Jeff Beck Was One of Rock's Greatest Guitarists. Now His Instruments are Up For Auction

Britain Jeff Beck Auction (AP 2011)
Britain Jeff Beck Auction (AP 2011)
TT

Jeff Beck Was One of Rock's Greatest Guitarists. Now His Instruments are Up For Auction

Britain Jeff Beck Auction (AP 2011)
Britain Jeff Beck Auction (AP 2011)

Musicians, collectors and fans have a chance to own guitar tools of the trade — instruments owned by the late Jeff Beck are going up for auction.
Christie’s announced Friday it will sell more than 130 items, including 90 guitars, from the collection of the Yardbirds and Jeff Beck Group guitarist, who died in January 2023 at age 78, The Associated Press said.
Valued at more than 1 million pounds ($1.3 million), the collection includes an oxblood 1954 Gibson Les Paul that Beck bought in Memphis in 1972 and played for the rest of the decade. The guitar, which is featured on the cover of Beck’s Grammy-winning 1975 jazz-fusion album “Blow by Blow,” is expected to sell for between 350,000 pounds and 500,000 pounds ($450,000 and $640,000).
Amelia Walker, head of Private and Iconic Collections at Christie's, called it “a really beautiful instrument, covered in grime and dust and signs of use.”
“I think it’s part of the appeal,” she said. “These are things that he used. They’ve got the indents of his fingernails on the fret boards. Some of them, the strings haven’t been changed for years. He played them hard. He didn’t see them as precious works of art -– they were his tools to ply his trade with.”
Beck came to prominence in the 1960s with hard-rock progenitors the Yardbirds and went on to a solo career that incorporated rock, jazz, blues and even opera. Twice inducted into the Rock and Roll Hall of Fame — with the Yardbirds and as a solo artist -– he played with everyone from Rod Stewart to Davie Bowie, Stevie Wonder and Tina Turner, and was known for his improvisational skill and the unique sound he got from the whammy bar on his preferred guitar, the Fender Stratocaster.
“He had an unparalleled ability to bend entire tones” on the Strat, Walker said. The sale includes Beck’s 1954 Sunburst Fender Stratocaster, valued at between 50,000 pounds and 80,000 pounds ($65,000 and $100,000), and a white Strat that was his staple instrument for 16 years, played everywhere from Ronnie Scott’s jazz club to the Obama White House. It has an estimated value between 20,000 pounds and 30,000 pounds ($26,000 and $39,000).
One of a group of 1960s guitar heroes that included Eric Clapton, Jimmy Page and Jimi Hendrix, Beck was revered by many peers as “the ultimate maestro,” Walker said.
As well as Beck’s beloved Strats, the sale features other models including a Telecaster-Gibson hybrid “Tele-Gib” valued at between 100,000 pounds and 150,000 pounds ($130,000 and $190,000).
“It didn’t really matter what he was playing, he’d always sound like Jeff Beck,” Walker said. “It didn’t matter what the amp was turned to or which guitar, he could still pick it up and make it sound incredible. It’s all in the fingers, and in his brain.”
The sale follows Christie's auction of some of Dire Straits’ guitarist Mark Knopfler’s collection, which raised more than 8.8 million pounds ($11.2 million) earlier this year, and memorabilia from model, artist and 1960s musicians’ muse Pattie Boyd, which sold for 2.8 million pounds ($3.6 million) in March.
Beck’s widow, Sandra Beck, said it was a “massive wrench” to part with the collection, but that “I know Jeff wanted for me to share this love.”
“After some hard thinking I decided they need to be shared, played and loved again,” she said.
A selection of the guitars will go on display at Christie's Los Angeles showroom Dec. 4-6, and the whole collection will be at Christie’s in London from Jan. 15 until the sale on Jan. 22.



Film's 'Search for Palestine' Takes Center Stage at Cairo Festival

Palestinian director Rashid Masharawi (2nd R) presented his film 'Passing Dreams' at the Cairo International Film Festival this week. Khaled DESOUKI / AFP
Palestinian director Rashid Masharawi (2nd R) presented his film 'Passing Dreams' at the Cairo International Film Festival this week. Khaled DESOUKI / AFP
TT

Film's 'Search for Palestine' Takes Center Stage at Cairo Festival

Palestinian director Rashid Masharawi (2nd R) presented his film 'Passing Dreams' at the Cairo International Film Festival this week. Khaled DESOUKI / AFP
Palestinian director Rashid Masharawi (2nd R) presented his film 'Passing Dreams' at the Cairo International Film Festival this week. Khaled DESOUKI / AFP

The tale of a distinctly Palestinian road trip -- through refugee camps and Israeli checkpoints -- takes center stage in director Rashid Masharawi's latest film, which debuted at this year's Cairo International Film Festival.
"It's a search for home, a search for Palestine, for ourselves," Masharawi told AFP a day after Wednesday's world premiere of his new film "Passing Dreams".
It kicked off the Middle East's oldest film festival, which opened with a traditional dabkeh dance performance by a troupe from the war-torn Gaza Strip.
Masharawi's film follows Sami, a 12-year-old boy, and his uncle and cousin on a quest to find his beloved pet pigeon, which has flown away from their home in a refugee camp in the occupied West Bank.
Told that pigeons always return to their birthplace, the family attempts to "follow the bird home" -- driving a small red camper van from Qalandia camp and Bethlehem in the occupied West Bank to the Old City of Jerusalem and the Israeli city of Haifa.

Their odyssey, Masharawi says, becomes a "deeply symbolic journey" that represents an inversion of the family's original displacement from Haifa during the 1948 war that led to the creation of the State of Israel -- a period Palestinians refer to as the Nakba, or "catastrophe".
"It's no coincidence we're in places that have a deep significance to Palestinian history," the director said, speaking to AFP after a more intimate second screening on Thursday.
'From Ground Zero'
The bittersweet tale is a far cry from Masharawi's other project featured at the Cairo film festival: "From Ground Zero".
The anthology, supervised by the veteran director, showcases 22 shorts by filmmakers in Gaza, shot against the backdrop of war.
For that project, Masharawi -- who was the first Palestinian director officially selected for the Cannes Film Festival for his film "Haifa" in 1996 -- "wanted to act as a bridge between global audiences" and filmmakers on the ground.
In April, he told AFP the anthology intended to expose "the lie of self-defence", which he said was Israel's justification for its devastating military campaign in Gaza.
The war broke out following Palestinian militant group Hamas's October 7, 2023 attack on southern Israel, which resulted in 1,206 deaths, according to an AFP tally of official Israeli figures.
Israel has since killed more than 43,700 people in the Gaza Strip, according to the Hamas-controlled territory's health ministry.
"As filmmakers, we must document this through the language of cinema," Masharawi said, adding that filmmaking "defends our land far better than any military or political speeches".
Smuggled onto set
Speaking to an enthralled audience, the 62-year-old director -- donning his signature fedora -- called for change in Palestinian filmmaking.
"Our cinema can't always only be a reaction to Israeli actions," he said.
"It must be the action itself."
A self-taught director born in a Gaza refugee camp before moving to Ramallah, Masharawi is intimately familiar with the "obstacles to filmmaking under occupation" -- including "separation walls, barriers, who's allowed to go where".
Like the family in the film, "you never know if authorities will let you get to your location", he said, especially since Masharawi refuses "on principle" to seek permits from Israeli authorities.
Instead, his crew often resorts to makeshift schemes -- including "smuggling in" actors from the West Bank who do not have permission to visit Israeli-annexed east Jerusalem.
"If you ask (Israeli authorities) for permission to shoot in Jerusalem, you're giving them legitimacy that Jerusalem is theirs," he said Thursday to raucous applause from audience members, many of them draped in Palestinian keffiyehs.
Organizers canceled the Cairo film festival last year after calls for the suspension of artistic and cultural activities across the Arab world in solidarity with Palestinians.
But this week, keffiyehs have dotted the red carpet, while audience members wore pins bearing the Palestinian flag and the map of historic Palestine.
Festival president Hussein Fahmy voiced solidarity "with our brothers in Gaza and Lebanon", where Israel's bombing campaign and ground offensive have killed 3,360 people.
Pride of place, Fahmy said, has been given to Palestinian cinema, with a handful of films showing during the festival and a competition to crown a winner among the 22 filmmakers in "From Ground Zero".