Movie Review: A Gripping Deep-Sea Rescue Mission in ‘Last Breath’ with Woody Harrelson, Simu LIU 

Simu Liu, from left, Finn Cole, Woody Harrelson, and Alex Parkinson attend the premiere of Focus Features' "Last Breath" at AMC Lincoln Square on Tuesday, Feb. 25, 2025, in New York. (AP)
Simu Liu, from left, Finn Cole, Woody Harrelson, and Alex Parkinson attend the premiere of Focus Features' "Last Breath" at AMC Lincoln Square on Tuesday, Feb. 25, 2025, in New York. (AP)
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Movie Review: A Gripping Deep-Sea Rescue Mission in ‘Last Breath’ with Woody Harrelson, Simu LIU 

Simu Liu, from left, Finn Cole, Woody Harrelson, and Alex Parkinson attend the premiere of Focus Features' "Last Breath" at AMC Lincoln Square on Tuesday, Feb. 25, 2025, in New York. (AP)
Simu Liu, from left, Finn Cole, Woody Harrelson, and Alex Parkinson attend the premiere of Focus Features' "Last Breath" at AMC Lincoln Square on Tuesday, Feb. 25, 2025, in New York. (AP)

A routine deep-sea diving mission in the North Sea goes terribly wrong when a young diver is stranded some 300 feet below the surface in the new film "Last Breath." His umbilical cable has severed. The support vessel above is aimlessly drifting away from the site through violent, stormy waters. And the diver has only ten minutes of oxygen in his backup tank.

As if that wasn't enough, it's also a true story.

If merely reading this is giving you heart palpitations already, you can only imagine the white-knuckle experience of watching this all play out on the big screen. It's 40ish minutes of pure suspense and anxiety as the story shuffles between the man at the bottom of the ocean, Chris Lemons (Finn Cole), his fellow saturation divers (Woody Harrelson as Duncan and Simu Liu as Dave) in the diving bell below the waters who are unable to help and the crew in the support vessel above (including Cliff Curtis and Mark Bonnar) scrambling to get their systems back online and operational as the clock rapidly runs out. Ten minutes has never felt so short — and then it just gets worse as the clock starts counting up, showing Chris's time without oxygen.

At one point, Liu's character Dave, a no-nonsense, all-business diver says matter-of-factly that it's a body recovery, not a rescue. Deep-sea saturation diving is a dangerous business, described at the start of the film as the most dangerous job on earth. Chris tells his fiancé, in a short introduction, that it's no more dangerous than going to space. She replies that it's funny that he thinks that is comforting.

The real incident happened in September 2012 — Dave, Duncan and Chris were just one team of divers sent to the ocean floor off the coast of Aberdeen, Scotland, to repair an oil pipeline.

The seas were particularly rough that day, with winds up to 35 knots, common for the North Sea but also not what one might call safe. Chris and Dave were in the middle of their work when they heard the urgent calls to abort: The dynamic positioning system in the support vessel above had failed and they were in drift.

Chris scrambled to maneuver out of the pipeline corridors, but his umbilical got caught. For a brief, awful moment he's the anchor to the ship above, but soon enough the cord snapped, and he was thrown back to the ocean floor in pitch black with no coms, no heat and very little hope for survival. News articles about the incident clock his backup oxygen supply as being closer to five or six minutes – perhaps the movie wanted to give the audience a little buffer.

If this sounds at all familiar, it may be because it was made into a documentary, also called "Last Breath" and released in 2019. While it was well-received, some true stories are just too gripping to exist solely in that form. It's not exactly a surprise that a narrative film was made as well. There's a good track record of recent complimentary adaptations — think Ron Howard's "13 Lives" and "The Rescue" about the Thai boys soccer team stuck in the cave.

This one was made by Alex Parkinson, the same director who co-directed the doc, and it's a well-executed narrative interpretation that doesn't get in its own way with padding. Harrelson gets to be the wise mentor who really doesn't want to lose someone on his last mission. Liu gets to flex his action muscles (literally and figuratively) in a modest but solid role. And they don't go out of their way to shoehorn in a villain — this is just a group of people trying their best to save a life.

The only real problem, if one can even call it that, is that it's so short. The film doesn't take liberties with stretching out the timeline much at all and after 93 minutes, the whole thing is over. It feels strange to want a movie to be longer, but in the case of "Last Breath" I was both desperate for it to end, for anxiety reasons, and also wanting more.



Dudamel Says Chalamet Shows Ignorance in Claiming ‘No One Cares’ About Opera and Ballet

New York Philharmonic music and artistic director Gustavo Dudamel appears at a special screening of "El Canto de las Manos" in New York on Nov. 7, 2025. (Photo by Evan Agostini/Invision/AP, File)
New York Philharmonic music and artistic director Gustavo Dudamel appears at a special screening of "El Canto de las Manos" in New York on Nov. 7, 2025. (Photo by Evan Agostini/Invision/AP, File)
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Dudamel Says Chalamet Shows Ignorance in Claiming ‘No One Cares’ About Opera and Ballet

New York Philharmonic music and artistic director Gustavo Dudamel appears at a special screening of "El Canto de las Manos" in New York on Nov. 7, 2025. (Photo by Evan Agostini/Invision/AP, File)
New York Philharmonic music and artistic director Gustavo Dudamel appears at a special screening of "El Canto de las Manos" in New York on Nov. 7, 2025. (Photo by Evan Agostini/Invision/AP, File)

Famed conductor Gustavo Dudamel said Timothee Chalamet showed ignorance when the Oscar-nominated actor claimed “no one cares” about opera and ballet.

“Sadly sometimes it’s a little bit of ignorance but, look, that is why we have to open more spaces for people to connect with classical music,” Dudamel said Tuesday night at an event to announce the programming of his first season as the New York Philharmonic's music director.

Dudamel spoke from the stage of Lincoln Center's David Geffen to an audience that included donors, musicians, the orchestra board, community leaders and composers in addition to journalists. Dudamel's remarks sparked loud applause.

During a conversation with fellow actor Matthew McConaughey at a CNN and Variety town hall at the University of Texas at Austin’s Moody College of Communication in February, the 30-year-old Chalamet was asked by McConaughey about whether shortened audience attention spans have impacted studio decisions about the content of theatrical films, forcing more early action.

“I admire people, and I’ve done it myself, to go on a talk show and go: Hey, we’ve got to keep movie theaters alive. We got to keep this genre alive,’” Chalamet said. “And another part of me feels like if people want to see it, like 'Barbie,' like 'Oppenheimer,' they’re going to go see it and go out of their way to be loud and proud about it. And I don’t want to be working in ballet or opera or things where it's like where it’s like, ‘Hey! Keep this thing alive,’ even though no one cares about this anymore. All respect to the ballet and opera people out there. I just lost 14 cents in viewership.”

Chalamet received his third Academy Award nomination, for “Marty Supreme.” His comments sparked an online backlash from arts organizations.

“Everybody has the right to say, but you have to do things with knowledge, with facts. I think we have to say to the young generation, the opposite,” Dudamel said. “It’s very funny. Cinema is a result of opera, of music, of all of these kind of things.”

Matías Tarnopolsky, the New York Philharmonic CEO, was seated next to Dudamel and issued a public offer to Chalamet.

“He can sit with me anytime,” Tarnopolsky said. “I’ll give him a free ticket and he’s invited to come and hear the New York Philharmonic.”

Dudamel, 45, is among the world's most famous conductors. He is leaving the Los Angeles Philharmonic this summer after 17 seasons as music director to become the music director of the New York orchestra.

At one point, Dudamel feigned not knowing Chalamet, saying: “Which is the name of that?” before cutting off as the audience laughed.

“That way of thinking has to end,” he said. “Music is reborn all the time and it brings us the values of empathy through the beauty of what it is. So this is the reality of music. This is the real dimension of music and we need that more for our young people.”


Alleged Rihanna Mansion Shooter Charged with Attempted Murder

The exterior of Rihanna's residence is shown Monday, March 9, 2026, in Beverly Hills, Calif. (AP Photo/Damian Dovarganes)
The exterior of Rihanna's residence is shown Monday, March 9, 2026, in Beverly Hills, Calif. (AP Photo/Damian Dovarganes)
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Alleged Rihanna Mansion Shooter Charged with Attempted Murder

The exterior of Rihanna's residence is shown Monday, March 9, 2026, in Beverly Hills, Calif. (AP Photo/Damian Dovarganes)
The exterior of Rihanna's residence is shown Monday, March 9, 2026, in Beverly Hills, Calif. (AP Photo/Damian Dovarganes)

A woman alleged to have shot up the luxury Los Angeles home of global megastar Rihanna was charged Tuesday with attempted murder.

Prosecutors in the city said Ivanna Lisette Ortiz, 35, had opened fire at the sprawling estate on Sunday.

Aerial footage after the attack showed bullet holes in a gate at the property, which Rihanna shares with rapper A$AP Rocky and the couple's three children.

Ortiz, who is from Florida, has previously been involuntarily committed and lost custody of her then 10-year-old child, entertainment news outlet TMZ reported.

A Facebook page that appears to belong to her includes a number of videos and posts that refer to celebrities including Rihanna, Kim Kardashian and Cardi B, according to AFP.

One post tags Rihanna, whom she challenged "to say something to me directly instead of sneaking around like you talking to me where I'm not at."

In another video, she claims Rihanna wants to kill her.

Ortiz was charged with one count of attempted murder, 10 counts of assault with a semiautomatic firearm, two counts of shooting at an inhabited dwelling and one count of shooting at an inhabited vehicle.

She was ordered to be held on $1.875 million bail and instructed to have no contact with the Barbados-born singer.

Ortiz is next expected to appear in court on March 25.

Police officers previously said an AR-15-style assault rifle was used in the incident, which happened in the middle of day on Sunday while Rihanna was reportedly in the home.


Australian Katie Perry Wins Trademark Spat Against Singer Katy Perry

Katy Perry. (AFP)
Katy Perry. (AFP)
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Australian Katie Perry Wins Trademark Spat Against Singer Katy Perry

Katy Perry. (AFP)
Katy Perry. (AFP)

Australian designer Katie Perry has won the right to sell clothes under her name, claiming victory Wednesday in a years-long trademark spat with US pop megastar Katy Perry.

Designer Katie Perry accused her far more famous namesake of trademark infringement, arguing she had claimed the "Katie Perry" brand before the singer became a global sensation.

But songstress Katy Perry said her music had already gone "viral" as the designer started selling clothes around 2008 and sought to have the Australian trademark scrubbed out.

An Australian court agreed with the singer, ruling in 2024 the clothing trademark should be cancelled.

But Australia's High Court has now ruled in favor of the local designer on appeal, finding there was unlikely to be any risk of "confusion" between the two.

A representative for the singer told AFP that despite the legal action she "has never sought to close down" the Australian business.