Francis Ford Coppola Sues Variety Over Story Alleging ‘Megalopolis’ Misconduct 

Francis Ford Coppola, the writer/director of "Megalopolis," poses at the premiere of the film at Roy Thomson Hall during the Toronto International Film Festival, Monday, Sept. 9, 2024, in Toronto. (AP)
Francis Ford Coppola, the writer/director of "Megalopolis," poses at the premiere of the film at Roy Thomson Hall during the Toronto International Film Festival, Monday, Sept. 9, 2024, in Toronto. (AP)
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Francis Ford Coppola Sues Variety Over Story Alleging ‘Megalopolis’ Misconduct 

Francis Ford Coppola, the writer/director of "Megalopolis," poses at the premiere of the film at Roy Thomson Hall during the Toronto International Film Festival, Monday, Sept. 9, 2024, in Toronto. (AP)
Francis Ford Coppola, the writer/director of "Megalopolis," poses at the premiere of the film at Roy Thomson Hall during the Toronto International Film Festival, Monday, Sept. 9, 2024, in Toronto. (AP)

Francis Ford Coppola has sued Variety, saying that a July story that said he ran an unprofessional set with impunity and touching and tried to kiss female extras during the production of his film “Megalopolis” was false and libelous.

The suit, which seeks at least $15 million from the entertainment trade publication, was filed in Los Angeles Superior Court on Wednesday, two weeks before the director's long-dreamed-of and self-financed epic is to be released in US theaters.

The suit calls the 85-year-old director of “The Godfather” and “Apocalypse Now” a “creative genius” and says others are “jealous” and therefore tell “knowing and reckless falsehoods.”

It says Variety's “writers and editors, hiding behind supposedly anonymous sources, accused Coppola of manifest incompetence as a motion picture director, of unprofessional behavior on the set of his most recent production, Megalopolis, of setting up some type of scheme so that anyone on the set who had a complaint of harassment or otherwise had nowhere to lodge a complaint, and of hugging topless actresses on the set. Each of these accusations was false.”

The lawsuit also names the story's reporters, Brent Lang and Tatiana Siegel, as defendants.

It repeatedly says Variety was either knowingly publicizing falsehoods or showing reckless disregard for the truth, echoing a standard for libel established by the US Supreme Court.

A Variety spokesperson, Jeffrey Schneider, told The Associated Press, “While we will not comment on active litigation, we stand by our reporters.”

Coppola said in a statement Thursday that nothing in his career compares to the difficult yet triumphant efforts to make “Megalopolis.”

“It was a collaboration of hundreds of artists, from extras to box office stars, to whom I consistently displayed the utmost respect and my deepest gratitude,” Coppola said. “To see our collective efforts tainted by false, reckless and irresponsible reporting is devastating.”

The July 26 story used anonymous reports and videos from crew members of the shooting for “Megalopolis” of a nightclub scene in an Atlanta concert hall in February, 2023. The story said Coppola tried to kiss young female extras and “appeared to act with impunity” on the set. It said the film's financial arrangements meant “there were none of the traditional checks and balances in place.”

In one video, Coppola, wearing a white suit, walks through a dancing crowd, stopping to apparently lean into several young women to hug them, kiss them on the cheek or whisper to them. Another video shows him leaning into a woman who pulls away and shakes her head.

All of the women have tops on, and the Variety story mentions “topless” extras only in reference to an original report on the allegations in the Guardian.

In a subsequent story about a week later, which is mentioned only parenthetically in Coppola's lawsuit, one of the women, Lauren Pagone, spoke to Variety and agreed to be identified, saying Coppola left her “in shock” when he touched, hugged and kissed her without her consent.

Pagone said she came forward because another of the extras, Rayna Menz, said in Variety's sister publication Deadline that Coppola did nothing to make her or anyone else on the set uncomfortable.

Pagone also filed a lawsuit Monday against Coppola in Georgia, alleging that her treatment on the set amounted to civil assault and civil battery.

Asked for a specific response to that lawsuit, a Coppola representative said there would be no immediate comment beyond the director's broader statement.

The AP does not typically name people who say they have been sexually abused unless they come forward publicly as Pagone has.

Asked about the touching and kissing allegations by The AP before the lawsuit was filed, Coppola said, “I don’t even want to (talk about it). It’s a waste of time.”

Later in the same interview, without being asked about the subject again, Coppola said, “I’m very respectful of women. I always have been. My mother taught me — she was a little nuts — she said, ‘Francis if you ever make a pass at a girl, that means you disrespect her.’ So I never did.”

The lawsuit takes particular issue with an assertion in the Variety story that Coppola inadvertently got into a shot and ruined it. The suit says Coppola was well aware that some camera angles would include him, and that he was supposed to appear in the scene anyway.

“The average reader would understand that Coppola was so aged and infirm that he no longer knew how to direct a motion picture,” the suit says.

“Megalopolis” is a Roman epic set in a futuristic New York starring Adam Driver and Nathalie Emmanuel. Coppola sold off pieces of his considerable wine empire to largely finance it himself.



Ryan Seacrest Debuts as New ‘Wheel of Fortune’ Host 

Ryan Seacrest arrives at an "American Idol" Season 22 Top 10 tastemaker event, Monday, April 22, 2024, in Los Angeles. (AP)
Ryan Seacrest arrives at an "American Idol" Season 22 Top 10 tastemaker event, Monday, April 22, 2024, in Los Angeles. (AP)
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Ryan Seacrest Debuts as New ‘Wheel of Fortune’ Host 

Ryan Seacrest arrives at an "American Idol" Season 22 Top 10 tastemaker event, Monday, April 22, 2024, in Los Angeles. (AP)
Ryan Seacrest arrives at an "American Idol" Season 22 Top 10 tastemaker event, Monday, April 22, 2024, in Los Angeles. (AP)

For the first time in almost 8,000 episodes, “Wheel of Fortune” did not open with a hello from longtime host Pat Sajak.

Ryan Seacrest stepped into Sajak’s shoes after his 41-year tenure as host of the famed game show, joining co-host and letter turner Vanna White. Seacrest, a familiar television and radio presence known for hosting “American Idol,” New Year’s Eve programming and a long-running radio show, debuted as the series’ new host Monday night.

“I still can’t believe my luck being here with you tonight to continue this legacy of this incredible show with all of you, and, of course, my good friend Vanna White,” Seacrest said as he opened the show. “Thank you for the very warm welcome.”

In a brief opening monologue before the gameplay began, Seacrest acknowledged Sajak’s impact as host and his retirement at the end of the 41st season. Sajak won his fourth Emmy Award for best game show host for his final season Saturday at the Creative Arts Emmys.

“Hosting ‘Wheel of Fortune’ is a dream job. I’ve been a fan of this show since I was a kid watching it in Atlanta with my family, and I know how special it is that ‘Wheel’ has been in your living rooms for the past 40 years,” he said. “I’m just so grateful to be invited in. I also know I’ve got some very big shoes to fill, so let’s play ‘Wheel of Fortune.’”

In his first episode, Seacrest brought an energetic spirit and his classic good-humored nature. In a departure from his predecessor, he did not use cue cards to speak with contestants Corina, Terry and Cindy about their backgrounds.

Beyond the obvious change of Seacrest taking over for Sajak, the premiere of the 42nd season also showcased some aesthetic adjustments.

The colorful wheel and the iconic puzzle board remain largely the same, although White did get upgraded to a motion sensor board in 2022 to celebrate the 40th season. The stage has been updated and now features golden wheels and spokes in a more modern, sleek design.

Seacrest asked White how she liked the new stage during the hallmark banter the host and letter turner share to close the show. White said there were “a lot of lights, a lot of action,” and Seacrest quipped that he hoped it would continue working through his first week.

Seacrest told The Associated Press in a recent interview “the scale of the set was pretty impressive” to him when he first stepped on set.

The shooting schedule is still as fast-paced as ever, with Seacrest saying that while it may be busy to shoot multiple episodes per day, it makes it convenient for his packed schedule of other hosting duties.

Many of the familiar elements of the show are just as they were when Sajak left the series. White still wears a formal gown, Seacrest sported a suit and tie like Sajak did, the recognizable sound effects and “devices” contestants use to play are the same. The culture behind the scenes also seems to have remained as genial as the 30-minute episodes.

“I’ve also have been impressed with how close the family is that works on ’Wheel of Fortune,’ the production team that puts it together. It’s a lot of people,” Seacrest said in an interview at an event with White promoting the new season. “They’re really a family and they have a lot of respect for every single person, what they do on the show, and that’s special.”

White added that one staff member who started on the show when she was 18 now has kids who are graduating from college. “We’ve been together a long time,” she said.