Maya Rudolph as Harris and Dana Carvey as Biden Open the 50th Season of ‘Saturday Night Live’

Maya Rudolph. (AP)
Maya Rudolph. (AP)
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Maya Rudolph as Harris and Dana Carvey as Biden Open the 50th Season of ‘Saturday Night Live’

Maya Rudolph. (AP)
Maya Rudolph. (AP)

"Saturday Night Live" began its 50th season with a parade of former co-stars, including Maya Rudolph as Vice President Kamala Harris, Andy Samberg as her husband Doug Emhoff and Dana Carvey as President Joe Biden.

"We've got to stay focused," Rudolph-as-Harris said at a mock rally in the show's cold open. "If we win, together, we can end the drama-la and the trauma-la and go relax in our pajama-las."

After bringing out running mate Tim Walz, played by comedian and actor Jim Gaffigan, she invited Samberg-as Emhoff to the stage and then, almost as an afterthought, Biden, played by the oldest of the group, the 69-year-old Carvey.

"A lot of people forget I’m president, including me," said Carvey, best known on the show for playing President George H.W. Bush in the late 1980s.

Rudolph and Carvey jointly delivered the "Live from New York, it's Saturday night" that launched season 50 of the sketch comedy institution.

Rudolph's return to play Harris — she won an Emmy for playing her previously — had been reported, but it was not certain when she would appear. The guest spots from Carvey, Samberg and Gaffigan were all surprises.

"Designing Women" star Jean Smart, fresh off winning her sixth Emmy for her lead role in "Hacks," was host, a role the 73-year-old has somehow never played in a four-decade career.

"I remember watching the first episode of ‘SNL’ and thinking, ’someday I’m going to host that show," Smart said in her opening monologue. "And this is the first Saturday that fit my schedule."

That first episode came on Oct. 11, 1975, with Lorne Michaels at the helm, just as he is now.

George Carlin hosted and the nation got its first dose of the Not Ready for Prime Time Players: Chevy Chase, John Belushi, Gilda Radner, Dan Akroyd, Jane Curtin, Laraine Newman and Garrett Morris.

There were two musical guests — Billy Preston and Janis Ian — playing two songs apiece, the norm in the early days.

The country singer and rapper Jelly Roll had the music role to himself Saturday, singing his songs "Liar" and "Sober." Like Smart, he was a first-timer.

Smart introduced Jelly Roll with her "Hacks" co-star Hannah Einbinder, the daughter of original cast member Newman.

That debut show is documented and reenacted in the newly released Jason Reitman film "Saturday Night," part of a wave of reflection and celebration the show is getting on the cusp of its 50th anniversary.

Despite the showy guest stars on this Saturday night, regular cast members took on the bulk of the show, which quickly settled into its regular routine.

James Austin Johnson was back playing Donald Trump at his own rally, saying he wanted Biden as an opponent instead of Harris.

"We miss Joe Biden, folks," Johnson's Trump said. "What we wouldn’t give to have him stand next to me and be old."

Colin Jost and Michael Che returned for another season of the mock-news "Weekend Update."

"There were so many insane political stories this summer and everyone kept asking, ‘Are you are you so bummed you aren’t on the air right now?" Jost said to open the segment. "And I was like, ’I have a feeling there’s going to be more that happens when we get back.'"

Rudolph, Carvey, Gaffigan and Samberg joined Smart, Jelly Roll and the cast on stage for the traditional sign-off.

Upcoming episodes are scheduled to feature host Nate Bargatze with musical guest Coldplay, Ariana Grande with Stevie Nicks, Michael Keaton with Billie Eilish and John Mulaney with Chappell Roan.

Those shows will lead up to a three-hour primetime special on Feb. 16 that will serve as the official 50th season celebration. It's sure to feature a wide range of the many stars the show has spawned, including Bill Murray, Eddie Murphy, Billy Crystal, Julia Louis-Dreyfus, Robert Downey Jr., Mike Myers, Adam Sandler, Chris Rock, Tina Fey, Amy Poehler and Will Ferrell.



Francis Ford Coppola Thinks 'Megalopolis' Outweighs Ordinary Film Ideas

 Francis Ford Coppola attends the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (AP)
Francis Ford Coppola attends the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (AP)
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Francis Ford Coppola Thinks 'Megalopolis' Outweighs Ordinary Film Ideas

 Francis Ford Coppola attends the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (AP)
Francis Ford Coppola attends the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (AP)

Renowned American director Francis Ford Coppola believes his harshly criticized science fiction film “Megalopolis” offers audiences a unique narrative vastly different from what they are accustomed to seeing.

"We're so used to seeing movies that are like other movies because they're financed that way,” Coppola told Reuters during a Zoom interview while he was at the Toronto International Film Festival, where the film was also screened.

"It's [movies like other movies] always something that's already proven that it will make money. It's like a potato chip that you know is habit forming and 'Megalopolis' is new,” he added.

After debuting this year at the Cannes Film Festival, Coppola's $120 million self-funded project is going to be shared with broader audiences when it arrives to US movie theaters on Friday.

While the film will be distributed by Lionsgate, Coppola maintains ownership of the movie.

Adam Driver stars as Cesar Catilina, an architect-scientist who wants to better a fictional version of New York City called New Rome, pitting him against Mayor Franklyn Cicero, played by Giancarlo Esposito, who prizes authority and institutions over change.

Catilina falls in love with the mayor's daughter, Julia, played by "Game of Thrones"' Nathalie Emmanuel, as she helps him work towards his vision and re-ignites his power to stop time.

When asked if “Megalopolis” is an allegory for his film-making journey, the 85-year-old director said, “All of my films are.”

“When I was young and made 'The Godfather,'” I had to be like Michael [Michael Corleone] because I had no power and I had to be very Machiavellian. When I made 'Apocalypse Now,' I was in an absurd situation with helicopters and millions of dollars every week that I was paying for, so I had to become a megalomaniac like Kurtz [Colonel Kurtz]. You know, I have always become the characters in my movies just to survive,” he added.

While the press response to the movie has been poor with a low score of 51% on the review aggregator Rotten Tomatoes, Driver believes “Megalopolis” is a film that needs more than one viewing to be truly absorbed.

"I think it does have legs and I think it is something that you want to return to and can return to and mine something else out of it," Driver said. "And it, you know, has a place in people's minds as being one of a kind, which I don't think a lot of films can say that, you know."