Movie Review: ‘How to Train Your Dragon’ Might Have Just Redeemed the Live-Action Adaptation

 Mason Thames arrives at the premiere of "How to Train Your Dragon" on Saturday, June 7, 2025, at the Academy Museum of Motion Pictures in Los Angeles. (Andrew Park/Invision/AP)
Mason Thames arrives at the premiere of "How to Train Your Dragon" on Saturday, June 7, 2025, at the Academy Museum of Motion Pictures in Los Angeles. (Andrew Park/Invision/AP)
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Movie Review: ‘How to Train Your Dragon’ Might Have Just Redeemed the Live-Action Adaptation

 Mason Thames arrives at the premiere of "How to Train Your Dragon" on Saturday, June 7, 2025, at the Academy Museum of Motion Pictures in Los Angeles. (Andrew Park/Invision/AP)
Mason Thames arrives at the premiere of "How to Train Your Dragon" on Saturday, June 7, 2025, at the Academy Museum of Motion Pictures in Los Angeles. (Andrew Park/Invision/AP)

Ever wanted to soar through the skies on the back of a friendly dragon? The new “How to Train Your Dragon” may be the ticket, from a decidedly safer, though possibly still vertigo-inducing, distance.

This live-action adaption of the underdog adventure story sends the audience cascading through the clouds with the teenage Viking boy Hiccup and his dragon friend Toothless. It’s the kind of immersive sensation and giddy wish fulfillment that might just have you forgetting momentarily to breathe and, maybe more importantly, that you’re still in a movie theater. Credit to veteran cinematographer Bill Pope, no stranger to fantasy worlds, whether it’s “The Matrix” or “Scott Pilgrim vs. The World.”

“How to Train Your Dragon” doesn’t stray far from the original, from shots to story beats. Gerard Butler once again plays Berk’s Chief Stoick the Vast. The new Hiccup, actor Mason Thames, even sounds a bit like Jay Baruchel. But unlike so many live-action remakes of animated films, it also doesn’t feel superfluous, or, worse, like a poor imitation of its predecessor that trades the magic of animation for photorealism.

Perhaps that’s because filmmaker Dean DeBlois, who made the three animated films, stayed in the director’s chair. Who better to kill their darlings than the one who brought them to the screen in the first place? And, crucially, to know where live-action might actually enhance the fabric of the world created by author Cressida Cowell.

It helps that dragon technology has come a long way since, say, “DragonHeart.” These fire-breathing CG creatures feel disarmingly real. And though it might look like “Lord of the Rings” or “Game of Thrones,” the tone stays light enough for younger filmgoers. There are a few intense sequences, but none that takes it any further than the animated film did 15 years ago.

“How to Train Your Dragon” does start a little slow, however, which is odd because it also begins with a fiery battle between the Vikings and the dragons on the Isle of Berk. There’s a lot of exposition and introduction that needs to happen before you can just give yourself over to the story. In this more multicultural version, the warriors on Berk have been recruited from tribes around the globe to try to defeat the dragons.

Hiccup is a Viking nepo baby. As the chief's son, he sits in a place of privilege, but he’s also a general outcast in this world of ruthless warriors — skinny and weak, he just longs to be part of the action, not sharpening the weapons. Killing dragons is currency in this society, and his crush Astrid (Nico Parker) happens to be one of the most promising up-and-comers. His sole champion is Gobber (a delightful Nick Frost), the blacksmith and dragon slayer teacher, who convinces the chief to give the clever Hiccup a shot.

The film finds its internal engine when Hiccup finds Toothless, the wide-eyed “Night Fury” dragon whom he can’t bring himself to kill. Instead, he decides to study this discovery, who he finds is not nearly as fearsome as everyone assumes. “How to Train Your Dragon” teaches empathy and ingenuity without a sermon.

Thames, a teenager himself, is the perfect embodiment of adolescent awkwardness and boldness. You can have all the cute dragons you want, but the audience would be lost if the human conduit to the relationship isn’t up to the task. Butler seems to be having a good time, resplendent in fur and chest-thumping ideas about ancient duties. And Parker gives Astrid a relatable depth — the best in the bunch who is outshone in an unequal fight.

Kids deserve movies that are made on the biggest possible canvas. “How to Train Your Dragon” is one that's worth the trip to the theater. It might just spark some young imaginations, whether it’s to go back and read the books or dream up their own worlds. And, chances are, no one is going to be yelling “chicken jockey.”



New Film Academy Members Include Danielle Deadwyler, Ariana Grande, Jason Momoa, Conan O’Brien

Ariana Grande. (Getty Images/AFP)
Ariana Grande. (Getty Images/AFP)
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New Film Academy Members Include Danielle Deadwyler, Ariana Grande, Jason Momoa, Conan O’Brien

Ariana Grande. (Getty Images/AFP)
Ariana Grande. (Getty Images/AFP)

The Academy of Motion Picture Arts and Sciences invited 534 new members to its organization on Thursday, adding recent Oscar nominees and many more to Hollywood's most exclusive club.

The newest class of Oscar voters includes a number of stars like Dave Bautista, Jason Momoa, Aubrey Plaza, Danielle Deadwyler and Andrew Scott. They, along with filmmakers, below-the-line professionals and executives will bring the film academy's membership total to 11,120, with voting members numbering 10,143.

That's the largest membership ever for the academy. Since the #OscarsSoWhite backlash, the film academy has added thousands of members to swell its ranks and diversify its voting body. This year's class is 41% female, 45% from underrepresented communities and 55% from outside the US.

Those new members will make the entire academy 35% women, 22% from underrepresented communities and 21% international.

"We are thrilled to invite this esteemed class of artists, technologists, and professionals to join the Academy," said academy chief executive Bill Kramer and president Janet Yang in a statement. "Through their commitment to filmmaking and to the greater movie industry, these exceptionally talented individuals have made indelible contributions to our global filmmaking community."

Invitations went out to 91 Oscar nominees and 26 winners, including best actress winner Mikey Madison ("Anora") and best supporting actor winner Kieran Culkin ("A Real Pain"). Recent nominees who were invited include Ariana Grande, Jeremy Strong, Sebastian Stan and Monica Barbara. Gints Zilbalodis, the director of best animated film winner "Flow" will join the animation branch.

Other filmmakers set to join the academy include Mike Flanagan ("Doctor Sleep"), Azazel Jacobs ("His Three Daughters"), Brady Corbet ("The Brutalist"), Coraline Fargeat ("The Substance") Jane Schoenbrun ("I Saw the TV Glow"), Halina Reijn ("Babygirl") and Gia Coppola ("The Last Showgirl").

Payal Kapadia ("All We Imagine As Light"), Lena Waithe ("Queen & Slim") and Greg Kwedar and Clint Bentley of "Sing Sing" were all invited in the writers branch. In the music branch, new members include Brandi Carlile ("Elton John: Never Too Late"), Branford Marsalis ("Rustin") and Youssou N’Dour ("Youssou N’Dour: I Bring What I Love").

The last two emcees to host the Oscars — Jimmy Kimmel and Conan O'Brien — were also invited as members. After a well-reviewed broadcast that drew 19.7 million viewers, O'Brien is returning to host the 2026 Academy Awards on March 15.

A few new rules will await the 2025 academy members.

For the first time, members will be required to watch all nominated films in each category to be eligible to vote in the final road of Oscar voting. This year, a new award category for casting will be voted on for the upcoming Oscars. The academy has also established a new Oscar for stunt design, but that won't be given out until 2028.