Movie Review: ‘Tuesday,’ with Julia Louis-Dreyfus, Is Strange, Emotional and Fiercely Original

 This image released by A24 shows Julia Louis-Dreyfus in a scene from "Tuesday." (Kevin Baker/A24 via AP)
This image released by A24 shows Julia Louis-Dreyfus in a scene from "Tuesday." (Kevin Baker/A24 via AP)
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Movie Review: ‘Tuesday,’ with Julia Louis-Dreyfus, Is Strange, Emotional and Fiercely Original

 This image released by A24 shows Julia Louis-Dreyfus in a scene from "Tuesday." (Kevin Baker/A24 via AP)
This image released by A24 shows Julia Louis-Dreyfus in a scene from "Tuesday." (Kevin Baker/A24 via AP)

Death has taken many forms in cinema. It’s been Bengt Ekerot. Ian McKellen. John Cleese. Even Brad Pitt with blonde highlights. But in “Tuesday,” filmmaker Daina O. Pusić's bold, fantastical and affecting debut, death looks like a lot like a macaw that's seen better days.

Covered in a thick layer of grime and oil with patches of feathers missing, “Tuesday’s” Death can be as big as a room or as small as an ear canal. Its booming, gravelly voice (that of actor Arinzé Kene) sounds ancient and otherworldly. And it all adds up to something profoundly unsettling. Not exactly a comforting welcome into the afterlife, or whatever comes next.

“Tuesday,” expanding nationwide Friday, is about death, and acceptance, between a mother and her dying daughter. But this is no Hallmark affair fitting for a sympathy card. It is prickly, wry, somewhat unsentimental, a bit gritty and awfully painful at times. Or maybe it’s just uniquely British. And you may just find yourself in a puddle of your own tears as a result.

Now, in terms of cinematic emotional blackmail, a parent coming to terms with a child’s imminent death is pretty much in the red zone. That sort of setup could produce involuntary tears from an audience regardless of the level of talent involved. Thankfully for us, there is immense creativity and vision both in front of and behind the camera, including not just the writer-director but the special effects experts responsible for Death as well as the haunting and innovative sound design.

Lola Petticrew plays the titular Tuesday, a teen with a “Breathless” pixie cut, a love of jokes and rap music and a terminal illness that has bound her to an oxygen tank and the use of a wheelchair. Her mother, Zora (Julia Louis-Dreyfus), has entirely disconnected from the situation. She tiptoes around the house waiting for the nurse, Billie (a lovely Leah Harvey), to do the caretaking. She stays out all day, pawning household items for cash to pay for the care, ignoring Tuesday’s calls and occasionally falling asleep on park benches. At home, she doesn’t want to talk to Tuesday about anything real — the death, her job, their precarious financial position — it’s all been deeply repressed and compartmentalized and is making everyone crazy.

The day we meet Zora and Tuesday is the day Death arrives. Billie has left Tuesday on the patio for just a minute to start a bath. All of a sudden, the girl who was just joking around is having an episode, gasping for air, when the macaw lands by her side. Death is actually the first character introduced, in an unnerving series of deaths setting an ominous tone that will loom throughout. Some are ready to go, begging for relief. Some are just scared. And all have the same outcome once he’s put his wing around them.

Tuesday, however, decides to tell a joke. This disarms Death (who bursts out laughing) and suddenly they’re in conversation together. She gives him a bath, puts on some music and asks a favor: She’d like to say goodbye to her mom first. Death obliges.

Of course, the story both is and isn’t that simple. “Tuesday” becomes some strange combination of body horror, fairy tale, domestic drama and apocalypse thriller. It is weird and transfixing — never predictable and never boring. Louis-Dreyfus is both chilling and deeply empathetic as this woman who has been paralyzed by grief even before it’s happened. She seems to be preparing for her own death in a way, unable and unwilling to process a life without her daughter who, at this point, doesn’t even realize that her mother still loves her. Petticrew holds her own, going head-to-head with Louis-Dreyfus at her cruelest, exhibiting a wisdom beyond her years and fitting of a person who’s had to grow up and face death far too early.

“Tuesday” is ultimately a cathartic affair, whether death is top of mind at the moment or not. And it announces the arrival of a daring filmmaker worth following.



Oasis Fans Converge as Mega-tour Kicks Off in UK

Oasis are performing together for the first time since 2009. MIKE CLARKE / AFP
Oasis are performing together for the first time since 2009. MIKE CLARKE / AFP
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Oasis Fans Converge as Mega-tour Kicks Off in UK

Oasis are performing together for the first time since 2009. MIKE CLARKE / AFP
Oasis are performing together for the first time since 2009. MIKE CLARKE / AFP

Tens of thousands of ecstatic Oasis fans descend Friday on Cardiff as the legendary Britpop band kicks off a highly anticipated reunion tour nearly 16 years after last performing together.

The concert at the Principality Stadium in the Welsh capital will be the first of a 41-date run of gigs spanning the world, including in the United States, Japan, Australia and Brazil, AFP said.

Once-warring brothers Liam and Noel Gallagher, their bandmates and UK support acts will play in Cardiff on Friday and Saturday before five hometown gigs in Manchester starting on July 11.

Further sold-out British and Irish concerts will follow at London's Wembley Stadium, Edinburgh's Murrayfield Stadium and Dublin's Croke Park, before the international leg of their Oasis Live '25 tour.

"All that matters is how the people in that stadium feel," Liam Gallagher, 52, said on social media last week, as months of anticipation reach a climax.

Fans have been sharing their excitement at the first chance to see Oasis play live since 2009 -- or ever -- after it was long seen as a remote prospect following one of music's most acrimonious break-ups.

The band's 1990s gigs are the stuff of legend.

"The feeling is biblical!" fuel tanker driver Sean Campbell, 35, told AFP before attending Friday's gig.

"I've been waiting years for their return. I missed out on going years ago, so this is my first time seeing them live."

Ticket controversy

Oasis, famous for 1990s hits like "Live Forever" and "Wonderwall", announced its comeback tour last August, days before the 30th anniversary of their debut album, "Definitely Maybe".

The Manchester rockers split in 2009, with Noel saying he "simply could not go on working with Liam a day longer".

The Gallagher brothers had maintained a war of words about each other for more than a decade, performing individually over those years but never together.

The surprise announcement that they had finally put aside their feud to reunite sparked an online frenzy for tickets but outrage over sudden price hikes that saw Britain's competition watchdog threaten legal action.

Resale tickets costing thousands of pounds have surfaced, while fans have also been targeted by online scams.

Britain's Lloyds Bank estimated in April that victims had collectively lost more than £2 million ($2.7 million).

The tour is expected to be a boon for the struggling UK economy.

Fans could spend more than £1 billion combined on tickets and outgoings such as transportation and accommodation, Barclays bank estimated in May.

'Rough and ready'

Oasis will be supported in the UK by Richard Ashcroft, frontman of British rock band The Verve, as well as the Liverpool-formed band Cast.

The band has not released the setlist for their opening and other shows, with rampant speculation online over which classic tracks will feature and whether any new material will be performed.

There are also many rumors over the potential for special guests appearances.

Illuminated drones displayed Oasis's classic logo above the Cardiff stadium late Wednesday, in a one-night display adding to the buzz around the tour's kick-off.

Gates open Friday at 5:00 pm (1600 GMT), with the band due on stage just over three hours later after both support acts have played.

The performance will wrap up by 10:30 pm, organizers said.

The stadium, which has a capacity of 74,500 for concerts, is set to have its retractable roof closed for both nights, with an incredible atmosphere expected.

Oasis reportedly began jamming together months ago, before starting rehearsals in London more recently.

The band has reportedly welcomed several new members for the tour, including a keyboard player and drummer.

Writing in the tour program, Noel, 58, reflected on the band's enduring popularity, saying "a new generation recognizes how Oasis wasn't manufactured".

"It was chaotic, and flawed, and not technically brilliant. We were rough and ready guys from a rehearsal room, and people recognized it."