Brazilian Entertaining Legend Silvio Santos Dies at 93

A general view of the skyline of Sao Paulo April 2, 2015. REUTERS/Paulo Whitaker/File Photo
A general view of the skyline of Sao Paulo April 2, 2015. REUTERS/Paulo Whitaker/File Photo
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Brazilian Entertaining Legend Silvio Santos Dies at 93

A general view of the skyline of Sao Paulo April 2, 2015. REUTERS/Paulo Whitaker/File Photo
A general view of the skyline of Sao Paulo April 2, 2015. REUTERS/Paulo Whitaker/File Photo

Silvio Santos, a Brazilian television executive and presenter known for his beaming smile and catchphrase “Who wants money?” has died after a decades-long career in the spotlight. He was 93.

Santos owned the television network SBT and created several variety shows. The most famous of them carried his name, which he hosted since 1963, and in recent years had aired on Sunday nights. It is one of Brazil’s longest running television programs. Santos brought several other successful programs to his network, such as “Show of the Million” and the reality show "Artists’ House.”

“Today heaven is happy with the arrival of our beloved Silvio Santos. He lived 93 years to bring happiness and love to all Brazilians. ... That wide smile and familiar voice will forever be remembered with much gratitude,” the SBT network said in a statement Saturday on social media, The AP reported.

His passing will change weekends in millions of Brazilian homes that have tuned in to the “Silvio Santos Program” and were welcomed by its opening jingle: “Here comes Silvio Santos!” He folded airplanes of cash and tossed them over the crowd during his show, some episodes of which extended for as long as 10 hours. He constantly interacted with audience members and — with a custom microphone attached to his collar -- was free to wave his hands in the air.

Even into his 90s, he continued dying his hair brown, adding to the agelessness he exuded. His well-groomed hair became another of his trademarks.

In 2013, Forbes magazine compared him to Oprah Winfrey and movie directors Steven Spielberg and George Lucas.

Santos was known universally by his stage name, though he was born Senor Abravanel in the raucous Lapa neighborhood of downtown Rio de Janeiro. As an adolescent, he sold pens and plastic sleeves for electoral identification cards and did tricks with coins and playing cards.

So engaging were his sales pitches that they led to an offer to audition to be a radio host. He bounced from station to station in Rio and after a stint in the military finally found media success in Sao Paulo. His first television job came in the early 1960s with the Globo network, at the time called TV Paulista, where the “Silvio Santos Program” was later born.

About a decade later, he acquired his first television concession and set out to build an empire. He founded SBT, which by 2021 was the third most-watched network among the country’s 214 million people.

Not all of his quips landed well. He was repeatedly accused of misogyny for comments about women’s appearances or that caused discomfort.

Santos also had ventures in cosmetics, hotels and even a bank. Forbes estimated Santos’ net worth from 30 companies to be 2 billion reais (about $380 million) in 2020.

His broad appeal — not to mention his control over airwaves — at times drew the attention of political parties that proposed putting him up as a candidate for office. He tested the waters in 1989, with the launch of a presidential campaign, but the electoral authority barred his candidacy due to his ownership of a television network.

Still, he remained close to politicians, and kept a program on air for 15 years titled “The President’s Week." It exhibited positive things the leader had accomplished set to a soundtrack of trumpets and drums. It lauded the achievements of the last general who commanded Brazil during the dictatorship, João Figueiredo, up to Fernando Henrique Cardoso toward the turn of the century.

Later, Presidents Luiz Inácio Lula da Silva and Dilma Rousseff participated in a documentary about Santos shown in 2021, in honor of SBT’s 40th anniversary.

One of his sons-in-law, Fabio Faria, became the minister of communications under President Jair Bolsonaro's administration.

In January 2022, Faria posted on Instagram a black-and-white video showing Santos’ career that was narrated by the presenter himself.

"I’m just a street peddler in a suit and tie selling my products, selling the ads, the programs,” the presenter said in the video. “I also believe that it’s the voice, that there is something inexplicable about it. Because it’s the voice that touches the viewer, touches you who are on the other side.”

Santos is survived by his wife, Iris Abravanel, and six daughters.



Artists Who Object to Trump Using Their Songs From Celine Dion and Isaac Hayes' Estate: How It Works

Celine Dion appears at a special screening of "I Am: Celine Dion" at Alice Tully Hall in New York on June 17, 2024, in New York, left, and Republican presidential candidate former President Donald Trump speaks at the National Association of Black Journalists (NABJ) convention in Chicago on July 31, 2024. (AP Photo)
Celine Dion appears at a special screening of "I Am: Celine Dion" at Alice Tully Hall in New York on June 17, 2024, in New York, left, and Republican presidential candidate former President Donald Trump speaks at the National Association of Black Journalists (NABJ) convention in Chicago on July 31, 2024. (AP Photo)
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Artists Who Object to Trump Using Their Songs From Celine Dion and Isaac Hayes' Estate: How It Works

Celine Dion appears at a special screening of "I Am: Celine Dion" at Alice Tully Hall in New York on June 17, 2024, in New York, left, and Republican presidential candidate former President Donald Trump speaks at the National Association of Black Journalists (NABJ) convention in Chicago on July 31, 2024. (AP Photo)
Celine Dion appears at a special screening of "I Am: Celine Dion" at Alice Tully Hall in New York on June 17, 2024, in New York, left, and Republican presidential candidate former President Donald Trump speaks at the National Association of Black Journalists (NABJ) convention in Chicago on July 31, 2024. (AP Photo)

Pop powerhouses, American classics, British artists and the estates of deceased legends — many musicians have objected to Donald Trump using their songs at campaign events.
After a video of Celine Dion performing her hit “My Heart Will Go On” was broadcast at a Trump campaign rally in Bozeman, Montana last weekend, the response from her team was swift.
“In no way is this use authorized, and Celine Dion does not endorse this or any similar use,” a statement posted on social media read. "...And really, THAT song?”
Dion joins a long list of performers who've objected to Trump using their songs. Ahead of the 2020 election, that included Bruce Springsteen, Rihanna, Phil Collins, Pharrell, John Fogerty, Neil Young, Eddy Grant, Panic! at the Disco, R.E.M. and Guns N' Roses.
It also includes the estates of deceased performers, too, like Leonard Cohen, Tom Petty and Prince, as well as English acts from across the pond, like the Rolling Stones, the Beatles and Adele, The Associated Press said.
However, Trump has obtained the cosign from a few celebrity musicians, including Kid Rock and Lee Greenwood, known for his patriotic anthem, “God Bless the USA.” Also heard at Trump's rally Thursday in Asheville, North Carolina: “Y.M.C.A.” by the Village People.
Who has recently rebuked the use of their songs by the Trump campaign? Since the 2020 election, several artists have objected to the use of their music at Trump rallies. The Smiths' “Please, Please, Please Let Me Get What I Want” played at a few Trump events, including a rally in Rapid City, South Dakota last September and in January of this year at a rally in Laconia, New Hampshire. On X, the Smiths' guitarist Johnny Marr wrote, "Ahh...right...OK. I never in a million years would’ve thought this could come to pass. Consider this s—- shut right down right now.”
In 2022, David Porter, one of the songwriters behind Sam and Dave’s “Hold On, I’m Coming," tweeted “Hell to the NO!” after learning Trump used the song at an NRA rally. (In 2017, it should be pointed out, Sam Moore of Sam and Dave performed “America the Beautiful” at a pre-inauguration concert for Trump.)
Fast forward to Monday, when the son of the late soul singer Isaac Hayes, whose father co-wrote “Hold On, I’m Coming,” announced on social media that he and his family have threatened legal action against Trump “for 134 counts copyright infringement for the unauthorized use of the song ‘Hold On I’m Coming’ at campaign rallies from 2022-2024.”
Can artists legally object to their songs being used in political campaigns? Yes, however, artists rarely have full control over where, when, and how their music is played. Performing rights organizations that represent most recognizable recorded music — ASCAP and BMI — require political campaigns to obtain licenses that allow them to use large troves of songs from their vast catalogs.
That means a political campaign does not have to do individual negotiations over every song used.
If a political license is acquired, artists can object to its use, and the song is pulled from the license.
The issue, of course, is that not every campaign immediately honors those requests.
And it is important to note that these political licenses go beyond a public performance license, which allows venues to play copyrighted music.
What are some other examples of artists objecting to the use of their songs in campaigns? Continuing with “Hold On, I'm Coming”: In 2008, Moore asked former President Barack Obama, then still a candidate, to stop using the song. He didn't want it to be considered an endorsement. They complied.
After Obama was elected president, Moore performed at the Creative Coalition’s Inaugural Ball alongside Sting and Elvis Costello.
How do artists stop politicians from using their songs? They can send cease-and-desist letters, like Pharrell Williams did after his song "Happy” was played at a Trump rally in 2018. John Fogerty did the same in October 2020 over the Trump campaign's use of “Fortunate Son” by his band Creedence Clearwater Revival.
Few escalate to the point of suing, but it is not unheard of: Neil Young filed a lawsuit in August 2020 over the Trump campaign’s use of his music including “Rockin’ in the Free World." He later voluntarily dismissed the case “with prejudice," which means it cannot be brought again.
Eddy Grant sued Trump in September over the use of his 1980s hit “Electric Avenue” in a Trump campaign animated video that mocked Joe Biden.