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Brazilian Judge Orders Adele Song Removed over Plagiarism Claim

British singer Adele poses on the red carpet upon her arrival for the BRIT Awards 2022 in London on February 8, 2022. (AFP)
British singer Adele poses on the red carpet upon her arrival for the BRIT Awards 2022 in London on February 8, 2022. (AFP)
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Brazilian Judge Orders Adele Song Removed over Plagiarism Claim

British singer Adele poses on the red carpet upon her arrival for the BRIT Awards 2022 in London on February 8, 2022. (AFP)
British singer Adele poses on the red carpet upon her arrival for the BRIT Awards 2022 in London on February 8, 2022. (AFP)

A judge in Rio de Janeiro has ordered the global removal of a 2015 song by British singer Adele due to a plagiarism claim by a Brazilian musician, which Universal Music is fighting on appeal. The ruling, made public on Monday, came in a case filed this year by Toninho Geraes, whose compositions were made famous by some of Brazil's most acclaimed samba singers.

Geraes accused Adele of copying his song "Mulheres", a national hit since the 1990s. His lawyers uploaded to YouTube a comparison of that song and Adele's "Million Years Ago".

"The ruling shows that the Brazilian justice system is strong and that injuries to Brazilian artists won't be ignored," said Fredimio Biasotto Trotta, a lawyer for Geraes.

The decision orders Sony Music Entertainment and Universal Music to immediately cease "using, reproducing, editing, distributing, or commercializing" the song by any means on streaming or sharing platforms, without Geraes' consent. It set a fine of 50,000 reais ($8,080.94) if the companies fail to comply with the order.

The Berne Convention, an international treaty, orders other signatory countries, including the US, to comply with legal decisions regarding copyright, Trotta said.

Geraes' lawyers are now notifying streaming services, such as Spotify and Deezer, to withdraw the song in Brazil and globally. On Wednesday morning, the song was still widely available.

Universal appealed the decision on Tuesday, arguing there was no plagiarism, only an "accidental melodic similarity" due to the use of "musical clichés."

Both Adele and Geraes have contracts with Universal, but the Brazilian musician has been trying to terminate his contract with the company due to his plagiarism claim, his lawyer said.

"I felt very disrespected," Geraes told Reuters. He is asking the courts for compensation of more than $150,000. Lawyers representing Universal Music declined to comment, and Sony Music did not immediately reply to a request for comment.

Geraes learned of the similarities between the two songs after a friend, who is also a composer, heard Adele's "Million Years Ago" at a party in 2021.

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André 3000's Alt-Jazz, ‘No Bars’ Solo Album Stunned Fans. Now, It’s up for Grammys

André Benjamin, also known as Andre 3000, arrives at the 30th Film Independent Spirit Awards in Santa Monica, Calif., on Feb. 21, 2015. (AP)
André Benjamin, also known as Andre 3000, arrives at the 30th Film Independent Spirit Awards in Santa Monica, Calif., on Feb. 21, 2015. (AP)
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André 3000's Alt-Jazz, ‘No Bars’ Solo Album Stunned Fans. Now, It’s up for Grammys

André Benjamin, also known as Andre 3000, arrives at the 30th Film Independent Spirit Awards in Santa Monica, Calif., on Feb. 21, 2015. (AP)
André Benjamin, also known as Andre 3000, arrives at the 30th Film Independent Spirit Awards in Santa Monica, Calif., on Feb. 21, 2015. (AP)

No one was expecting it. Late last year, André 3000 released his debut solo album, "New Blue Sun," 18 years after his legendary rap group Outkast's last studio album, "Idlewild."

But "New Blue Sun" has "no bars," he jokes. It's a divergence from rap because "there was nothing I was liking enough to rap about, or I didn't feel it sounded fresh. I'm not about to serve you un-fresh (expletive.)"

Instead, he offered up a six-track instrumental album of ambient alt-jazz — with special attention paid to the flute.

"The sound, that's how I got into it," he says of the instrument. "The portability, too. You can't tote around a piano and play in Starbucks."

He's also invested in the flute's history — like learning about Mayan flutes made from clay, a design he had re-created in cedarwood. "There’s all kinds of fables and, you know, indigenous stories that go along with playing the flute — playing like the birds or playing your heart like the wind — it kind of met (me) where I was in life," he says.

"Flutes — wind instruments in general — are the closest thing you get to actually hearing a human," he continues. "You're actually hearing the breath of a person."

"New Blue Sun" is a stunning collection, one that has earned André 3000 three new Grammy Award nominations: album of the year, alternative jazz, and instrumental composition. Those arrive exactly 25 years after the 1999 Grammys, where Outkast received their first nomination — for "Rosa Parks," from their third album, "Aquemini" — and 20 years after the group won album of the year for "Speakerboxxx/The Love Below."

"It matters because we all want to be acknowledged or recognized," André 3000 says of his new Grammy nominations. "It's a type of proof of connection, in some type of way ... especially with the Grammys, because it's voted on by a committee of musicians and people in the industry."

He's a bit surprised by the attention, too, given the type of album he created. "We have no singles on the radio, not even singles that are hot in the street," he says. "When you're sitting next to Beyoncé and Taylor Swift, these are highly, hugely popular music artists, I'm satisfied just because of that ... we won just to be a part of the whole conversation."

He theorizes that it may be because popular music listening habits are broadening. "A lot of artists are just trying different things. Even, you know, the album that Beyoncé is nominated for, it’s not her normal thing," he says of her country-and-then-some record, "Cowboy Carter.We’re in this place where things are kind of shifting and moving."

For André 3000, "New Blue Sun" has allowed him to "feel like a whole new artist," but it is also an extension of who he's always been. "Being on the road with Outkast and picking up a bass clarinet at a pawn shop in New York and just sitting on the back of the bus playing with it — these things have been around," he says.

He's also always embraced "newness," as he puts it, experimenting creatively "even if it sounds non-masterful."

"Even producing for Outkast, I was just learning these instruments. If I ... put my hands down and play ‘Ms. Jackson,’ I'm not knowing what I'm playing. But I like it," he says.

As for a new Outkast album, "I never say never," he says. "But I can say that the older I get, I feel like that time has happened."