Eddie Murphy Brings ‘80s to Modern Day with New ‘Beverly Hills Cop’ Film 

Judge Reinhold and Eddie Murphy attend the World premiere of "Beverly Hills Cop: Axel F" at the Wallis Annenberg Center for the Performing Arts in Beverly Hills, California, US June 20, 2024. (Reuters)
Judge Reinhold and Eddie Murphy attend the World premiere of "Beverly Hills Cop: Axel F" at the Wallis Annenberg Center for the Performing Arts in Beverly Hills, California, US June 20, 2024. (Reuters)
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Eddie Murphy Brings ‘80s to Modern Day with New ‘Beverly Hills Cop’ Film 

Judge Reinhold and Eddie Murphy attend the World premiere of "Beverly Hills Cop: Axel F" at the Wallis Annenberg Center for the Performing Arts in Beverly Hills, California, US June 20, 2024. (Reuters)
Judge Reinhold and Eddie Murphy attend the World premiere of "Beverly Hills Cop: Axel F" at the Wallis Annenberg Center for the Performing Arts in Beverly Hills, California, US June 20, 2024. (Reuters)

Thirty years since his third and last outing, Eddie Murphy's "Beverly Hills Cop" Axel Foley is back on another investigation.

New Netflix film "Beverly Hills Cop: Axel F" sees the rule-breaking police officer return to Beverly Hills when he discovers his estranged, public defender daughter Jane (Taylour Paige) is in danger after her investigation into a murder uncovers corruption in the Beverly Hills Police Department.

Murphy, who is joined by fellow original cast members Judge Reinhold and John Ashton, premiered the film on Thursday, fittingly across the road from the real Beverly Hills Police Department, where much of the action is set.

However, this red carpet - where Murphy was joined by actor Martin Lawrence, musician Lil Nas X and others - was a far cry from the first screening of the original 1984 film.

"The first premiere was... an industry screening I went to and it didn't go well with the audience... Then I went to see it with a real audience and then I saw the real reaction to it," Murphy said.

"Beverly Hills Cop" went on to gross over $300 million worldwide and became an iconic '80s movie. Two other films followed in 1987 and 1994.

"This is a big part of people's lives... it was a hit and everybody loved it but it was more than that. They kind of warmed to it," said actor Paul Reiser, who reprises his role as Jeffrey Friedman.

"It's like comfort food. It's like we love that movie, we grew up on that movie."

The new movie also refers to the 1980s, director Mark Molloy said.

"I looked at those first two films and I was like, I want to make a film like that," he said.

"I wanted to ground it and make it humble and also I wanted to shoot everything in camera, make some mistakes. Those films are imperfect... and I wanted to embrace that and create a film that felt very nostalgic but was in the contemporary world."

The film, which begins streaming on July 3, also stars Kevin Bacon as a sinister senior cop and Joseph Gordon-Levitt as Foley's new sidekick.

"I'm happy the movie worked out right and that it's super-audience friendly," Murphy said.

"It's always great when you do a good movie."



‘Jurassic World Rebirth’ Bites Off $318 Million at the Global Box Office

This image released by Universal Pictures and Amblin Entertainment shows Scarlett Johansson in a scene from " Jurassic World: Rebirth." (Jasin Boland/Universal Pictures and Amblin Entertainment via AP)
This image released by Universal Pictures and Amblin Entertainment shows Scarlett Johansson in a scene from " Jurassic World: Rebirth." (Jasin Boland/Universal Pictures and Amblin Entertainment via AP)
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‘Jurassic World Rebirth’ Bites Off $318 Million at the Global Box Office

This image released by Universal Pictures and Amblin Entertainment shows Scarlett Johansson in a scene from " Jurassic World: Rebirth." (Jasin Boland/Universal Pictures and Amblin Entertainment via AP)
This image released by Universal Pictures and Amblin Entertainment shows Scarlett Johansson in a scene from " Jurassic World: Rebirth." (Jasin Boland/Universal Pictures and Amblin Entertainment via AP)

Dinosaur fatigue may be a theme in “Jurassic World Rebirth,” but moviegoing audiences don’t seem to have that reservation. The newest installment in the “Jurassic World” franchise ruled the Fourth of July holiday box office with a global, five-day launch of $318.3 million, according to studio estimates Sunday.

The Universal Pictures release, directed by Gareth Edwards, opened on Wednesday and earned $147.3 million in its first five days in 4,308 North American theaters. An estimated $91.5 million of that comes from the traditional “three day” weekend, which includes the Friday holiday, Saturday and projected Sunday ticket sales.

Internationally, it opened in 82 markets including China, adding $171 million to the opening total. According to the studio, $41.5 million of that came from China alone, where it played on 65,000 screens, 760 of which were IMAX. It's the country's biggest MPA (Motion Picture Association) opening of the year.

“Rebirth,” starring Scarlett Johansson, Mahershala Ali and Jonathan Bailey, is the fourth movie in the “Jurassic World” series and the seventh since Steven Spielberg’s original Michael Crichton adaptation stormed theaters in the summer of 1993. The new film received mixed reviews from critics, carrying a 51% on Rotten Tomatoes, and B CinemaScore from opening weekend audiences, The Associated Press reported.

Factors like the holiday weekend, inflation and post-COVID moviegoing realities make it difficult to fairly compare the “Rebirth” launch to the other films in the “Jurassic World” franchise, the first of which opened to $208 million domestically in 2015. The other two, “Fallen Kingdom” and “Dominion” opened to $148 million and $145 million respectively.

“Jurassic World Rebirth” introduced a new main cast to the series and brought back a familiar voice in “Jurassic Park” screenwriter David Koepp to guide the story about a dangerous hunt for dinosaur DNA (not for making dinosaurs this time, but for curing heart disease). It cost a reported $180 million net to produce, not including marketing and promotion costs.

The campaign was far reaching, including a global press tour, with stops everywhere from London to Seoul, integrated marketing across NBC Universal platforms and brand tie-ins with everything from Jeep and 7-11 to Johansson’s skincare line.

No major new films dared go up against the dinosaurs, who left last week’s champion, the Brad Pitt racing movie “F1,” in the dust. “F1” fell a modest 54% in its second weekend with $26.1 million, helping bring its domestic total to $109.5 million. It continues to play on IMAX screens with accounted for $7.6 million of the North American weekend ticket sales. Globally, it's nearing $300 million with a running total of $293.6 million.

Third place went to Universal's live-action “How to Train Your Dragon,” which earned $11 million in its fourth weekend, bringing its domestic total to $224 million. Disney and Pixar's “Elio” landed in fourth place with $5.7 million. Globally, “Elio” has just crossed $96 million in three weekends.