‘Beetlejuice Beetlejuice’ Is No. 1 Again; Conservative Doc ‘Am I Racist’ Cracks Box Office Top 5

US director Tim Burton poses on the red carpet upon arrival to attend the UK premiere of the film "Beetlejuice Beetlejuice", in central London, on August 29, 2024. (AFP)
US director Tim Burton poses on the red carpet upon arrival to attend the UK premiere of the film "Beetlejuice Beetlejuice", in central London, on August 29, 2024. (AFP)
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‘Beetlejuice Beetlejuice’ Is No. 1 Again; Conservative Doc ‘Am I Racist’ Cracks Box Office Top 5

US director Tim Burton poses on the red carpet upon arrival to attend the UK premiere of the film "Beetlejuice Beetlejuice", in central London, on August 29, 2024. (AFP)
US director Tim Burton poses on the red carpet upon arrival to attend the UK premiere of the film "Beetlejuice Beetlejuice", in central London, on August 29, 2024. (AFP)

Moviegoers said yes to more “Beetlejuice Beetlejuice” this weekend.

After its monster opening, the Tim Burton sequel easily topped the domestic box office charts again with $51.6 million in ticket sales, according to studio estimates Sunday. Down only 54% from a week earlier, the North American gross for the Warner Bros. release is already at $188 million. Internationally, it added $28.7 million, bringing its worldwide total to a staggering $264.3 million.

“To drop just 54% is really impressive and indicative of a pretty solid word of mouth,” said Paul Dergarabedian, the senior media analyst for Comscore. “Audiences are enjoying the film.”

While its hold was strong, “Beetlejuice Beetlejuice” didn’t have much in the way of major new competition. Fresh offerings included the James McAvoy horror “Speak No Evil,” a satirical documentary following right wing podcaster Matt Walsh; and a new Dave Bautista action pic, “The Killer's Game.”

Second place in weekend ticket sales went to “Speak No Evil,” a remake of a 2022 Danish horror film about an unsuspecting family who decides to spend a weekend with new friends in the country. McAvoy stars in it, along with Mackenzie Davis and Scoot McNairy. With positive reviews and a shrewd release date of Friday the 13th, the Blumhouse production released by Universal Pictures made an estimated $11.5 million from 3,375 locations.

“Deadpool & Wolverine ” landed in third place in its eighth weekend with another $5.2 million. The Disney and Marvel blockbuster is now up to $621.5 million in North America and $1.3 billion globally.

The Daily Wire movie “Am I Racist?” placed fourth at the box office, with an estimated $4.7 million from only 1,517 theaters. Described as a mockumentary in the style of “Borat,” the movie has conservative columnist Walsh going undercover as a “DEI trainee.” Walsh had a similar gimmick, pretending to be a gender studies professor, in the 2022 movie “What is a Woman?” Both were directed by Justin Folk.

“Am I Racist?” cost a reported $3 million to make. To release it, the Daily Wire — the Ben Shapiro co-founded company — partnered with SDG Releasing, a distribution company founded by writers Cary Solomon and Chuck Konzelman, who promise the “lowest fees in the business.” Among the trailers playing before “Am I Racist?" is another film targeting conservative audiences: The upcoming Dinesh D'Souza movie “Vindicating Trump.”

Rounding out the top five was “Reagan,” the Showbiz Direct release starring Dennis Quaid as the former president, which added another $3 million in its third weekend, bringing its total domestic total to $23.3 million.

“The Killer's Game," meanwhile, debuted in sixth place with $2.6 million. Bautista stars as a hit man with a terminal illness in the action comedy, which got dismal reviews.

Next weekend, theaters will get the Optimus Prime origin pic “Transformers One,” but it may be a quiet few weeks at the box office until “Joker: Folie à Deux” dances its way onto the big screen on Oct. 4.



Kim Kardashian Will Testify in Paris Trial About Jewelry Heist That Upended Her Life 

US socialite Kim Kardashian arrives for the 4th Annual Academy Museum Gala at the Academy Museum of Motion Pictures in Los Angeles, October 19, 2024. (AFP)
US socialite Kim Kardashian arrives for the 4th Annual Academy Museum Gala at the Academy Museum of Motion Pictures in Los Angeles, October 19, 2024. (AFP)
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Kim Kardashian Will Testify in Paris Trial About Jewelry Heist That Upended Her Life 

US socialite Kim Kardashian arrives for the 4th Annual Academy Museum Gala at the Academy Museum of Motion Pictures in Los Angeles, October 19, 2024. (AFP)
US socialite Kim Kardashian arrives for the 4th Annual Academy Museum Gala at the Academy Museum of Motion Pictures in Los Angeles, October 19, 2024. (AFP)

The last time Kim Kardashian faced the men that police say robbed her, she was bound with zip ties and held at gunpoint, and feared she might die. On Tuesday, nearly a decade later, she returns to Paris to testify against them.

One of the most recognizable figures on the planet is expected to take the stand against the 10 men accused of orchestrating the 2016 robbery that left her locked in a marble bathroom while masked assailants made off with more than $6 million in jewels.

Kardashian is set to speak about the trauma that reshaped her life and redefined the risks of celebrity in the age of social media. Her appearance is expected to be the most emotionally charged moment of a trial that began last month.

Court officials are bracing for a crowd, and security will be tight. A second courtroom has been opened for journalists following via video feed.

Kardashian’s testimony is expected to revisit, in painful detail, how intruders zip-tied her hands, demanded her ring, and left her believing she might never see her children again.

Twelve suspects were originally charged. One has died. Another has been excused from proceedings due to serious illness. Most are in their 60s and 70s — dubbed les papys braqueurs, or “the grandpa robbers,” by the French press — but investigators insist they were no harmless retirees. Authorities have described them as a seasoned and coordinated criminal group.

Two of the defendants have admitted being at the scene. The others deny any involvement — some even claim they didn’t know who Kardashian was. But police say the group tracked her movements through her own social media posts, which flaunted her jewelry, pinpointed her location, and exposed her vulnerability.

The heist transformed Kardashian into a cautionary tale of hyper-visibility in the digital age.

In the aftermath, she withdrew from public life. She developed severe anxiety and later described symptoms of agoraphobia. “I hated to go out,” she said in a 2021 interview. “I didn’t want anybody to know where I was ... I just had such anxiety.”

Her lawyers confirmed she would appear in court. “She has tremendous appreciation and admiration for the French judicial system,” they wrote, adding that she hopes the trial proceeds “in an orderly fashion ... and with respect for all parties.”

Once dismissed in parts of the French press as a reality TV spectacle — and lambasted by Karl Lagerfeld for being too flashy — Kardashian now returns as a key witness in a case that has forced a wider reckoning with how celebrity, crime, and perception collide.

Her lawyers say she is “particularly grateful” to French authorities — and ready to confront those who attacked her with dignity.