Where's Marty McFly's Guitar? Search Is on for ‘Back to the Future’ Prop 4 Decades Later 

Michael J. Fox arrives at “A Country Thing Happened on the Way to Cure Parkinson's” in Nashville, Tenn., on April 26, 2023. (AP) 
Michael J. Fox arrives at “A Country Thing Happened on the Way to Cure Parkinson's” in Nashville, Tenn., on April 26, 2023. (AP) 
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Where's Marty McFly's Guitar? Search Is on for ‘Back to the Future’ Prop 4 Decades Later 

Michael J. Fox arrives at “A Country Thing Happened on the Way to Cure Parkinson's” in Nashville, Tenn., on April 26, 2023. (AP) 
Michael J. Fox arrives at “A Country Thing Happened on the Way to Cure Parkinson's” in Nashville, Tenn., on April 26, 2023. (AP) 

Marty McFly grabbed a guitar in “Back to the Future” and rocked out with the band at a 1950s high school dance, helping him narrowly avoid blinking out of existence before time-traveling back to the 1980s.

The guitar, in real life, wasn't as lucky.

Filmmakers went looking for the instrument while making the movie's 1989 sequel, but even now it's nowhere to be found. Four decades after the blockbuster film debuted, the guitar's creator has launched a search for the iconic Cherry Red Gibson ES-345.

Gibson, which is based in Nashville, is asking the public for help tracking it down as the movie turns 40 and as the company produces a new documentary about the search and the film, “Lost to the Future.”

In a video by Gibson, with the movie's theme song playing in the background, “Back to the Future” stars such as Michael J. Fox, Christopher Lloyd, Lea Thompson and Harry Waters Jr. make a cinematic plea. There's also a surprise appearance by Huey Lewis, whose band Huey Lewis and the News performed the soundtrack's headliner song, “The Power of Love.”

Lloyd, in the cadence of Doc Brown, says in the video that the guitar has been “lost to the future.”

“It's somewhere lost in the space-time continuum,” says Fox, who played McFly. “Or it's in some Teamster's garage.”

In the film, McFly steps in for an injured band member at the 1955 school dance with the theme “Enchantment under the Sea,” playing the guitar as students slow dance to “Earth Angel.” He then leads Marvin Barry and the Starlighters in a rendition of “Johnny B. Goode,” calling it an oldie where he comes from even though the 1958 song doesn't exist yet for his audience.

Fox said he wanted McFly to riff through his favorite guitarists' signature styles — Jimi Hendrix behind the head, Pete Townshend's windmill and the Eddie Van Halen hammer. After digging and dancing to “Johnny B. Goode,” the students at the dance fall into an awkward silence as McFly's riffs turn increasingly wild.

“I guess you guys aren't ready for that yet,” McFly says. “But your kids are gonna love it.”



Apple's 'F1: The Movie' Roars to Top of US, Canada Box Office

Cast member Brad Pitt attends the "F1: The Movie" European premiere in London, Britain, June 23, 2025. (Reuters)
Cast member Brad Pitt attends the "F1: The Movie" European premiere in London, Britain, June 23, 2025. (Reuters)
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Apple's 'F1: The Movie' Roars to Top of US, Canada Box Office

Cast member Brad Pitt attends the "F1: The Movie" European premiere in London, Britain, June 23, 2025. (Reuters)
Cast member Brad Pitt attends the "F1: The Movie" European premiere in London, Britain, June 23, 2025. (Reuters)

Apple's high-octane racing film "F1: The Movie" roared to the top of the US and Canadian box office this weekend, fueled by star-power and a finely-tuned marketing campaign, according to Comscore.

The movie, which stars Brad Pitt as a Formula 1 racer who returns to the track after an accident nearly ends his career, brought in $55.6 million in ticket sales in the two countries. That tally edged past the $45 million to $55 million pre-weekend domestic forecast from the Boxoffice Company.

Worldwide receipts topped $88 million, propelled by the sport's strong fan base in Europe and Latin America.

Racing films typically sputter in theaters, according to Daniel Loria, senior vice president of the Boxoffice Company, a theatrical ecommerce and data services firm. The most successful of the genre, the widely acclaimed "Ford v Ferrari," opened to a modest $31 million in November 2019.

"We haven't had that many movies about car racing that have broken through," Loria said. One notable outlier is the "Fast & Furious" action series that expanded beyond its street racing roots to include heists, espionage and an improbable moon shot.

"F1" had several factors weighing in its favor, helping to broaden its appeal beyond racing enthusiasts. The film's director, Joseph Kosinski, brought the same high-intensity cinematic treatment of Formula 1 racing that he lent to the fighter jet sequences in his 2022 movie, "Top Gun: Maverick." Moviegoers who were polled by CinemaScore gave F1 an A rating, signaling their approval.

Netflix's "Formula 1: Drive to Survive" series helped fuel the popularity of Formula 1 racing, particularly in the US Apple also put marketing muscle behind its movie, an Apple Original Films production that Variety reported cost in excess of $200 million to make.

The tech giant touted "F1" during CEO Tim Cook's keynote address at this year's Worldwide Developers Conference and offered a movie discount to iPhone users. Apple Music also amplified the film's soundtrack.

Warner Bros, which marketed and distributed the movie, developed a bespoke campaign that emphasized the participation of Formula 1 world champion Lewis Hamilton in Europe and Latin America, while focusing on Pitt in the US.

"It's very much like a perfectly coordinated pit crew in a race," said Paul Dergarabedian, senior media analyst with Comscore, an information and analytics company. "They shot this thing off the starting line with great success."

"F1" represents the biggest opening weekend for Apple, whose previous cinematic efforts, such as director Martin Scorsese's "Killers of the Flower Moon," garnered critical acclaim but achieved modest results at the box office.

"The film's outstanding debut reflects both the excitement of Formula 1 and the deeply emotional and entertaining story crafted by the entire cast and creative team," Zack Van Amburg, Apple's head of worldwide video, said in a statement.