The Humor and Heartache of Gena Rowlands

The Oscar-nominated performer brought her deep range of emotion and expression to a number of original and moving films. Patrick HERTZOG / AFP
The Oscar-nominated performer brought her deep range of emotion and expression to a number of original and moving films. Patrick HERTZOG / AFP
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The Humor and Heartache of Gena Rowlands

The Oscar-nominated performer brought her deep range of emotion and expression to a number of original and moving films. Patrick HERTZOG / AFP
The Oscar-nominated performer brought her deep range of emotion and expression to a number of original and moving films. Patrick HERTZOG / AFP

US actress Gena Rowlands, whose six-decade career garnered Oscar nominations and other acclaim, died Wednesday at age 94.
No official cause of death was immediately given, but her son Nick Cassavetes said earlier this year she had been battling Alzheimer's disease for five years.
The Oscar-nominated performer brought her deep range of emotion and expression to a number of original and moving films that are considered classics of US independent cinema, most shot by her late husband, John Cassavetes.
For three decades starting in the 1960s, the couple formed an enchanting and explosive on-screen partnership that explored themes of passion and self-destruction against a backdrop of alcohol and infidelity.
In what many consider her finest role, Rowlands captured to devastating effect a descent into mental illness in 1974's "A Woman Under the Influence," bringing her the first of two Oscar nominations.
"Incapable of an unreal moment," said Woody Allen of the actress, whom he cast in his 1988 film "Another Woman."
"Whatever I say about Gena isn't enough because she's so incredible," said Winona Ryder, quoted in the LA Times in 1992 when the two co-starred in Jim Jarmusch's "Night on Earth."
"There's a nobility, strength and class to her work that nobody else holds a candle to, and she's so beautiful -- you just kind of marvel at the way she moves."
Making it true
From her earliest work there were shades of Marilyn Monroe in Rowlands -- the blonde hair in a wavy bob, the arresting on-screen beauty, and the undertone of sadness and vulnerability in her performances.
But she always challenged the idea of women as objects of desire in her performances and came of age as Monroe went through her own struggles, finally ending with her suicide in 1962.
"She can just play. Give her anything and she'll always be creative. She doesn't try to make it different –- she just is," said Cassavetes in a 2001 interview collection.
"Gena is very dedicated and pure. She doesn't care if it's cinematic, doesn't care where the camera is, doesn't care if she looks good -– doesn't care about anything except that you believe her."
A woman falling
Rowlands was born on June 19, 1930, in Cambria, Wisconsin, into a cultured middle-class family. Her father was a state senator and her mother was a painter and occasional actress.
She enrolled in New York's American Academy of Drama and in 1953 met Cassavetes, a fast-talking and exuberant Greek-American. A year later they were married.
It was their collaboration that generated her stand-out performances, the highlight arguably being "A Woman Under the Influence," which also brought an Oscar nomination for Cassavetes as director.
Rowlands was captivating as housewife Mabel, who descends into madness after years of quiet, complicated dominance by her hardworking and silent husband, played by Peter Falk.
In a rare moment of defiance, and one of Rowlands's most memorable scenes, Mabel fights back, rising at the table after a meal of spaghetti with friends and family, pleading to everyone to stand up for her -- just this one time.
The room is silent, and soon Mabel is institutionalized. When she emerges she is a shadow of her former, vivacious self.
The impact of the film and Rowlands's performance "has resonated throughout the American cinema ever since," said The New Yorker in 2013, citing Martin Scorsese and Spike Lee as two Hollywood figures under her influence.
Glorious 'Gloria'
One of her last films with Cassavetes was the more irreverent "Gloria," a 1980 gangster comedy about a woman on the run from the mob, in high heels, wielding a revolver and with a small child in tow.
Taking on the role with evident glee, in turns self-mocking and entirely convincing, Rowlands earned a second Oscar nomination and the film was awarded the top prize at the Venice Film Festival.
In 1989, Cassavetes died from liver failure after years of alcoholism. Rowlands continued to make films and also worked in television, winning four Emmys.
She and Cassavetes had three children, all of whom have gone on to have careers in film and television. Her son Nick directed her in "The Notebook" alongside Ryan Gosling and Rachel McAdams in 2004.
In 2012, she married her second husband, retired businessman Robert Forrest, and in 2015 was awarded an honorary Academy Award, the same year she retired from acting.



Alyssa Milano to Make Her Broadway Debut in the Razzle-Dazzle Musical ‘Chicago’ This Fall

Alyssa Milano appears at a screening of "Maestro" in Los Angeles on Dec. 12, 2023. (AP File)
Alyssa Milano appears at a screening of "Maestro" in Los Angeles on Dec. 12, 2023. (AP File)
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Alyssa Milano to Make Her Broadway Debut in the Razzle-Dazzle Musical ‘Chicago’ This Fall

Alyssa Milano appears at a screening of "Maestro" in Los Angeles on Dec. 12, 2023. (AP File)
Alyssa Milano appears at a screening of "Maestro" in Los Angeles on Dec. 12, 2023. (AP File)

Alyssa Milano hopes to charm audiences when she makes her Broadway debut this fall in the musical “Chicago,” adding her celebrity to a show that skewers celebrity culture.

“The beauty of theater is that you get to try new things every night,” she tells The Associated Press. “That’s what I used to love about doing theater. And that’s what I hope that I can find again in doing ‘Chicago.’”

Milano, former star of “Who’s the Boss?” and “Charmed,” steps into the role of Roxie Hart at the Ambassador Theatre beginning Sept. 16 for an eight-week engagement through Nov. 10.

For Milano, hitting the stage is a return to her roots. She was in a national touring company of “Annie” at age 8 and she went on to star in Wendy Wasserstein’s “Tender Offer” at the off-Broadway Ensemble Studio Theater and “All Night Long” at Second Stage. She was in the first American musical adaptation of “Jane Eyre” and produced and starred in a Los Angeles production of “Butterflies Are Free.”

Milano says doing a stint on Broadway never felt right until now. Her children — ages 9 and 12 — are settled in school and extracurricular activities, and her husband is in a good place in his career.

“It just felt like when this offer came up that everything fell into place,” she says. “My 9-year-old daughter looked at me and said, ‘Mom, you would be an idiot not to do this.’”

In recent years, she was in the movies “Brazen” and “Wet Hot American Summer: Ten Years Later” and the Netflix series “Insatiable.” Milano also leant her stardom and voice to the #MeToo movement, launched clothing, jewelry and eyewear lines and has been a host of Lifetime’s “Project Runway All-Stars.”

Set in the 1920s, “Chicago” is a scathing satire of how show business and the media make celebrities out of criminals. It has Bob Fosse-inspired choreography, skimpy outfits and killer songs such as “All That Jazz” and “Cell Block Tango.”

“Chicago” tells the story of Roxie, a housewife and dancer who murders her on-the-side lover after he threatens to leave her. To avoid conviction, Roxie hires Chicago’s slickest criminal lawyer to help her dupe the public, media and her rival cellmate, Velma Kelly, by creating shocking headlines.

Milano says she wants to honor Ann Reinking — the iconic Fosse collaborator who originated Roxie in the 1996 revival and created the choreography in Fosse’s style. “I’m really trying to pay homage to her choreography and her portrayal of Roxie. Because she was profound.”

The celebrity-craving heroine at the heart of “Chicago″ has been played by dozens of women since the show opened in 1996, including Pam Anderson, Melanie Griffith, Christie Brinkley, Marilu Henner, Brooke Shields, Lisa Rinna, Gretchen Mol, Ashlee Simpson, Brandy Norwood, Jennifer Nettles and Robin Givens.

Milano hopes fans will come and see her more than once. “I guarantee you I’m going to keep finding things — keep finding little moments that will, hopefully, add onto the legacy of all the women who came before me.”