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Robert Downey Jr. Returns to ‘Avengers’ Films as Villain in 1 of Marvel's Comic-Con Twists

Robert Downey Jr. attends a panel for Marvel Studios during Comic-Con International on Saturday, July 27, 2024, in San Diego. (Photo by Richard Shotwell/Invision/AP)
Robert Downey Jr. attends a panel for Marvel Studios during Comic-Con International on Saturday, July 27, 2024, in San Diego. (Photo by Richard Shotwell/Invision/AP)
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Robert Downey Jr. Returns to ‘Avengers’ Films as Villain in 1 of Marvel's Comic-Con Twists

Robert Downey Jr. attends a panel for Marvel Studios during Comic-Con International on Saturday, July 27, 2024, in San Diego. (Photo by Richard Shotwell/Invision/AP)
Robert Downey Jr. attends a panel for Marvel Studios during Comic-Con International on Saturday, July 27, 2024, in San Diego. (Photo by Richard Shotwell/Invision/AP)

Marvel Studios returned to San Diego Comic-Con with dancing Deadpool variants and a choir for a panel that included news about the next two “Avengers” films and surprise guests, including Harrison Ford and Robert Downey Jr.
Downey is returning to Marvel's films, but not as Iron Man. He'll play the villain Victor Von Doom, or Doctor Doom, in at least one of the upcoming “Avengers” movies. Downey kicked off Marvel's movie successes in “Iron Man” and played the popular character in nine films, but on Saturday appeared wearing Dr. Doom's mask and a green cloak.
“New mask, same task," Downey said to frenzied cheers, according to The Associated Press.
The Russo brothers, who will be directing the movie featuring Downey, said his appearance in the film is “proof of the unimaginable possibilities in the Marvel multi-universe.”
The reveal capped a jubilant return by Marvel to Comic-Con's Hall H.
Marvel Studios President Kevin Feige kicked off the panel by saying that due to this weekend's success of “Deadpool & Wolverine,” the sprawling Marvel Cinematic Universe had now topped $30 billion in box-office earnings. In a nod to a scene in the movie, a choir sang Madonna's “Like a Prayer” before Feige spoke.
“Deadpool & Wolverine,” released Thursday, has already broken one record and could shatter more in its opening weekend. Feige used Saturday's panel to chart the course ahead for the MCU, revealing Ford's character in the next “Captain America” film and revealing “Avengers: Secret Wars and “Avengers: Doomsday” as the titles of the next two films in the epic superhero team-up series. “Doomsday” will hit theaters in 2026.
Feige said all the actors introduced Saturday would appear in the upcoming “Avengers” movies, which will be directed by Joe and Anthony Russo. The brothers guided the “Avengers” franchise through its sprawling storyline capped by “Avengers: Endgame” in 2019 that included the death of Downey's Tony Stark/Iron Man character.
“When we directed ”Avengers: Endgame," Joe and I truly believed that it was the end of the road for us in the Marvel Cinematic Universe because we had put all of our passion, our love, our imagination into “The Winter Soldier,” into “Civil War,” into “Infinity War,” climaxing all of it with “Avengers: Endgame,” Anthony Russo said. “That four movie run was incredible and it left us creatively spent with all of our emotions on the film. In the time since, through a very special story, Joe and I have come to potentially see a road forward with you.”
They called “Secret Wars” the “biggest story that Marvel Comics ever told,” and Joe said it was the first comic book run he read as a child that made him “fall in love with comics.”
Saturday's session comes after Marvel skipped the convention last year due to the Hollywood strikes, which prevented writers and actors from speaking on panels.
The cast of “Captain America: Brave New World” — Giancarlo Esposito, Tim Blake Nelson, Danny Ramirez and Anthony Mackie — joined the stage first and teased details about the upcoming film. Esposito revealed that he will be playing the villain, Seth Voelker, also known as Sidewinder.
When asked about what it was like to join a Marvel project, Esposito said it was a “dream come true.
“When your dreams come true and you get the call, you walk through the door,” he continued. “I have a great deal of gratitude for all the fans who really had this dream come true, because it was fan casting that linked us together.”
The cast then stepped aside to share a scene from the movie on the big screen, which revealed that President Thaddeus “Thunderbolt” Ross, played by Ford, is hoping to rebuild the Avengers with Mackie’s Sam Wilson. It also showed Ford’s character transform into the Red Hulk.
Ford joined the panel after fans were treated to clips from the movie and flexed his muscles to the roaring crowd. He also expressed excitement over his latest role, saying, “I am delighted, and proud to become a member of the Marvel Universe.”
The cast and director of “Thunderbolts(asterisk)” also surprised fans with a short clip from the movie. Julia Louis-Dreyfus, Florence Pugh, Sebastian Stan and David Harbour (in full costume and speaking in character as the Red Guardian at first) stormed the stage and shared some more details about their characters.
The film is slated to be released in May 2025.
The final film teased at the panel was “The Fantastic Four,” starring Pedro Pascal, Vanessa Kirby, Joseph Quinn and Ebon Moss-Bachrach. The movie will begin filming on Tuesday in London, Feige said.
He said the film will hit theaters in almost exactly one year in July 2025.
Following a video director Matt Shakman created specifically for Comic-Con that featured the cast in full ’60s glory, he and Feige revealed the official title of the film, “The Fantastic Four: First Steps.”
The session included no mention of Jonathan Majors, who played the villain Kang the Conqueror and was previously a major part of Marvel’s “Avengers” plans. The actor was fired by the studio after he was convicted in December of assaulting a former girlfriend. He was sentenced to a yearlong counseling program in April and avoided jail time.
Marvel already took over Hall H on Thursday with an electric panel celebrating “Deadpool & Wolverine,” in which the audience was treated to a full screening and surprise guests joining stars Ryan Reynolds and Hugh Jackman on stage.
The mounting enthusiasm for the film at Comic-Con was reflected across the country as the fans rushed to see it in theaters, securing the film as the new record holder for the Thursday preview for an R-rated movie. The comic book film sold an estimated $38.5 million worth of movie tickets from preview screenings Thursday.
The “Deadpool & Wolverine” success woke up a sleepy year for Marvel and assuaged worries about its box-office underperformance in late 2023. The superhero factory hit a record low in November with the launch of “The Marvels,” which opened with just $47 million.

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Movie Review: In ‘Deadpool & Wolverine,’ the Superhero Movie Finally Accepts Itself for What It Is 

Hugh Jackman and Ryan Reynolds attend the premiere of "Deadpool & Wolverine" in New York City, New York, US, July 22, 2024. (Reuters)
Hugh Jackman and Ryan Reynolds attend the premiere of "Deadpool & Wolverine" in New York City, New York, US, July 22, 2024. (Reuters)
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Movie Review: In ‘Deadpool & Wolverine,’ the Superhero Movie Finally Accepts Itself for What It Is 

Hugh Jackman and Ryan Reynolds attend the premiere of "Deadpool & Wolverine" in New York City, New York, US, July 22, 2024. (Reuters)
Hugh Jackman and Ryan Reynolds attend the premiere of "Deadpool & Wolverine" in New York City, New York, US, July 22, 2024. (Reuters)

If one thing is certain about “Deadpool,” it’s that its titular hero, for reasons never explained, understands his place in the world — well, in our world.

Indeed, the irreverent and raunchy mutant is sure to belabor his awareness of the context in which he lives — namely an over-saturated, increasingly labyrinthine multibillion-dollar Marvel multiverse which spans decades, studios and too many films for most viewers to count.

From its inception, the “Deadpool” franchise has prided itself on a subversive, self-aware anti-superhero superhero movie, making fun of everything from comic books to Hollywood to its biggest champion, co-writer and star, Ryan Reynolds.

It’s no surprise then, as fans have come to expect, that the long-anticipated “Deadpool & Wolverine” further embraces its fourth wall-breaking self-awareness — even as it looks increasingly and more earnestly like the superhero movie blueprint it loves to exploit. That tension — the fact that “Deadpool” has called out comic book movie tropes despite being, in fact, a comic book movie — is somehow remedied in “Deadpool & Wolverine,” which leans into its genre more than the franchise’s first two movies.

Perhaps this gives viewers more clarity on its intended audience. After all, someone who hates superhero films — I’m looking at you, Scorsese — isn’t going to be won over because of a few self-deprecating jokes about lazy writing, budgets for A-list cameos and the overused “superhero landing” Reynolds’ Deadpool regularly refers to.

But this time around, director Shawn Levy — his first Marvel movie — seems to have found a sweet spot. Levy is surely helped by the fact that the third film in the franchise has a bigger budget, more hype and, of course, a brooding Hugh Jackman as Wolverine.

That anticipation makes their relationship, packed with hatred and fandom, all the more enticing. Their fight scenes against each other are just as compelling as their moments of self-sacrificial partnership in the spirit of, you guessed it, saving the world(s).

Speaking of worlds, there is one important development in our own to be aware of ahead of time. The first two “Deadpool” films were distributed by 20th Century Fox, whose $71.3 billion acquisition by the Walt Disney Co. in 2019 opened the door for the franchise to join the Marvel Cinematic Universe.

Perhaps unsurprisingly, “Deadpool & Wolverine” takes full advantage of that vast playground, which began in 2008 with Robert Downey Jr.’s “Iron Man” and now includes more than 30 films and a host of television shows. The acquisition is also a recurring target of Deadpool’s sarcasm throughout the movie.

Although steeped in references and cameos that can feel a bit like inside baseball for the less devoted, “Deadpool & Wolverine” is easy enough to follow for the casual Marvel viewer, though it wouldn’t hurt to have seen the first “Deadpool” and Jackman’s 2017 “Logan,” a harbinger of the increasing appetite for R-rated superhero violence. The Disney+ series “Loki” also gives helpful context, though is by no means a must watch, on the Time Variance Authority, which polices multiverse timelines to avoid “incursions,” or the catastrophic colliding of universes.

A defining feature of “Deadpool” has been its R rating and hyper violent action scenes. Whether thanks to more money, Levy’s direction or some combination of the two, these scenes are much more visually appealing.

But “Deadpool & Wolverine” does succumb to some of the deus ex machina writing that so often plagues superhero movies. Wade Wilson’s (the real identity of Deadpool) relationship with his ex (?) Vanessa is particularly underdeveloped — though it’s possible that ambiguity is a metaphor for Deadpool’s future within the MCU.

The plot feels aimless at points toward the end. One cameo-saturated battle scene in particular is resolved in a way that leaves its audience wanting after spending quite a bit of time building tension around it. While there are a few impressive stars who make an appearance, audiences may be disappointed by the amount of MCU characters referenced who don’t make it in.

The bloody but comedic final fight scene, however, is enough to perk viewers back up for the last act, solidifying the film’s identity as a fun, generally well-made summer movie.

The sole MCU release of 2024, “Deadpool & Wolverine” proves it’s not necessarily the source material that’s causing so-called superhero fatigue. It also suggests, in light of Marvel’s move to scale back production following a pandemic and historic Hollywood strikes, that increased attention given to making a movie will ultimately help the final product.