Francis Ford Coppola Sues Variety Over Story Alleging ‘Megalopolis’ Misconduct 

Francis Ford Coppola, the writer/director of "Megalopolis," poses at the premiere of the film at Roy Thomson Hall during the Toronto International Film Festival, Monday, Sept. 9, 2024, in Toronto. (AP)
Francis Ford Coppola, the writer/director of "Megalopolis," poses at the premiere of the film at Roy Thomson Hall during the Toronto International Film Festival, Monday, Sept. 9, 2024, in Toronto. (AP)
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Francis Ford Coppola Sues Variety Over Story Alleging ‘Megalopolis’ Misconduct 

Francis Ford Coppola, the writer/director of "Megalopolis," poses at the premiere of the film at Roy Thomson Hall during the Toronto International Film Festival, Monday, Sept. 9, 2024, in Toronto. (AP)
Francis Ford Coppola, the writer/director of "Megalopolis," poses at the premiere of the film at Roy Thomson Hall during the Toronto International Film Festival, Monday, Sept. 9, 2024, in Toronto. (AP)

Francis Ford Coppola has sued Variety, saying that a July story that said he ran an unprofessional set with impunity and touching and tried to kiss female extras during the production of his film “Megalopolis” was false and libelous.

The suit, which seeks at least $15 million from the entertainment trade publication, was filed in Los Angeles Superior Court on Wednesday, two weeks before the director's long-dreamed-of and self-financed epic is to be released in US theaters.

The suit calls the 85-year-old director of “The Godfather” and “Apocalypse Now” a “creative genius” and says others are “jealous” and therefore tell “knowing and reckless falsehoods.”

It says Variety's “writers and editors, hiding behind supposedly anonymous sources, accused Coppola of manifest incompetence as a motion picture director, of unprofessional behavior on the set of his most recent production, Megalopolis, of setting up some type of scheme so that anyone on the set who had a complaint of harassment or otherwise had nowhere to lodge a complaint, and of hugging topless actresses on the set. Each of these accusations was false.”

The lawsuit also names the story's reporters, Brent Lang and Tatiana Siegel, as defendants.

It repeatedly says Variety was either knowingly publicizing falsehoods or showing reckless disregard for the truth, echoing a standard for libel established by the US Supreme Court.

A Variety spokesperson, Jeffrey Schneider, told The Associated Press, “While we will not comment on active litigation, we stand by our reporters.”

Coppola said in a statement Thursday that nothing in his career compares to the difficult yet triumphant efforts to make “Megalopolis.”

“It was a collaboration of hundreds of artists, from extras to box office stars, to whom I consistently displayed the utmost respect and my deepest gratitude,” Coppola said. “To see our collective efforts tainted by false, reckless and irresponsible reporting is devastating.”

The July 26 story used anonymous reports and videos from crew members of the shooting for “Megalopolis” of a nightclub scene in an Atlanta concert hall in February, 2023. The story said Coppola tried to kiss young female extras and “appeared to act with impunity” on the set. It said the film's financial arrangements meant “there were none of the traditional checks and balances in place.”

In one video, Coppola, wearing a white suit, walks through a dancing crowd, stopping to apparently lean into several young women to hug them, kiss them on the cheek or whisper to them. Another video shows him leaning into a woman who pulls away and shakes her head.

All of the women have tops on, and the Variety story mentions “topless” extras only in reference to an original report on the allegations in the Guardian.

In a subsequent story about a week later, which is mentioned only parenthetically in Coppola's lawsuit, one of the women, Lauren Pagone, spoke to Variety and agreed to be identified, saying Coppola left her “in shock” when he touched, hugged and kissed her without her consent.

Pagone said she came forward because another of the extras, Rayna Menz, said in Variety's sister publication Deadline that Coppola did nothing to make her or anyone else on the set uncomfortable.

Pagone also filed a lawsuit Monday against Coppola in Georgia, alleging that her treatment on the set amounted to civil assault and civil battery.

Asked for a specific response to that lawsuit, a Coppola representative said there would be no immediate comment beyond the director's broader statement.

The AP does not typically name people who say they have been sexually abused unless they come forward publicly as Pagone has.

Asked about the touching and kissing allegations by The AP before the lawsuit was filed, Coppola said, “I don’t even want to (talk about it). It’s a waste of time.”

Later in the same interview, without being asked about the subject again, Coppola said, “I’m very respectful of women. I always have been. My mother taught me — she was a little nuts — she said, ‘Francis if you ever make a pass at a girl, that means you disrespect her.’ So I never did.”

The lawsuit takes particular issue with an assertion in the Variety story that Coppola inadvertently got into a shot and ruined it. The suit says Coppola was well aware that some camera angles would include him, and that he was supposed to appear in the scene anyway.

“The average reader would understand that Coppola was so aged and infirm that he no longer knew how to direct a motion picture,” the suit says.

“Megalopolis” is a Roman epic set in a futuristic New York starring Adam Driver and Nathalie Emmanuel. Coppola sold off pieces of his considerable wine empire to largely finance it himself.



‘Shogun’ Wins Record-Breaking 14 Emmys at Creative Arts Ceremony, Jamie Lee Curtis Gets Her First 

Nestor Carbonell with the award for Outstanding Guest Actor in a Drama Series for "Shogun" attends night two of the Creative Arts Emmy Awards on Sunday, Sept. 8, 2024, in Los Angeles. (AP)
Nestor Carbonell with the award for Outstanding Guest Actor in a Drama Series for "Shogun" attends night two of the Creative Arts Emmy Awards on Sunday, Sept. 8, 2024, in Los Angeles. (AP)
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‘Shogun’ Wins Record-Breaking 14 Emmys at Creative Arts Ceremony, Jamie Lee Curtis Gets Her First 

Nestor Carbonell with the award for Outstanding Guest Actor in a Drama Series for "Shogun" attends night two of the Creative Arts Emmy Awards on Sunday, Sept. 8, 2024, in Los Angeles. (AP)
Nestor Carbonell with the award for Outstanding Guest Actor in a Drama Series for "Shogun" attends night two of the Creative Arts Emmy Awards on Sunday, Sept. 8, 2024, in Los Angeles. (AP)

“Shogun” won the most Emmys ever for a single season of a television series with 14 at the Creative Arts Emmy Awards on Sunday night, while “The Bear” won seven including best guest actress in a comedy series for Jamie Lee Curtis.

Presenters were saying “Shogun” all night at the Peacock Theater in Los Angeles on the second night of the two-night Creative Arts Emmys, where awards are handed out that don’t quite make the main Primetime Emmys ceremony. It broke the record of 13 set by the 2008 limited series “John Adams” before even reaching the Sept. 15 main Emmys ceremony, when it can pad its record with up to five more.

“Shogun," the FX series about political machinations in feudal Japan, won all but two of the possible 16 trophies it could have claimed on Sunday night, including Emmys for costumes, makeup, editing, stunts and cinematography, along with a best guest actor in a drama Emmy for Néstor Carbonell.

As he accepted, Carbonell thanked the crew, then marveled at how many of them were in the audience.

“You’re all here! You’re all nominated!” Carbonell said. “I love the team sport of this.”

Curtis was emotional on stage after winning her first Emmy 18 months after winning her first Oscar for “Everything Everywhere All at Once.”

“I’m the luckiest girl in the world,” Curtis said backstage. “I just never thought I would get to do work at this level of depth and complexity and intelligence. It’s been the thrill of my creative life these last couple of years.”

Asked if she could win a Grammy and a Tony to make it an EGOT, she said no way.

“I can't sing at all,” she said, “and I've never been on stage.”

The songwriting team of Benj Pasek and Justin Paul, however, did become the 20th and 21st members of the elite EGOT club when they won their first Emmy for a song they co-wrote for “Only Murders in the Building.” The duo had previously won an Oscar for “La La Land” and a Grammy and Tony for “Dear Evan Hansen.”

Curtis won for the season two “Bear” episode “Fishes," in which she played the mother of star Jeremy Allen White at a nightmare holiday family gathering. Jon Bernthal, who played White's big brother in the episode, won best guest actor in a comedy.

Michaela Coel won best guest actress in a comedy series for her appearance on “Mr. and Mrs. Smith.”

“Shogun” shook up the Emmys race when it switched from the limited series to the drama series category in May and led all nominees with 25 when nominations were announced in July.

It won so steadily that the few who beat it — it lost only in two music-composition categories — felt the need to comment on it.

“I didn’t write a speech, because there was no way I was beating ‘Shogun’ tonight,” said Siddharta Khosa, who won best music composition for a series for “Only Murders in the Building.”

When Eric Andŕe was asked only one question in the media room after winning his first Emmy for his performance on his self-titled talk show, he said, with fake exasperation, “Sorry I'm not on Shogun!”

Maya Rudolph and Angela Bassett were among the Creative Arts winners on Saturday night, which focused on reality and variety TV. Rudolph won her sixth career Emmy, for her voice-over work on the animated “Big Mouth.” Bassett won her first, for her narration of the National Geographic wildlife documentary series “Queens.”

Dan and Eugene Levy will host the Primetime Emmy Awards, also at the Peacock Theater, airing on ABC on Sept. 15.