Lily Collins Has Found ‘Emily 2.0’ in Paris 

This image released by Netflix shows Lily Collins in a scene from "Emily in Paris." (Stephanie Branchu/Netflix via AP)
This image released by Netflix shows Lily Collins in a scene from "Emily in Paris." (Stephanie Branchu/Netflix via AP)
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Lily Collins Has Found ‘Emily 2.0’ in Paris 

This image released by Netflix shows Lily Collins in a scene from "Emily in Paris." (Stephanie Branchu/Netflix via AP)
This image released by Netflix shows Lily Collins in a scene from "Emily in Paris." (Stephanie Branchu/Netflix via AP)

The new season of “Emily in Paris” will have many of the same elements as the first three: daring fashion, flirty romance and workplace drama. One thing that has changed? The lead actor’s confidence.

Lily Collins, who plays Emily Cooper, said her life has mirrored her character’s growth since the series premiered in 2020.

“Walking onto set season four, I was a different person than walking onto set season one,” Collins said in a recent interview with The Associated Press. “I’m a more well-rounded and understanding human in this space now because of the show.”

In addition to starring in the series, Collins produces it. The first season marked her first producing gig, and she’s taken on several other projects since.

“With the growth of Emily, there’s come a real growth in myself within my role as an actor, but also as a producer,” she said. “Being so collaborative with the writers and Darren (Star, series creator) and the other producers on this and having a voice on the show has really given me the confidence with other projects out there to do the same or want the same.”

The upcoming fourth season follows Emily untangling a messy love triangle, but she’s in a more stable place professionally than when we first saw her struggling to fit in at her new job in a new country. Even her French has improved as the series went on. Collins said some of her character’s self-assurance has rubbed off on her.

“I’ve grown more confident as Emily, but also with Lily. I’m asking deeper questions about the entire project, more so than I would’ve season one,” she said. “They’re not just about aesthetics anymore, it’s about the core values of the show and how to change things and how to bring new ideas to the table.”

Some of those new ideas include adapting Emily’s headline-making wardrobe with each season, a process that Collins said required two eight-hour fittings. She said they broke their own record by securing 82 looks for the fourth season.

The costuming, by designer Marylin Fitoussi, is a crucial part of the story, showing Emily’s evolution from an expat sporting looks emblazoned with the Eiffel Tower to outfits more like that of an authentic Parisian woman. But the costuming is also a crucial part of Collins’ process of stepping back into Emily’s shoes — both literally and figuratively.

“It’s the best way for me to start to feel like Emily again, but Emily 2.0,” Collins said. “We really do tell a story with clothing in this.”

Collins said at Wednesday’s premiere that the depth of Emily’s character has been a rewarding part of the process for her, especially in seeing how fans connect with Emily or are inspired by her.

“It means the world,” Collins said. “I love playing a woman who’s unapologetically herself and loves to work, and that’s a positive thing, and that she’s still struggling to find a work-life balance because I think that you’re always trying to find what works for you. So not having it together all the time is actually an OK thing, and I love playing a character that celebrates that.”

The fourth season of the show, which premieres its first half on Thursday, has been hotly anticipated among its growing fanbase since the third season was released two years ago. Netflix has yet to renew the series for a fifth season but Star, known for “Sex and the City” and “Beverly Hills, 90210,” said he thinks the audience and popularity are only growing with time.

“It’s not like it was a product of the pandemic and people not being able to travel so they liked to watch Paris on the screen. They can travel now and the show’s increased in popularity and, in fact, it encourages people to travel, which was my biggest dream of the show,” he said.

Even with his belief in the series, Star said it’s always “gratifying” when audiences respond well to the final product. As a veteran in the television world, Star knows audiences’ reception and viewership can be unpredictable.

“You just can never, ever know how the audience is going to respond and what the outcome’s going to be, so I just really get mostly attached to the process and feeling happy about the season,” he said. “I’m really happy about this season, I hope the audience loves it.”



Alyssa Milano to Make Her Broadway Debut in the Razzle-Dazzle Musical ‘Chicago’ This Fall

Alyssa Milano appears at a screening of "Maestro" in Los Angeles on Dec. 12, 2023. (AP File)
Alyssa Milano appears at a screening of "Maestro" in Los Angeles on Dec. 12, 2023. (AP File)
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Alyssa Milano to Make Her Broadway Debut in the Razzle-Dazzle Musical ‘Chicago’ This Fall

Alyssa Milano appears at a screening of "Maestro" in Los Angeles on Dec. 12, 2023. (AP File)
Alyssa Milano appears at a screening of "Maestro" in Los Angeles on Dec. 12, 2023. (AP File)

Alyssa Milano hopes to charm audiences when she makes her Broadway debut this fall in the musical “Chicago,” adding her celebrity to a show that skewers celebrity culture.

“The beauty of theater is that you get to try new things every night,” she tells The Associated Press. “That’s what I used to love about doing theater. And that’s what I hope that I can find again in doing ‘Chicago.’”

Milano, former star of “Who’s the Boss?” and “Charmed,” steps into the role of Roxie Hart at the Ambassador Theatre beginning Sept. 16 for an eight-week engagement through Nov. 10.

For Milano, hitting the stage is a return to her roots. She was in a national touring company of “Annie” at age 8 and she went on to star in Wendy Wasserstein’s “Tender Offer” at the off-Broadway Ensemble Studio Theater and “All Night Long” at Second Stage. She was in the first American musical adaptation of “Jane Eyre” and produced and starred in a Los Angeles production of “Butterflies Are Free.”

Milano says doing a stint on Broadway never felt right until now. Her children — ages 9 and 12 — are settled in school and extracurricular activities, and her husband is in a good place in his career.

“It just felt like when this offer came up that everything fell into place,” she says. “My 9-year-old daughter looked at me and said, ‘Mom, you would be an idiot not to do this.’”

In recent years, she was in the movies “Brazen” and “Wet Hot American Summer: Ten Years Later” and the Netflix series “Insatiable.” Milano also leant her stardom and voice to the #MeToo movement, launched clothing, jewelry and eyewear lines and has been a host of Lifetime’s “Project Runway All-Stars.”

Set in the 1920s, “Chicago” is a scathing satire of how show business and the media make celebrities out of criminals. It has Bob Fosse-inspired choreography, skimpy outfits and killer songs such as “All That Jazz” and “Cell Block Tango.”

“Chicago” tells the story of Roxie, a housewife and dancer who murders her on-the-side lover after he threatens to leave her. To avoid conviction, Roxie hires Chicago’s slickest criminal lawyer to help her dupe the public, media and her rival cellmate, Velma Kelly, by creating shocking headlines.

Milano says she wants to honor Ann Reinking — the iconic Fosse collaborator who originated Roxie in the 1996 revival and created the choreography in Fosse’s style. “I’m really trying to pay homage to her choreography and her portrayal of Roxie. Because she was profound.”

The celebrity-craving heroine at the heart of “Chicago″ has been played by dozens of women since the show opened in 1996, including Pam Anderson, Melanie Griffith, Christie Brinkley, Marilu Henner, Brooke Shields, Lisa Rinna, Gretchen Mol, Ashlee Simpson, Brandy Norwood, Jennifer Nettles and Robin Givens.

Milano hopes fans will come and see her more than once. “I guarantee you I’m going to keep finding things — keep finding little moments that will, hopefully, add onto the legacy of all the women who came before me.”