Cate Blanchett Wants You to Laugh at Politics in ‘Rumours’

Cate Blanchett poses for photographers upon arrival at the premiere of the film "Rumours" during the London Film Festival on Sunday, Oct. 13, 2024, in London. (AP)
Cate Blanchett poses for photographers upon arrival at the premiere of the film "Rumours" during the London Film Festival on Sunday, Oct. 13, 2024, in London. (AP)
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Cate Blanchett Wants You to Laugh at Politics in ‘Rumours’

Cate Blanchett poses for photographers upon arrival at the premiere of the film "Rumours" during the London Film Festival on Sunday, Oct. 13, 2024, in London. (AP)
Cate Blanchett poses for photographers upon arrival at the premiere of the film "Rumours" during the London Film Festival on Sunday, Oct. 13, 2024, in London. (AP)

You’d be hard pressed to find an upcoming film weirder than “Rumours.”

The biting commentary on the emptiness of political statements and the performances politicians put on starts off as a straight political satire focusing on the G7 world leaders, but then slips into a world of slow-yet-terrifying zombies; a mysterious, giant brain found in the middle of a forest with unexplained origins; and an AI chatbot bent on entrapment.

It goes from provocative to absurd within a few short scenes, with the G7 leaders no longer the subject of criticism, but the butt of the joke.

And that’s kind of the whole point, according to its star and executive producer, Cate Blanchett.

“We’re all in such a state of heightened anxiety and fear with what’s going on with climate, what’s going on with the global political situation. We feel like we’re on the precipice of a world war and there’s a lot of people in positions of power who seem to be relishing that moment,” Blanchett told The Associated Press.

She plays a fictional chancellor of Germany named Hilda Orlmann, the host of the conference who's more focused on optics than action.

“I think the audience will come to it with a need for some kind of catharsis. And because the film is ridiculous and terrifying ... I think they’ll be able to laugh at the absurdity of the situation we found ourselves in. I think it’s a very generous film in that way,” she said.

The three directors, Guy Maddin and brothers Evan and Galen Johnson, said they wanted the film to feel like it had a “generic wash of political disrespect” and to include some resonant critiques, but they didn’t want viewers to feel like they were leaving a lecture hall as they walked out of the theater.

“I’m preachy enough when I talk to people. I don’t want to make a movie that’s preachy, you know? I just favor movies that aren’t that. That just hit me with a little mystery of ... ‘What are you doing or seeing? What am I experiencing?’” Evan Johnson, who wrote the script, as well as co-directed, said.

As for the more absurd plotlines, Maddin said he and his collaborators share “a compulsion to come up with an original recipe.”

And original it certainly is. In its straightforward opening act, leaders from the Group of 7 meet for their annual summit and try to draft a provisional statement for an unnamed crisis. Then, as the evening goes on and they struggle to string together a couple, meaningful sentences, they find themselves abandoned and subject to attack from “bog people,” or well-preserved mummified bodies from thousands of years ago. Hijinks — and hilarity — ensue from there.

Nikki Amuka-Bird, who plays the fictionalized British Prime Minister Cardosa Dewindt, said that while reading the script, she kept asking herself, “What’s happening?” But the ridiculous plotline — including the apocalyptic invasion of zombie-like “bog people” — was only part of the reason why she took on the project.

“This kind of total courage to genre splice in this way takes away any kind of apprehension or fear you might have about it because their (the directors’) tongues are firmly in their cheeks the whole time,” Amuka-Bird said. “It’s a really imaginative exercise and it’s just fantastic to work with directors who can be that bold and take chances like that.”

The cast is rounded out by a starry ensemble: Roy Dupuis is a melodramatic Canadian prime minister, Charles Dance is an American president with an inexplicable British accent, Denis Ménochet is a paranoid French president and Alicia Vikander makes an appearance as a frenetic leader from the European Commission.

The title of the movie, Blanchett said, is meant to invoke the revered Fleetwood Mac album of the same name, which was made at a time when the bandmembers were reportedly “all sleeping together and bickering and breaking up,” she said.

“What was surprising about it is you think, ‘OK, this is a film about the G7,’ but it’s like a sort of a daytime soap opera with these sort of trysts and liaisons and petty squabbles,” Blanchett said. “It was such an unusual way to look at the mess we’re all in and the leadership that’s led us here.”



Ariana Grande Hosts 'SNL' for the First Time since the Last Female Presidential Nominee

Ariana Grande. (Reuters)
Ariana Grande. (Reuters)
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Ariana Grande Hosts 'SNL' for the First Time since the Last Female Presidential Nominee

Ariana Grande. (Reuters)
Ariana Grande. (Reuters)

Ariana Grande took the New York 30 Rock stage at “Saturday Night Live” for the third time as host and found herself in familiar circumstances.
“The last time I hosted was in 2016, and we were right on the verge of electing our first female president,” the 31-year-old singer and actor said in her monologue. “So, I guess, second time’s the charm?"
Grande, who first hosted in 2014, was doing it for the first time without also serving as musical guest — a role that fell to Stevie Nicks — and promised not to sing, before breaking into a song, The Associated Press said.
The theme continued as she vowed during the tune not to do her signature impressions of Britney Spears, Miley Cyrus and Gwen Stefani, before throwing out a bit of each. She would do a much longer version of Celine Dion in a sketch later in the show.
Grande hosted in promotion of her movie musical “Wicked,” the “Wizard of Oz” prequel set to be released next month.
She said playing the good witch Glinda as she does in the film is the dream of every theater kid like her, after “losing their virginity.”
Grande's episode comes amid a ratings spike for the sketch institution, likely brought on by its 50th season, and election season. Last month's season premiere brought in the most viewers since 2020.
Just as in the first two episodes of the new season, Maya Rudolph played Vice President Kamala Harris in the night's cold open, leading a group of former cast members returning as guest stars, including Andy Samberg as Harris' husband Doug Emhoff and Dana Carvey as President Joe Biden.
They teamed up for an election edition of “The Family Feud," taking on team Trump.
Kenan Thompson, the longest-tenured cast member in the show's history who began in 2003, reprised his long-running role as “Feud” host Steve Harvey and asked Rudolph-as-Harris about her recent media blitz.
“It’s been a hell of a week," she said. "I went on Howard Stern to reach the horny cab drivers, I went on ‘The View’ for the horny moms, and I also went on the podcast ‘Call Her Daddy’ because I have a message for young women: You need to go to the ballot box if you want the government out of your ballot box.”
Current cast member James Austin Johnson returned as Donald Trump, saying his opponent is "going to be horrible at this game. She’s a very low IQ person. The whole world is laughing at her because they don’t respect her.”
The 76-year-old Nicks was the “SNL” musical guest for the first time in more than 40 years. She opened with her brand new single, “The Lighthouse,” but the look of the performance was classic Stevie, with an abundance of rings and scarves and the singer draped in black. For her second song, she reached back with “Edge of Seventeen” from 1981.
Michael Keaton is set to host next week with musical guest Billie Eilish. John Mulaney and Chappell Roan are set for the following Saturday.
The onset of season 50 already has brought reflection and nostalgia in many forms, including “Saturday Night,” a movie comedy dramatizing the minutes before the first episode of the Lorne Michaels-helmed sketch institution on Oct. 11, 1975.
A three-hour primetime special on Feb. 16 is set to serve as the official 50th season celebration.