Movie Review: A Gripping Deep-Sea Rescue Mission in ‘Last Breath’ with Woody Harrelson, Simu LIU 

Simu Liu, from left, Finn Cole, Woody Harrelson, and Alex Parkinson attend the premiere of Focus Features' "Last Breath" at AMC Lincoln Square on Tuesday, Feb. 25, 2025, in New York. (AP)
Simu Liu, from left, Finn Cole, Woody Harrelson, and Alex Parkinson attend the premiere of Focus Features' "Last Breath" at AMC Lincoln Square on Tuesday, Feb. 25, 2025, in New York. (AP)
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Movie Review: A Gripping Deep-Sea Rescue Mission in ‘Last Breath’ with Woody Harrelson, Simu LIU 

Simu Liu, from left, Finn Cole, Woody Harrelson, and Alex Parkinson attend the premiere of Focus Features' "Last Breath" at AMC Lincoln Square on Tuesday, Feb. 25, 2025, in New York. (AP)
Simu Liu, from left, Finn Cole, Woody Harrelson, and Alex Parkinson attend the premiere of Focus Features' "Last Breath" at AMC Lincoln Square on Tuesday, Feb. 25, 2025, in New York. (AP)

A routine deep-sea diving mission in the North Sea goes terribly wrong when a young diver is stranded some 300 feet below the surface in the new film "Last Breath." His umbilical cable has severed. The support vessel above is aimlessly drifting away from the site through violent, stormy waters. And the diver has only ten minutes of oxygen in his backup tank.

As if that wasn't enough, it's also a true story.

If merely reading this is giving you heart palpitations already, you can only imagine the white-knuckle experience of watching this all play out on the big screen. It's 40ish minutes of pure suspense and anxiety as the story shuffles between the man at the bottom of the ocean, Chris Lemons (Finn Cole), his fellow saturation divers (Woody Harrelson as Duncan and Simu Liu as Dave) in the diving bell below the waters who are unable to help and the crew in the support vessel above (including Cliff Curtis and Mark Bonnar) scrambling to get their systems back online and operational as the clock rapidly runs out. Ten minutes has never felt so short — and then it just gets worse as the clock starts counting up, showing Chris's time without oxygen.

At one point, Liu's character Dave, a no-nonsense, all-business diver says matter-of-factly that it's a body recovery, not a rescue. Deep-sea saturation diving is a dangerous business, described at the start of the film as the most dangerous job on earth. Chris tells his fiancé, in a short introduction, that it's no more dangerous than going to space. She replies that it's funny that he thinks that is comforting.

The real incident happened in September 2012 — Dave, Duncan and Chris were just one team of divers sent to the ocean floor off the coast of Aberdeen, Scotland, to repair an oil pipeline.

The seas were particularly rough that day, with winds up to 35 knots, common for the North Sea but also not what one might call safe. Chris and Dave were in the middle of their work when they heard the urgent calls to abort: The dynamic positioning system in the support vessel above had failed and they were in drift.

Chris scrambled to maneuver out of the pipeline corridors, but his umbilical got caught. For a brief, awful moment he's the anchor to the ship above, but soon enough the cord snapped, and he was thrown back to the ocean floor in pitch black with no coms, no heat and very little hope for survival. News articles about the incident clock his backup oxygen supply as being closer to five or six minutes – perhaps the movie wanted to give the audience a little buffer.

If this sounds at all familiar, it may be because it was made into a documentary, also called "Last Breath" and released in 2019. While it was well-received, some true stories are just too gripping to exist solely in that form. It's not exactly a surprise that a narrative film was made as well. There's a good track record of recent complimentary adaptations — think Ron Howard's "13 Lives" and "The Rescue" about the Thai boys soccer team stuck in the cave.

This one was made by Alex Parkinson, the same director who co-directed the doc, and it's a well-executed narrative interpretation that doesn't get in its own way with padding. Harrelson gets to be the wise mentor who really doesn't want to lose someone on his last mission. Liu gets to flex his action muscles (literally and figuratively) in a modest but solid role. And they don't go out of their way to shoehorn in a villain — this is just a group of people trying their best to save a life.

The only real problem, if one can even call it that, is that it's so short. The film doesn't take liberties with stretching out the timeline much at all and after 93 minutes, the whole thing is over. It feels strange to want a movie to be longer, but in the case of "Last Breath" I was both desperate for it to end, for anxiety reasons, and also wanting more.



Louvre Heist to Be Turned into Film

 The Louvre Museum seen in Paris, France, November 17, 2025. (Reuters)
The Louvre Museum seen in Paris, France, November 17, 2025. (Reuters)
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Louvre Heist to Be Turned into Film

 The Louvre Museum seen in Paris, France, November 17, 2025. (Reuters)
The Louvre Museum seen in Paris, France, November 17, 2025. (Reuters)

Last year's brazen robbery of the Louvre -- when thieves made off with jewellery worth some $100 million -- is set to become a movie, a publisher said on Tuesday.

French director Romain Gavras -- whose work includes 2025 Hollywood film "Sacrifice" starring Anya Taylor-Joy and music videos including most recently a hypnotic schoolboy choreography for GENER8ION -- will draw inspiration from the investigative book "Main basse sur le Louvre" (literally "A grab at the Louvre").

Film rights to the book about the October 19, 2025 heist had been sold to the production company Iconoclast, the Flammarion publishing house said.

The book, written by three journalists, from French dailies Le Parisien and Le Monde, and weekly glossy magazine Paris Match, is to hit bookstores on Wednesday.

According to trade magazine Le Film Francais, the movie project is in development, though neither the title nor the cast has been announced.

The Louvre heist sent shockwaves around the world and sparked a security crisis within the world-famous museum that ultimately led to the replacement of its director, Laurence des Cars.

After seven months of investigation, and despite the arrests of the main suspects, the jewels have still not been found.

The authors said their apparent disappearance "has become a dense mystery, a puzzle that has plunged investigators into deep confusion".

The heist illustrates how "the theft of artworks has become a business like any other for many criminals", they say. "The criminal underworld has found a new cash cow."


'Spider-Noir' Brings a Mature Superhero to the Small Screen

Nicolas Cage stars in the new series "Spider-Noir". Michael loccisano / GETTY IMAGES NORTH AMERICA/AFP
Nicolas Cage stars in the new series "Spider-Noir". Michael loccisano / GETTY IMAGES NORTH AMERICA/AFP
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'Spider-Noir' Brings a Mature Superhero to the Small Screen

Nicolas Cage stars in the new series "Spider-Noir". Michael loccisano / GETTY IMAGES NORTH AMERICA/AFP
Nicolas Cage stars in the new series "Spider-Noir". Michael loccisano / GETTY IMAGES NORTH AMERICA/AFP

While stars of the Spider-Man franchise have trended younger over the years -- from Tobey Maguire to Andrew Garfield to Tom Holland -- the new series "Spider-Noir" starring Nicolas Cage explores a more mature version of the web-slinging superhero.

Premiering on Amazon's streaming platform this week, the series follows Ben Reilly (Cage), a private investigator struggling to make ends meet in New York during the Great Depression, said AFP.

This marks the first time the superhero, whom Cage voiced in the first Spider-Verse film, has appeared on screen in live-action.

Karen Rodriguez, who plays Janet, Riley's loyal secretary, said that what sets "Spider-Noir" apart from other versions of the superhero is the era in which it is set.

"Normally, it's a coming-of-age story, and we're meeting Peter Parker in a youthful setting," she told AFP. "But what happens when you've done it and life has happened to you and you suffered loss?"

Reilly, a World War I veteran who can't even afford to pay his secretary, is burdened by personal tragedy.

"He's lost the love of his life. He's smack dab in the middle of the Great Depression. There's a lot of suffering," Rodriguez added.

For the actress, whose character maintains a constant push and pull with Reilly, working with Cage "was like a dream come true."

Rodriguez said she learned a lot from the 62-year-old Oscar-winning actor, who has over a hundred films to his credit.

"It's the type of job that you dream about because you want jobs that are going to make you better," said Rodriguez, who describes her character as a strong-willed woman who doesn't mince words.

"Spider-Noir," produced by Phil Lord and Christopher Miller, among others, can be seen in color or black and white, in a nod to the film noir genre of the 1940s.

"It's a wholly unique perspective," said Rodriguez, who sees the style as an "exciting" alternative for telling a superhero story.

The genre is related to "what kind of danger is looking around the corner," she said. "And even the visual elements of noir, I think are so evocative, the way that the camera is framed."

"You understand that the world you're never really safe, and we really see it in the black and white, because we're seeing people in shadow or in light, and the shadow is always there."

"Spider-Noir" also features performances by Lamorne Morris, Li Jun Li and Brendan Gleeson, who plays a mobster villain.


Disney’s New ‘Star Wars’ Film Opens with an Estimated $165 Million Worldwide

Cast member Pedro Pascal attends a premiere for the film “Star Wars: The Mandalorian and Grogu” at TCL Chinese theatre in Los Angeles, California, US, May 14, 2026. (Reuters)
Cast member Pedro Pascal attends a premiere for the film “Star Wars: The Mandalorian and Grogu” at TCL Chinese theatre in Los Angeles, California, US, May 14, 2026. (Reuters)
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Disney’s New ‘Star Wars’ Film Opens with an Estimated $165 Million Worldwide

Cast member Pedro Pascal attends a premiere for the film “Star Wars: The Mandalorian and Grogu” at TCL Chinese theatre in Los Angeles, California, US, May 14, 2026. (Reuters)
Cast member Pedro Pascal attends a premiere for the film “Star Wars: The Mandalorian and Grogu” at TCL Chinese theatre in Los Angeles, California, US, May 14, 2026. (Reuters)

New "Star Wars" film "The Mandalorian and Grogu" is expected to end the US Memorial Day weekend with roughly $165 million in worldwide ticket sales, distributor Walt Disney said ‌on Sunday.

About $102 ‌million of that ‌total ⁠will come from ⁠the United States and Canada, Disney said. The domestic total exceeds pre-weekend forecasts but is the lowest opening for any "Star Wars" ⁠movie released by Disney.

The ‌first "Star ‌Wars" movie in seven years ‌tells the story of a ‌helmeted bounty hunter and his sidekick, nicknamed Baby Yoda by fans. The duo debuted ‌on the small screen in the Disney+ streaming series "The ⁠Mandalorian" ⁠in 2019.

Disney's lowest-grossing "Star Wars" film, "Solo: A Star Wars Story," brought in $103 million over Memorial Day weekend in 2018 and was considered a flop. The "Grogu" movie, however, had a smaller budget than most other "Star Wars" movies, of about $165 million.