warrior Neytiri and Sam Worthington. (AFP)
"Fire and Ash" stars Zoe Saldana as Na'vi warrior Neytiri and Sam Worthington. (AFP)
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Third ‘Avatar’ Film Passes the $1 Billion Mark Worldwide

"Fire and Ash" stars Zoe Saldana as Na'vi warrior Neytiri and Sam Worthington. (AFP)
"Fire and Ash" stars Zoe Saldana as Na'vi warrior Neytiri and Sam Worthington. (AFP)

"Avatar: Fire and Ash" has surpassed the $1 billion mark at the global box office, as it kept the top spot in North American theaters with another $40 million in ticket sales, industry estimates showed Sunday.

The third installment in director James Cameron's blockbuster series has now earned $306 million in the United States and Canada, and another $777 million abroad, putting the total at $1.08 billion, Exhibitor Relations reported.

"Fire and Ash" stars Zoe Saldana as Na'vi warrior Neytiri and Sam Worthington as ex-Marine Jake Sully, who must battle a new foe threatening their family's life on the planet Pandora.

It is the fourth Cameron film to pass the $1 billion mark, with the first two "Avatar" films and "Titanic."

In second place in North America was "Zootopia 2," Disney's feel-good animated film and an Oscar contender, at $19 million. Its global total now stands at nearly $1.6 billion.

Coming in third at $14.9 million was Lionsgate's "The Housemaid," a film version of Freida McFadden's best-selling novel about a young woman (Sydney Sweeney) who is hired by a wealthy couple (Amanda Seyfried and Brandon Sklenar) with dark secrets.

"Marty Supreme," A24's period sports drama starring Timothee Chalamet, finished in fourth place with $12.6 million.

"Anaconda," the new meta comedy action flick starring Paul Rudd and Jack Black as friends trying to reboot the original 1997 horror film, finished in fifth place with $10 million.