Movie Review: ‘Piece by Piece,’ a Very Odd Lego Doc about Pharrell Williams Snaps Together Somehow

 This image released by Focus Features shows lego characters voiced by Jay-Z, left, and Pharrell Williams, in a scene from "Piece By Piece." (Focus Features via AP)
This image released by Focus Features shows lego characters voiced by Jay-Z, left, and Pharrell Williams, in a scene from "Piece By Piece." (Focus Features via AP)
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Movie Review: ‘Piece by Piece,’ a Very Odd Lego Doc about Pharrell Williams Snaps Together Somehow

 This image released by Focus Features shows lego characters voiced by Jay-Z, left, and Pharrell Williams, in a scene from "Piece By Piece." (Focus Features via AP)
This image released by Focus Features shows lego characters voiced by Jay-Z, left, and Pharrell Williams, in a scene from "Piece By Piece." (Focus Features via AP)

A movie documentary that uses only Lego pieces might seem an unconventional choice. When that documentary is about renowned musician-producer Pharrell Williams, it's actually sort of on-brand.

“Piece by Piece” is a bright, clever song-filled biopic that pretends it's a behind-the-scenes documentary using small plastic bricks, angles and curves to celebrate an artist known for his quirky soul. It is deep and surreal and often adorable. Is it high concept or low? Like Williams, it's a bit of both.

Director Morgan Neville — who has gotten more and more experimental exploring other celebrity lives like Fred Rogers in “Won’t You Be My Neighbor?,” “Roadrunner: A Film About Anthony Bourdain” and “Steve! (Martin): A Documentary in Two Pieces” — this time uses real interviews but masks them under little Lego figurines with animated faces. Call this one a documentary in a million pieces.

The filmmakers try to explain their device — “What if nothing is real? What if life is like a Lego set?” Williams says at the beginning — but it's very tenuous. Just submit and enjoy the ride of a poor kid from Virginia Beach, Virginia, who rose to dominate music and become a creative director at Louis Vuitton.

Williams, by his own admission, is a little detached, a little odd. Music triggers colors in his brain — he has synesthesia, beautifully portrayed here — and it's his forward-looking musical brain that will make him a star, first as part of the producing team The Neptunes and then as an in-demand solo producer and songwriter.

There are highs and lows and then highs again. A verse Williams wrote for “Rump Shaker” by Wreckx-N-Effect when he was making a living selling beats would lead to superstars demanding to work with him and partner Chad Hugo — Kendrick Lamar, Justin Timberlake, Snoop Dogg, Busta Rhymes, Gwen Stefani, Missy Elliott and Jay-Z. All those superstars sit for interviews and have hysterically been depicted as Lego minifigures, right down to No Doubt's Adrian Young's mohawk. (Take my money, Lego.)

We also learn something about his wife, Helen, and his anguish over being a solo artist, an opportunity he spurned when it was his for the taking. Ultimately, we learn to understand his futuristic approach to fashion and music. “What I am is a maverick,” he says. No one will question him on that.

The 3D world the filmmakers have made is astonishing, with waves of clear Lego pieces washing up on a beach made of slats of Lego baseplates and Williams' collection of cool beats depicted as bouncing bricks with lights in them. There's Lego McDonald's nuggets, Lego pretzels, singing Lego fish and a Lego Anna Wintour, chilly and haughty in plastic, too.

Lego, while seemingly a restrictive medium — the hands are clips and everyone's walking is robotic since there are no Lego knees — can also, apparently, in the right hands soar, and here they do, with Williams in one gorgeous dream sequence watching the Earth's lights as a distant astronaut. It is when the filmmakers make Lego appear as water and music that are their crowning achievements.

Music credits are notoriously hard to pin down — Williams claims to have created McDonald's notoriously mysterious jingle “I'm lovin' it” — and the filmmakers try to cover any misinformation with a simple disclaimer in the end credits: “Not everything in this film is 100% accurate. For example, Pharrell never went to space.”

There are also some extraordinary moments that snap by but likely took months to make, like a Lego glimpse of the “I Have A Dream” speech by the Rev. Martin Luther King Jr. at the Lincoln Memorial and protest footage from Black Lives Matter figurines shouting “Don’t shoot!”

The documentary lags a little during Williams' way up and rushes the years on top, although recreations of some of the music videos he fueled are too funny. Why he and Hugo broke up is papered over and the filmmakers struggle to find an ending, making several stutter steps.

“I think we're done,” are the last words we hear as the filmmakers finally give up. But they've left behind a trippy, sweet portrait of a genius, forever in building blocks.



George Harrison's Early Beatles Guitar Could Fetch $800,000 at Auction

George Harrison (R) jokes with Rolling Stones' Ron Wood during a tribute to Bob Dylan at Madison Square Garden in New York in this October 16, 1992 REUTERS/Jeff Christensen JC/MMR/AA/File Photo
George Harrison (R) jokes with Rolling Stones' Ron Wood during a tribute to Bob Dylan at Madison Square Garden in New York in this October 16, 1992 REUTERS/Jeff Christensen JC/MMR/AA/File Photo
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George Harrison's Early Beatles Guitar Could Fetch $800,000 at Auction

George Harrison (R) jokes with Rolling Stones' Ron Wood during a tribute to Bob Dylan at Madison Square Garden in New York in this October 16, 1992 REUTERS/Jeff Christensen JC/MMR/AA/File Photo
George Harrison (R) jokes with Rolling Stones' Ron Wood during a tribute to Bob Dylan at Madison Square Garden in New York in this October 16, 1992 REUTERS/Jeff Christensen JC/MMR/AA/File Photo

An electric guitar played by the late guitarist George Harrison in the early days of the Beatles will go up for sale at an auction next month where it could be sold for more than $800,000.
Bought from a music store in the band's birth city of Liverpool, Harrison played the Futurama guitar in the early 1960s when the band performed at the Cavern Club, toured Germany and made their first official records for Polydor.
The auctioneers say the Futurama guitar, with its sunburst finish, was one of his most played. They call it "one of the holy grails of historic Beatles guitars" and said it is expected to exceed its estimate price tag of $600,000-$800,000.
Harrison said the guitar was "very difficult" to play but he liked what he called its "futuristic" look.
"It had a great sound," he later told a journalist.
In 1964, he donated the instrument to a rock magazine as a competition prize, but it remained with the publication's editor when the winner opted for a cash prize instead of owning a piece of rock and roll history.
The guitar will be on display at The Beatles Story in Liverpool for the next fortnight before being shown at other museums across Europe. It is due to be auctioned from Nov. 20-22 in the United States.