Kris Kristofferson, Influential Singer-Songwriter, Dies at 88

US actor musician Kris Kristofferson attends the premiere of "Dreamer" at the Mann Village theater on October 9, 2005 in Westwood, California. (AFP)
US actor musician Kris Kristofferson attends the premiere of "Dreamer" at the Mann Village theater on October 9, 2005 in Westwood, California. (AFP)
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Kris Kristofferson, Influential Singer-Songwriter, Dies at 88

US actor musician Kris Kristofferson attends the premiere of "Dreamer" at the Mann Village theater on October 9, 2005 in Westwood, California. (AFP)
US actor musician Kris Kristofferson attends the premiere of "Dreamer" at the Mann Village theater on October 9, 2005 in Westwood, California. (AFP)

Kris Kristofferson, who became one of the most influential American singer-songwriters of his time with works such as "Me and Bobby McGee," as well as becoming a successful actor, died Saturday at the age of 88, according to a family statement.

Kristofferson had been suffering from memory loss since he was in his 70s. A family spokesperson said in a statement that Kristofferson died peacefully at his home in Maui, Hawaii, surrounded by family, but a cause of death was not listed.

Kristofferson was a Renaissance man - an athlete with a poet's sensibilities, a former Army officer and helicopter pilot, a Rhodes scholar who took a job as a janitor in what turned out to be a brilliant career move.

Kristofferson first established himself in the music world as a songwriter in the country music capital of Nashville - writing hits such as the Grammy-winning "Help Me Make It Through the Night,For the Good Times," and one-time girlfriend Janis Joplin's plaintive No. 1 hit, "Me and Bobby McGee."

In the early 1970s he became well-known as a performer with a rumbling, unpolished baritone, as well as an in-demand actor, notably opposite Barbra Streisand in "A Star Is Born," one of the most popular films of 1976.

Kristofferson was born in Brownsville, Texas, on June 22, 1936, and moved frequently because his father was a general in the Air Force. After graduating from Pomona College in California, where he played football and rugby, Kristofferson attended Oxford University on a Rhodes scholarship and then fulfilled the family tradition by joining the Army.

He went through the Army's elite Ranger School, learned to pilot helicopters and reached the rank of captain. In 1965 Kristofferson was offered a position teaching English - he was enthralled by the works of poet William Blake - at the US Military Academy in West Point, New York, but he turned it down in order to head to Nashville.

Kristofferson became a janitor at the Columbia Records studio because it would give him a chance to offer his songs to the big-name stars recording there. He also worked as a helicopter pilot ferrying workers between Louisiana oilfields and offshore drilling rigs.

During that time Kristofferson wrote some of his most memorable songs, including "Help Me Make It Through the Night," which he said he penned atop an oil platform.

"NOTHING LEFT TO LOSE"

Kristofferson's best songs were filled with seekers, wastrels and broken souls trying to find love, redemption or relief from the hangover that life had given them. The broken-hearted narrator of "Bobby McGee," a song Kristofferson said was inspired by the Federico Fellini film "La Strada," summed it up with the line, "Freedom's just another word for nothing left to lose."

"Kris brought (country music) kind of from the dark ages up to the present-day time, made it acceptable and brought great lyrics - I mean, the best possible lyrics," Willie Nelson, an early role model for Kristofferson, told CBS's "60 Minutes" in a 1999 interview. "Simple but profound."

Kristofferson recorded four albums with Rita Coolidge, the second of his three wives, in the 1970s and joined Nelson, Cash and Waylon Jennings in the country music super group the Highwaymen in the 1980s and '90s.

Kristofferson's rugged good looks led to roles in movies such as "Cisco Pike,Pat Garrett & Billy the Kid,The Sailor Who Fell from Grace with the Sea,Convoy,Heaven's Gate,Lone Star" and "Blade."

After his initial stardom, Kristofferson took on causes such as the United Farm Workers and spoke out against US government involvement in Nicaragua and El Salvador in the 1980s.

Kristofferson began experiencing debilitating memory loss in his mid-70s and his performances suffered for it. Doctors told him it appeared to be the onset of Alzheimer's disease or dementia, possibly brought on by blows to the head while boxing and playing football and rugby in his younger days.

But in 2016, his wife, Lisa, told Rolling Stone magazine that Kristofferson had been diagnosed with Lyme disease, which can cause memory problems, and that after treatment and stopping Alzheimer's medication, his memory began to return partially.

Kristofferson kept active with a 2016 tour that included performances with Nelson and stops in Europe. That year he also marked his 80th birthday by releasing "The Cedar Creek Sessions," an album featuring live versions of his best-known songs.

Kristofferson and his third wife, Lisa, whom he married in 1983, lived on the Hawaiian island of Maui for more than 30 years. He had eight children.



‘Dirty Dancing,’ ‘Beverly Hills Cop,’ ‘Up in Smoke’ among Movies Entering the National Film Registry

 This image released by the Library of Congress shows James Cagney, right, in a scene from the 1938 film "Angels with Dirty Faces." (Warner Bros/Discovery/Library of Congress via AP)
This image released by the Library of Congress shows James Cagney, right, in a scene from the 1938 film "Angels with Dirty Faces." (Warner Bros/Discovery/Library of Congress via AP)
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‘Dirty Dancing,’ ‘Beverly Hills Cop,’ ‘Up in Smoke’ among Movies Entering the National Film Registry

 This image released by the Library of Congress shows James Cagney, right, in a scene from the 1938 film "Angels with Dirty Faces." (Warner Bros/Discovery/Library of Congress via AP)
This image released by the Library of Congress shows James Cagney, right, in a scene from the 1938 film "Angels with Dirty Faces." (Warner Bros/Discovery/Library of Congress via AP)

Nobody puts baby in a corner, but they're putting her in the National Film Registry.

“Dirty Dancing,” along with another 1980s culture-changer, “Beverly Hills Cop,” are entering the Library of Congress' registry, part of an annual group of 25 announced Wednesday that spans 115 years of filmmaking.

“Dirty Dancing” from 1987 used the physicality and chemistry of Patrick Swayze as Johnny Castle and Jennifer Grey as Frances “Baby” Houseman to charm generations of moviegoers, while also taking on issues like abortion, classism and antisemitism. In the climactic moment, Swayze defiantly declares, “Nobody puts baby in a corner” before taking Grey to dance to “(I’ve Had) The Time of My Life.”

1984's “Beverly Hills Cop,” the first Eddie Murphy film in the registry, arguably made him the world's biggest movie star at the time and made action comedies a blockbuster staple for a decade.

Since 1988, the Librarian of Congress has annually selected movies for preservation that are “culturally, historically or aesthetically” significant. The current picks bring the registry to 900 films. Turner Classic Movies will host a TV special on Wednesday, screening a selection of the class of 2024.

The oldest film is from 1895 and brought its own form of dirty dancing: “Annabelle Serpentine Dance” is a minute-long short of a shimmying Annabelle Moore that was decried by many as a public indecency for the suggestiveness of her moves. The newest is David Fincher's “The Social Network" from 2010.

A look at some of the films entering the registry “Pride of the Yankees” (1942): The film became the model for the modern sports tear-jerker, with Gary Cooper playing Lou Gehrig and delivering the classic real-life line: “Today I consider myself the luckiest man on the face of the Earth.”

“The Miracle Worker” (1962): Anne Bancroft won an Oscar for best actress for playing title character Anne Sullivan and 16-year-old Patty Duke won best supporting actress for playing her deaf and blind protege Helen Keller in director Arthur Penn's film.

“Up in Smoke” (1978): The first feature to star the duo of Cheech Marin and Tommy Chong established a template for the stoner genre and brought weed culture to the mainstream. Marin, who also appears in the inductee “Spy Kids” from 2001, is one of many Latinos with prominent roles in this year's crop of films.

“Star Trek II: Wrath of Khan” (1982): The second movie in the “Star Trek” franchise featured one of filmdom's great villains in Ricardo Montalban's Khan, and showed that the world of Captain Kirk and Mr. Spock could bring vital thrills to the cinema.

“Common Threads: Stories from the Quilt” (1989): The Oscar-winning documentary on the NAMES Project Aids Memorial Quilt was a landmark telling of the devastation wrought by the disease.

“My Own Private Idaho” (1991): Director Gus Van Sant's film featured perhaps the greatest performance of River Phoenix, a year before the actor's death at age 23.

“American Me” (1992): Edward James Olmos starred and made his film directorial debut in this tale of Chicano gang life in Los Angeles and the brutal prison experience of its main character.

“No Country for Old Men” (2007): Joel and Ethan Coen broke through at the Oscars with their adaptation of Cormac McCarthy's novel, winning best picture, best director and best adapted screenplay, while Javier Bardem won best supporting actor for playing a relentless killer with an unforgettable haircut.