AI Presents Pluses and Minuses in New Apple TV+ Mystery Series, ‘Sunny,’ Starring Rashida Jones

 Rashida Jones, left, and Hidetoshi Nishijima pose for a photo in Tokyo on Tuesday, June 25, 2024, during a media event for the Apple TV+ series "Sunny." (Photo/Rodrigo Reyes Marin)
Rashida Jones, left, and Hidetoshi Nishijima pose for a photo in Tokyo on Tuesday, June 25, 2024, during a media event for the Apple TV+ series "Sunny." (Photo/Rodrigo Reyes Marin)
TT

AI Presents Pluses and Minuses in New Apple TV+ Mystery Series, ‘Sunny,’ Starring Rashida Jones

 Rashida Jones, left, and Hidetoshi Nishijima pose for a photo in Tokyo on Tuesday, June 25, 2024, during a media event for the Apple TV+ series "Sunny." (Photo/Rodrigo Reyes Marin)
Rashida Jones, left, and Hidetoshi Nishijima pose for a photo in Tokyo on Tuesday, June 25, 2024, during a media event for the Apple TV+ series "Sunny." (Photo/Rodrigo Reyes Marin)

As an actor and a writer, Rashida Jones has spent a lot of time thinking about artificial intelligence. The use of AI was a major issue at the bargaining table during last year's Hollywood strikes. AI is also front and center in her new series "Sunny" for Apple TV+.

"My feeling today — because it changes every day — is it’s here and there’s no going back. There’s an inevitability that we have to accept," Jones said. "We need some kind of collective ethical parameters about how we use this because it is pretty scary... It's out of our control at this point."

In "Sunny," Jones plays Suzie, an expat in Japan whose husband Masa (Hidetoshi Nishijima of "Drive My Car,") and son Zen are missing after a plane crash. She is gifted a companion robot named Sunny as a condolence gift from Masa's employer. Suzie is shocked to discover Masa worked in robotics and programmed Sunny specifically with her in mind. She thought he worked in refrigeration technology.

With Sunny at her side, Suzie begins looking into who Masa really was, compared to who she thought he was. As she delves further into the mystery, Suzie discovers that in the wrong hands, the code to creating robots like Sunny can be dangerous. Judy Ongg, annie the clumsy and Jun Kunimura also co-star.

Katie Robbins adapted the series for TV from the novel "The Dark Manual" by Colin O’Sullivan. She says that while there's an optimism to the series from the connection Suzie feels to Sunny, it's also a cautionary tale.

"What AI does in the course of this show, is help people who are turning inward and who have trouble connecting with others. It's beautiful," said Robbins. "But because it is human-made, there’s also tremendous potential for it to be abused and used in dangerous ways."

The speed at which AI developed in the real world as Robbins wrote the series came as a surprise.

"When I was first writing the show, I was working with an AI consultant and a roboticist and they would sort of talk about this being on the horizon. And I was like, ‘You’re crazy. This show is science fiction. This is never going to happen.’ And they were like, ‘Watch out.’ And then while we were shooting, ChatGPT came out, and as a writer, I am incredibly concerned about the capacity of generative AI."

In Jones' scenes, Sunny was a less-sophisticated robot in need of human help. Actor Joanna Sotomura was in a nearby tent voicing Sunny's lines and making facial expressions the robot would mimic. "That actually gave me a little bit of relief because I was like, ‘Oh, we’re nowhere near this being an integrated part of our lives,'" Jones joked. "There was a lot of, effort, both within production and post-production, to get her to feel and seem like this highly functioning thing."

So, would Jones want to own a robot in real-life?

"To comfort me emotionally? No. To fold clothes and do dishes? Yes, very much so," she quipped.



Reviving Hollywood Glamor of Silent Movie Era, Experts Piece Together Century-old Pipe Organ

A crate containing some of the hundreds of pipes that are part of the Barton Opus 234 theater organ that is undergoing restoration are shown at Carlton Smith Pipe Organ Restorations in Indianapolis, Tuesday, July 2, 2024. (AP Photo/Michael Conroy)
A crate containing some of the hundreds of pipes that are part of the Barton Opus 234 theater organ that is undergoing restoration are shown at Carlton Smith Pipe Organ Restorations in Indianapolis, Tuesday, July 2, 2024. (AP Photo/Michael Conroy)
TT

Reviving Hollywood Glamor of Silent Movie Era, Experts Piece Together Century-old Pipe Organ

A crate containing some of the hundreds of pipes that are part of the Barton Opus 234 theater organ that is undergoing restoration are shown at Carlton Smith Pipe Organ Restorations in Indianapolis, Tuesday, July 2, 2024. (AP Photo/Michael Conroy)
A crate containing some of the hundreds of pipes that are part of the Barton Opus 234 theater organ that is undergoing restoration are shown at Carlton Smith Pipe Organ Restorations in Indianapolis, Tuesday, July 2, 2024. (AP Photo/Michael Conroy)

A massive pipe organ that underscored the drama and comedy of silent movies with live music in Detroit's ornate Hollywood Theatre nearly a century ago was dismantled into thousands of pieces and stashed away.
The Barton Opus, built in 1927, spent four decades stored in a garage, attic and basement in suburban Detroit. But the towering musical curiosity is being lovingly restored in Indianapolis and eventually will be trucked, piece by piece, to the Rochester Institute of Technology in western New York, to be reassembled and rehoused in a theater specifically designed to accommodate it.
In its heyday, the Barton Opus was able to recreate the sounds of many instruments, including strings, flutes and tubas, says Carlton Smith, who has been restoring the organ since 2020. It also contained real percussion instruments such as a piano, xylophone, glockenspiel, cymbals and drums and could produce sound effects including steamboat and bird whistles, Smith says.
For many moviegoers, the organs — and the organists — were the stars, The Associated Press reported.
“One guy could do it all,” Smith says. “In the big cities, they were literally filling the theaters’ thousands of seats multiple times during the day. They were showing live shows along with the films. It was a big production.”
The Barton Opus enjoyed good acoustics at the Hollywood Theatre, according to the Detroit Theatre Organ Society. The theaters in Detroit at that time, the golden age of the city's auto industry, were as glamorous as any in New York, Chicago, Los Angeles and San Francisco, according to John Lauter, an organist and organ technician.
“We were such a rich market for moviegoers that the theater owners built these palatial places,” Lauter says. “There were no plain Jane movie houses back then.”
Lauter, who also is the director of the Detroit Theatre Organ Society and president of the Motor City Theatre Organ Society, says the Hollywood Theatre organ was one of the largest made by the Bartola Musical Instrument Co. of Oshkosh, Wisconsin. Only three were sold, while the other two were installed in the Highland Theatre in Chicago and the Rialto Square Theatre in Joliet, Illinois.
Of the three, this is “the last one left that hasn’t been altered," Smith says.
In the decades that followed, televisions began to appear in living rooms across the nation and silent movie houses fell out of favor. The Hollywood Theatre closed in the 1950s, its fixtures were sold and its famed Barton Opus was on the verge of being lost to history.
But in the early 1960s, Lauter’s friend, Henry Przybylski, bought it at auction for about $3,500. Przybylski scrambled to remove the massive instrument, parts of which stood two stories tall, before the theater was demolished.
“He pulled together all of his friends in the winter of 1963,” Lauter says. “The building had no electricity and no heat. They came in with Coleman lanterns and block and tackle.”
They took the organ apart and Przybylski — an engineer and organ buff — transported the thousands of pieces back to his Dearborn Heights home where it would remain, unassembled, for about 40 years.
“He never heard or played that instrument ever,” Lauter says. “He lived a majority of his life owning that thing. He’d roll up the garage door and there would be that console in there. He made it known it was the very best there was.”
Przybylski died in 2000, but that did not spell the end of the Barton Opus' odyssey.
Steven Ball, a professional organist who taught at the University of Michigan's Organ Department, asked Przbylski's widow in 2003 if the pipe organ was for sale.
“I came up with every last bit of cash I could,” Ball says.
But he also put the pipe organ straight into storage.
“This whole project was to see this organ through to safety, until I could find an institution to restore it to what it was," Ball says, adding that he had always hoped the Barton Opus would end up in a theater mirroring its original home.
In 2019, Rochester Institute of Technology President David C. Munson reached out to Ball, whom he had known since Munson served as the dean of engineering at the University of Michigan years earlier.
“I contacted Steven and asked where we could acquire the best theater organ,” Munson says. "Steven said, ‘Well that would be mine.’”
Ball will donate his Barton Opus to the school, where it will be the centerpiece of the new performing arts center. The theater that will house the organ is expected to open by January 2026. Restoration work on the organ is a little over two-thirds complete, according to Smith.
“The theater is designed to accommodate exactly this organ,” Munson says, adding that the architect, Michael Maltzan, "designed the pipe chambers to have the same dimension as in the Hollywood Theatre. We have all the original plans for that organ and how the pipes were laid out.”
The exact cost of the work hasn’t yet been determined, Munson says, adding, “It’s an investment we’re making, but I think the results are going to be remarkable.”