New Coppola Film Trailer Axed for Using Fake Movie Reviews

The much-hyped premiere of Francis Ford Coppola's wildly ambitious, decades-in-the-making 'Megalopolis' at the Cannes Film Festival left the industry confounded. Christophe SIMON / AFP/File
The much-hyped premiere of Francis Ford Coppola's wildly ambitious, decades-in-the-making 'Megalopolis' at the Cannes Film Festival left the industry confounded. Christophe SIMON / AFP/File
TT

New Coppola Film Trailer Axed for Using Fake Movie Reviews

The much-hyped premiere of Francis Ford Coppola's wildly ambitious, decades-in-the-making 'Megalopolis' at the Cannes Film Festival left the industry confounded. Christophe SIMON / AFP/File
The much-hyped premiere of Francis Ford Coppola's wildly ambitious, decades-in-the-making 'Megalopolis' at the Cannes Film Festival left the industry confounded. Christophe SIMON / AFP/File

A trailer promoting Francis Ford Coppola's new film "Megalopolis" has been withdrawn after it was found to have incorporated fake movie reviews, reportedly generated by artificial intelligence.
Coppola's wildly ambitious, decades-in-the-making movie, which hits theaters next month and stars Adam Driver, has starkly divided critics, said AFP.
A trailer released this week drew parallels to earlier works by the revered Hollywood director that also initially left some professional reviewers cold before going on to become classics -- suggesting "Megalopolis" can do the same.
"True genius is often misunderstood," a voiceover began, before quotes from famous critics calling "The Godfather" a "sloppily self-indulgent movie" and "Apocalypse Now" a "spectacular failure" were presented on the screen.
The problem? None of those quotes were real.
Instead, the trailer appears to have used AI-generated imitations of the type of withering put-downs associated with renowned reviewers such as Pauline Kael.
In at least one case, a criticism appears to have been lifted from a review of an entirely different film
The trailer was quickly recalled, with Hollywood studio Lionsgate offering "our sincere apologies to the critics involved and to Francis Ford Coppola" for an "inexcusable error in our vetting process."
"We screwed up. We are sorry," said a statement.
Lionsgate has since parted company with the marketing consultant behind the trailer, trade outlet Variety said Friday. Meanwhile Deadline reported that the quotes were generated by AI.
The furor comes at a time when Hollywood is roiled by the encroaching impact of AI. Fears the technology could replace entertainment industry jobs -- from actors to writers -- were central to last summer's devastating strikes.
The trailer episode is just the latest controversy to hit "Megalopolis," an already hugely divisive epic.
Legendary director Coppola has said he spent $120 million of his own money to make the film, selling a stake in his California vineyard.
But its much-hyped world premiere at the Cannes Film Festival left the industry confounded.
Critics' responses ranged from "a true modern masterwork" to a "catastrophe."
Driver stars as a seemingly magical architect whose efforts to rebuild a decaying city into a futuristic utopia are thwarted by its resentful mayor (Giancarlo Esposito).
The movie also stars Aubrey Plaza, Shia LaBeouf and Dustin Hoffman.
It receives its North American premiere at the Toronto film festival next month, before being released in US theaters on September 27.
The controversy has provoked theories among some Hollywood observers that the entire unseemly debacle could have been staged to provoke headlines.
Lionsgate did not respond to an AFP request for comment.
But a source familiar with the marketing plan told AFP the studio did not deliberately fabricate the quotes, and removed the trailer as soon as it became aware of the situation.



Second Season of ‘Pachinko’ Explores Challenges for Ethnic Koreans in Japan

 (L-R) South Korean actors Youn Yuh-jung, Lee Min-ho, Kim Min-ha, Jung Eun-chae and Kim Sung-kyu attend a press conference to promote the second season of the Apple TV+ series "Pachinko", a drama that follows the story of an ethnic Korean family living in Japan, based on the novel by Min Jin Lee, in Seoul on August 23, 2024. (AFP)
(L-R) South Korean actors Youn Yuh-jung, Lee Min-ho, Kim Min-ha, Jung Eun-chae and Kim Sung-kyu attend a press conference to promote the second season of the Apple TV+ series "Pachinko", a drama that follows the story of an ethnic Korean family living in Japan, based on the novel by Min Jin Lee, in Seoul on August 23, 2024. (AFP)
TT

Second Season of ‘Pachinko’ Explores Challenges for Ethnic Koreans in Japan

 (L-R) South Korean actors Youn Yuh-jung, Lee Min-ho, Kim Min-ha, Jung Eun-chae and Kim Sung-kyu attend a press conference to promote the second season of the Apple TV+ series "Pachinko", a drama that follows the story of an ethnic Korean family living in Japan, based on the novel by Min Jin Lee, in Seoul on August 23, 2024. (AFP)
(L-R) South Korean actors Youn Yuh-jung, Lee Min-ho, Kim Min-ha, Jung Eun-chae and Kim Sung-kyu attend a press conference to promote the second season of the Apple TV+ series "Pachinko", a drama that follows the story of an ethnic Korean family living in Japan, based on the novel by Min Jin Lee, in Seoul on August 23, 2024. (AFP)

The second season of “Pachinko,” opening Friday, delicately captures the plight of ethnic Koreans brought to Japan during colonial rule and their descendants, exploring themes of home and identity through several generations.

The award-winning series, based on the New York Times bestselling novel, returns to Apple TV+ with eight episodes that follow four generations of an immigrant Korean family living in Japan since before World War II. The star-studded cast includes Oscar-winning actor Youn Yuh-jung and Korean actor Lee Minho.

Many ethnic Koreans were brought to Japan, often forcibly, to work in mines and factories during the country’s 1910-1945 colonial rule of Korea. They were treated as second-class citizens and faced discrimination, which the series portrays.

Youn, who plays the older version of protagonist Sunja, said she was largely unfamiliar with the situation of ethnic Koreans in Japan — known as Zainichi Koreans — before she spoke with actor Soji Arai, who plays Mozasu, the son of her character. Arai was born into an ethnic Korean family in Japan.

“It broke my heart and I cried inside because I felt so bad after hearing about their stories,” Youn told The Associated Press.

The second season continues Sunja’s story as she struggles to feed her sons Noa and Mozasu during the war.

In the series, ethnic Koreans face discrimination generation after generation. In one episode, a Japanese worker at a wartime Nagasaki factory refers to his Korean colleagues as “roaches” that “keep multiplying.”

Decades later, Sunja's grandson Solomon nearly explodes at a Japanese store clerk whom he thinks is showing discrimination over his Korean heritage. He senses that discrimination will follow him even after attaining academic and professional credentials.

The series is in Japanese, Korean and English with subtitles and is based on Korean-American author Min Jin Lee's novel, titled after a Japanese game played in arcades where ethnic Koreans often worked in jobs typically shunned by Japanese.

Youn said she portrayed Sunja as “intimidated, scared and feeling small,” believing discrimination is her fault due to endless exposure to it. Youn added that she has felt similarly in her own life, having an “inferiority complex” over her struggles with the English language.

Around half a million ethnic Koreans sill live in Japan. Although many have become naturalized Japanese citizens, about half a million have not and are officially considered foreigners.

Executive producer and showrunner Soo Hugh said she was “nervous” about how the show would be received among Zainichi Koreans, but that she was happy to learn that it had resonated “really emotionally."

“This is their story,” she told the AP, adding that she had to unlearn previous history education to understand “from the point of view of the people on the ground,” including those in Nagasaki.

When Youn was asked if she was concerned about playing a role in a series touching on sensitive parts of East Asian history, Youn said no. “We are talking about the past,” she said. “I am not a politician, so it doesn’t matter to me.”

Hugh said the series gradually transitions from the family’s day-to-day survival to answering big questions about their shifting identities: “What does it mean to live a good life ... knowing that Japan is now my home?”

These are familiar questions to Hugh, who is Korean American.

“So many Korean immigrants come to America and think, ’We’ll make a better life, but I’m not going to die in America because Korea is my home. ... You know, a year goes by, then a year, another year, and then another year,” Hugh said.

“It must feel really sad to know that you’re not going to die where you want to die. And that’s, I think, something so many of our characters confront in this show,” she said.

Youn said that people will always carry their identity with them despite circumstances. “I see many people who try their best to erase (their Korean identity),” she said. “I really don’t like that. There is no need to do that.”

“Pachinko” season two is available on Apple TV+ platforms.