Way up High: Dorothy’s Ruby Slippers Fetch Record $32.5 Mn

The ruby slippers worn by US actress and singer Judy Garland in the 1939 film “The Wizard of Oz” are pictured on display in London on November 27, 2024. (AFP)
The ruby slippers worn by US actress and singer Judy Garland in the 1939 film “The Wizard of Oz” are pictured on display in London on November 27, 2024. (AFP)
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Way up High: Dorothy’s Ruby Slippers Fetch Record $32.5 Mn

The ruby slippers worn by US actress and singer Judy Garland in the 1939 film “The Wizard of Oz” are pictured on display in London on November 27, 2024. (AFP)
The ruby slippers worn by US actress and singer Judy Garland in the 1939 film “The Wizard of Oz” are pictured on display in London on November 27, 2024. (AFP)

Ruby slippers worn by actor Judy Garland in "The Wizard of Oz" went under the hammer Saturday, and the winning price was over the rainbow -- a record $32.5 million, the auction house said.

The shimmery shoes, among the most famous pairs of footwear ever, soared past the pre-auction estimate of $3 million within moments and by the time the bidding war was complete they had become the most valuable movie memorabilia ever sold at auction, according to Heritage Auctions which oversaw the dramatic sale in Dallas, Texas.

The final bid was $28 million, with taxes and fees pushing the cost to $32.5 million, Heritage Auctions said.

The entire haul for the Hollywood/Entertainment Signature Auction, which also featured the sale of the Wicked Witch's black hat for $2.9 million, set a new record of $38.6 million for an entertainment auction.

But it was the sequin-covered pumps -- one of four surviving ruby pairs worn in the 1939 cult classic -- that stole the show in Texas, as expected.

"There is simply no comparison between Judy Garland's Ruby Slippers and any other piece of Hollywood memorabilia," Heritage Auctions Executive Vice President Joe Maddalena said in a statement.

"The breathtaking result reflects just how important movies and movie memorabilia are to our culture and to collectors."

- Stolen slippers -

The shoes that sold on Saturday have a storied history. They were not just the ones on Dorothy when she began her adventure in Oz, or when she clicked her heels to go home to Kansas: they were stolen nearly 20 years ago.

The shoes, created by MGM Studios chief costume designer at the time, Gilbert Adrian, had belonged to a collector since 1970. They were kept in the Judy Garland Museum in her hometown of Grand Rapids, Minnesota, until they mysteriously disappeared in 2005.

Despite a six-figure reward and the involvement of the FBI, it was not until 2018 that they were finally tracked down.

The perpetrator of the theft, Terry Martin, admitted taking them and said he did so because he believed they were encrusted with real rubies.

Heritage Auctions said the 77-year-old Martin, who confessed in court documents last year to stealing the ruby slippers, had wanted to pull off "one last score." He was given a suspended prison sentence in January.

One pair of ruby slippers was sold in 2012 to Hollywood legends Steven Spielberg and Leonardo DiCaprio, who donated them to the Academy Museum of Motion Pictures in Los Angeles.

Another resides at the Smithsonian's National Museum of American History, in Washington, while the fourth pair sold in 2000 for $666,000.

Other memorabilia from "The Wizard of Oz" was also on sale, including Garland's wigs, film posters and photographs, as well as other items such as a wooden game board from "Jumanji" starring Robin Williams.



André 3000's Alt-Jazz, ‘No Bars’ Solo Album Stunned Fans. Now, It’s up for Grammys

André Benjamin, also known as Andre 3000, arrives at the 30th Film Independent Spirit Awards in Santa Monica, Calif., on Feb. 21, 2015. (AP)
André Benjamin, also known as Andre 3000, arrives at the 30th Film Independent Spirit Awards in Santa Monica, Calif., on Feb. 21, 2015. (AP)
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André 3000's Alt-Jazz, ‘No Bars’ Solo Album Stunned Fans. Now, It’s up for Grammys

André Benjamin, also known as Andre 3000, arrives at the 30th Film Independent Spirit Awards in Santa Monica, Calif., on Feb. 21, 2015. (AP)
André Benjamin, also known as Andre 3000, arrives at the 30th Film Independent Spirit Awards in Santa Monica, Calif., on Feb. 21, 2015. (AP)

No one was expecting it. Late last year, André 3000 released his debut solo album, "New Blue Sun," 18 years after his legendary rap group Outkast's last studio album, "Idlewild."

But "New Blue Sun" has "no bars," he jokes. It's a divergence from rap because "there was nothing I was liking enough to rap about, or I didn't feel it sounded fresh. I'm not about to serve you un-fresh (expletive.)"

Instead, he offered up a six-track instrumental album of ambient alt-jazz — with special attention paid to the flute.

"The sound, that's how I got into it," he says of the instrument. "The portability, too. You can't tote around a piano and play in Starbucks."

He's also invested in the flute's history — like learning about Mayan flutes made from clay, a design he had re-created in cedarwood. "There’s all kinds of fables and, you know, indigenous stories that go along with playing the flute — playing like the birds or playing your heart like the wind — it kind of met (me) where I was in life," he says.

"Flutes — wind instruments in general — are the closest thing you get to actually hearing a human," he continues. "You're actually hearing the breath of a person."

"New Blue Sun" is a stunning collection, one that has earned André 3000 three new Grammy Award nominations: album of the year, alternative jazz, and instrumental composition. Those arrive exactly 25 years after the 1999 Grammys, where Outkast received their first nomination — for "Rosa Parks," from their third album, "Aquemini" — and 20 years after the group won album of the year for "Speakerboxxx/The Love Below."

"It matters because we all want to be acknowledged or recognized," André 3000 says of his new Grammy nominations. "It's a type of proof of connection, in some type of way ... especially with the Grammys, because it's voted on by a committee of musicians and people in the industry."

He's a bit surprised by the attention, too, given the type of album he created. "We have no singles on the radio, not even singles that are hot in the street," he says. "When you're sitting next to Beyoncé and Taylor Swift, these are highly, hugely popular music artists, I'm satisfied just because of that ... we won just to be a part of the whole conversation."

He theorizes that it may be because popular music listening habits are broadening. "A lot of artists are just trying different things. Even, you know, the album that Beyoncé is nominated for, it’s not her normal thing," he says of her country-and-then-some record, "Cowboy Carter.We’re in this place where things are kind of shifting and moving."

For André 3000, "New Blue Sun" has allowed him to "feel like a whole new artist," but it is also an extension of who he's always been. "Being on the road with Outkast and picking up a bass clarinet at a pawn shop in New York and just sitting on the back of the bus playing with it — these things have been around," he says.

He's also always embraced "newness," as he puts it, experimenting creatively "even if it sounds non-masterful."

"Even producing for Outkast, I was just learning these instruments. If I ... put my hands down and play ‘Ms. Jackson,’ I'm not knowing what I'm playing. But I like it," he says.

As for a new Outkast album, "I never say never," he says. "But I can say that the older I get, I feel like that time has happened."