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Spielberg, Spike Lee and Queen Latifah among Standouts in US Arts and Humanities Honored by Biden

First lady Jill Biden speaks as President Joe Biden listen during a National Arts and Humanities Reception in the East Room at the White House in Washington, Monday, Oct. 21, 2024. (AP Photo/Mark Schiefelbein)
First lady Jill Biden speaks as President Joe Biden listen during a National Arts and Humanities Reception in the East Room at the White House in Washington, Monday, Oct. 21, 2024. (AP Photo/Mark Schiefelbein)
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Spielberg, Spike Lee and Queen Latifah among Standouts in US Arts and Humanities Honored by Biden

First lady Jill Biden speaks as President Joe Biden listen during a National Arts and Humanities Reception in the East Room at the White House in Washington, Monday, Oct. 21, 2024. (AP Photo/Mark Schiefelbein)
First lady Jill Biden speaks as President Joe Biden listen during a National Arts and Humanities Reception in the East Room at the White House in Washington, Monday, Oct. 21, 2024. (AP Photo/Mark Schiefelbein)

President Joe Biden on Monday honored acclaimed filmmakers, singers, writers and others who have made their mark on American culture, awarding the prestigious National Medals of Arts and National Humanities Medals to 39 recipients.
Filmmakers Steven Spielberg, Spike Lee and Ken Burns and singers Missy Elliott and Queen Latifah were among 20 recipients of National Medals of Arts, while the 19 recipients of National Humanities Medals included playwright-screenwriter Aaron Sorkin and historian Jon Meacham, The Associated Press said.
Three of the medals were awarded posthumously: The late singer Selena Quintanilla and artist Ruth Asawa are arts medal winners and the late chef-author Anthony Bourdain was among the humanities medal winners.
“Above all, you are the masters of your craft that have made us a better America with all of you have done,” Biden said at the White House ceremony.
Biden took a brief detour in his remarks to give a shout-out to Vice President Kamala Harris’ run for the White House.
“I know the power of the women in this room to get things done” and boost the next generation, he said, adding that the female winners were “proving a woman can do anything a man can do, and then some, that includes being president of the United States of America.”
The line drew a standing ovation.
Biden also told the winners that the moment was a “very consequential time in the arts and humanities in America” because “extreme forces are banning books, trying to erase history, spreading misinformation.”
The arts medals are managed by the National Endowment for the Arts, and the humanities medals by the National Endowment for the Humanities.
Actors Idina Menzel and Eva Longoria, producer Bruce Cohen and musicians Leonardo “Flaco” Jimenez and Herbert I. Ohta also received arts medals, along with photographers Randy A. Batista and Clyde Butcher, artists Carrie Mae Weems, Alex Katz and Mark Bradford, arts leaders Jo Carole Lauder and Bruce Sagan and the Country Music Hall of Fame and Museum.
The arts medals are given “to individuals or groups who are deserving of special recognition by reason of their outstanding contributions to the excellence, growth, support and availability of the arts in the United States.”
Other humanities winners included former US poet laureate Joy Harjo, actor-literacy advocate LeVar Burton, cartoonist Roz Chast and philanthropists Wallis Annenberg and Darren Walker. The humanities medals honor “an individual or organization whose work has deepened the nation’s understanding of the human experience, broadened citizens’ engagement with history or literature, or helped preserve and expand Americans’ access to cultural resources.”
Humanities medalists ranged from such cultural institutions as the Mellon Foundation and Appalshop to educators Robin Harris, Robert Martin and Ruth J. Simmons to scholars Pauline Yu, Nicolás Kanellos and Robin Wall Kimmerer. Writer Juan Felipe Herrera, filmmaker Dawn Porter and anthropologist Rosita Worl also were honored.

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Tim Burton Talks about His Dread of AI as an Exhibition of His Work Opens in London

A member of staff poses at The World of Tim Burton exhibition at the Design Museum, in London, Monday, Oct. 21, 2024. (AP)
A member of staff poses at The World of Tim Burton exhibition at the Design Museum, in London, Monday, Oct. 21, 2024. (AP)
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Tim Burton Talks about His Dread of AI as an Exhibition of His Work Opens in London

A member of staff poses at The World of Tim Burton exhibition at the Design Museum, in London, Monday, Oct. 21, 2024. (AP)
A member of staff poses at The World of Tim Burton exhibition at the Design Museum, in London, Monday, Oct. 21, 2024. (AP)

The imagination of Tim Burton has produced ghosts and ghouls, Martians, monsters and misfits – all on display at an exhibition that is opening in London just in time for Halloween.

But you know what really scares him? Artificial intelligence.

Burton said Wednesday that seeing a website that had used AI to blend his drawings with Disney characters “really disturbed me.”

“It wasn’t an intellectual thought — it was just an internal, visceral feeling,” Burton told reporters during a preview of “The World of Tim Burton” exhibition at London’s Design Museum. “I looked at those things and I thought, ‘Some of these are pretty good.’ ... (But) it gave me a weird sort of scary feeling inside.”

Burton said he thinks AI is unstoppable, because “once you can do it, people will do it.” But he scoffed when asked if he’d use the technology in this work.

“To take over the world?” he laughed.

The exhibition reveals Burton to be an analogue artist, who started off as a child in the 1960s experimenting with paints and colored pencils in his suburban Californian home.

“I wasn’t, early on, a very verbal person,” Burton said. “Drawing was a way of expressing myself.”

Decades later, after films including “Edward Scissorhands,” “Batman,” “The Nightmare Before Christmas” and “Beetlejuice,” his ideas still begin with drawing. The exhibition includes 600 items from movie studio collections and Burton's personal archive, and traces those ideas as they advance from sketches through collaboration with set, production and costume designers on the way to the big screen.

London is the exhibition’s final stop on a decade-long tour of 14 cities in 11 countries. It has been reconfigured and expanded with 90 new objects for its run in the British capital, where Burton has lived for a quarter century.

The show includes early drawings and oddities, including a competition-winning “crush litter” sign a teenage Burton designed for Burbank garbage trucks. There’s also a recreation of Burton’s studio, down to the trays of paints and “Curse of Frankenstein” mug full of pencils.

Alongside hundreds of drawings, there are props, puppets, set designs and iconic costumes, including Johnny Depp’s “Edward Scissorhands” talons and the black latex Catwoman costume worn by Michelle Pfeiffer in “Batman.”

“We had very generous access to Tim’s archive in London, stuffed full of thousands of drawings, storyboards from stop-motion films, sketches, character notes, poems,” said exhibition curator Maria McLintock. “And how to synthesize such a wide ranging and meandering career within one exhibition was a fun challenge — but definitely a challenge.”

Seeing it has not been a wholly fun experience for Burton, who said he’s unable to look too closely at the items on display.

“It’s like seeing your dirty laundry put on the walls,” he said. “It’s quite amazing. It’s a bit overwhelming.”

Burton, whose long-awaited horror-comedy sequel “Beetlejuice Beetlejuice” opened at the Venice Film Festival in August, is currently filming the second series of Netflix’ Addams Family-themed series “Wednesday.”

These days he is a major Hollywood director whose American gothic style has spawned an adjective – “Burtoneqsue.” But he still feels like an outsider.

“Once you feel that way, it never leaves you,” he said.

“Each film I did was a struggle,” he added, noting that early films like “Pee-wee’s Big Adventure” from 1985 and “Beetlejuice” in 1988 received some negative reviews. “It seems like it was a pleasant, fine, easy journey, but each one leaves its emotional scars.”

McLintock said Burton “is a deeply emotional filmmaker."

“I think that’s what drew me to his films as a child,” she said. "He really celebrates the misunderstood outcast, the benevolent monster. So it’s been quite a weird but fun experience spending so much time in his brain and his creative process.

“His films are often called dark,” she added. “I don’t agree with that. And if they are dark, there’s a very much a kind of hope in the darkness. You always want to hang out in the darkness in his films.”