Venice Film Festival Welcomes Pitt and Clooney, and Their New Film ‘Wolfs’ 

US actors George Clooney (R) and Brad Pitt (L) attend a premiere of "Wolfs" at the 81st annual Venice International Film Festival, in Venice, Italy, 01 September 2024. (EPA)
US actors George Clooney (R) and Brad Pitt (L) attend a premiere of "Wolfs" at the 81st annual Venice International Film Festival, in Venice, Italy, 01 September 2024. (EPA)
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Venice Film Festival Welcomes Pitt and Clooney, and Their New Film ‘Wolfs’ 

US actors George Clooney (R) and Brad Pitt (L) attend a premiere of "Wolfs" at the 81st annual Venice International Film Festival, in Venice, Italy, 01 September 2024. (EPA)
US actors George Clooney (R) and Brad Pitt (L) attend a premiere of "Wolfs" at the 81st annual Venice International Film Festival, in Venice, Italy, 01 September 2024. (EPA)

George Clooney and Brad Pitt returned to the Venice Film Festival on Sunday for the world premiere of “Wolfs.”

Before hitting the red carpet, the Hollywood stars reflected on reuniting, the rise of streaming and Clooney’s New York Times op-ed urging President Joe Biden to end his reelection bid.

Asked about the impact of his piece, Clooney said he’d not yet had to answer that question.

“The person who should be applauded is the president who did the most selfless thing anyone’s done since George Washington,” Clooney said. “All the machinations that got us there, none of that’s going to be remembered. And it shouldn’t be. What should be remembered is the selfless act.”

Clooney continued: “It’s very hard to let go of power. We know that. We’ve seen that all around the world. For someone to say, I think there’s a better way forward? All credit goes to him.”

Most of the discussion was focused on the film, however, an old school action thriller directed by Jon Watts, in which they play lone wolf fixers unhappy to have been hired for the same job to cover up a bloody mess involving a district attorney (played by Amy Ryan).

The film will have a limited theatrical release, starting Sept. 20, before hitting Apple TV+ on Sept. 27. Apple TV+ acquired “Wolfs” in a competitive bidding war, beating out both traditional studios and rival streaming services.

Deadline reported in 2021 that the understanding was that it would come with a robust theatrical release, something the stars may have also forfeited money to ensure, the trade publication said. Then, several weeks ago the streamer announced different plans: Theatrical would be limited. Streaming would be quick.

Clooney confirmed that they did forfeit some of their salaries to guarantee a theatrical release and that it’s a “bummer” that it won’t be wider than a few hundred theaters.

“We would have liked it, we wanted it. That’s why Brad and I gave some of our money back,” he said, adding that a report in the New York Times overestimated the dollar amount of their salaries by millions.

Far from being anti-streaming, however, Clooney said that everyone is simply finding their way during this revolution. There are bumps and mistakes, but there’s also much more opportunities for actors, he said.

“Streaming, we need it, our industry needs it,” Clooney said. “They also benefit from having films released ... and we’re figuring it out, we haven’t gotten it figured out yet.”

Producer and Plan B executive Jeremy Kliner, who has worked with Pitt for over 20 years, said that they make films believing in their shelf lives, and that they’re doing something worthwhile.

Pitt added: “I think we’ll always be romantic about the theatrical experience but at the same time I love the existence of streamers ... it’s a delicate balance. It’ll right itself.”

Though both regulars at the picturesque festival on their own, with Clooney’s premieres including “Gravity” and “Good Night and Good Luck,” and “Ad Astra” and “The Assassination of Jesse James...” among Pitt’s, only once have they walked the carpet together. No, it wasn’t for an Ocean’s film. It was in 2008, for the premiere of “Burn After Reading,” the madcap Coen brothers’ farce in which they share one memorable scene.

“In ‘Burn After Reading’ I got the extreme pleasure of shooting him in the face and I thought maybe we’d try it again 15 years later,” Clooney said with a laugh.

The two teased one another about each other’s age and relevance, with Clooney joking that Pitt is 74 and lucky to be working at his age. (Clooney, for the record, is 63. Pitt is 60.)

Pitt was waiting for a good idea to reunite with Clooney on screen and thought the idea of two cleaners who think they’re the best sounded fun. Their years of working together made their banter, and overlapping dialogue, natural to do.

“As I get older, just working with the people that I just really enjoy spending time with has become really important to me,” Pitt said.

When they got the script, they said Watts hadn’t specified who was playing which part so Pitt and Clooney got on the phone and figured it out for themselves.

Pitt arrived at the festival just days apart from his ex, Angelina Jolie, who received praise for her turn as opera singer Maria Callas in Pablo Larraín’s “Maria” and left Italy for another festival soon after.

Pitt and Jolie had been romantic partners for a decade when they married in 2014. Jolie filed for divorce in 2016, and a judge declared them single in 2019, but the divorce case has not been finalized with custody and financial issues still in dispute. Several weeks ago, a Los Angeles court granted a petition from the third-eldest child of the former couple to legally change her name from Shiloh Nouvel Jolie-Pitt to Shiloh Nouvel Jolie.

The film’s director, who catapulted from indies to the Tom Holland Spider-Man films, said in a director’s statement that this film is him trying to get back to street level after “seven years of swinging from skyscrapers and jumping through multiverse portals.” He was unable to speak about the film with his stars after testing positive for COVID-19.

“He flew all the way here and then he got COVID,” Clooney said. “So now we’re all going to get it.”



Hip-Hop Artist Fatman Scoop Dies at 53 after Collapsing on Stage in Connecticut

DJ Fatman Scoop arrives at the 2008 MTV Video Music Awards held at Paramount Pictures Studio Lot in Los Angeles on Sunday, Sept. 7, 2008. (AP)
DJ Fatman Scoop arrives at the 2008 MTV Video Music Awards held at Paramount Pictures Studio Lot in Los Angeles on Sunday, Sept. 7, 2008. (AP)
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Hip-Hop Artist Fatman Scoop Dies at 53 after Collapsing on Stage in Connecticut

DJ Fatman Scoop arrives at the 2008 MTV Video Music Awards held at Paramount Pictures Studio Lot in Los Angeles on Sunday, Sept. 7, 2008. (AP)
DJ Fatman Scoop arrives at the 2008 MTV Video Music Awards held at Paramount Pictures Studio Lot in Los Angeles on Sunday, Sept. 7, 2008. (AP)

Fatman Scoop, the hip-hop artist who topped charts in Europe with “Be Faithful” in the early 2000s and later lent his distinctive voice and ebullient vibe to hits by artists including Missy Elliott and Ciara, died after collapsing on stage at a show in Connecticut, according to officials and his family. He was 53.

The cause of his death wasn't immediately clear.

He was performing at Hamden Town Center Park when he collapsed Friday evening, town chief of staff Sean Grace said Saturday. Mayor Lauren Garrett posted on Facebook that he had a medical emergency. Concertgoers and paramedics tried to aid the artist, who was taken to a hospital, she said.

His family said in an Instagram post that “the world lost a radiant soul, a beacon on stage and in life.”

With a gravelly voice and dance-floor-friendly sensibility, Fatman Scoop was a mainstay of club playlists around the turn of the millennium. But if the world knew him as the “voice of the club,” his family cherished him as “the laughter in our lives, a constant source of support, unwavering strength and courage,” his relatives said.

“His music made us dance and embrace life with positivity. His joy was infectious and the generosity he extended to all will be deeply missed but never forgotten,” they added, saying he leaves a legacy “of love and brightness.”

Born Isaac Freeman III, Fatman Scoop was from New York City’s Harlem neighborhood and broke out with 1999’s “Be Faithful.” What started as a minor success in the US took off in Europe with a 2003 re-release, hitting No. 1 on the singles charts in the UK and Ireland.

The next year, he appeared on the UK television series “Chancers,” in which musicians mentored artists who wanted to make it in the US, the BBC reported. He also was a contestant on “Celebrity Big Brother 16: UK vs USA,” which was filmed in the UK and aired in 2015.

Scoop — sometimes stylized as Fat Man Scoop or FatMan Scoop — collaborated with Elliott on “Lose Control,” a 2005 song of the summer that also featured Ciara. The track won a short-form music video Grammy at the 2006 award show.

The same year as “Lose Control,” he was featured on Mariah Carey’s “It’s Like That.” He also was featured on tracks from Timbaland, David Guetta, The Situation and Skrillex, among other artists. In 2018, he reunited with Elliott and Ciara for a remix of the latter’s “Level Up.”

Elliott praised Scoop's “VOICE and energy” Saturday on X, saying he had contributed to many songs that made people happy over more than two decades.

“Your IMPACT is HUGE & will be NEVER be forgotten,” she added.

His longtime booking agency, MN2S, described him as an artist with “boundless enthusiasm,” a passion for music and a voice and personality that "made an indelible mark on the industry.”

His MN2S representative, Sharron Elkabas, said in a statement Saturday that she had spoken to him a few days earlier.

“He was in such good spirits. It’s hard to believe he is no longer with us,” she said.