Brazilian Entertaining Legend Silvio Santos Dies at 93

A general view of the skyline of Sao Paulo April 2, 2015. REUTERS/Paulo Whitaker/File Photo
A general view of the skyline of Sao Paulo April 2, 2015. REUTERS/Paulo Whitaker/File Photo
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Brazilian Entertaining Legend Silvio Santos Dies at 93

A general view of the skyline of Sao Paulo April 2, 2015. REUTERS/Paulo Whitaker/File Photo
A general view of the skyline of Sao Paulo April 2, 2015. REUTERS/Paulo Whitaker/File Photo

Silvio Santos, a Brazilian television executive and presenter known for his beaming smile and catchphrase “Who wants money?” has died after a decades-long career in the spotlight. He was 93.

Santos owned the television network SBT and created several variety shows. The most famous of them carried his name, which he hosted since 1963, and in recent years had aired on Sunday nights. It is one of Brazil’s longest running television programs. Santos brought several other successful programs to his network, such as “Show of the Million” and the reality show "Artists’ House.”

“Today heaven is happy with the arrival of our beloved Silvio Santos. He lived 93 years to bring happiness and love to all Brazilians. ... That wide smile and familiar voice will forever be remembered with much gratitude,” the SBT network said in a statement Saturday on social media, The AP reported.

His passing will change weekends in millions of Brazilian homes that have tuned in to the “Silvio Santos Program” and were welcomed by its opening jingle: “Here comes Silvio Santos!” He folded airplanes of cash and tossed them over the crowd during his show, some episodes of which extended for as long as 10 hours. He constantly interacted with audience members and — with a custom microphone attached to his collar -- was free to wave his hands in the air.

Even into his 90s, he continued dying his hair brown, adding to the agelessness he exuded. His well-groomed hair became another of his trademarks.

In 2013, Forbes magazine compared him to Oprah Winfrey and movie directors Steven Spielberg and George Lucas.

Santos was known universally by his stage name, though he was born Senor Abravanel in the raucous Lapa neighborhood of downtown Rio de Janeiro. As an adolescent, he sold pens and plastic sleeves for electoral identification cards and did tricks with coins and playing cards.

So engaging were his sales pitches that they led to an offer to audition to be a radio host. He bounced from station to station in Rio and after a stint in the military finally found media success in Sao Paulo. His first television job came in the early 1960s with the Globo network, at the time called TV Paulista, where the “Silvio Santos Program” was later born.

About a decade later, he acquired his first television concession and set out to build an empire. He founded SBT, which by 2021 was the third most-watched network among the country’s 214 million people.

Not all of his quips landed well. He was repeatedly accused of misogyny for comments about women’s appearances or that caused discomfort.

Santos also had ventures in cosmetics, hotels and even a bank. Forbes estimated Santos’ net worth from 30 companies to be 2 billion reais (about $380 million) in 2020.

His broad appeal — not to mention his control over airwaves — at times drew the attention of political parties that proposed putting him up as a candidate for office. He tested the waters in 1989, with the launch of a presidential campaign, but the electoral authority barred his candidacy due to his ownership of a television network.

Still, he remained close to politicians, and kept a program on air for 15 years titled “The President’s Week." It exhibited positive things the leader had accomplished set to a soundtrack of trumpets and drums. It lauded the achievements of the last general who commanded Brazil during the dictatorship, João Figueiredo, up to Fernando Henrique Cardoso toward the turn of the century.

Later, Presidents Luiz Inácio Lula da Silva and Dilma Rousseff participated in a documentary about Santos shown in 2021, in honor of SBT’s 40th anniversary.

One of his sons-in-law, Fabio Faria, became the minister of communications under President Jair Bolsonaro's administration.

In January 2022, Faria posted on Instagram a black-and-white video showing Santos’ career that was narrated by the presenter himself.

"I’m just a street peddler in a suit and tie selling my products, selling the ads, the programs,” the presenter said in the video. “I also believe that it’s the voice, that there is something inexplicable about it. Because it’s the voice that touches the viewer, touches you who are on the other side.”

Santos is survived by his wife, Iris Abravanel, and six daughters.



The Humor and Heartache of Gena Rowlands

The Oscar-nominated performer brought her deep range of emotion and expression to a number of original and moving films. Patrick HERTZOG / AFP
The Oscar-nominated performer brought her deep range of emotion and expression to a number of original and moving films. Patrick HERTZOG / AFP
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The Humor and Heartache of Gena Rowlands

The Oscar-nominated performer brought her deep range of emotion and expression to a number of original and moving films. Patrick HERTZOG / AFP
The Oscar-nominated performer brought her deep range of emotion and expression to a number of original and moving films. Patrick HERTZOG / AFP

US actress Gena Rowlands, whose six-decade career garnered Oscar nominations and other acclaim, died Wednesday at age 94.
No official cause of death was immediately given, but her son Nick Cassavetes said earlier this year she had been battling Alzheimer's disease for five years.
The Oscar-nominated performer brought her deep range of emotion and expression to a number of original and moving films that are considered classics of US independent cinema, most shot by her late husband, John Cassavetes.
For three decades starting in the 1960s, the couple formed an enchanting and explosive on-screen partnership that explored themes of passion and self-destruction against a backdrop of alcohol and infidelity.
In what many consider her finest role, Rowlands captured to devastating effect a descent into mental illness in 1974's "A Woman Under the Influence," bringing her the first of two Oscar nominations.
"Incapable of an unreal moment," said Woody Allen of the actress, whom he cast in his 1988 film "Another Woman."
"Whatever I say about Gena isn't enough because she's so incredible," said Winona Ryder, quoted in the LA Times in 1992 when the two co-starred in Jim Jarmusch's "Night on Earth."
"There's a nobility, strength and class to her work that nobody else holds a candle to, and she's so beautiful -- you just kind of marvel at the way she moves."
Making it true
From her earliest work there were shades of Marilyn Monroe in Rowlands -- the blonde hair in a wavy bob, the arresting on-screen beauty, and the undertone of sadness and vulnerability in her performances.
But she always challenged the idea of women as objects of desire in her performances and came of age as Monroe went through her own struggles, finally ending with her suicide in 1962.
"She can just play. Give her anything and she'll always be creative. She doesn't try to make it different –- she just is," said Cassavetes in a 2001 interview collection.
"Gena is very dedicated and pure. She doesn't care if it's cinematic, doesn't care where the camera is, doesn't care if she looks good -– doesn't care about anything except that you believe her."
A woman falling
Rowlands was born on June 19, 1930, in Cambria, Wisconsin, into a cultured middle-class family. Her father was a state senator and her mother was a painter and occasional actress.
She enrolled in New York's American Academy of Drama and in 1953 met Cassavetes, a fast-talking and exuberant Greek-American. A year later they were married.
It was their collaboration that generated her stand-out performances, the highlight arguably being "A Woman Under the Influence," which also brought an Oscar nomination for Cassavetes as director.
Rowlands was captivating as housewife Mabel, who descends into madness after years of quiet, complicated dominance by her hardworking and silent husband, played by Peter Falk.
In a rare moment of defiance, and one of Rowlands's most memorable scenes, Mabel fights back, rising at the table after a meal of spaghetti with friends and family, pleading to everyone to stand up for her -- just this one time.
The room is silent, and soon Mabel is institutionalized. When she emerges she is a shadow of her former, vivacious self.
The impact of the film and Rowlands's performance "has resonated throughout the American cinema ever since," said The New Yorker in 2013, citing Martin Scorsese and Spike Lee as two Hollywood figures under her influence.
Glorious 'Gloria'
One of her last films with Cassavetes was the more irreverent "Gloria," a 1980 gangster comedy about a woman on the run from the mob, in high heels, wielding a revolver and with a small child in tow.
Taking on the role with evident glee, in turns self-mocking and entirely convincing, Rowlands earned a second Oscar nomination and the film was awarded the top prize at the Venice Film Festival.
In 1989, Cassavetes died from liver failure after years of alcoholism. Rowlands continued to make films and also worked in television, winning four Emmys.
She and Cassavetes had three children, all of whom have gone on to have careers in film and television. Her son Nick directed her in "The Notebook" alongside Ryan Gosling and Rachel McAdams in 2004.
In 2012, she married her second husband, retired businessman Robert Forrest, and in 2015 was awarded an honorary Academy Award, the same year she retired from acting.