Netflix’s ‘Missing You’ Lands in Time for New Year Binge Watch

In this photo illustration a computer screen displays the Netflix logo on March 31, 2020 in Arlington, Virginia. (AFP)
In this photo illustration a computer screen displays the Netflix logo on March 31, 2020 in Arlington, Virginia. (AFP)
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Netflix’s ‘Missing You’ Lands in Time for New Year Binge Watch

In this photo illustration a computer screen displays the Netflix logo on March 31, 2020 in Arlington, Virginia. (AFP)
In this photo illustration a computer screen displays the Netflix logo on March 31, 2020 in Arlington, Virginia. (AFP)

It’s Netflix’s resolution every new year to give viewers a headscratcher in January.

Since 2020, the streamer has released a UK miniseries based on thriller book by Harlan Coben over the holidays. It seems to have paid off: “Fool Me Once,” starring Michelle Keegan, Adeel Akhtar and Joanna Lumley, launched this past January and became what Netflix says was one of their most watched shows of the year, amassing 108 million views.

2025’s seasonal suspense series is “Missing You,” based on Coben’s 2014 New York Times bestseller. It stars Rosalind Eleazar (“Slow Horses”) as Detective Inspector Kat Donovan, a police officer who specializes in finding missing people — apart from the fiance that vanished 11 years earlier.

“They know Jan. 1 is the sweet spot for them,” says actor Richard Armitage, who has appeared in each winter Coben adaptation, which relocates the stories from the books' America to the north of England. “People have ownership over the show now, so like, ‘I want my Harlan Coben show on New Year’s Day. Give me my Harlan Coben fix.’”

“It’s perfect timing for the release, to be honest,” says co-star Ashley Walters. “Most people are going to be hung over or, you know, just not have anything to do with the day.”

The show opens with the shock of Donovan's ex-fiance (Walters) popping up on a dating app, over a decade after she came home one day to find him gone.

“I’ve ghosted people before,” laughs Armitage. “Just people you don’t want to talk to anymore. Not digitally though.”

Another star, Jessica Plummer, isn’t a fan of those who disappear without saying goodbye, though.

“I’d just feel too guilty,” she admits, calling it “cowardly and lazy — sorry Richard!”

Eleazar promises twists and turns along the way, adding that the actors weren’t initially given the final two scripts and had to turn to the book to find out what happens.

Coben “really is a genius at taking you up the wrong track,” says Eleazar. “You’re so sure that this time you’ve got it right and it’s this person or this thing, but you are inevitably always wrong.”

“I would love to know, actually, how he starts a book, you know? Does it start with an idea or does he think of the most inconceivable idea and go, ‘That’s how it’s going to end’?” she adds.

Armitage agrees that “Missing You” does justice to the “hair-raising” shock ending of the book; “It’s like the rug is pulled away at the last minute.”

And while audiences at home can binge-watch the whole five-part series as 2025 is still finding its feet, the cast will be busy with a variety of pastimes.

Lenny Henry, who portrays Kat’s father, jokes that he usually wakes up to a new year surrounded by roast potatoes, while wearing pajamas.

Armitage likes to be outside and start fresh by skiing down a mountain, while Eleazar has plans to celebrate in style: She and a group of friends have a tradition where they rent a castle and dress up in themed costumes.

Past New Year's Eve parties have included donning 18th century garb in France and last year’s Versace-themed fete.

“I will be celebrating and really hoping that everyone loves this show on the 1st,” she says.



'Sonic 3' and 'Mufasa' Battle for No. 1 at the Holiday Box Office

This image released by Paramount Pictures and Sega of America shows the character Sonic, voiced by Ben Schwartz, in a scene from "Sonic the Hedgehog 3". (Paramount Pictures and Sega of America, Inc. via AP)
This image released by Paramount Pictures and Sega of America shows the character Sonic, voiced by Ben Schwartz, in a scene from "Sonic the Hedgehog 3". (Paramount Pictures and Sega of America, Inc. via AP)
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'Sonic 3' and 'Mufasa' Battle for No. 1 at the Holiday Box Office

This image released by Paramount Pictures and Sega of America shows the character Sonic, voiced by Ben Schwartz, in a scene from "Sonic the Hedgehog 3". (Paramount Pictures and Sega of America, Inc. via AP)
This image released by Paramount Pictures and Sega of America shows the character Sonic, voiced by Ben Schwartz, in a scene from "Sonic the Hedgehog 3". (Paramount Pictures and Sega of America, Inc. via AP)

Two family films dominated the holiday box office this week, with "Sonic the Hedgehog 3" winning the three-day weekend over "Mufasa" by a blue hair.

Paramount's Sonic movie earned $38 million, while "Mufasa" brought in $37.1 million from theaters in the US and Canada, according to studio estimates Sunday. On a normal weekend counting Friday, Saturday and Sunday ticket purchases, the winner would be somewhat clear.

But when the Christmas holiday falls on a Wednesday as it did this year, the studios look at two sets of numbers: The five-day earnings and the three-day weekend earnings. With the five-day tally, The Walt Disney Co.'s "Mufasa" had the edge, bringing in $63.8 million.

It all adds up to a rather robust theatrical landscape, helped by the continued success of "Wicked" and "Moana 2," which are on their sixth and fifth weekends, respectively.

The vampire horror "Nosferatu" also debuted fairly triumphantly. Robert Eggers' modern reimagining of a 1922 silent film starring Nicholas Hoult and Lily-Rose Depp rose to the top of a starry batch of Christmas Day newcomers, which included the Bob Dylan biopic "A Complete Unknown," with Timothée Chalamet; the drama "Babygirl" with Nicole Kidman; and "The Fire Inside," about boxer Claressa Shields.

"Nosferatu" landed in third place with $21.2 million from the weekend and $40.3 million from its first five days. Not accounting for inflation, it had the best Christmas Day opening ever for a genre film, with $11.6 million (besting "The Faculty's" $4.4 million in 1998). Focus Features released the R-rated film in 2,992 theaters.

It was a gamble to open "Nosferatu" on Christmas, when family films or all-ages blockbusters tend to be prioritized. But it paid off, attracting the coveted 18 to 34-year-old demographic to theaters.

"It was a risky move, but we knew that we had such a great film," said Lisa Bunnell, who leads distribution for Focus Features. "A lot of people thought we were insane. But I think the more that people thought we were crazy, the more we all felt like it was the right thing to do."

The response to the unconventional counter-programming was gratifying. The sarcophagus-inspired popcorn buckets are even reselling for over $100.

"People keep talking about 'how do we get people back into the movies?' I think the only way you can get people to go back is to shake it up," Bunnell said. "You don't just spoon feed them the same things over and over again."

The Bob Dylan movie, directed by James Mangold, also got off to a bright start with $11.6 million over the weekend and $23.2 million since Christmas. The 5-day total is a record for Searchlight Pictures since Disney acquired the company in early 2019. It's been well received by both critics (96% on Rotten Tomatoes) and audiences (A on CinemaScore) and will likely get more of a boost from the awards race.

"Babygirl," an A24 release from filmmaker Halina Reijn, played on 2115 screens, earning $4.4 million over the weekend and $7.2 million since Christmas. The film stars Kidman as a married, buttoned-up CEO who begins an affair with a young intern at the company, played by Harris Dickinson. Kidman won the best acting prize for her performance at the Venice Film Festival.

"The Fire Inside," from Amazon MGM Studios, meanwhile got a bit lost in the mix despite strong reviews. It has earned a total of $4.3 million, with $2 million coming from weekend showings where it played in 2006 theaters.

Thanksgiving releases continued to perform well through the Christmas timeframe. Fourth place went to "Wicked," which earned another $19.5 million, bringing its domestic total to $424.2 million. On Tuesday, the lavish movie musical will also be available to rent or purchase at home. It's a move that has drawn some critics who believe making it available at home after only 40 days in theaters will cannibalize profits.

"Moana 2" rounded out the top five films this weekend with $18.2 million. The Disney movie has made $882.5 million globally and is closing in on $400 million domestically.

Christmas Day itself was massive for the industry, with $61 million in ticket sales. Thursday was nearly as big, with $50 million.

"Every day was like Saturday at the box office because of the way the holidays lined up," said Paul Dergarabedian, Comscore's senior media analyst.

Comscore is projecting that the year will net out with about $8.75 billion in domestic box office receipts. That's down about 3.3% from last year, which cracked $9 billion, and the pre-pandemic normal of $11 billion.