Movie Review: ‘How to Train Your Dragon’ Might Have Just Redeemed the Live-Action Adaptation

 Mason Thames arrives at the premiere of "How to Train Your Dragon" on Saturday, June 7, 2025, at the Academy Museum of Motion Pictures in Los Angeles. (Andrew Park/Invision/AP)
Mason Thames arrives at the premiere of "How to Train Your Dragon" on Saturday, June 7, 2025, at the Academy Museum of Motion Pictures in Los Angeles. (Andrew Park/Invision/AP)
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Movie Review: ‘How to Train Your Dragon’ Might Have Just Redeemed the Live-Action Adaptation

 Mason Thames arrives at the premiere of "How to Train Your Dragon" on Saturday, June 7, 2025, at the Academy Museum of Motion Pictures in Los Angeles. (Andrew Park/Invision/AP)
Mason Thames arrives at the premiere of "How to Train Your Dragon" on Saturday, June 7, 2025, at the Academy Museum of Motion Pictures in Los Angeles. (Andrew Park/Invision/AP)

Ever wanted to soar through the skies on the back of a friendly dragon? The new “How to Train Your Dragon” may be the ticket, from a decidedly safer, though possibly still vertigo-inducing, distance.

This live-action adaption of the underdog adventure story sends the audience cascading through the clouds with the teenage Viking boy Hiccup and his dragon friend Toothless. It’s the kind of immersive sensation and giddy wish fulfillment that might just have you forgetting momentarily to breathe and, maybe more importantly, that you’re still in a movie theater. Credit to veteran cinematographer Bill Pope, no stranger to fantasy worlds, whether it’s “The Matrix” or “Scott Pilgrim vs. The World.”

“How to Train Your Dragon” doesn’t stray far from the original, from shots to story beats. Gerard Butler once again plays Berk’s Chief Stoick the Vast. The new Hiccup, actor Mason Thames, even sounds a bit like Jay Baruchel. But unlike so many live-action remakes of animated films, it also doesn’t feel superfluous, or, worse, like a poor imitation of its predecessor that trades the magic of animation for photorealism.

Perhaps that’s because filmmaker Dean DeBlois, who made the three animated films, stayed in the director’s chair. Who better to kill their darlings than the one who brought them to the screen in the first place? And, crucially, to know where live-action might actually enhance the fabric of the world created by author Cressida Cowell.

It helps that dragon technology has come a long way since, say, “DragonHeart.” These fire-breathing CG creatures feel disarmingly real. And though it might look like “Lord of the Rings” or “Game of Thrones,” the tone stays light enough for younger filmgoers. There are a few intense sequences, but none that takes it any further than the animated film did 15 years ago.

“How to Train Your Dragon” does start a little slow, however, which is odd because it also begins with a fiery battle between the Vikings and the dragons on the Isle of Berk. There’s a lot of exposition and introduction that needs to happen before you can just give yourself over to the story. In this more multicultural version, the warriors on Berk have been recruited from tribes around the globe to try to defeat the dragons.

Hiccup is a Viking nepo baby. As the chief's son, he sits in a place of privilege, but he’s also a general outcast in this world of ruthless warriors — skinny and weak, he just longs to be part of the action, not sharpening the weapons. Killing dragons is currency in this society, and his crush Astrid (Nico Parker) happens to be one of the most promising up-and-comers. His sole champion is Gobber (a delightful Nick Frost), the blacksmith and dragon slayer teacher, who convinces the chief to give the clever Hiccup a shot.

The film finds its internal engine when Hiccup finds Toothless, the wide-eyed “Night Fury” dragon whom he can’t bring himself to kill. Instead, he decides to study this discovery, who he finds is not nearly as fearsome as everyone assumes. “How to Train Your Dragon” teaches empathy and ingenuity without a sermon.

Thames, a teenager himself, is the perfect embodiment of adolescent awkwardness and boldness. You can have all the cute dragons you want, but the audience would be lost if the human conduit to the relationship isn’t up to the task. Butler seems to be having a good time, resplendent in fur and chest-thumping ideas about ancient duties. And Parker gives Astrid a relatable depth — the best in the bunch who is outshone in an unequal fight.

Kids deserve movies that are made on the biggest possible canvas. “How to Train Your Dragon” is one that's worth the trip to the theater. It might just spark some young imaginations, whether it’s to go back and read the books or dream up their own worlds. And, chances are, no one is going to be yelling “chicken jockey.”



Singer Rosalia Quits Milan Concert with Food Poisoning

Rosalia is shown after winning the best international artist at the Brit Awards in February. Adrian Dennis / AFP/File
Rosalia is shown after winning the best international artist at the Brit Awards in February. Adrian Dennis / AFP/File
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Singer Rosalia Quits Milan Concert with Food Poisoning

Rosalia is shown after winning the best international artist at the Brit Awards in February. Adrian Dennis / AFP/File
Rosalia is shown after winning the best international artist at the Brit Awards in February. Adrian Dennis / AFP/File

Spanish singer Rosalia was forced to interrupt a concert in Italy halfway through due to food poisoning, according to fan footage posted on social media.

The 33-year-old Grammy-winning singer was performing at the Unipol Forum in Milan on Wednesday, when she stopped to tell the crowds she was feeling unwell, said AFP.

"I've tried to do this show. Since the beginning I've been sick. I've had big time food poisoning," she said in English in a video posted on X.

"I've tried to push it until the end, but I'm feeling extremely sick. I'm puking out there. I really want to give the best show, and I'm like in (on) the floor," she said.

After saying she would try to carry on if physically possible, a sad-looking Rosalia eventually blew a kiss to the crowds and -- with a hand on her stomach -- walked off stage.

Rosalia, hailed for her genre-defying versatility, was in Milan as part of a tour which began in France earlier this month and will end in Puerto Rico in September.

The singer, who won best international artist at the Brit Awards this month, has earned widespread praise for her fourth album "Lux".

The sweeping, spiritual work, released at the end of last year, marks a departure from her previous flamenco and R&B rhythms.

The album features lyrics sung in 13 languages including German, English and Sicilian in addition to her native Spanish.


Heavy Metal Memorabilia on Offer at Julien’s ‘Music Icons’ Auction

 Executive director and Co-founder of Julien's Auctions Martin Nolan poses with Kiss original lead guitarist Ace Frehley's #1 1974 "Budokan" Triple Pickup Gibson Les Paul Custom, Cherry Sunburst guitar at the Hard Rock Cafe Piccadilly Circus, in London, Britain, March 24, 2026. (Reuters)
Executive director and Co-founder of Julien's Auctions Martin Nolan poses with Kiss original lead guitarist Ace Frehley's #1 1974 "Budokan" Triple Pickup Gibson Les Paul Custom, Cherry Sunburst guitar at the Hard Rock Cafe Piccadilly Circus, in London, Britain, March 24, 2026. (Reuters)
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Heavy Metal Memorabilia on Offer at Julien’s ‘Music Icons’ Auction

 Executive director and Co-founder of Julien's Auctions Martin Nolan poses with Kiss original lead guitarist Ace Frehley's #1 1974 "Budokan" Triple Pickup Gibson Les Paul Custom, Cherry Sunburst guitar at the Hard Rock Cafe Piccadilly Circus, in London, Britain, March 24, 2026. (Reuters)
Executive director and Co-founder of Julien's Auctions Martin Nolan poses with Kiss original lead guitarist Ace Frehley's #1 1974 "Budokan" Triple Pickup Gibson Les Paul Custom, Cherry Sunburst guitar at the Hard Rock Cafe Piccadilly Circus, in London, Britain, March 24, 2026. (Reuters)

From an ‌array of guitars to stage-worn costumes, memorabilia from the world of heavy metal is on offer in Julien's Auctions upcoming "Music Icons" sale and on display in London over coming weeks.

Items belonging to Ace Frehley, the original lead Kiss guitarist, are among the highlights, including a 1977 tour jacket.

The star lot is the 1974 Gibson ‌Les Paul ‌Ace #1, used on stage and in ‌the ⁠studio by Frehley, ⁠who died last year. It has a price estimate of $400,000 - $600,000.

"He was tremendously attached to this guitar... it’s part of his history," Martin Nolan, executive director and co-founder of Julien's Auctions, told Reuters at ⁠a press preview on Tuesday at London's ‌Hard Rock ‌Cafe in Piccadilly Circus.

"And sadly, he's no longer ‌with us. So the guitar and ‌the items of clothing that he wore are the conversation pieces that keep that legacy alive, keep that memory alive."

Guitars played by Metallica's ‌Kirk Hammett and Motley Crue co-founder Mick Mars among others are ⁠also ⁠on offer in the auction.

A selection of the lots will be on display in the windows of London's Hard Rock Cafe in Piccadilly Circus until April 13, before going on show at Hard Rock Cafe Tokyo on April 27.

The "Music Icons" auction, which Nolan said features more than 700 items across genres, will take place May 29-30 at Hard Rock Cafe Times Square in New York.


Now a True Pop Star, Miley Cyrus Returns to her 'Hannah Montana' Roots to Fete Anniversary Special

Miley Cyrus attends the world premiere for the television show "Hannah Montana 20th Anniversary Special" in Los Angeles, California, US, March 23, 2026. REUTERS/Mario Anzuoni
Miley Cyrus attends the world premiere for the television show "Hannah Montana 20th Anniversary Special" in Los Angeles, California, US, March 23, 2026. REUTERS/Mario Anzuoni
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Now a True Pop Star, Miley Cyrus Returns to her 'Hannah Montana' Roots to Fete Anniversary Special

Miley Cyrus attends the world premiere for the television show "Hannah Montana 20th Anniversary Special" in Los Angeles, California, US, March 23, 2026. REUTERS/Mario Anzuoni
Miley Cyrus attends the world premiere for the television show "Hannah Montana 20th Anniversary Special" in Los Angeles, California, US, March 23, 2026. REUTERS/Mario Anzuoni

Sporting that “Hannah Montana” blonde hair and bangs, Miley Cyrus went back to her roots — celebrating 20 years of the TV show that launched the career of a real-life pop star.

Cyrus reunited with cast members of “Hannah Montana” in Los Angeles Monday evening for the premiere of the “Hannah Montana 20th Anniversary Special.”

Cyrus told The Associated Press that the milestone has given her a chance to see the character and series from “a new perspective.” Cyrus, who began the Disney Channel show at age 13, played Miley Stewart, a tween and middle-schooler hiding her secret life as a famous pop singer.

“Getting to be on the outside now, getting to be grown and be a part of it in a way that I couldn’t when I was in the middle of it before, and all the chaos and the schedule and the performing of it all,” Cyrus said, “now it just gets to be a celebration. So it is a new perspective. I love that.”

The anniversary special, which started streaming Tuesday on Disney+ and Hulu, celebrates 20 years since the show’s premiere. Filmed in front of a live audience, it features music, archival footage and an interview with Cyrus — now 33 and a genuine pop star — conducted by podcast host Alex Cooper.

Addressing the audience at the premiere, Cyrus paid tribute both to fellow cast members and fans. “Without you all, this show would have never been what it is, and I love saying what it is, not what it was,” she said.

“Tonight isn’t about looking back into the past, but it’s about what it means to us still tonight,” she said.

Jason Earles, who played Miley’s brother Jackson, told the AP that watching the show now highlights how much time has passed.

“I think if you go back and you watch the episodes, there’s enough dated references like old flip phones and stuff that you go, ‘Oh no, no, this show was a little while ago,'” he said.

Cody Linley, who played Miley’s on-and-off boyfriend Jake Ryan, reflected on the impact of portraying a teen heartthrob.

“It’s hard to believe that there were girls that had pictures of me with my shirt off in their locker and they would have me sign it,” Linley said. “And it’s hard not to let it go to your head, because you have to remember that it’s an image that they are seeing. It’s not you.”

Also attending the premiere was country singer Lainey Wilson, who recalled working as a “Hannah Montana” impersonator early in her career.

“From 8th grade to 12th grade, five years of my life, I would open up the show as Lainey Wilson, I would run behind a tree and put on my ‘Hannah Montana’ get-up,” the singer said. “I did birthday parties, fairs, festivals ... I was hitting the roads.”