Movie Review: ‘How to Train Your Dragon’ Might Have Just Redeemed the Live-Action Adaptation

 Mason Thames arrives at the premiere of "How to Train Your Dragon" on Saturday, June 7, 2025, at the Academy Museum of Motion Pictures in Los Angeles. (Andrew Park/Invision/AP)
Mason Thames arrives at the premiere of "How to Train Your Dragon" on Saturday, June 7, 2025, at the Academy Museum of Motion Pictures in Los Angeles. (Andrew Park/Invision/AP)
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Movie Review: ‘How to Train Your Dragon’ Might Have Just Redeemed the Live-Action Adaptation

 Mason Thames arrives at the premiere of "How to Train Your Dragon" on Saturday, June 7, 2025, at the Academy Museum of Motion Pictures in Los Angeles. (Andrew Park/Invision/AP)
Mason Thames arrives at the premiere of "How to Train Your Dragon" on Saturday, June 7, 2025, at the Academy Museum of Motion Pictures in Los Angeles. (Andrew Park/Invision/AP)

Ever wanted to soar through the skies on the back of a friendly dragon? The new “How to Train Your Dragon” may be the ticket, from a decidedly safer, though possibly still vertigo-inducing, distance.

This live-action adaption of the underdog adventure story sends the audience cascading through the clouds with the teenage Viking boy Hiccup and his dragon friend Toothless. It’s the kind of immersive sensation and giddy wish fulfillment that might just have you forgetting momentarily to breathe and, maybe more importantly, that you’re still in a movie theater. Credit to veteran cinematographer Bill Pope, no stranger to fantasy worlds, whether it’s “The Matrix” or “Scott Pilgrim vs. The World.”

“How to Train Your Dragon” doesn’t stray far from the original, from shots to story beats. Gerard Butler once again plays Berk’s Chief Stoick the Vast. The new Hiccup, actor Mason Thames, even sounds a bit like Jay Baruchel. But unlike so many live-action remakes of animated films, it also doesn’t feel superfluous, or, worse, like a poor imitation of its predecessor that trades the magic of animation for photorealism.

Perhaps that’s because filmmaker Dean DeBlois, who made the three animated films, stayed in the director’s chair. Who better to kill their darlings than the one who brought them to the screen in the first place? And, crucially, to know where live-action might actually enhance the fabric of the world created by author Cressida Cowell.

It helps that dragon technology has come a long way since, say, “DragonHeart.” These fire-breathing CG creatures feel disarmingly real. And though it might look like “Lord of the Rings” or “Game of Thrones,” the tone stays light enough for younger filmgoers. There are a few intense sequences, but none that takes it any further than the animated film did 15 years ago.

“How to Train Your Dragon” does start a little slow, however, which is odd because it also begins with a fiery battle between the Vikings and the dragons on the Isle of Berk. There’s a lot of exposition and introduction that needs to happen before you can just give yourself over to the story. In this more multicultural version, the warriors on Berk have been recruited from tribes around the globe to try to defeat the dragons.

Hiccup is a Viking nepo baby. As the chief's son, he sits in a place of privilege, but he’s also a general outcast in this world of ruthless warriors — skinny and weak, he just longs to be part of the action, not sharpening the weapons. Killing dragons is currency in this society, and his crush Astrid (Nico Parker) happens to be one of the most promising up-and-comers. His sole champion is Gobber (a delightful Nick Frost), the blacksmith and dragon slayer teacher, who convinces the chief to give the clever Hiccup a shot.

The film finds its internal engine when Hiccup finds Toothless, the wide-eyed “Night Fury” dragon whom he can’t bring himself to kill. Instead, he decides to study this discovery, who he finds is not nearly as fearsome as everyone assumes. “How to Train Your Dragon” teaches empathy and ingenuity without a sermon.

Thames, a teenager himself, is the perfect embodiment of adolescent awkwardness and boldness. You can have all the cute dragons you want, but the audience would be lost if the human conduit to the relationship isn’t up to the task. Butler seems to be having a good time, resplendent in fur and chest-thumping ideas about ancient duties. And Parker gives Astrid a relatable depth — the best in the bunch who is outshone in an unequal fight.

Kids deserve movies that are made on the biggest possible canvas. “How to Train Your Dragon” is one that's worth the trip to the theater. It might just spark some young imaginations, whether it’s to go back and read the books or dream up their own worlds. And, chances are, no one is going to be yelling “chicken jockey.”



Israeli Oscars Entry Evokes Empathy to Palestinians but Irks Government

Basel Adra, from left, Rachel Szor, Hamdan Ballal, and Yuval Abraham accept the award for best documentary feature film for "No Other Land" during the Oscars on Sunday, March 2, 2025, at the Dolby Theatre in Los Angeles. (AP Photo/Chris Pizzello)
Basel Adra, from left, Rachel Szor, Hamdan Ballal, and Yuval Abraham accept the award for best documentary feature film for "No Other Land" during the Oscars on Sunday, March 2, 2025, at the Dolby Theatre in Los Angeles. (AP Photo/Chris Pizzello)
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Israeli Oscars Entry Evokes Empathy to Palestinians but Irks Government

Basel Adra, from left, Rachel Szor, Hamdan Ballal, and Yuval Abraham accept the award for best documentary feature film for "No Other Land" during the Oscars on Sunday, March 2, 2025, at the Dolby Theatre in Los Angeles. (AP Photo/Chris Pizzello)
Basel Adra, from left, Rachel Szor, Hamdan Ballal, and Yuval Abraham accept the award for best documentary feature film for "No Other Land" during the Oscars on Sunday, March 2, 2025, at the Dolby Theatre in Los Angeles. (AP Photo/Chris Pizzello)

The director of Israel's entry for the 2026 Oscars about a Palestinian boy's quest to see the sea hopes it will help arouse compassion in his homeland during so much conflict. Prospects for lasting peace between Israelis and Palestinians have rarely looked so bleak after the October 7, 2023 Hamas attacks, two years of war in Gaza and surging settler violence in the West Bank.

However, director and writer Shai Carmeli-Pollak has taken heart from the reception to his film "The Sea" which won Israel's top film prize so was automatically submitted for the foreign-language Oscar prize to be decided in March, Reuters reported.

"I met the audience that came to watch it and it was amazing that people could be emotional and sometimes shed a tear for this story while violence and atrocities happened not far from here," Carmeli-Pollak said in an interview this week after a viewing.

"The Sea" tells the story of Khaled, a Palestinian boy in the Israeli-occupied West Bank who fears growing up without seeing the sea and makes the perilous journey alone and without travel papers into Israel to try to reach the coast.

He had recently been turned away at a checkpoint on a school trip to the sea, and his sudden disappearance from home leads his father, an undocumented labourer in Israel, to risk arrest by setting out in search of him.

"The Sea" won Best Picture at September's Ophir awards, the Israeli equivalent of the Oscars, prompting condemnation from Culture Minister Miki Zohar, who pulled funding from the ceremony over the movie's portrayal of the Israeli military.

Israel's government since 2022 has been among the most right-wing in its history, adamantly opposed to Palestinian statehood and committed to expanding settlement in the West Bank.

The 2023 Hamas attack on Israel, which killed more than 1,200 people, has hardened many Israelis towards Palestinians and made criticism of the army more sensitive.

'COMPASSION AND LOVE'

Carmeli-Pollak and the Israeli-Palestinian producer of "The Sea", Baher Agbaria, said it was important to make films that helped people hear each other's stories.

"I hope that the film will open other channels - channels of compassion and love - and give other ways that we can live together in this place," Carmeli-Pollak told Reuters.

Agbaria said it felt surprising to bring a Palestinian story to mainstream cinemas in Israel against the backdrop of the war.

"Because (of) what is happening this is time also for this film, you know, for this kind of story, to listen to the others," he said.

The film was released in cinemas in Israel in July and is still running. At the 2025 Oscars, an Israeli-Palestinian film "No Other Land", about the Israeli displacement of a Palestinian community in the West Bank, won the documentary feature film award, also angering Israel's government.

Carmeli-Pollak, a longtime peace activist, said that even though the government did not want him to represent Israel, he was proud to be part of a community of filmmakers who chose to honour "The Sea".

"I represent every people, like both Israelis and Palestinians, that aspire for peace and for equality and for living together in a different way than this government is working for."


Apple Streaming Service Restored after Brief Outage

FILED - 16 September 2023, US, New York: The Apple logo, taken at the Apple Store on 5th Avenue in Manhattan. Photo: Michael Kappeler/dpa
FILED - 16 September 2023, US, New York: The Apple logo, taken at the Apple Store on 5th Avenue in Manhattan. Photo: Michael Kappeler/dpa
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Apple Streaming Service Restored after Brief Outage

FILED - 16 September 2023, US, New York: The Apple logo, taken at the Apple Store on 5th Avenue in Manhattan. Photo: Michael Kappeler/dpa
FILED - 16 September 2023, US, New York: The Apple logo, taken at the Apple Store on 5th Avenue in Manhattan. Photo: Michael Kappeler/dpa

Apple's streaming service resumed for users in the United States after a brief outage late Thursday, Apple's status page showed.

The number of users reporting issues with Apple TV had dropped to 208, from a peak of about 15,000, according to tracking website Downdetector.com.

The company also experienced issues with Apple Music and Apple Arcade services, both of which were also restored, according to its status page.

Downdetector tracks outages by collating status reports from several sources including users.


Red Sea Film Festival Launches Mobile App Ahead of Fifth Edition

Red Sea International Film Festival logo
Red Sea International Film Festival logo
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Red Sea Film Festival Launches Mobile App Ahead of Fifth Edition

Red Sea International Film Festival logo
Red Sea International Film Festival logo

The Red Sea International Film Festival has unveiled its newly redesigned mobile app, offering a fully integrated digital experience that provides visitors with seamless access to all festival details ahead of its fifth edition, set to take place this December in the historic Al-Balad district of Jeddah.

The updated app enables users to explore the full film lineup, including screening schedules and synopses, browse panel discussions and special events, reserve tickets, and navigate festival venues through interactive maps.

The app is now available for download on the Apple App Store and Google Play, serving as an essential companion for festival-goers.