‘Sinners’ Surges Past ‘Minecraft’ to Lead Box Office

 Director Ryan Coogler, left, and Michael B. Jordan pose for photographers upon arrival at the premiere of the film "Sinners" on Monday, April 14, 2025, in London. (AP)
Director Ryan Coogler, left, and Michael B. Jordan pose for photographers upon arrival at the premiere of the film "Sinners" on Monday, April 14, 2025, in London. (AP)
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‘Sinners’ Surges Past ‘Minecraft’ to Lead Box Office

 Director Ryan Coogler, left, and Michael B. Jordan pose for photographers upon arrival at the premiere of the film "Sinners" on Monday, April 14, 2025, in London. (AP)
Director Ryan Coogler, left, and Michael B. Jordan pose for photographers upon arrival at the premiere of the film "Sinners" on Monday, April 14, 2025, in London. (AP)

Brand names, not filmmakers or stars, are said to rule the box office these days. But Ryan Coogler’s “Sinners,” led by twin Michael B. Jordans, proved a bloody exception to modern movie rules, launching with $45.6 million in ticket sales in US and Canadian theaters, according to studio estimates Sunday.

“Sinners,” a Warner Bros. release that cost about $90 million to produce, was a bold gamble on originality — albeit with genre elements — and one of the most bankable American directors in Coogler. The “Creed” and “Black Panther” director wrote and produced “Sinners,” a 1932-set vampire movie about bootlegging brothers (both played by Jordan) who open a juke joint in their Mississippi hometown.

“A Minecraft Movie,” the year’s biggest Hollywood hit, followed close behind in second, collecting $41.3 million in its third week of release. That gave Warner Bros., after a handful of disappointments, an enviable one-two punch at the box office with one original, director-driven movie and one IP-based property.

“A Minecraft Movie,” which Warner Bros. co-produced with Legendary Pictures, has amassed $720.8 million worldwide in three weeks of release.

Pam Abdy and Mike De Luca, co-chairs of Warner Bros. Motion Picture Group, celebrated the two films’ resonance with moviegoers. The studio accounted for a remarkable 64% of the domestic box office for the Easter weekend.

“Movies have the power to transport us to worlds only seen on the big screen, and Warner Bros. Pictures remains committed to bringing singular in-theater experiences to audiences looking for bold movies, both original and those based on beloved existing properties,” Abdy and De Luca said in a statement Sunday.

But all eyes were on the performance on “Sinners,” which Warner Bros. went to extreme lengths to secure. Abdy and De Luca agreed to give Coogler not just a cut of gross ticket sales but ownership of the film after 25 years — a virtually unheard of concession.

But Coogler and Jordan, whose collaborations stretch back to “Fruitvale Station,” make up one of the industry’s most potent director-actor duos. Reviews (98% “fresh” on Rotten Tomatoes) were stellar for “Sinners” and audiences, too, were enthralled by its supernatural twists. The film earned an “A” CinemaScore from moviegoers.

Overseas, “Sinners” faced a more uphill battle. It collected $15.4 million in 71 international markets. Domestically, “Sinners” attracted a diverse audience: 38% Black, 35% white, 18% Hispanic and 5% Asian.

Before “Sinners,” dual roles had been rough business for Warner Bros. The studio saw flops in both “The Alto Knights” (a period gangster film featuring a doubled Robert De Niro) and “Mickey 17” (a sci-fi movie with two Robert Pattinsons).

But the strong opening for “Sinners,” which should be sustained in the coming weeks given the strong word of mouth, cements Coogler’s place as one of a handful of filmmakers whose name draws big audiences. Another would be Jordan Peele, whose “Nope” (2022) debuted similarly with $44.3 million.

Angel Studios’ “The King of Kings,” an animated tale of Jesus’ life aimed at Christian audiences, capitalized on the Easter weekend, grossing $17.2 million in its second week of release. That was nearly equal to its opening weekend ($19.1 million), and brought “The King of Kings” to a domestic total of $45.3 million.

Bleecker Street’s “The Wedding Banquet,” Andrew Ahn’s reimagining of Ang Lee’s 1993 comedy of errors, opened on 1,142 North American screens with $922,906 in ticket sales. “The Wedding Banquet,” a hit at the Sundance Film Festival, stars Lily Gladstone, Bowen Yang, Kelly Marie Tran and newcomer Han Gi-chan.



De Niro Says Hollywood Worried about 'Wrath of Trump'

Many people were too worried about the 'wrath of Trump' to speak out against him, said De Niro. Miguel MEDINA / AFP
Many people were too worried about the 'wrath of Trump' to speak out against him, said De Niro. Miguel MEDINA / AFP
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De Niro Says Hollywood Worried about 'Wrath of Trump'

Many people were too worried about the 'wrath of Trump' to speak out against him, said De Niro. Miguel MEDINA / AFP
Many people were too worried about the 'wrath of Trump' to speak out against him, said De Niro. Miguel MEDINA / AFP

Robert De Niro told AFP Wednesday that many in Hollywood share his views on US President Donald Trump -- whom he denounced at the Cannes film festival opening -- but the industry is worried about speaking out against him.

The 81-year-old, one of the most outspoken critics of the American leader, used his Tuesday evening speech to condemn him again, calling him a "philistine".

"They have big businesses, they have to worry about the wrath of Trump, and that's where they have to make a decision: do I succumb to that or do I say no?" he told AFP.

But he cited as an inspiration the example of some US universities and legal firms who have stood up to attempts from Trump's administration to cow them.

"It's important, because other people pick that up, they see that they're fighting, it gives them strength to fight, and they're inspired by that," he added.

"They say it is possible... that's what America is about."

After accepting an honorary Palme d'Or on Tuesday evening for his contribution to cinema, the "Taxi Driver" star called for resistance against Trump's agenda.

As well as calling the president a "philistine", De Niro slammed his desire to implement 100-percent tariffs on films "produced in foreign lands".

"You can't have apathy, you can't have silence," De Niro said on Wednesday.

"People have to speak up and they have to take chances and risk being harassed. You just can't let the bully win, period."

Documentary film

De Niro also revealed Wednesday that he has been working on a new personal film project with New York-based French artist JR, best known for his huge photographic collages.

The film will be an exploration of De Niro's family, particularly his father, a painter, and the actor has opened up his family archives including abundant family videos.

"I don't know where we'll go," he told an audience during an interview with JR in Cannes. "There's no time limit, as far as I'm concerned."

The pair revealed some of the first images of their work, which include huge photos of De Niro's father and a sequence in which De Niro can be seen lying on one of them while travelling on a barge in New York's harbor.

It also features an appearance from Martin Scorsese, who directed De Niro in some of his best-known movies including "Goodfellas" and "Raging Bull".

The film also sees De Niro reflect on his life and twilight years.

Asked if he was afraid of death, he replied: "I don't have a choice, so you might as well not be afraid of it."