Pharrell’s Animated Biopic Populated by LEGOs 

Singer/songwriter Pharrell Williams attends the international premiere of Piece By Piece at the Princess of Wales Theater during the Toronto International Film Festival (TIFF) on September 10, 2024 in Toronto. (AFP)
Singer/songwriter Pharrell Williams attends the international premiere of Piece By Piece at the Princess of Wales Theater during the Toronto International Film Festival (TIFF) on September 10, 2024 in Toronto. (AFP)
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Pharrell’s Animated Biopic Populated by LEGOs 

Singer/songwriter Pharrell Williams attends the international premiere of Piece By Piece at the Princess of Wales Theater during the Toronto International Film Festival (TIFF) on September 10, 2024 in Toronto. (AFP)
Singer/songwriter Pharrell Williams attends the international premiere of Piece By Piece at the Princess of Wales Theater during the Toronto International Film Festival (TIFF) on September 10, 2024 in Toronto. (AFP)

The flesh-and-blood Pharrell Williams walked the red carpet on Tuesday with the star of his new animated biopic – a Pharrell Williams made of LEGO blocks – as "Piece by Piece" made its international premiere in Toronto.

The animated feature, voiced by Pharrell and fellow pop stars Gwen Stefani, Kendrick Lamar and Jay-Z, takes the audience on an unconventional journey through the musical virtuoso's upbringing and vibrant career by casting LEGO pieces as the characters in his life story.

Pharrell, a renowned recording artist, producer and songwriter, said LEGO characters, a favorite of children around the world, gave the picture a global appeal and enabled the film to sidestep cliches in telling his story.

"LEGO really helps to universalize the story so that it can be received by anyone that comes from a marginalized community," Pharrell, who has won 13 Grammy Awards, including three for Producer of the Year, said on the red carpet at the Toronto International Film Festival.

"I didn't want to tell a story that's like poverty porn. That's a usual Hollywood trope and that's not what this is."

Director Morgan Neville said one of the reasons he tackled the project was his long-standing interest in music producers, who he said often have a larger vision.

"Pharrell is famous for seeing the world a little differently and approaching music differently," Neville said on the red carpet.

The film was not the first Neville focused on musical artists. His credits include the 2015 Keith Richards documentary and 2023’s "Bono & The Edge: A Sort of Homecoming with Dave Letterman."

Neville said animation was an ideal media to tell the story of Pharrell's life.

"Pharrell has synesthesia, which means when he hears music, he sees color," the director said. "The idea that ... you could actually see the color and make all this stuff come alive and taking the beats he was writing and turn them into physical objects."

Pharrell wrote an original song for the film, also titled "Piece by Piece," about building a dream from the ground up.

He told Reuters the diversification of the LEGO characters was part of his dream.

"There's all kinds of people on this planet," he said. "All of this continues to be a gift," he said.



Beyonce's 'Cowboy Carter' Snubbed by Country Music Awards

FILE - Beyonce, left, accepts the Innovator Award during the iHeartRadio Music Awards, April 1, 2024, at the Dolby Theater in Los Angeles. (AP Photo/Chris Pizzello, file)
FILE - Beyonce, left, accepts the Innovator Award during the iHeartRadio Music Awards, April 1, 2024, at the Dolby Theater in Los Angeles. (AP Photo/Chris Pizzello, file)
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Beyonce's 'Cowboy Carter' Snubbed by Country Music Awards

FILE - Beyonce, left, accepts the Innovator Award during the iHeartRadio Music Awards, April 1, 2024, at the Dolby Theater in Los Angeles. (AP Photo/Chris Pizzello, file)
FILE - Beyonce, left, accepts the Innovator Award during the iHeartRadio Music Awards, April 1, 2024, at the Dolby Theater in Los Angeles. (AP Photo/Chris Pizzello, file)

Beyonce did not receive a Country Music Association awards nomination when the nods for the 58th edition were announced Monday, even though her "Cowboy Carter" album proved a cultural phenomenon upon release this year, Agence France Presse reported.

The absence of "Cowboy Carter" among the slate of nominees was conspicuous: "Texas Hold 'Em," her sprawling album's first single, soared to the top of the charts, including the country list, and the album was widely considered a smash.

Beyonce's "Cowboy Carter" is a full-throated ode to her southern US roots, a rollicking revue that also deals a vital history lesson on the Black lineage of country music.

Nashville's gatekeepers have long tried to promote a rigid view of country music that's overwhelmingly white and male -- "Cowboy Carter" skewered that notion.

She leads listeners through country's evolution from African American spirituals and fiddle tunes to its pioneering women.

The awards ceremony will be held on November 20.

Morgan Wallen, the controversial country-pop singer who has found enormous streaming success, received the most nominations with seven, including for the coveted "Entertainer of the Year" title.

Chris Stapleton and Cody Johnson received five nominations each.

Lainey Wilson notched four, as did Post Malone, who segued into country this year from his warbling rock-rap. His single "I Had Some Help" features Wallen, and its nominations ushered that artist to the front of the pack.

Beyonce is no stranger to CMA controversy: she notably received racist comments after performing what was then her most country song to date, "Daddy Lessons," at the 2016 CMA awards.

A Texan raised by a mother from Louisiana and a father from Alabama, Beyonce tackled the perceived "controversy" over her country turn this year on the track "Ameriican Requiem."

"They used to say I spoke, 'Too country' / Then the rejection came, said I wasn't, 'Country enough' / Said I wouldn't saddle up, but if that ain't country, tell me, what is?" Beyonce sings on the track, whose musical allusions include Buffalo Springfield's classic "For What It's Worth."

"Cowboy Carter" was far more than country: it included technical mastery of a blend of styles including various country subsets as well as rap, dance, soul, funk, rock and gospel.