Jon Landau, Oscar-Winning ‘Titanic’ and ‘Avatar’ Producer, Dies at 63

Jon Landau stands for a portrait at the 95th Academy Awards Nominees Luncheon, Feb. 13, 2023, at the Beverly Hilton Hotel in Beverly Hills, Calif. (AP)
Jon Landau stands for a portrait at the 95th Academy Awards Nominees Luncheon, Feb. 13, 2023, at the Beverly Hilton Hotel in Beverly Hills, Calif. (AP)
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Jon Landau, Oscar-Winning ‘Titanic’ and ‘Avatar’ Producer, Dies at 63

Jon Landau stands for a portrait at the 95th Academy Awards Nominees Luncheon, Feb. 13, 2023, at the Beverly Hilton Hotel in Beverly Hills, Calif. (AP)
Jon Landau stands for a portrait at the 95th Academy Awards Nominees Luncheon, Feb. 13, 2023, at the Beverly Hilton Hotel in Beverly Hills, Calif. (AP)

Jon Landau, an Oscar-winning producer who worked closely with director James Cameron on “Titanic" and the “Avatar” series, has died. He was 63.

Alan Bergman, Disney Entertainment co-chairman, announced Landau's death in a statement Saturday. No cause of death was given.

“Jon was a visionary whose extraordinary talent and passion brought some of the most unforgettable stories to life on the big screen. His remarkable contributions to the film industry have left an indelible mark, and he will be profoundly missed. He was an iconic and successful producer yet an even better person and a true force of nature who inspired all around him,” Bergman said.

Landau's partnership with Cameron led to three Oscar nominations and a best picture win for 1997's “Titanic.” Together the pair account for some of the biggest blockbusters in movie history, including “Avatar” and its sequel, “Avatar: The Way of Water.”

Landau's career began in the 1980s as a production manager, and he gradually rose through the ranks until taking on a producer role on “Titanic,” Cameron's expensive epic about the infamous disaster. The bet paid off: “Titanic” became the first movie to cross $1 billion in global box-office earnings and went on to win 11 Oscars, including best picture.

“I can’t act and I can’t compose and I can’t do visual effects. I guess that’s why I’m producing,” Landau said while accepting the award with Cameron.

Their partnership continued, with Landau becoming a top executive at Cameron’s Lightstorm Entertainment. In 2009 the pair watched as “Avatar,” a sci-fi epic filmed and shown in theaters with groundbreaking 3D technology, surpassed the box-office success of “Titanic.” It remains the top-grossing film of all time.

Its sequel, “Avatar: The Way of Water,” is third on the list.

Landau has been a key player in the “Avatar” franchise, which saw frequent delays of the release of “The Way of Water.” Landau defended the sequel’s progress and Cameron’s ambitious plans to film multiple sequels at once to keep the franchise going.

“A lot has changed but a lot hasn’t,” Landau told The Associated Press in 2022, a few months ahead of the sequel’s release. “One of the things that has not changed is: Why do people turn to entertainment today? Just like they did when the first ‘Avatar’ was released, they do it to escape, to escape the world in which we live.”

Landau was named an executive vice president of feature movies at 20th Century Fox when he was 29, which led him to oversee major hits including “Home Alone” and its sequel, as well as “Mrs. Doubtfire” and “True Lies,” where he first started working closely with Cameron.

Born in New York on July 23, 1960, Landau was the son of film producers Ely and Edie Landau.

Ely Landau died in 1993. Edie Landau, the Oscar-nominated producer of films like “Long Day’s Journey Into Night,” “Hopscotch” and “The Deadly Game,” died in 2022.

Jon Landau is survived by his wife of nearly 40 years, Julie, and their sons, Jamie and Jodie.



Iran's Panahi Takes on Iran's Jailers in Cannes Comeback

Iranian director Jafar Panahi, who has been banned and jailed in his homeland - AFP
Iranian director Jafar Panahi, who has been banned and jailed in his homeland - AFP
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Iran's Panahi Takes on Iran's Jailers in Cannes Comeback

Iranian director Jafar Panahi, who has been banned and jailed in his homeland - AFP
Iranian director Jafar Panahi, who has been banned and jailed in his homeland - AFP

Dissident Iranian filmmaker Jafar Panahi made his first appearance at an international film festival in 15 years in Cannes on Tuesday, with a story about political prisoners trying to get back at their jailers.

Panahi was banned from making films for 20 years and has been repeatedly detained since 2009 over his gritty, social dramas, considered subversive by the Islamic republic's regime.

His new feature, "It Was Just An Accident" -- which is in the running for the top prize -- risks causing new legal problems for a prize-winning director celebrated by fans for his defiance, according to AFP.

The 64-year-old said his nearly seven months in the notorious Evin prison in Tehran until February 2023 had helped inspire his latest wry tale.
"One of the characteristics of the Iranian people is their humor," Panahi, 64, told Screen magazine.

"This regime has been trying for over four decades now to impose on Iranians tragedy, tears and suffering but the Iranians always come up with humour and jokes."

The acclaimed director has repeatedly skirted the ban on him by shooting in secret, including 2022's "No Bears", which screened at the Venice film festival and won a special jury prize there while he was in jail.

"Although I am not banned any more, it didn't really change my actual situation. I still had to work illegally," he told Screen.

A source close to the filmmaker, who asked not to be named, told AFP Panahi's latest film had been shot in secret and had no government funding.

Cannes has a long history of supporting independent Iranian filmmakers, who often face legal problems and intimidation from Iranian authorities.

- Assange appears -

A second Iranian film is competing in the top Cannes competition this year -- "Mother and Child" by Saeed Roustaee.

Roustaee was sentenced to six months in prison for the screening of his film "Leila's Brothers" in Cannes in 2022 but his latest production has drawn criticism from some exiled directors.

The Iranian Independent Filmmakers Association (IIFMA) has called it a "propaganda film" but it is unclear if they have seen it in full.

Fellow Iranian Cannes favorite Mohammad Rasoulof, who fled the country last year, defended Roustaee.

He told Variety that there was a "clear distinction between the propaganda films of Iran and the films that are made under the constraints of censorship".

Wikileaks founder Julian Assange -- who spent five years in prison over his leak of classified US files -- is also in Cannes for the premiere on Wednesday of a documentary about him, "The Six Billion Dollar Man".

Its American director, Eugene Jarecki, was awarded the first ever Golden Globe for documentary at Cannes on Monday for his previous work, including his 2018 film about Elvis, "The King".

Ecuador's left-wing former president Rafael Correa, who famously offered Assange asylum in the Ecuadorian embassy in London, was set to appear alongside the Australian at the premiere.

- Denzel's up and down night -

Panahi and Assange's presence comes at one of the most political Cannes for many years, dominated by protest over the war in Gaza, sexual politics and US President Donald Trump's threat to impose tariffs on movies from "foreign lands".

Monday night featured a tense exchange with a photographer that took some of the joy from Hollywood star Denzel Washington's lifetime achievement award.

The surprise honorary Palme d'Or was handed to Washington, 70, at the premiere of his latest film with New York director Spike Lee, "Highest 2 Lowest" -- the first time the actor has appeared at the festival.

"It's a total surprise. I'm so emotional," Washington said, according to a member of the audience.

The photographer had earlier appeared to grab the actor by the arm as he posed in front of a bank of cameras.

Washington shook him off and then pointed his finger at him and appeared to say "Stop it" a number of times, videos showed.

But despite the awkward incident, Washington's mood was no doubt lifted by the rave reviews of his and Lee's film.

Loosely adapted from a Japanese master Akira Kurosawa's 1963 classic, "High and Low", the Hollywood Reporter said the film had "wit, high style and kinetic energy to burn".

The Guardian praised Washington's "magnificent form" in the movie, saying he played a music mogul with "grinning monarchical assurance".

The Cannes film festival runs until Saturday.