Forbidden K-Pop to Center Stage: North Koreans Set for Music Debut 

This picture taken on March 6, 2025 shows K-pop group 1Verse members (L-R) Hyuk, Kenny, Nathan, Seok and Aito posing for a photo during an interview with AFP at a studio in Seoul. (AFP)
This picture taken on March 6, 2025 shows K-pop group 1Verse members (L-R) Hyuk, Kenny, Nathan, Seok and Aito posing for a photo during an interview with AFP at a studio in Seoul. (AFP)
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Forbidden K-Pop to Center Stage: North Koreans Set for Music Debut 

This picture taken on March 6, 2025 shows K-pop group 1Verse members (L-R) Hyuk, Kenny, Nathan, Seok and Aito posing for a photo during an interview with AFP at a studio in Seoul. (AFP)
This picture taken on March 6, 2025 shows K-pop group 1Verse members (L-R) Hyuk, Kenny, Nathan, Seok and Aito posing for a photo during an interview with AFP at a studio in Seoul. (AFP)

Growing up in North Korea, Hyuk's childhood was about survival. He never listened to banned K-pop music but, after defecting to the South, he's about to debut as an idol.

Hyuk is one of two young North Koreans in a new K-pop band called 1Verse -- the first time that performers originally from the nuclear-armed North have been trained up for stardom in South Korea's global K-pop industry.

Before he was 10, Hyuk -- who like many K-pop idols now goes by one name -- was skipping school to work on the streets in his native North Hamgyong province and admits he "had to steal quite a bit just to survive".

"I had never really listened to K-pop music", he told AFP, explaining that "watching music videos felt like a luxury to me".

"My life was all about survival", he said, adding that he did everything from farm work to hauling shipments of cement to earn money to buy food for his family.

But when he was 13, his mother, who had escaped North Korea and made it to the South, urged him to join her.

He realized this could be his chance to escape starvation and hardship, but said he knew nothing about the other half of the Korean peninsula.

"To me, the world was just North Korea -- nothing beyond that," he told AFP.

His bandmate, Seok, also grew up in the North -- but in contrast to Hyuk's hardscrabble upbringing, he was raised in a relatively affluent family, living close to the border.

As a result, even though K-pop and other South Korean content like K-dramas are banned in the North with harsh penalties for violators, Seok said "it was possible to buy and sell songs illegally through smugglers".

Thanks to his older sister, Seok was listening to K-pop and even watching rare videos of South Korean artists from a young age, he told AFP.

"I remember wanting to imitate those cool expressions and styles -- things like hairstyles and outfits," Seok told AFP.

Eventually, when he was 19, Seok defected to the South. Six years later, he is a spitting image of a K-Pop idol.

- Star quality -

Hyuk and Seok were recruited for 1Verse, a new boy band and the first signed to smaller Seoul-based label Singing Beetle by the company's CEO Michelle Cho.

Cho was introduced to both of the young defectors through friends.

Hyuk was working at a factory when she met him, but when she heard raps he had written she told AFP that she "knew straight away that his was a natural talent".

Initially, he "professed a complete lack of confidence in his ability to rap", Cho said, but she offered him free lessons and then invited him to the studio, which got him hooked.

Eventually, "he decided to give music a chance", she said, and became the agency's first trainee.

In contrast, Seok "had that self-belief and confidence from the very beginning", she said, and lobbied hard to be taken on.

When Seok learned that he would be training alongside another North Korean defector, he said it "gave me the courage to believe that maybe I could do it".

- 'We're almost there' -

The other members of 1Verse include a Chinese-American, a Lao-Thai American and a Japanese dancer. The five men in their 20s barely speak each other's languages.

But Hyuk, who has been studying English, says it doesn't matter.

"We're also learning about each other's cultures, trying to bridge the gaps and get closer little by little," he said.

"Surprisingly, we communicate really well. Our languages aren't perfectly fluent, but we still understand each other. Sometimes, that feels almost unbelievable."

Aito, the Japanese trainee who is the main dancer in the group, said he was "fascinated" to meet his North Korean bandmates.

"In Japan, when I watched the news, I often saw a lot of international issues about defectors, so the overall image isn't very positive," he said.

But Aito told AFP his worries "all disappeared" when he met Hyuk and Seok. And now, the five performers are on the brink of their debut.

It's been a long road from North Korea to the cusp of K-pop stardom in the South for Hyuk and Seok -- but they say they are determined to make 1Verse a success.

"I really want to move someone with my voice. That feeling grows stronger every day," said Seok.

Hyuk said being part of a real band was a moving experience for him.

"It really hit me, like wow, we're almost there."



Keri Hilson's 'We Need to Talk' Marks Her Return to Music after a 15-Year Absence

Keri Hilson poses for a portrait on Tuesday, April 8, 2025, in New York. (AP Photo/Gary Gerard Hamilton)
Keri Hilson poses for a portrait on Tuesday, April 8, 2025, in New York. (AP Photo/Gary Gerard Hamilton)
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Keri Hilson's 'We Need to Talk' Marks Her Return to Music after a 15-Year Absence

Keri Hilson poses for a portrait on Tuesday, April 8, 2025, in New York. (AP Photo/Gary Gerard Hamilton)
Keri Hilson poses for a portrait on Tuesday, April 8, 2025, in New York. (AP Photo/Gary Gerard Hamilton)

The last time Keri Hilson put out an album, Barack Obama was in the second year of his first term as US president, the iPad was released and Instagram was brand new.
“On some days, I’m like that was just a blink away. But for the most part, yeah, it feels like a long time because I’ve been waiting. I felt stagnant, I felt stuck for a while, and conflicted,” said the two-time Grammy-nominated artist. “I’m very much approaching this like I’m starting over because that’s how it feels to me. I’ve lived nine lives since I last released ... I’m a whole different person.”
Hilson, the 42-year-old R&B star known for late 2000s hits like “Knock You Down,” featuring Kanye West and Ne-Yo. and “Pretty Girl Rock,” released “WE NEED TO TALK: LOVE” on Friday. It's her third album, following 2010’s “No Boys Allowed,” and is the first of a trilogy set for release this year. Led by the sultry single “Bae,” the nine-track album delves into romance and introspection.
“I feel resolved, both with the art and within about stepping back into the light. So, I think that resolve kind of had to be found before I felt confident enough to release the body of work and also unleash myself to the world again,” explained Hilson, who said she’s never stopped recording. “There were songs in my past that I felt were political moves, songs I didn’t really love that I had to sing ... I didn’t want to feel like that this time around.”
THE DISAPPEARANCE
One of those songs was a leaked remix to her popular 2009 single “Turnin Me On” featuring Lil Wayne, which peaked at No. 15 on the Billboard Hot 100. Lyrics included diss fans perceived to be aimed at Beyoncé.
Hilson, who had yet to drop her introductory album, “In A Perfect World,” which debuted at No. 4 on the Billboard Top 200 and No. 1 on Top R&B albums, claimed that she was forced to sing the lines, “She can sing / But she need to move it to the left, left,” assumed to reference Beyoncé’s “Irreplaceable.” She says she was threatened her album might not be released if she refused.
Last week, Hilson trended on social media following an interview with iHeartMedia’s “The Breakfast Club” after recalling the incident. While she has talked about it several times in the past, during that interview, the singer publicly named those involved, including producer Polow Da Don who she was signed to. She did not name singer-songwriter Ester Dean. However, after social media users tagged Dean in posts, she later identified herself.
The ending of a decade long relationship, a lack of control over her career and the intense, never-ending backlash from the BeyHive triggered depression and led to her retreat from music.
THE COMEBACK
During her time away, the Georgia native embarked on a journey of healing that included therapy, journaling and spiritual retreats.
“There were some perspectives that I needed to uncover ... untruths, beliefs that I kind of picked up or inherited about myself,” said Hilson, who shifted to acting.
Her comeback has included very selective press, avoiding what she describes as “new media” outlets such as social media-driven platforms, saying monetization can reward the promotion of gossip or incentivize the creation of lies. The salacious blog culture of the 2010s was a driving force in fanning the flames of her perceived beef with Beyoncé, who has never publicly commented on the situation.
Hilson “can definitely operate and navigate within the realm of R&B. She has a fan base,” said Keithan Samuels, founder of the popular website RatedRnB.com. “Her core fan base has matured ... she can navigate within this new era of R&B where there’s a lot of diversity and sound.”
THE MUSIC
Crafted with unofficial writing camps and records created throughout the years, “WE NEED TO TALK: LOVE” finds Hilson delivering vulnerable and flirty lyrics over a wide range of R&B sounds. Writing on all but one song, she avoided current R&B trends that developed during her absence, citing individuality as a key to her early success. She also believes algorithms have created a culture of musical homogeny, rather than creativity.
There are quintessential “Ms. Keri Baby” songs like the fun, Pop&B styled “Somethin (Bout U),” but there’s also the introspective “Naked (Love),” and “Say It,” in which she expresses, “I won’t say I love you / ‘til you say you love me.”
“I’m very ‘girl boss’ in my life, right? When it comes to relationships, I prefer to be a lady. I prefer to be approached. ... I prefer for the man to say ‘I love you’ first. I just prefer for a man to lead,” said Hilson. “I’m really a damsel – without the distress.”
The bedroom mood is set on the sexy slow jam “Scream,” while the bright “Whatever” floats with beautiful stacked harmonies.
“I feel like it’s something I would have written for Whitney. And I actually wrote a song for Whitney that she never was able to record,” said Hilson, who began her career as an in-demand writer whose credits include songs for Chris Brown, Mary J. Blige, Jennifer Lopez and Britney Spears. “This reminds me of a Whitney Houston record, where I think she would be now.”
Samuels of RatedRnB.com says this project is evident of the newfound control Hilson has over her career.
“It’s definitely not, to me, an attempt to have this commercial comeback ... it feels more personal,” said Samuels. “The other two albums, I feel like were more catered to what was current then.”
THE FREEDOM
Hilson says she’s still open to writing for other artists and giving away songs that may not fit her current musical era. She also has a new Lifetime movie, “Fame: A Temptations Story,” co-starring Keshia Chanté, premiering April 26 at 8 p.m. EDT. Hilson says acting is now an equal part of her career.
Though Hilson may be cautiously re-emerging musically, fans are welcoming her return. After The Breakfast Club interview, fans flooded her with sympathy and positivity, possibly due to a combination of her finally telling her side of the story in detail, as well as the passing of time. Some fans said they forgot about the incident or were too young to know about it.
“I just control what I can control ... I control what I allow to bring me up or down. These are realizations that I’ve had since I’ve been away,” said Hilson. “I feel unburdened ... I’m not projecting too much of the past onto now, and all of that is freeing.”