Cate Blanchett Wants You to Laugh at Politics in ‘Rumours’

Cate Blanchett poses for photographers upon arrival at the premiere of the film "Rumours" during the London Film Festival on Sunday, Oct. 13, 2024, in London. (AP)
Cate Blanchett poses for photographers upon arrival at the premiere of the film "Rumours" during the London Film Festival on Sunday, Oct. 13, 2024, in London. (AP)
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Cate Blanchett Wants You to Laugh at Politics in ‘Rumours’

Cate Blanchett poses for photographers upon arrival at the premiere of the film "Rumours" during the London Film Festival on Sunday, Oct. 13, 2024, in London. (AP)
Cate Blanchett poses for photographers upon arrival at the premiere of the film "Rumours" during the London Film Festival on Sunday, Oct. 13, 2024, in London. (AP)

You’d be hard pressed to find an upcoming film weirder than “Rumours.”

The biting commentary on the emptiness of political statements and the performances politicians put on starts off as a straight political satire focusing on the G7 world leaders, but then slips into a world of slow-yet-terrifying zombies; a mysterious, giant brain found in the middle of a forest with unexplained origins; and an AI chatbot bent on entrapment.

It goes from provocative to absurd within a few short scenes, with the G7 leaders no longer the subject of criticism, but the butt of the joke.

And that’s kind of the whole point, according to its star and executive producer, Cate Blanchett.

“We’re all in such a state of heightened anxiety and fear with what’s going on with climate, what’s going on with the global political situation. We feel like we’re on the precipice of a world war and there’s a lot of people in positions of power who seem to be relishing that moment,” Blanchett told The Associated Press.

She plays a fictional chancellor of Germany named Hilda Orlmann, the host of the conference who's more focused on optics than action.

“I think the audience will come to it with a need for some kind of catharsis. And because the film is ridiculous and terrifying ... I think they’ll be able to laugh at the absurdity of the situation we found ourselves in. I think it’s a very generous film in that way,” she said.

The three directors, Guy Maddin and brothers Evan and Galen Johnson, said they wanted the film to feel like it had a “generic wash of political disrespect” and to include some resonant critiques, but they didn’t want viewers to feel like they were leaving a lecture hall as they walked out of the theater.

“I’m preachy enough when I talk to people. I don’t want to make a movie that’s preachy, you know? I just favor movies that aren’t that. That just hit me with a little mystery of ... ‘What are you doing or seeing? What am I experiencing?’” Evan Johnson, who wrote the script, as well as co-directed, said.

As for the more absurd plotlines, Maddin said he and his collaborators share “a compulsion to come up with an original recipe.”

And original it certainly is. In its straightforward opening act, leaders from the Group of 7 meet for their annual summit and try to draft a provisional statement for an unnamed crisis. Then, as the evening goes on and they struggle to string together a couple, meaningful sentences, they find themselves abandoned and subject to attack from “bog people,” or well-preserved mummified bodies from thousands of years ago. Hijinks — and hilarity — ensue from there.

Nikki Amuka-Bird, who plays the fictionalized British Prime Minister Cardosa Dewindt, said that while reading the script, she kept asking herself, “What’s happening?” But the ridiculous plotline — including the apocalyptic invasion of zombie-like “bog people” — was only part of the reason why she took on the project.

“This kind of total courage to genre splice in this way takes away any kind of apprehension or fear you might have about it because their (the directors’) tongues are firmly in their cheeks the whole time,” Amuka-Bird said. “It’s a really imaginative exercise and it’s just fantastic to work with directors who can be that bold and take chances like that.”

The cast is rounded out by a starry ensemble: Roy Dupuis is a melodramatic Canadian prime minister, Charles Dance is an American president with an inexplicable British accent, Denis Ménochet is a paranoid French president and Alicia Vikander makes an appearance as a frenetic leader from the European Commission.

The title of the movie, Blanchett said, is meant to invoke the revered Fleetwood Mac album of the same name, which was made at a time when the bandmembers were reportedly “all sleeping together and bickering and breaking up,” she said.

“What was surprising about it is you think, ‘OK, this is a film about the G7,’ but it’s like a sort of a daytime soap opera with these sort of trysts and liaisons and petty squabbles,” Blanchett said. “It was such an unusual way to look at the mess we’re all in and the leadership that’s led us here.”



Netflix Subscriber Additions Likely Slowed, Growth Strategy in Focus

FILE PHOTO: The Netflix logo is shown on one of their Hollywood buildings in Los Angeles, California, US, July 12, 2023. REUTERS/Mike Blake/File Photo
FILE PHOTO: The Netflix logo is shown on one of their Hollywood buildings in Los Angeles, California, US, July 12, 2023. REUTERS/Mike Blake/File Photo
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Netflix Subscriber Additions Likely Slowed, Growth Strategy in Focus

FILE PHOTO: The Netflix logo is shown on one of their Hollywood buildings in Los Angeles, California, US, July 12, 2023. REUTERS/Mike Blake/File Photo
FILE PHOTO: The Netflix logo is shown on one of their Hollywood buildings in Los Angeles, California, US, July 12, 2023. REUTERS/Mike Blake/File Photo

Netflix could report its slowest subscriber additions in six quarters on Thursday as gains from a password-sharing crackdown ease, with investors looking for signs its nascent ad revenue business is accelerating.
The streaming giant likely added 4 million subscribers in the July-September period, according to analysts' estimates compiled by LSEG. Netflix originals such as "The Accident" and "The Perfect Couple" were among the top streamed titles in the US during the quarter, Nielsen data showed, according to Reuters.
As the pace of sign-ups slows, Netflix is trying to shift investor attention towards other performance measures including revenue growth and margins. It will stop reporting subscriber data from 2025.
"Their focus is to continue to grow subscribers at a healthy clip while also leveraging their scale, ability to raise prices and increase advertising dollars," said Pivotal Research analyst Jeff Wlodarczak.
The company's ad-supported plan has been growing but Netflix does not offer details on the tier's financial performance and does not expect it to become a primary driver of growth until 2026.
This has raised some concerns about its growth trajectory.
"They're making less than a billion dollars a year in the US on advertising, saying that doesn't make them look good," eMarketer television and streaming analyst Ross Benes said.
Some analysts have said the company needs to raise prices and phase out more of its ad free plans to nudge customers towards the tier with commercials as it usually brings in more revenue per user.
The company said in July last year it would stop offering the $9.99 a month basic plan without commercials to new users in the US and the UK, and phase it out for existing subscribers.
Netflix charges $6.99 per month in the US for the ad tier, while its standard plan without commercials is priced at $15.49 a month.
It has not raised the price of its standard plan since early 2022, while its ad-supported tier has been priced the same since its launch in late 2022.
The company, which operates in more than 190 countries, is expected to report ad revenue of $242.7 million in the third quarter, according to the average of estimates from three analysts compiled by LSEG. Overall revenue is expected to grow 14.3%, a slightly slower pace than the previous three months, to $9.76 billion.
To attract more advertisers, the streamer is focusing on live events including sports. Netflix will air the highly anticipated Jake Paul vs. Mike Tyson boxing fight in November, followed by its first NFL games in December.
The second season of hit South Korean drama series "Squid Game,” expected to release in December, could help the company draw subscribers in the last quarter of the year.
Netflix stock has risen 12.4% since it reported second-quarter results in July, compared with a 5% rise in the S&P 500 index.