Movie Review: A Gripping Deep-Sea Rescue Mission in ‘Last Breath’ with Woody Harrelson, Simu LIU 

Simu Liu, from left, Finn Cole, Woody Harrelson, and Alex Parkinson attend the premiere of Focus Features' "Last Breath" at AMC Lincoln Square on Tuesday, Feb. 25, 2025, in New York. (AP)
Simu Liu, from left, Finn Cole, Woody Harrelson, and Alex Parkinson attend the premiere of Focus Features' "Last Breath" at AMC Lincoln Square on Tuesday, Feb. 25, 2025, in New York. (AP)
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Movie Review: A Gripping Deep-Sea Rescue Mission in ‘Last Breath’ with Woody Harrelson, Simu LIU 

Simu Liu, from left, Finn Cole, Woody Harrelson, and Alex Parkinson attend the premiere of Focus Features' "Last Breath" at AMC Lincoln Square on Tuesday, Feb. 25, 2025, in New York. (AP)
Simu Liu, from left, Finn Cole, Woody Harrelson, and Alex Parkinson attend the premiere of Focus Features' "Last Breath" at AMC Lincoln Square on Tuesday, Feb. 25, 2025, in New York. (AP)

A routine deep-sea diving mission in the North Sea goes terribly wrong when a young diver is stranded some 300 feet below the surface in the new film "Last Breath." His umbilical cable has severed. The support vessel above is aimlessly drifting away from the site through violent, stormy waters. And the diver has only ten minutes of oxygen in his backup tank.

As if that wasn't enough, it's also a true story.

If merely reading this is giving you heart palpitations already, you can only imagine the white-knuckle experience of watching this all play out on the big screen. It's 40ish minutes of pure suspense and anxiety as the story shuffles between the man at the bottom of the ocean, Chris Lemons (Finn Cole), his fellow saturation divers (Woody Harrelson as Duncan and Simu Liu as Dave) in the diving bell below the waters who are unable to help and the crew in the support vessel above (including Cliff Curtis and Mark Bonnar) scrambling to get their systems back online and operational as the clock rapidly runs out. Ten minutes has never felt so short — and then it just gets worse as the clock starts counting up, showing Chris's time without oxygen.

At one point, Liu's character Dave, a no-nonsense, all-business diver says matter-of-factly that it's a body recovery, not a rescue. Deep-sea saturation diving is a dangerous business, described at the start of the film as the most dangerous job on earth. Chris tells his fiancé, in a short introduction, that it's no more dangerous than going to space. She replies that it's funny that he thinks that is comforting.

The real incident happened in September 2012 — Dave, Duncan and Chris were just one team of divers sent to the ocean floor off the coast of Aberdeen, Scotland, to repair an oil pipeline.

The seas were particularly rough that day, with winds up to 35 knots, common for the North Sea but also not what one might call safe. Chris and Dave were in the middle of their work when they heard the urgent calls to abort: The dynamic positioning system in the support vessel above had failed and they were in drift.

Chris scrambled to maneuver out of the pipeline corridors, but his umbilical got caught. For a brief, awful moment he's the anchor to the ship above, but soon enough the cord snapped, and he was thrown back to the ocean floor in pitch black with no coms, no heat and very little hope for survival. News articles about the incident clock his backup oxygen supply as being closer to five or six minutes – perhaps the movie wanted to give the audience a little buffer.

If this sounds at all familiar, it may be because it was made into a documentary, also called "Last Breath" and released in 2019. While it was well-received, some true stories are just too gripping to exist solely in that form. It's not exactly a surprise that a narrative film was made as well. There's a good track record of recent complimentary adaptations — think Ron Howard's "13 Lives" and "The Rescue" about the Thai boys soccer team stuck in the cave.

This one was made by Alex Parkinson, the same director who co-directed the doc, and it's a well-executed narrative interpretation that doesn't get in its own way with padding. Harrelson gets to be the wise mentor who really doesn't want to lose someone on his last mission. Liu gets to flex his action muscles (literally and figuratively) in a modest but solid role. And they don't go out of their way to shoehorn in a villain — this is just a group of people trying their best to save a life.

The only real problem, if one can even call it that, is that it's so short. The film doesn't take liberties with stretching out the timeline much at all and after 93 minutes, the whole thing is over. It feels strange to want a movie to be longer, but in the case of "Last Breath" I was both desperate for it to end, for anxiety reasons, and also wanting more.



Iceland to Boycott 2026 Eurovision in Protest of Go-Ahead for Israel

 12 May 2024, Sweden, Malmo: Pro-Palestinian protesters hold flags during a demonstration opposing Israel's participation in the 68th edition of the Eurovision Song Contest ESC in Malmo. (dpa)
12 May 2024, Sweden, Malmo: Pro-Palestinian protesters hold flags during a demonstration opposing Israel's participation in the 68th edition of the Eurovision Song Contest ESC in Malmo. (dpa)
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Iceland to Boycott 2026 Eurovision in Protest of Go-Ahead for Israel

 12 May 2024, Sweden, Malmo: Pro-Palestinian protesters hold flags during a demonstration opposing Israel's participation in the 68th edition of the Eurovision Song Contest ESC in Malmo. (dpa)
12 May 2024, Sweden, Malmo: Pro-Palestinian protesters hold flags during a demonstration opposing Israel's participation in the 68th edition of the Eurovision Song Contest ESC in Malmo. (dpa)

Iceland will not take part in the 2026 Eurovision Song Contest, the country's public broadcaster RUV said on Wednesday, after organizer the European Broadcasting Union last week cleared Israel's participation.

The decision to allow Israel to take part in the next Eurovision, which will be held in Vienna in May, earlier prompted Spain, the Netherlands, Ireland, and Slovenia to withdraw in protest, citing Israel's conduct in the Gaza war.

"It is clear from the public debate in this country and the reaction to the EBU's decision last week that there will be neither joy nor peace regarding RUV's participation," the broadcaster's Director General Stefan Eiriksson said in a statement.

Iceland was among the countries that had requested a vote last week on Israel's participation. But the European Broadcasting Union, or EBU, decided not to call a vote on Israel's participation, saying it had instead passed new rules aimed at discouraging governments from influencing the contest.

Iceland has never won the song contest but came second in 1999 and 2009. The Eurovision Song Contest dates back to 1956 and reaches around 160 million viewers, according to the EBU.


Beyoncé, Venus Williams, Nicole Kidman and Anna Wintour Will Co-chair Next Met Gala

 This combination of photos shows Nicole Kidman, left, and Venus Williams. (AP)
This combination of photos shows Nicole Kidman, left, and Venus Williams. (AP)
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Beyoncé, Venus Williams, Nicole Kidman and Anna Wintour Will Co-chair Next Met Gala

 This combination of photos shows Nicole Kidman, left, and Venus Williams. (AP)
This combination of photos shows Nicole Kidman, left, and Venus Williams. (AP)

The new Met Gala co-chairs have been announced, and it's a high-powered quartet: Beyoncé, Venus Williams and Nicole Kidman will join Vogue's Anna Wintour in hosting the star-packed event next May.

Williams, who has never hosted before, takes the role seven years after her younger sister and fellow tennis champion, Serena, was co-chair. Beyoncé was honorary chair in 2013, and Kidman co-chaired in 2003 and 2005. Wintour, of course, oversees the annual event, a fundraiser that last year brought a record $31 million to the coffers of the Metropolitan Museum of Art's Costume Institute.

The museum on Wednesday also announced a gala host committee, chaired by designer Anthony Vaccarello and filmmaker Zoë Kravitz. It includes musicians Sabrina Carpenter, Doja Cat, LISA, Sam Smith and Yseult; dancer Misty Copeland; actors Teyana Taylor, Elizabeth Debicki, Gwendoline Christie and Lena Dunham; basketball player A'ja Wilson; models Alex Consani, Paloma Elsesser and Lauren Wasser; Vogue editor Chloe Malle; and artist Anna Weyant.

For years, Beyoncé, a seven-time gala guest, has been one of the most-watched celebrities on the carpet, keeping everyone in eager anticipation of her (fashionably) late arrival. In 2015, she made it worth the wait with a daring custom Givenchy gown that, with its strategically placed beading. A year later, the superstar again wore Givenchy, this time in a gleaming, skintight latex gown.

No word on what she will wear next; the dress code for the May 4 gala has yet to be announced. But it will dovetail with the theme of “Costume Art,” announced last month as the institute's next spring exhibit.

The exhibit aims to celebrate “the dressed body” as it appears in art through the centuries. It will do that by pairing garments with objects from across the museum to show how fashion has long been intertwined with different art forms.

“It’s a show that can really live in fascinating ways at the museum and can pull from all different areas of our collection — paintings, sculpture, drawings,” the museum’s CEO and director, Max Hollein, said in an interview last month.

The show, overseen as always by the Costume Institute’s curator in charge, Andrew Bolton, will be organized thematically by different body types. It will include the the “Classical Body,” for example, but also less traditional themes like the “Pregnant Body” and the “Aging Body.”

The new exhibit will also have a splashy new home. “Costume Art” will inaugurate new gallery space occupying some 12,000 square feet (1,115 square meters), right off the museum’s Great Hall — giving fashion a prominent space in the museum and also helping to control congestion at the heavily attended exhibits. The new Conde M. Nast galleries — created from what was formerly the museum’s retail store — will house not only all spring Costume Institute exhibits, but other shows from different parts of the museum.

Bolton has said the gallery space “will mark a pivotal moment for the department, one that acknowledges the critical role fashion plays not only within art history but also within contemporary culture.”

Venus Williams returned to competition in July at age 45 after nearly 1 1/2 years away from the tour, though she had never retired. She became the oldest player to play singles at the US Open since 1981. Serena Williams, meanwhile, recently threw cold water on the idea that she might be preparing to return to tennis.

“Costume Art” opens to the public May 10, 2026, and runs until Jan. 10, 2027.


Real-Life Horror to TV Drama: Feared Syria Sites Become Sets for Series 

Syrian director Mohamad Abdul Aziz poses for a photograph at his office in Damascus on November 24, 2025. (AFP)
Syrian director Mohamad Abdul Aziz poses for a photograph at his office in Damascus on November 24, 2025. (AFP)
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Real-Life Horror to TV Drama: Feared Syria Sites Become Sets for Series 

Syrian director Mohamad Abdul Aziz poses for a photograph at his office in Damascus on November 24, 2025. (AFP)
Syrian director Mohamad Abdul Aziz poses for a photograph at his office in Damascus on November 24, 2025. (AFP)

At a Damascus air base once off-limits under Bashar al-Assad, a crew now films a TV series about the final months of the ousted leader's rule as seen through the eyes of a Syrian family.

"It's hard to believe we're filming here," director Mohamad Abdul Aziz said from the Mazzeh base, which was once also a detention center run by Assad's air force intelligence branch, known for its cruelty.

The site in the capital's southwestern suburbs "used to be a symbol of military power. Now we are making a show about the fall of that power," he told AFP.

Assad fled to Russia as an opposition offensive closed in on Damascus, taking it without a fight on December 8 last year after nearly 14 years of civil war and half a century of Assad dynasty rule.

The scene at the Mazzeh base depicts the escape of a figure close to Assad and is set to feature in "The King's Family" filmed in high-security locations once feared by regular Syrians.

The series is to be aired in February during the Muslim holy month of Ramadan, prime-time viewing in the Arab world, when channels and outlets vie for the attention of eager audiences.

Dozens of actors, directors and other show-business figures who were opposed to Assad have returned to Syria since his ouster, giving the local industry a major boost, while other series have also chosen to film at former military or security sites.

- 'Impossible before' -

"It's a strange feeling... The places where Syria used to be ruled from have been transformed" into creative spaces, Abdul Aziz said.

Elsewhere in Damascus, his cameras and crew now fill offices at the former military intelligence facility known as Palestine Branch, where detainees once underwent interrogation so brutal that some never came out alive.

"Palestine Branch was one of the pillars of the security apparatus -- just mentioning its name caused terror," Abdul Aziz said of the facility, known for torture and abuse.

Outside among charred vehicles, explosions and other special effects, the team was recreating a scene depicting "the release of detainees when the security services collapsed," he said.

Thousands of detainees were freed when jails were thrown open as Assad fell last year, and desperate Syrians converged on the facilities in search of loved ones who disappeared into the prison system, thousands of whom are still missing.

Assad's luxurious, high-security residence, which was stormed and looted after he fled to Russia, is also part of the new series.

Abdul Aziz said he filmed a fight scene involving more than 150 people and gunfire in front of the residence in Damascus's upscale Malki district.

"This was impossible to do before," he said.

- 'Fear' -

The series' scriptwriter Maan Sakbani, 35, expressed cautious relief that the days of full-blown censorship under Assad were over.

The new authorities' information ministry still reviews scripts, but the censor's comments on "The King's Family" were very minor, he said from a traditional Damascene house where the team was discussing the order of scenes.

Sakbani said he was uncertain how long the relative freedom would last, and was waiting to see the reaction to the Ramadan productions once they were aired.

Several other series inspired by the Assad era are also planned for release at that time, including "Enemy Syrians", which depicts citizens living under the eyes of the security services.

Another, "Going Out to the Well", directed by Mohammed Lutfi and featuring several prominent Syrian actors, is about deadly prison riots in the infamous Saydnaya facility in 2008.

Rights group Amnesty International had called the facility a "human slaughterhouse".

"The show was written more than two years ago and we intended to film it before Assad's fall," Lutfi said.

But several actors feared the former authorities' reaction and they were unable to find a suitable location since filming in Syria was impossible.

Now, they plan to film on site.

"The new authorities welcomed the project and provided extensive logistical support and facilities for filming inside Saydnaya prison," Lutfi said.

As a result, it will be possible "to convey the prisoners' suffering and the regime's practices -- from the inside the actual location," he said.