Naomi Campbell Barred from Being Charity Trustee in England and Wales

British model Naomi Campbell cries after being awarded the 'Chevalier de l'ordre des Arts et des Lettres' (Knight of the Order of Arts and Letters) title at the French Ministry for Culture in Paris on September 26, 2024. (Photo by Anne-Christine POUJOULAT / AFP)
British model Naomi Campbell cries after being awarded the 'Chevalier de l'ordre des Arts et des Lettres' (Knight of the Order of Arts and Letters) title at the French Ministry for Culture in Paris on September 26, 2024. (Photo by Anne-Christine POUJOULAT / AFP)
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Naomi Campbell Barred from Being Charity Trustee in England and Wales

British model Naomi Campbell cries after being awarded the 'Chevalier de l'ordre des Arts et des Lettres' (Knight of the Order of Arts and Letters) title at the French Ministry for Culture in Paris on September 26, 2024. (Photo by Anne-Christine POUJOULAT / AFP)
British model Naomi Campbell cries after being awarded the 'Chevalier de l'ordre des Arts et des Lettres' (Knight of the Order of Arts and Letters) title at the French Ministry for Culture in Paris on September 26, 2024. (Photo by Anne-Christine POUJOULAT / AFP)

British supermodel Naomi Campbell has been barred from being a charity trustee in England and Wales for five years after the poverty charity she founded nearly two decades ago was deemed Thursday to have been “poorly governed” with “inadequate financial management.”
Following a three-year investigation into the financial activities of “Fashion for Relief,” the Charity Commission, which registers and regulates charities in England and Wales, said it had found “multiple instances of misconduct and/or mismanagement,” and that only 8.5% of the charity’s overall expenditure went on charitable grants in a six-year period from 2016.
For example, it said that thousands of pounds worth of charity funds were used to pay for a luxury hotel stay in Cannes, France, for Campbell as well as spa treatments, room service and even cigarettes. The regulator sought explanations from the trustees but said no evidence was provided to back up their explanation that hotel costs were typically covered by a donor to the charity, therefore not costing the charity, said The Associated Press.
Campbell, 54, said she was “extremely concerned” by the findings of the regulator and that an investigation on her part was underway.
“I was not in control of my charity, I put the control in the hands of a legal employer,” she said in response to a question from the AP after being named a knight in France’s Order of Arts and Letters at the country's culture ministry for her contribution to French culture. "We are investigating to find out what and how, and everything I do and every penny I ever raised goes to charity.”
The commission, which registers and regulates charities in England and Wales, also found that fellow trustee Bianka Hellmich received around 290,000 pounds ($385,000) of unauthorized funds for consultancy services, which was in breach of the charity's constitution. She has been disqualified as a trustee for nine years. The other trustee, Veronica Chou, was barred for four years.
“Trustees are legally required to make decisions that are in their charity’s best interests and to comply with their legal duties and responsibilities,” said Tim Hopkins, deputy director for specialist investigations and standards. “Our inquiry has found that the trustees of this charity failed to do so, which has resulted in our action to disqualify them.”
The charity, which was founded in 2005 in the aftermath of Hurricane Katrina in New Orleans, was dissolved and removed from the register of charities earlier this year. On its website, which is still active, the charity said that it presented fashion initiatives and projects in New York, London, Cannes, Moscow, Mumbai and Dar es Salaam, raising more than $15 million for good causes around the world.
The charity had been set up with the aim of uniting the fashion industry to relieve poverty and advance health and education, by making grants to other organizations and giving resources towards global disasters.
The commission said that around 344,000 pounds ($460,000) has been recovered and that a further 98,000 pounds of charitable funds have been protected. These funds were used to make donations to two other charities and settle outstanding liabilities.  
“I am pleased that the inquiry has seen donations made to other charities which this charity has previously supported,” said the regulator's Hopkins.



Music Review: Katy Perry Returns with the Uninspired and Forgettable ‘143’

 Katy Perry attends the MTV Video Music Awards in Elmont, New York, US, September 11, 2024. (Reuters)
Katy Perry attends the MTV Video Music Awards in Elmont, New York, US, September 11, 2024. (Reuters)
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Music Review: Katy Perry Returns with the Uninspired and Forgettable ‘143’

 Katy Perry attends the MTV Video Music Awards in Elmont, New York, US, September 11, 2024. (Reuters)
Katy Perry attends the MTV Video Music Awards in Elmont, New York, US, September 11, 2024. (Reuters)

Katy Perry's new album title, “143,” is code for “I love you,” based on the number of letters in each word of the phrase. She may love us, but the album is more like 144 — “I made mush.”

Perry's first LP since 2020’s lackluster “Smile” is just as lackluster, an 11-track blur of thick electronic programming and simplistic lyrics. There's none of her past cheeky humor, virtually no personality. Even the title is filler.

The rollout has been snakebit from the jump, with the artist under fire for collaborating with music producer Dr. Luke and the video for “Woman’s World” emerging as a sloppy, puzzling attempt at satire. Then her video shoot on a Spanish beach for “Lifetimes” was investigated for potential environmental damage.

It doesn’t help that the first three singles are just OK. “Woman’s World” is a frothy Lady Gaga-esque arena pop anthem, the techno-stomper “Lifetimes” smacks of Calvin Harris from the 2010s and “I’m His, He’s Mine,” featuring Doechii, lazily lifts Crystal Waters’ “Gypsy Woman (She’s Homeless)” from 1991. It’s a trio of tunes that doesn’t scream 578 (“Katy's totally relevant”).

“Gimme Gimme,” featuring 21 Savage, just lacks bite, a nursery rhyme from a new mother masquerading as a pop song (with crib-adjacent lyrics like “Say the right thing, maybe you can be/Crawling on me, like a centipede”).

“Crush” isn’t bad, but it’s built on the repetitive, unyielding synths you’d find in Eastern European discos in the ’90s. That’s a complaint for all the Dr. Luke tracks, really — Perry may rue their reunion simply based on the ugly, unsophisticated production. “All the Love” has the phrase “back to me” repeated 23 times during its 3:15 length.

“My intuition’s telling me things ain’t right,” she sings on “Truth,” a lyric that may sum up her album and a song that includes a fake voicemail at the end. Other artists are incorporating real dialogue and recorded snippets of their lives. Perry is faking it.

She has always preferred gangs of songwriters, but “143” pushes it to an insane level, with “Nirvana” credited to an even dozen. Listen to it and see if 12 songwriters were necessary for a song that sounds like a warmed-over club track from La Bouche.

If the best song on “143” is “Lifetimes,” the worst is easily the closer, a sticky-sweet, wide-eyed plea for innocence in “Wonder,” sticking out like a sore thumb. This is a cynical attempt to have moms in the audience wave their hands in unison as balloons float up, even as it decries cynicism.

“One day when we're older/Will we still look up in wonder?” she sings, name-checking her daughter, Daisy, who also makes a cute appearance. But by this point, she's lost our trust, with the 10 previous songs a sonic slog. “143” has no soul or emotion; it's just a number.