Young Russians Take Odysseys Across Europe to See Taylor Swift Perform 

A fan shows a ticket to a Taylor Swift concert during a meeting with other Swifties in Lyubertsy outside Moscow, Russia September 15, 2024. (Reuters)
A fan shows a ticket to a Taylor Swift concert during a meeting with other Swifties in Lyubertsy outside Moscow, Russia September 15, 2024. (Reuters)
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Young Russians Take Odysseys Across Europe to See Taylor Swift Perform 

A fan shows a ticket to a Taylor Swift concert during a meeting with other Swifties in Lyubertsy outside Moscow, Russia September 15, 2024. (Reuters)
A fan shows a ticket to a Taylor Swift concert during a meeting with other Swifties in Lyubertsy outside Moscow, Russia September 15, 2024. (Reuters)

Artem, a 22-year-old IT student in Moscow, has no regrets about shelling out more than $3,000 to see his favorite singer perform.

Around the world, fans of Taylor Swift - "Swifties" - are used to paying eye-popping prices to attend her concerts. But in Russia, there are other challenges in the quest to catch the superstar on tour.

Many Western performers have shunned Russia since 2022, when Russia sent its army into Ukraine, and outward travel to the West is fraught with complications. But Russian Swifties, undeterred, embarked this summer on daunting odysseys - requiring visa appointments and clever flight combinations - to catch Swift on her sold-out Eras tour.

Elizaveta, a 20-year-old medical student, travelled with Artem to see Swift perform in Gelsenkirchen, Germany, in July.

"When you realize your dream has come true, well of course, (you feel) happiness, joy, and great thankfulness that everything worked out," she said.

Elizaveta and Artem have become close to other Swifties in Moscow who set up a fan group three years ago on the Russian social platform VKontakte.

Members say dozens attend the events they organize, from singalongs to bracelet-weaving workshops.

"We try to create some kind of cozy community, a place for people to meet," said Diana, 20, studying international relations.

But for those with the time and money, nothing beats seeing Swift live.

Artem and Elizaveta were determined to do that this summer. Elizaveta flew via a third country to Greece, for which she had secured a visa, then to Germany. Artem applied - six months ahead - for an Italian visa through an agency.

"I combined it with a general European trip; if I was there just purely for the concert ... it would have been cheaper," he says. "It turned out to be about 300,000 roubles ($3,200)."

The students have learned to adapt to the shifts in geopolitics.

Elizaveta's Apple Music account is registered in Türkiye, while Artem and others use "workarounds" to listen to music on Spotify, which stopped streaming in Russia in 2022, after the full-scale war began. Apple paused product sales the same year.

And another fan, Dmitry, says Swifties around the world are just a click away.

"We are not really isolated from the rest of the world. (We) sit and watch TikTok, there are videos from foreigners and various discussions ... In principle, we have enough of everything. We have a very rich life."



'Mufasa' Film Puts Classic Lions Into More Complex Storylines

This image released by Disney shows characters Afia, voiced by Anika Noni Rose, left, Mufasa, voiced by Braelyn Rankins, center, and Masego, voiced by Keith David, in a scene from "Mufasa: The Lion King." (Disney via AP)
This image released by Disney shows characters Afia, voiced by Anika Noni Rose, left, Mufasa, voiced by Braelyn Rankins, center, and Masego, voiced by Keith David, in a scene from "Mufasa: The Lion King." (Disney via AP)
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'Mufasa' Film Puts Classic Lions Into More Complex Storylines

This image released by Disney shows characters Afia, voiced by Anika Noni Rose, left, Mufasa, voiced by Braelyn Rankins, center, and Masego, voiced by Keith David, in a scene from "Mufasa: The Lion King." (Disney via AP)
This image released by Disney shows characters Afia, voiced by Anika Noni Rose, left, Mufasa, voiced by Braelyn Rankins, center, and Masego, voiced by Keith David, in a scene from "Mufasa: The Lion King." (Disney via AP)

Director Barry Jenkins believes it was important to revisit the Disney classic "The Lion King" with the prequel "Mufasa: The Lion King" for audiences to understand that the protagonist lion Mufasa was never perfect, and the villain Scar was not always evil.
"For 30 years we've been living with this idea of Mufasa as unimpeachably great and good, and Scar is like the full embodiment of evil," Jenkins told Reuters.
"In this story, we get to go back and show that no one is born good or born evil. You'll get a result of all these different choices that you make, good parenting, bad parenting, nature versus nurture," the "Moonlight" director added.
Jenkins found that it was key to the story to introduce a more complex look at the classic characters.
The film, written by Jeff Nathanson, uses photorealistic animation and serves as both a prequel to the original animated 1994 "The Lion King" and a sequel to the 2019 remake, which was directed by Jon Favreau.
"Mufasa", distributed by Walt Disney Pictures, arrives in theaters on Friday.
The movie includes the voices of leads Aaron Pierre as Mufasa, the lion who grows up to be the king and father to Simba along with Kelvin Harrison Jr. as Taka, who's eventually known as the antagonist named Scar, a prince and Mufasa's adoptive brother.
Taking place in the Pride Lands of Tanzania after the events of the 2019 "Lion King" film, "Mufasa" follows Mufasa and Taka, who become friends and eventually adoptive brothers until a series of devastating events threaten their bond.
The voice cast also includes multi-Grammy winner Beyonce Knowles-Carter who reprises her role from the 2019 film as Simba's mate, Nala, and the "Texas Hold 'Em" singer's daughter, Blue Ivy, making her film debut voicing Simba and Nala's daughter, Princess Kiara.
It was important for Pierre to pay homage to the late James Earl Jones, one of the most renowned actors in Hollywood and the original voice of Mufasa.
"He really for me is just top level," the "Genius" actor said.
For Pierre, Jones was his guiding light that extinguished any fear that he had about the iconic role.
"I actually managed to use that (his fear) in the adolescent version because the adolescent version doesn't have it all figured out," he added.