Movie Review: A Gripping Deep-Sea Rescue Mission in ‘Last Breath’ with Woody Harrelson, Simu LIU 

Simu Liu, from left, Finn Cole, Woody Harrelson, and Alex Parkinson attend the premiere of Focus Features' "Last Breath" at AMC Lincoln Square on Tuesday, Feb. 25, 2025, in New York. (AP)
Simu Liu, from left, Finn Cole, Woody Harrelson, and Alex Parkinson attend the premiere of Focus Features' "Last Breath" at AMC Lincoln Square on Tuesday, Feb. 25, 2025, in New York. (AP)
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Movie Review: A Gripping Deep-Sea Rescue Mission in ‘Last Breath’ with Woody Harrelson, Simu LIU 

Simu Liu, from left, Finn Cole, Woody Harrelson, and Alex Parkinson attend the premiere of Focus Features' "Last Breath" at AMC Lincoln Square on Tuesday, Feb. 25, 2025, in New York. (AP)
Simu Liu, from left, Finn Cole, Woody Harrelson, and Alex Parkinson attend the premiere of Focus Features' "Last Breath" at AMC Lincoln Square on Tuesday, Feb. 25, 2025, in New York. (AP)

A routine deep-sea diving mission in the North Sea goes terribly wrong when a young diver is stranded some 300 feet below the surface in the new film "Last Breath." His umbilical cable has severed. The support vessel above is aimlessly drifting away from the site through violent, stormy waters. And the diver has only ten minutes of oxygen in his backup tank.

As if that wasn't enough, it's also a true story.

If merely reading this is giving you heart palpitations already, you can only imagine the white-knuckle experience of watching this all play out on the big screen. It's 40ish minutes of pure suspense and anxiety as the story shuffles between the man at the bottom of the ocean, Chris Lemons (Finn Cole), his fellow saturation divers (Woody Harrelson as Duncan and Simu Liu as Dave) in the diving bell below the waters who are unable to help and the crew in the support vessel above (including Cliff Curtis and Mark Bonnar) scrambling to get their systems back online and operational as the clock rapidly runs out. Ten minutes has never felt so short — and then it just gets worse as the clock starts counting up, showing Chris's time without oxygen.

At one point, Liu's character Dave, a no-nonsense, all-business diver says matter-of-factly that it's a body recovery, not a rescue. Deep-sea saturation diving is a dangerous business, described at the start of the film as the most dangerous job on earth. Chris tells his fiancé, in a short introduction, that it's no more dangerous than going to space. She replies that it's funny that he thinks that is comforting.

The real incident happened in September 2012 — Dave, Duncan and Chris were just one team of divers sent to the ocean floor off the coast of Aberdeen, Scotland, to repair an oil pipeline.

The seas were particularly rough that day, with winds up to 35 knots, common for the North Sea but also not what one might call safe. Chris and Dave were in the middle of their work when they heard the urgent calls to abort: The dynamic positioning system in the support vessel above had failed and they were in drift.

Chris scrambled to maneuver out of the pipeline corridors, but his umbilical got caught. For a brief, awful moment he's the anchor to the ship above, but soon enough the cord snapped, and he was thrown back to the ocean floor in pitch black with no coms, no heat and very little hope for survival. News articles about the incident clock his backup oxygen supply as being closer to five or six minutes – perhaps the movie wanted to give the audience a little buffer.

If this sounds at all familiar, it may be because it was made into a documentary, also called "Last Breath" and released in 2019. While it was well-received, some true stories are just too gripping to exist solely in that form. It's not exactly a surprise that a narrative film was made as well. There's a good track record of recent complimentary adaptations — think Ron Howard's "13 Lives" and "The Rescue" about the Thai boys soccer team stuck in the cave.

This one was made by Alex Parkinson, the same director who co-directed the doc, and it's a well-executed narrative interpretation that doesn't get in its own way with padding. Harrelson gets to be the wise mentor who really doesn't want to lose someone on his last mission. Liu gets to flex his action muscles (literally and figuratively) in a modest but solid role. And they don't go out of their way to shoehorn in a villain — this is just a group of people trying their best to save a life.

The only real problem, if one can even call it that, is that it's so short. The film doesn't take liberties with stretching out the timeline much at all and after 93 minutes, the whole thing is over. It feels strange to want a movie to be longer, but in the case of "Last Breath" I was both desperate for it to end, for anxiety reasons, and also wanting more.



Warner Bros Discovery Misses Revenue Estimates on Box Office Weakness 

The exterior of the Warner Bros. Discovery Atlanta campus in Atlanta, Georgia, US, May 2, 2023. (Reuters)
The exterior of the Warner Bros. Discovery Atlanta campus in Atlanta, Georgia, US, May 2, 2023. (Reuters)
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Warner Bros Discovery Misses Revenue Estimates on Box Office Weakness 

The exterior of the Warner Bros. Discovery Atlanta campus in Atlanta, Georgia, US, May 2, 2023. (Reuters)
The exterior of the Warner Bros. Discovery Atlanta campus in Atlanta, Georgia, US, May 2, 2023. (Reuters)

Warner Bros Discovery missed first-quarter revenue estimates on Thursday, weighed down by a lack of big box office hits from its studio and weakness in its traditional TV business as consumers continued to abandon cable for streaming.

Like others in the media business, Warner Bros Discovery is losing thousands of cable TV subscribers each year, putting pressure on the company to consistently produce hit content and boost profitability in its streaming business.

The threat of US tariffs on foreign-made films has also added to the headaches of an industry whose biggest-budget films are often produced across several continents.

WBD struggled in the January-March quarter to replicate the success of last year's "Dune: Part Two," which grossed more than $700 million. The company's marquee release for the period, Bong Joon Ho's sci-fi dark comedy "Mickey 17," earned only slightly more than its reported budget at the box office.

That meant studios revenue fell 18% to $2.31 billion, missing estimates of $2.73 billion, according to Visible Alpha.

The company has, however, made a strong start to the second quarter with Ryan Coogler's horror film "Sinners" and the blockbuster "A Minecraft Movie," which has raked in nearly $900 million globally, making it the biggest release of 2025 so far. Its summer lineup also looks strong with "Superman," directed by Marvel's long-time hitmaker James Gunn, set to release in July.

Revenue at the TV networks segment, which includes CNN, Discovery Channel and Animal Planet, fell 7%.

Overall, revenue fell 10% in the first three months of 2025 to $8.98 billion, missing analysts' average estimate of $9.60 billion, according to data compiled by LSEG.