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George Harrison's Early Beatles Guitar Could Fetch $800,000 at Auction

George Harrison (R) jokes with Rolling Stones' Ron Wood during a tribute to Bob Dylan at Madison Square Garden in New York in this October 16, 1992 REUTERS/Jeff Christensen JC/MMR/AA/File Photo
George Harrison (R) jokes with Rolling Stones' Ron Wood during a tribute to Bob Dylan at Madison Square Garden in New York in this October 16, 1992 REUTERS/Jeff Christensen JC/MMR/AA/File Photo
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George Harrison's Early Beatles Guitar Could Fetch $800,000 at Auction

George Harrison (R) jokes with Rolling Stones' Ron Wood during a tribute to Bob Dylan at Madison Square Garden in New York in this October 16, 1992 REUTERS/Jeff Christensen JC/MMR/AA/File Photo
George Harrison (R) jokes with Rolling Stones' Ron Wood during a tribute to Bob Dylan at Madison Square Garden in New York in this October 16, 1992 REUTERS/Jeff Christensen JC/MMR/AA/File Photo

An electric guitar played by the late guitarist George Harrison in the early days of the Beatles will go up for sale at an auction next month where it could be sold for more than $800,000.
Bought from a music store in the band's birth city of Liverpool, Harrison played the Futurama guitar in the early 1960s when the band performed at the Cavern Club, toured Germany and made their first official records for Polydor.
The auctioneers say the Futurama guitar, with its sunburst finish, was one of his most played. They call it "one of the holy grails of historic Beatles guitars" and said it is expected to exceed its estimate price tag of $600,000-$800,000.
Harrison said the guitar was "very difficult" to play but he liked what he called its "futuristic" look.
"It had a great sound," he later told a journalist.
In 1964, he donated the instrument to a rock magazine as a competition prize, but it remained with the publication's editor when the winner opted for a cash prize instead of owning a piece of rock and roll history.
The guitar will be on display at The Beatles Story in Liverpool for the next fortnight before being shown at other museums across Europe. It is due to be auctioned from Nov. 20-22 in the United States.

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‘Dirty Dancing,’ ‘Beverly Hills Cop,’ ‘Up in Smoke’ among Movies Entering the National Film Registry

This image released by the Library of Congress shows James Cagney, right, in a scene from the 1938 film "Angels with Dirty Faces." (Warner Bros/Discovery/Library of Congress via AP)
This image released by the Library of Congress shows James Cagney, right, in a scene from the 1938 film "Angels with Dirty Faces." (Warner Bros/Discovery/Library of Congress via AP)
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‘Dirty Dancing,’ ‘Beverly Hills Cop,’ ‘Up in Smoke’ among Movies Entering the National Film Registry

This image released by the Library of Congress shows James Cagney, right, in a scene from the 1938 film "Angels with Dirty Faces." (Warner Bros/Discovery/Library of Congress via AP)
This image released by the Library of Congress shows James Cagney, right, in a scene from the 1938 film "Angels with Dirty Faces." (Warner Bros/Discovery/Library of Congress via AP)

Nobody puts baby in a corner, but they're putting her in the National Film Registry.

“Dirty Dancing,” along with another 1980s culture-changer, “Beverly Hills Cop,” are entering the Library of Congress' registry, part of an annual group of 25 announced Wednesday that spans 115 years of filmmaking.

“Dirty Dancing” from 1987 used the physicality and chemistry of Patrick Swayze as Johnny Castle and Jennifer Grey as Frances “Baby” Houseman to charm generations of moviegoers, while also taking on issues like abortion, classism and antisemitism. In the climactic moment, Swayze defiantly declares, “Nobody puts baby in a corner” before taking Grey to dance to “(I’ve Had) The Time of My Life.”

1984's “Beverly Hills Cop,” the first Eddie Murphy film in the registry, arguably made him the world's biggest movie star at the time and made action comedies a blockbuster staple for a decade.

Since 1988, the Librarian of Congress has annually selected movies for preservation that are “culturally, historically or aesthetically” significant. The current picks bring the registry to 900 films. Turner Classic Movies will host a TV special on Wednesday, screening a selection of the class of 2024.

The oldest film is from 1895 and brought its own form of dirty dancing: “Annabelle Serpentine Dance” is a minute-long short of a shimmying Annabelle Moore that was decried by many as a public indecency for the suggestiveness of her moves. The newest is David Fincher's “The Social Network" from 2010.

A look at some of the films entering the registry “Pride of the Yankees” (1942): The film became the model for the modern sports tear-jerker, with Gary Cooper playing Lou Gehrig and delivering the classic real-life line: “Today I consider myself the luckiest man on the face of the Earth.”

“The Miracle Worker” (1962): Anne Bancroft won an Oscar for best actress for playing title character Anne Sullivan and 16-year-old Patty Duke won best supporting actress for playing her deaf and blind protege Helen Keller in director Arthur Penn's film.

“Up in Smoke” (1978): The first feature to star the duo of Cheech Marin and Tommy Chong established a template for the stoner genre and brought weed culture to the mainstream. Marin, who also appears in the inductee “Spy Kids” from 2001, is one of many Latinos with prominent roles in this year's crop of films.

“Star Trek II: Wrath of Khan” (1982): The second movie in the “Star Trek” franchise featured one of filmdom's great villains in Ricardo Montalban's Khan, and showed that the world of Captain Kirk and Mr. Spock could bring vital thrills to the cinema.

“Common Threads: Stories from the Quilt” (1989): The Oscar-winning documentary on the NAMES Project Aids Memorial Quilt was a landmark telling of the devastation wrought by the disease.

“My Own Private Idaho” (1991): Director Gus Van Sant's film featured perhaps the greatest performance of River Phoenix, a year before the actor's death at age 23.

“American Me” (1992): Edward James Olmos starred and made his film directorial debut in this tale of Chicano gang life in Los Angeles and the brutal prison experience of its main character.

“No Country for Old Men” (2007): Joel and Ethan Coen broke through at the Oscars with their adaptation of Cormac McCarthy's novel, winning best picture, best director and best adapted screenplay, while Javier Bardem won best supporting actor for playing a relentless killer with an unforgettable haircut.