New Coppola Film Trailer Axed for Using Fake Movie Reviews

The much-hyped premiere of Francis Ford Coppola's wildly ambitious, decades-in-the-making 'Megalopolis' at the Cannes Film Festival left the industry confounded. Christophe SIMON / AFP/File
The much-hyped premiere of Francis Ford Coppola's wildly ambitious, decades-in-the-making 'Megalopolis' at the Cannes Film Festival left the industry confounded. Christophe SIMON / AFP/File
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New Coppola Film Trailer Axed for Using Fake Movie Reviews

The much-hyped premiere of Francis Ford Coppola's wildly ambitious, decades-in-the-making 'Megalopolis' at the Cannes Film Festival left the industry confounded. Christophe SIMON / AFP/File
The much-hyped premiere of Francis Ford Coppola's wildly ambitious, decades-in-the-making 'Megalopolis' at the Cannes Film Festival left the industry confounded. Christophe SIMON / AFP/File

A trailer promoting Francis Ford Coppola's new film "Megalopolis" has been withdrawn after it was found to have incorporated fake movie reviews, reportedly generated by artificial intelligence.
Coppola's wildly ambitious, decades-in-the-making movie, which hits theaters next month and stars Adam Driver, has starkly divided critics, said AFP.
A trailer released this week drew parallels to earlier works by the revered Hollywood director that also initially left some professional reviewers cold before going on to become classics -- suggesting "Megalopolis" can do the same.
"True genius is often misunderstood," a voiceover began, before quotes from famous critics calling "The Godfather" a "sloppily self-indulgent movie" and "Apocalypse Now" a "spectacular failure" were presented on the screen.
The problem? None of those quotes were real.
Instead, the trailer appears to have used AI-generated imitations of the type of withering put-downs associated with renowned reviewers such as Pauline Kael.
In at least one case, a criticism appears to have been lifted from a review of an entirely different film
The trailer was quickly recalled, with Hollywood studio Lionsgate offering "our sincere apologies to the critics involved and to Francis Ford Coppola" for an "inexcusable error in our vetting process."
"We screwed up. We are sorry," said a statement.
Lionsgate has since parted company with the marketing consultant behind the trailer, trade outlet Variety said Friday. Meanwhile Deadline reported that the quotes were generated by AI.
The furor comes at a time when Hollywood is roiled by the encroaching impact of AI. Fears the technology could replace entertainment industry jobs -- from actors to writers -- were central to last summer's devastating strikes.
The trailer episode is just the latest controversy to hit "Megalopolis," an already hugely divisive epic.
Legendary director Coppola has said he spent $120 million of his own money to make the film, selling a stake in his California vineyard.
But its much-hyped world premiere at the Cannes Film Festival left the industry confounded.
Critics' responses ranged from "a true modern masterwork" to a "catastrophe."
Driver stars as a seemingly magical architect whose efforts to rebuild a decaying city into a futuristic utopia are thwarted by its resentful mayor (Giancarlo Esposito).
The movie also stars Aubrey Plaza, Shia LaBeouf and Dustin Hoffman.
It receives its North American premiere at the Toronto film festival next month, before being released in US theaters on September 27.
The controversy has provoked theories among some Hollywood observers that the entire unseemly debacle could have been staged to provoke headlines.
Lionsgate did not respond to an AFP request for comment.
But a source familiar with the marketing plan told AFP the studio did not deliberately fabricate the quotes, and removed the trailer as soon as it became aware of the situation.



Netflix Upfront Ad Commitments Surge as NFL Games, Squid Game Boost Appeal

 Lily Collins attends the Premiere for Netflix's "Emily In Paris" Season 4 at The Egyptian Theatre Hollywood in Los Angeles, California, US, August 14, 2024. (Reuters)
Lily Collins attends the Premiere for Netflix's "Emily In Paris" Season 4 at The Egyptian Theatre Hollywood in Los Angeles, California, US, August 14, 2024. (Reuters)
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Netflix Upfront Ad Commitments Surge as NFL Games, Squid Game Boost Appeal

 Lily Collins attends the Premiere for Netflix's "Emily In Paris" Season 4 at The Egyptian Theatre Hollywood in Los Angeles, California, US, August 14, 2024. (Reuters)
Lily Collins attends the Premiere for Netflix's "Emily In Paris" Season 4 at The Egyptian Theatre Hollywood in Los Angeles, California, US, August 14, 2024. (Reuters)

Netflix saw a more than 150% surge in upfront ad commitments for this year, the streaming giant said on Tuesday, thanks in part to the National Football League (NFL) games coming to the platform on Christmas Day.

In its second year of upfront negotiations — where networks and media companies aim to secure ad commitments for upcoming shows — Netflix successfully closed advertising deals with all major holding companies and independent agencies.

The California-based company secured partnerships for several high-profile properties, including the popular series "Squid Game" and "Wednesday," as well as the upcoming movie "Happy Gilmore 2."

It also closed deals for live events, including WWE Raw and the Christmas Day NFL games.

As competition intensifies in the streaming space, major players like Warner Bros Discovery's Max and Walt Disney's Disney+ have also turned to ad-supported plans and streaming bundles to boost growth.

Streaming services are also increasingly investing in sports content to attract a larger, younger audience and more advertisers willing to pay for premium live sports content.

Facing saturation in subscriber growth in the United States, Netflix has been beefing up its advertising business, although the business is not expected to become a primary driver of revenue growth until at least 2026.

The company last month reported its ad tier membership grew 34% sequentially in the second quarter.

Netflix introduced an ad-supported tier of the service in November 2022 as it tried to offset escalating costs of creating original content and licensing deals to keep viewers on the platform.

The cheaper, ad-supported plan hit 40 million global monthly active users in May.