Francis Ford Coppola Sues Variety Over Story Alleging ‘Megalopolis’ Misconduct 

Francis Ford Coppola, the writer/director of "Megalopolis," poses at the premiere of the film at Roy Thomson Hall during the Toronto International Film Festival, Monday, Sept. 9, 2024, in Toronto. (AP)
Francis Ford Coppola, the writer/director of "Megalopolis," poses at the premiere of the film at Roy Thomson Hall during the Toronto International Film Festival, Monday, Sept. 9, 2024, in Toronto. (AP)
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Francis Ford Coppola Sues Variety Over Story Alleging ‘Megalopolis’ Misconduct 

Francis Ford Coppola, the writer/director of "Megalopolis," poses at the premiere of the film at Roy Thomson Hall during the Toronto International Film Festival, Monday, Sept. 9, 2024, in Toronto. (AP)
Francis Ford Coppola, the writer/director of "Megalopolis," poses at the premiere of the film at Roy Thomson Hall during the Toronto International Film Festival, Monday, Sept. 9, 2024, in Toronto. (AP)

Francis Ford Coppola has sued Variety, saying that a July story that said he ran an unprofessional set with impunity and touching and tried to kiss female extras during the production of his film “Megalopolis” was false and libelous.

The suit, which seeks at least $15 million from the entertainment trade publication, was filed in Los Angeles Superior Court on Wednesday, two weeks before the director's long-dreamed-of and self-financed epic is to be released in US theaters.

The suit calls the 85-year-old director of “The Godfather” and “Apocalypse Now” a “creative genius” and says others are “jealous” and therefore tell “knowing and reckless falsehoods.”

It says Variety's “writers and editors, hiding behind supposedly anonymous sources, accused Coppola of manifest incompetence as a motion picture director, of unprofessional behavior on the set of his most recent production, Megalopolis, of setting up some type of scheme so that anyone on the set who had a complaint of harassment or otherwise had nowhere to lodge a complaint, and of hugging topless actresses on the set. Each of these accusations was false.”

The lawsuit also names the story's reporters, Brent Lang and Tatiana Siegel, as defendants.

It repeatedly says Variety was either knowingly publicizing falsehoods or showing reckless disregard for the truth, echoing a standard for libel established by the US Supreme Court.

A Variety spokesperson, Jeffrey Schneider, told The Associated Press, “While we will not comment on active litigation, we stand by our reporters.”

Coppola said in a statement Thursday that nothing in his career compares to the difficult yet triumphant efforts to make “Megalopolis.”

“It was a collaboration of hundreds of artists, from extras to box office stars, to whom I consistently displayed the utmost respect and my deepest gratitude,” Coppola said. “To see our collective efforts tainted by false, reckless and irresponsible reporting is devastating.”

The July 26 story used anonymous reports and videos from crew members of the shooting for “Megalopolis” of a nightclub scene in an Atlanta concert hall in February, 2023. The story said Coppola tried to kiss young female extras and “appeared to act with impunity” on the set. It said the film's financial arrangements meant “there were none of the traditional checks and balances in place.”

In one video, Coppola, wearing a white suit, walks through a dancing crowd, stopping to apparently lean into several young women to hug them, kiss them on the cheek or whisper to them. Another video shows him leaning into a woman who pulls away and shakes her head.

All of the women have tops on, and the Variety story mentions “topless” extras only in reference to an original report on the allegations in the Guardian.

In a subsequent story about a week later, which is mentioned only parenthetically in Coppola's lawsuit, one of the women, Lauren Pagone, spoke to Variety and agreed to be identified, saying Coppola left her “in shock” when he touched, hugged and kissed her without her consent.

Pagone said she came forward because another of the extras, Rayna Menz, said in Variety's sister publication Deadline that Coppola did nothing to make her or anyone else on the set uncomfortable.

Pagone also filed a lawsuit Monday against Coppola in Georgia, alleging that her treatment on the set amounted to civil assault and civil battery.

Asked for a specific response to that lawsuit, a Coppola representative said there would be no immediate comment beyond the director's broader statement.

The AP does not typically name people who say they have been sexually abused unless they come forward publicly as Pagone has.

Asked about the touching and kissing allegations by The AP before the lawsuit was filed, Coppola said, “I don’t even want to (talk about it). It’s a waste of time.”

Later in the same interview, without being asked about the subject again, Coppola said, “I’m very respectful of women. I always have been. My mother taught me — she was a little nuts — she said, ‘Francis if you ever make a pass at a girl, that means you disrespect her.’ So I never did.”

The lawsuit takes particular issue with an assertion in the Variety story that Coppola inadvertently got into a shot and ruined it. The suit says Coppola was well aware that some camera angles would include him, and that he was supposed to appear in the scene anyway.

“The average reader would understand that Coppola was so aged and infirm that he no longer knew how to direct a motion picture,” the suit says.

“Megalopolis” is a Roman epic set in a futuristic New York starring Adam Driver and Nathalie Emmanuel. Coppola sold off pieces of his considerable wine empire to largely finance it himself.



Pharrell’s Animated Biopic Populated by LEGOs 

Singer/songwriter Pharrell Williams attends the international premiere of Piece By Piece at the Princess of Wales Theater during the Toronto International Film Festival (TIFF) on September 10, 2024 in Toronto. (AFP)
Singer/songwriter Pharrell Williams attends the international premiere of Piece By Piece at the Princess of Wales Theater during the Toronto International Film Festival (TIFF) on September 10, 2024 in Toronto. (AFP)
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Pharrell’s Animated Biopic Populated by LEGOs 

Singer/songwriter Pharrell Williams attends the international premiere of Piece By Piece at the Princess of Wales Theater during the Toronto International Film Festival (TIFF) on September 10, 2024 in Toronto. (AFP)
Singer/songwriter Pharrell Williams attends the international premiere of Piece By Piece at the Princess of Wales Theater during the Toronto International Film Festival (TIFF) on September 10, 2024 in Toronto. (AFP)

The flesh-and-blood Pharrell Williams walked the red carpet on Tuesday with the star of his new animated biopic – a Pharrell Williams made of LEGO blocks – as "Piece by Piece" made its international premiere in Toronto.

The animated feature, voiced by Pharrell and fellow pop stars Gwen Stefani, Kendrick Lamar and Jay-Z, takes the audience on an unconventional journey through the musical virtuoso's upbringing and vibrant career by casting LEGO pieces as the characters in his life story.

Pharrell, a renowned recording artist, producer and songwriter, said LEGO characters, a favorite of children around the world, gave the picture a global appeal and enabled the film to sidestep cliches in telling his story.

"LEGO really helps to universalize the story so that it can be received by anyone that comes from a marginalized community," Pharrell, who has won 13 Grammy Awards, including three for Producer of the Year, said on the red carpet at the Toronto International Film Festival.

"I didn't want to tell a story that's like poverty porn. That's a usual Hollywood trope and that's not what this is."

Director Morgan Neville said one of the reasons he tackled the project was his long-standing interest in music producers, who he said often have a larger vision.

"Pharrell is famous for seeing the world a little differently and approaching music differently," Neville said on the red carpet.

The film was not the first Neville focused on musical artists. His credits include the 2015 Keith Richards documentary and 2023’s "Bono & The Edge: A Sort of Homecoming with Dave Letterman."

Neville said animation was an ideal media to tell the story of Pharrell's life.

"Pharrell has synesthesia, which means when he hears music, he sees color," the director said. "The idea that ... you could actually see the color and make all this stuff come alive and taking the beats he was writing and turn them into physical objects."

Pharrell wrote an original song for the film, also titled "Piece by Piece," about building a dream from the ground up.

He told Reuters the diversification of the LEGO characters was part of his dream.

"There's all kinds of people on this planet," he said. "All of this continues to be a gift," he said.