Whoopi Goldberg Plays the Baddie Onstage in ‘Annie’ This Holiday Season in New York

Whoopi Goldberg attends an event, July 20, 2024, in Los Angeles. (AP)
Whoopi Goldberg attends an event, July 20, 2024, in Los Angeles. (AP)
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Whoopi Goldberg Plays the Baddie Onstage in ‘Annie’ This Holiday Season in New York

Whoopi Goldberg attends an event, July 20, 2024, in Los Angeles. (AP)
Whoopi Goldberg attends an event, July 20, 2024, in Los Angeles. (AP)

Whoopi Goldberg is about to break two ironclad rules of show business — never work with animals or children.

The actor and TV host is slipping into the terrifying role of Miss Hannigan when the latest touring production of "Annie" lands in New York City for the holidays.

"I’m having the time of my life," the EGOT-winning Goldberg says between rehearsals as she readies to tell the tale of a spunky young orphan with her dog Sandy set during the Depression.

"I thought, ‘Who can we cast in that iconic role that would be right artistically and right for a large venue and right for an audience?’ And it just felt like she was the right person," says Carolyn Rossi Copeland, who is producing the new tour.

Goldberg will help lead the show at The Theater at Madison Square Garden from Dec. 11-Jan. 5. The tour has a deep connection to the first version of the hit show: It is being directed by Jenn Thompson, who at the age of 10 stepped into the role of Pepper in the original Broadway production.

"It’s been a really beautiful journey. I have a lot of ghosts I got to exorcise and revisit and reclaim," says Thompson, who for the new show has chipped away at the layers of productions and charted a course back to the original production.

"It had changed a lot over the years. It had gone through many revisions and alterations and it wasn’t even a conscious mission when I started but that’s where we ended up — kind of back at the beginning."

Goldberg laughs when she says she signed on before realizing how much was going to be required of her. "I’m rusty. I’m old," says the "The View" co-host.

"I got in the middle of it and I thought, maybe this is more than I can handle. And then a little voice said, ‘Really? You know, if you said this is more than I can handle to anyone, they would laugh you off the stage because it’s not.’ It’s exactly what I can handle."

Hannigan is a gin-swilling orphanage head who calls her charges "brats," denies them hot mush and threatens "your days are numbered." She has two great songs — "Easy Street" and "Little Girls."

The musical contains musical gems like "Tomorrow" and "It’s the Hard Knock Life." Martin Charnin’s lyrics, which earned him and songwriter Charles Strouse a Tony for best score in 1977, are playful and moving: "You’re never fully dressed/without a smile" and "No one cares for you a smidge/when you’re in an orphanage."

"I love the dark side of it," says Thompson. "There’s a lot of joy and there’s a lot of rage and they are in conversation with each other. And it’s what makes it a great musical in my mind."

"Annie" has been adapted many times for the screen, including a 1982 film version, another in 1999 and one in 2014 starring Quvenzhané Wallis, and a live TV version in 2021 on NBC with Harry Connick Jr. and Taraji P. Henson.

The tour after the new year will head to Maryland, Alabama, Illinois, Connecticut, Florida, Indiana, California, Washington, Pennsylvania, Georgia, Nebraska, Colorado, Texas and Wisconsin.

The musical was born in the wake of the Vietnam War and the Nixon administration and the creators have said they were seeking to offer some hope. "I think it is a story about survival and choosing the light when you are in the dark," says Thompson.

The musical first premiered on Broadway in 1977 and was revived in 1997 and 2012. The 1977 original show won the Tony Award as best musical and ran for 2,300 performances, inspiring tours and revivals that never went out of style. It last played New York on Broadway in 2012-14.

"The original show was just endowed with so much hope and optimism and the comedy in it was honest," says Copeland. "It’s really back to its roots. There’s no gags and gimmicks."

Others who have played Hannigan include Carol Burnett, Kathy Bates, Dorothy Loudon, Nell Carter, Katie Finneran, Jane Lynch and Henson. Goldberg says she's stayed away from watching any versions "so I wouldn’t copy other people."

Goldberg has a long history with New York theater, producing such shows as "Sister Act,Xanadu" and "Thoroughly Modern Millie," as well as performing in "Ma Rainey’s Black Bottom" and "A Funny Thing Happened on the Way to the Forum."

"I don’t sound like Cynthia Erivo," she says. "I don’t sound like Nicole Scherzinger. I don’t sound like anybody. I don’t sound like Audra McDonald. I just sound like me. And for ‘Annie,’ it’s the right sound."



‘Kraven the Hunter’ Flops while ‘Moana 2’ Tops Box Office Again

This image released by Disney shows the character Moana, voiced by Auli'i Cravalho, in a scene from "Moana 2." (Disney via AP)
This image released by Disney shows the character Moana, voiced by Auli'i Cravalho, in a scene from "Moana 2." (Disney via AP)
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‘Kraven the Hunter’ Flops while ‘Moana 2’ Tops Box Office Again

This image released by Disney shows the character Moana, voiced by Auli'i Cravalho, in a scene from "Moana 2." (Disney via AP)
This image released by Disney shows the character Moana, voiced by Auli'i Cravalho, in a scene from "Moana 2." (Disney via AP)

The Spider-Man spinoff “Kraven the Hunter” got off to a disastrous start in North American theaters this weekend.
The movie starring Aaron Taylor-Johnson earned only $11 million, according to studio estimates Sunday, making it one of the worst openings for a Marvel-adjacent property. Its box office take was even less than the film “Madame Web,” The Associated Press reported.
The weekend's other major studio release was Warner Bros.’ animated “The Lord of the Rings: The War of the Rohirrim,” which made $4.6 million. Made for about $30 million, the movie is set 183 years before the events of “The Lord of the Rings” films and was fast-tracked to ensure New Line did not lose the rights to Tolkien’s novels. Peter Jackson, Fran Walsh and Philippa Boyens have been working on future live-action films for the franchise.
Meanwhile, the top of the charts again belonged to “Moana 2" and “Wicked.”
“Moana” added $26.6 million to its domestic total in its third weekend and $57.2 million internationally, bringing its global tally to $717 million. It's now the fourth highest grossing film of the year, surpassing “Dune: Part Two."
“Wicked,” which is in its fourth weekend, brought in another $22.5 million to take second place. The Universal musical has made over $359 million domestically and over $500 million worldwide.
“Gladiator II” also made $7.8 million, bringing its domestic total to $145.9 million in four weeks.
“Kraven the Hunter” is the latest misfire from Sony in its attempt to mine the Spider-Man universe for spin-off franchises without the lucrative web slinger himself. “Kraven” joins “Madame Web” and “Morbius” in franchise additions that fell flat with both audiences and critics. The one exception on this rollercoaster journey has been the “Venom” trilogy, which has made over $1.8 billion worldwide.
The R-rated “Kraven the Hunter” was directed by J.C. Chandor and faced a number of delays, partly due to the Hollywood strikes. It was shot nearly three years ago and originally slated to hit theaters in January 2023. The film cost a reported $110 million to produce and was co-financed by TSG. Internationally, it made $15 million, but its potential for longevity appears limited: It currently carries a 15% “fresh” rating on Rotten Tomatoes and got a C grade on CinemaScore from opening weekend audiences.
“It’s not always a guarantee that you’ll be able to connect with audiences when you have a spinoff character," said Paul Dergarabedian, the senior media analyst for Comscore. “General audiences seem to want to know exactly what they’re getting.”
Several awards contenders opened in limited release over the weekend, including Paramount’s “September 5” about ABC's coverage of the Munich Olympics hostage crisis. Amazon MGM and Orion's “Nickel Boys,” based on Colson Whitehead’s Pulitzer-winner about an abusive reform school in Florida, opened in two theaters in New York. It averaged $30,422 per screen and will be expanding to Los Angeles before going nationwide in the coming weeks.
The box office has seen a dramatic recovery since June, when it was down nearly 28% from the previous year. The deficit now stands at 4.8%.
Final domestic figures will be released Monday.