How Fishing Led the Rolling Stones to Perform in the Ozarks

File photo: The Rolling Stones (L-R) Ronnie Wood, Keith Richards, Mick Jagger and Charlie Watts pose as they arrive for the opening of the new exhibit "Exhibitionism: The Rolling Stones" in the Manhattan borough of New York City, US, November 15, 2016. REUTERS/Mike Segar
File photo: The Rolling Stones (L-R) Ronnie Wood, Keith Richards, Mick Jagger and Charlie Watts pose as they arrive for the opening of the new exhibit "Exhibitionism: The Rolling Stones" in the Manhattan borough of New York City, US, November 15, 2016. REUTERS/Mike Segar
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How Fishing Led the Rolling Stones to Perform in the Ozarks

File photo: The Rolling Stones (L-R) Ronnie Wood, Keith Richards, Mick Jagger and Charlie Watts pose as they arrive for the opening of the new exhibit "Exhibitionism: The Rolling Stones" in the Manhattan borough of New York City, US, November 15, 2016. REUTERS/Mike Segar
File photo: The Rolling Stones (L-R) Ronnie Wood, Keith Richards, Mick Jagger and Charlie Watts pose as they arrive for the opening of the new exhibit "Exhibitionism: The Rolling Stones" in the Manhattan borough of New York City, US, November 15, 2016. REUTERS/Mike Segar

When the Rolling Stones close out their North American "Hackney Diamonds" tour on July 21, their concert venue will be a far cry from the bustling cities they have visited on the road.
The rockers will perform in Ridgedale, Missouri, with a population of less than a thousand, taking to the stage at the picturesque Thunder Ridge Nature Arena in the middle of the Ozark mountains, Reuters said.
Set amid 1,200 acres of land and overlooking Table Rock Lake, the 20,000-seat amphitheatre opened in May and has hosted American country music stars Morgan Wallen and Chris Stapleton. It was built by fishing and hunting gear supplier Bass Pro Shops founder and chief executive Johnny Morris.
"We just wanted to share this beautiful part of the world with others," Morris, who grew up in the Ozarks, told Reuters.
"We've been having some events out at this place for many years ... little gatherings and concerts. And then ... we got carried away."
Like Red Rocks in Colorado and The Gorge in Washington state, Morris' arena immerses visitors in the outdoors. The venue's proceeds go towards conservation efforts in the Ozark region.
"I went (to the Gorge) and I'm a little biased, but I felt like our beauty rivals that kind of beauty for a natural setting," said Morris, adding that he just wanted to "see people come and have a good time together outdoors."
Landing the Stones is a huge get for any venue. For Morris, it all came down to his love of fishing.
Twenty years ago, he met musician Chuck Leavell, who has been performing with the Stones since 1982. The pair went fishing - and Morris helped Leavell net "an enormous fish."
"He said 'Johnny, this is the happiest day of my life... If I can ever do anything for you, you let me know,'" Morris said.
The businessman, 76, called in that favor years later.
"I said, 'Could you get the Rolling Stones to come to Ridgedale, Missouri?' And he goes, 'Where? What?' and ... how that came about is just through fate, through fishing and a friendship."
He said a group representing the Stones attended a Garth Brooks concert at a related venue and apparently liked what they saw.
The Stones' tour is named after their critically-praised album released last October. At each stop, frontman Mick Jagger, 80, commands the stage for two hours with guitarists Keith Richards, 80, and Ronnie Wood, 77.
Asked if he would attend the July 21 show, Morris said: "If I'm kicking, I'm gonna be there, yeah."



Mariah Carey Wasn't Always Sure About Making a Christmas Album

FILE - Mariah Carey performs at the New Year's Eve celebration in Times Square, Dec. 31, 2017, in New York. (Photo by Brent N. Clarke/Invision/AP, File)
FILE - Mariah Carey performs at the New Year's Eve celebration in Times Square, Dec. 31, 2017, in New York. (Photo by Brent N. Clarke/Invision/AP, File)
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Mariah Carey Wasn't Always Sure About Making a Christmas Album

FILE - Mariah Carey performs at the New Year's Eve celebration in Times Square, Dec. 31, 2017, in New York. (Photo by Brent N. Clarke/Invision/AP, File)
FILE - Mariah Carey performs at the New Year's Eve celebration in Times Square, Dec. 31, 2017, in New York. (Photo by Brent N. Clarke/Invision/AP, File)

Mariah Carey relishes the fact that she has become culturally synonymous with Christmas — thanks in part to the longevity of her iconic song “All I Want for Christmas Is You,” and its ubiquity every year when the holidays roll around.
But the Grammy winner admits she initially wasn’t sure about doing a Christmas record when her label pitched it. “I was a little bit apprehensive,” she recalls, reflecting on her album, “Merry Christmas,” turning 30 this month.
Ahead of her appearance at Sunday’s American Music Awards and an upcoming Christmas tour that kicks off in November, Carey spoke with The Associated Press about the advice she would give to young artists navigating fame and the use of her song, “Always Be My Baby,” in Ari Aster’s 2023 horror comedy, “Beau Is Afraid.”
The interview has been edited for clarity and brevity.
AP: What has it been like to celebrate nearly 20 years of “The Emancipation of Mimi” and reflect on this album’s legacy? CAREY: I think “The Emancipation of Mimi” is one of my albums where there were different boundaries that got pushed aside and I was really happy about that because I needed to come back, apparently. And so, it was a comeback. But it’s one of my favorite albums. And celebrating it this year and this celebration of “Mimi” was really fun because I never get to do those songs. I never do them. And this this time I did.
AP: Because of that kind of underdog feeling, you felt some artistic liberty and empowerment that maybe you hadn’t before? CAREY: Yeah, I feel like people were ready to re-embrace me. And, you know, how did I feel about that? I mean, I feel like the album “Charmbracelet” was a very good album too, but not everybody knew that album. So, you know, when “We Belong Together” came out after “It’s Like That,” which didn’t do as well but still did pretty well. Whatever.
AP: “It’s Like That” is a great song. CAREY: It’s a good song. And I love performing it. You know, I go through stages with these albums. It’s interesting.
AP: Your first Christmas album, “Merry Christmas,” is turning 30 this month. That was obviously a formative record for you and your career. Do you remember anything about its inception? CAREY: So that was the record company saying, “You should do a Christmas album.” And I was like, “I don’t know that I should at this juncture.” Because, you know, I was very young and was just starting out and I felt like people do Christmas albums later in their lives. But now people have started to do them whenever, like right at the top of their career. So, I mean, what was I feeling like? I was a little bit apprehensive and then I was like, “I love this.” And I decorated the studio and just had the best time.
AP: Chappell Roan has made headlines for speaking out about how she is grappling with sudden fame. As someone who has been in the public eye for so long, do you have advice for young artists who are dealing with this? CAREY: Well, I have been through my share of dramas and it’s not fun because you grow up thinking, “I want to be famous.” I mean, really with me, it was always, “I want to be a singer. I want to write songs.” But “I want to be famous” was right there with it. I feel like it was probably because I didn’t feel like I was good enough on my own because of the things I went through growing up. And that’s not a good way to feel, you know?
But my advice would be try your hardest to go into this industry with a love of your talent or what’s really real for you. You know, if it’s like, “I want to be famous. I want to run around with those people, whoever they are, the famous people,” then it’s probably not the best idea.
AP: Have you seen Ari Aster’s “Beau Is Afraid” with Joaquin Phoenix? CAREY: Yes. I had to approve that. I thought it was interesting the way they used my song, “Always Be My Baby.” That was interesting. I mean, it didn’t really match with the movie, but, you know, I was just being edgy by saying, “You know, okay, fine.” It was very different. I mean, I wasn’t reluctant, but I thought, “This is something way different than I’ve done ever.”